Misplaced Pages

Illiac Suite: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 22:50, 26 February 2017 editHyacinth (talk | contribs)176,976 edits External links: See also: , , and .← Previous edit Revision as of 01:23, 27 February 2017 edit undoHyacinth (talk | contribs)176,976 edits (see stochastic music)Next edit →
Line 2: Line 2:
'''''Illiac Suite''''' (later retitled '''String Quartet No. 4''')<ref>Andrew Stiller, "Hiller, Lejaren (Arthur)", ''Grove Music Online'' (reviewed December 3, 2010; accessed December 14, 2014).</ref> is a 1957 composition for ] which is generally agreed to be the first score composed by an ] ].<ref name="Baggi">Denis L. Baggi, "", ''lim.dico.unimi.it'' (December 9, 1998).</ref> ], in collaboration with ], programmed the ] computer at the ] (where both composers were professors) to generate compositional material for his String Quartet No. 4. '''''Illiac Suite''''' (later retitled '''String Quartet No. 4''')<ref>Andrew Stiller, "Hiller, Lejaren (Arthur)", ''Grove Music Online'' (reviewed December 3, 2010; accessed December 14, 2014).</ref> is a 1957 composition for ] which is generally agreed to be the first score composed by an ] ].<ref name="Baggi">Denis L. Baggi, "", ''lim.dico.unimi.it'' (December 9, 1998).</ref> ], in collaboration with ], programmed the ] computer at the ] (where both composers were professors) to generate compositional material for his String Quartet No. 4.


The piece consists of four movements, corresponding to four experiments: the first is about the generation of '']'', the second generates four-] segments with various rules, the third deals with ], ] and playing instructions, and the fourth with various models and probabilities for ]s or ]s.<ref name="Hiller" >Lejaren A. Hiller and Leonard M. Isaacson, '''', second edition (New York: McGraw-Hill, 1959): 5–7. Reprinted, Westport, Conn.: Greenwood Press, 1979. ISBN 978-0-313-22158-3.</ref> The piece consists of four movements, corresponding to four experiments: the first is about the generation of '']'', the second generates four-] segments with various rules, the third deals with ], ] and playing instructions, and the fourth with various models and probabilities for ]s or ]s (see ]).<ref name="Hiller" >Lejaren A. Hiller and Leonard M. Isaacson, '''', second edition (New York: McGraw-Hill, 1959): 5–7. Reprinted, Westport, Conn.: Greenwood Press, 1979. ISBN 978-0-313-22158-3.</ref>


== References == == References ==

Revision as of 01:23, 27 February 2017

Illiac Suite (later retitled String Quartet No. 4) is a 1957 composition for string quartet which is generally agreed to be the first score composed by an electronic computer. Lejaren Hiller, in collaboration with Leonard Issacson, programmed the ILLIAC I computer at the University of Illinois at Urbana-Champaign (where both composers were professors) to generate compositional material for his String Quartet No. 4.

The piece consists of four movements, corresponding to four experiments: the first is about the generation of cantus firmi, the second generates four-voice segments with various rules, the third deals with rhythm, dynamics and playing instructions, and the fourth with various models and probabilities for generative grammars or Markov chains (see stochastic music).

References

  1. Andrew Stiller, "Hiller, Lejaren (Arthur)", Grove Music Online (reviewed December 3, 2010; accessed December 14, 2014).
  2. Denis L. Baggi, "The Role of Computer Technology in Music and Musicology", lim.dico.unimi.it (December 9, 1998).
  3. Lejaren A. Hiller and Leonard M. Isaacson, Experimental Music: Composition With an Electronic Computer, second edition (New York: McGraw-Hill, 1959): 5–7. Reprinted, Westport, Conn.: Greenwood Press, 1979. ISBN 978-0-313-22158-3.

External links

Computer music
People CSIRAC.
Programs and
instruments
Places
Techniques
Compositions
Categories: