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| ] as Chaplain, Josephine Welcome as Kattrin, Margaret Robertson as Mother Courage, in '']'' by Bertolt Brecht, Internationalist Theatre]] | ] as Chaplain, Josephine Welcome as Kattrin, Margaret Robertson as Mother Courage, in '']'' by Bertolt Brecht, Internationalist Theatre]] | ||
| '''Internationalist Theatre''' is a London theatre company founded by South African Greek actress ] |
'''Internationalist Theatre''' is a London theatre company founded by South African Greek actress ] in September 1980.<ref name=conway>{{cite book |url=https://books.google.com/books?id=BjFaAAAAMAAJ&q=%22Internationalist+Theatre%22 |title=British Alternative Theatre Directory|author=Robert Conway|publisher=J. Offord |date= 1988|pages=27–28 |isbn= 9780903931380}}</ref> The company was originally named New Internationalist Theatre,<ref> {{cite web|url= https://books.google.co.uk/books?id=lzkOAQAAMAAJ&q=%22Angelique+Rockas%22&dq=%22Angelique+Rockas%22&hl=en&sa=X&ved=0ahUKEwjg0LLdmPjXAhVjI8AKHYyIAyoQ6AEIQzAG/|title=British Theatre directory Internationalist Theatre Entry|author=British Theatre Directory editor|date=1990|work=British Theatre Directory page 336 |via=books.google.co.uk}}</ref><ref>https://archiv.adk.de/objekt/2583471</ref> with an intention to pursue an ] approach in its choice of plays as well as "a multi-racial drama policy, with an even mix of performers drawn from different cultural groups".<ref name=conway /><ref>{{cite web|url=https://archive.org/details/TheStageTheatreNewsOriginal|title=Multi-racial Genet|author=Stage Editorial|date=9 April 1981|work=The Stage|via=Internet Archive}}</ref> | ||
| The theatre has received coverage from stage papers around the world.<ref> |
The theatre has received coverage from stage papers around the world.<ref>{{cite web|url=https://archive.org/details/InterviewEleutherotipiaGreeceAngeliqueRockasAugust1992|title=Interview ''Eleutherotipia'' Greece Angelique Rockas |author=Dimitris Gionis|date=August 1992|work=|via=Internet Archive}}</ref><ref>{{cite web|url=https://archive.org/details/NationalHeraldUSAAngeliqueRockas1005|title= Angelique Rockas 1005|author= Ari Papadopoulos|date=July 1993|work=National Herald USA|via=Internet Archive}}</ref><ref>{{cite web|url=https://archive.org/details/VogueMexcoCoverJuly1992 |title=Vogue Mexico Interview Angelique Rockas Multi Faceted Actress Spanish and English |author=Luis Carlos Emmerich|date=July 1992|work=Vogue Mexico|via=Internet Archive}}</ref><ref>{{cite news|url=http://www.thesouthafrican.com/angelique-rockas-bold-theatre-pioneer/|title=Angelique Rockas: bold theatre pioneer|author=|date=10 August 2011|work=The South African}}</ref><ref>{{cite web|url=http://www.hellenism.net/interview_angelique-rockas.html|title=Angelique Rockas|author=Evangelos Kordakis|date=|work=hellenism.net}}</ref> It received charity status in 1986.<ref>{{cite web|url=https://archive.org/details/InternationalistTheatreCharityRegistrationAngeliqueRockas1986|title=Internationalist Theatre granted Charity status|author=Charity Commission|date=1986|work=|via=Internet Archive}}</ref> | ||
| The company received charity status in 1986.<ref>{{cite web|url=https://archive.org/details/InternationalistTheatreCharityRegistrationAngeliqueRockas1986|title=Internationalist Theatre granted Charity status|author=Charity Commission|date=1986|work=|via=Internet Archive}}</ref> | |||
| == Performances and reception == | == Performances and reception == | ||
| The Internationalist Theatre has put on plays by, among others, ] ('']''),<ref name=":0">{{cite web|url=https://archive.org/details/FirstPageOfBBCFrenchLanguageReview|title=Why An International Theatre|date=30 June 1981|work=BBC French|via=Internet Archive}}</ref> ] ('']''), ] ('']''),<ref>{{cite web|url=https://archive.org/details/PdfInternationalistLiolaMultiRacialAndMultiNationalJuly1982|title=Deceit in a Sicilian village|author=Harold Atkins|date=28 July 1982|work=The Daily Telegraph|via=Internet Archive}}</ref><ref>{{cite news |title=LIOLA |author=Nicolas de Jongh |date= 28 July 1982|work=The Guardian }}</ref> ] ('']''),<ref name=":1">{{cite web|url=https://www.flickr.com/photos/internationalist_theatre_rockas/6459501423/in/album-72157627979736863/|title=In the Bar of a Tokyo Hotel|author=Lindsay Anderson|date=5 May 1983|via=flickr.com}}</ref> ] ('']'')<ref>{{cite web|url=https://books.google.co.uk/books?id=iMC5o-iJq-YC&pg=PA933&dq=%22Angelique+Rockas%22&hl=en&sa=X&ved=0ahUKEwibzKr-mvjXAhWoI8AKHbs4DiYQ6AEIJzAA#v=onepage&q=%22Angelique%20Rockas%22&f=false|title=An International Annotated Bibliography of Strindberg Studies section 12 1378|author=Michael Robinson|date=2008|via=books.google.co.uk}}</ref> and ] ('']).<ref>{{cite web|url=http://www.doollee.com/Main%20Pages/theatreRecordPlaysIndex.pdf|title=Theatre Record Play index 05/p.0261 'Enemies ' 74/1207|author=Theatre Record|date=March 1985|work=Theatre Record|via=.doollee.com}}</ref>'' Their critical reception was generally favourable,<ref name=":0" /><ref>{{cite web|url=https://archive.org/details/Liola_review_corriere_della_serra_20_july_1982_Internationalist_theatre|title=piace a Londra ''Liolà'' in teatro|author=|date=20 July 1982|work=Corriere della Serra|via=Internet Archive}}</ref><ref name=":1" /><ref>{{cite web|url=https://archive.org/details/TheStageMissJulieOriginal|title=Review of Miss Julie|author=RB Marriott|date=2 February 1984|work=The Stage|via=Internet Archive}}</ref><ref>{{cite web|url=https://archive.org/details/MorningStarOrigianlEnemies|title=Review of ''Enemies''|author=Tom Vaughan|date=26 March 1985|work=The Morning Star|via=Internet Archive}}</ref> although not universally; '']'' magazine disliked ''Mother Courage,<ref>{{cite web|url=https://archive.org/details/TimeOutMalcolmHay13May1982|title=Full Review of ''Mother Courage''|author=Malcolm Hay|date=13 May 1982|work=Time Out magazine|via=Internet Archive}}</ref>'' and the '']'' found '']''{{'}}s multi-national casting problematic.<ref>{{cite web|url=https://archive.org/details/LiolaFTReviewInternationalistTheatreCommittedToInternationalCastingJuly1982|title=Liola!/Bloomsbury Theatre|date=28 July 1982|work=Financial Times|via=Internet Archive}}</ref> | |||
| *1981 ] ('']''),"production uses Theatre Space to its limits, Characters are not restricted to just the stage area; they leap out of the wall, appear from the audience so that there is no separation between the players and spectators , We are all voyeurs participating in Genet`s games. The surroundings of Theatre Space conspire to enhance the atmosphere of sleaze , a quality that eluded the last London production by the RSC (])." <ref>{{cite news|title=The Balcony|date=10 July 1981|author=Michael Darvell|work=What`s On}}</ref>."L`atmosphere louche et malsaine est tres bien recreee par le New Internatlionalist theatre., Et s`ils sont aussi vivants et revelateurs les jeunes talents que on ne peut que s`en rejouir.. ] est pleine d`autorite dans le role de Madame Irma.".. <ref>Archived Madeleine Jay BBC French Service(now BBC World Service) The Balcony review, , 30 June 1981</ref><ref> Archived Madeleine Jay BBC French Service The Balcony review, , 30 June 1981</ref> | |||
| * 1981 premiere of ]`s ] <ref>ISNI 0000000463554836 Internationalist Theatre The Camp</ref> an anti-junta protest play which "relentlessly exposes and explores the psychology of fascism ..draws its political paralels by reference to Nazi concentration camps...…it`s incredible theatre: a powerful alternative to the marsh mellow media we usually get fed, ]."<ref >{{cite web | title=The Camp Spare Rib : Viewer | website=JISC Journal Archives | url=https://data.journalarchives.jisc.ac.uk/britishlibrary/sparerib/view?volumeIssue=33313337323334343737%2333383234353738313239$%23313135&journal=33313337323334343737%2333383234353738313239 | access-date=2019-02-05}}</ref>The BBC Latin American Service noted "in El Campo Gambaro expresses her savage outrage at artistic repression via the figure of Emma the artist humiliated and mutilated".<ref> Archived Ann Morey BBC Latin American Service (now BBC Mundo) review pg 1 and 2 ,,, 26 October 1981.</ref> | |||
| *1982 Internationalist Theatre`s production of ]`s ('']''), " whose attack on the practice of war could not- with south atlantic news filling the front pages- have been more topical...prompted the questions it should..."<ref>{{cite book|url=https://books.google.co.uk/books?id=16paAAAAMAAJ&q=%22Internationalist+Theatre%22+-wikipedia&dq=%22Internationalist+Theatre%22+-wikipedia&hl=en&sa=X&ved=0ahUKEwj5jcraksDeAhVlAsAKHfeVB_Y4FBDoAQgqMAE|title=Mother Courage and Her Children|issue=139-154|publisher=The Theatre Quarterly|page=32|date=1982|via=google.co.uk}}</ref> and performed in an old disused Charing Cross hospital basement.The ] noted that viewing three hours of Brecht in such an environment "might sound like noble endurance indeed. But the Internationalist Theatre production of Mother Courage at the Theatre Space is not to be so lightly dismissed.. serious straight forward workmanlike performances by actors who are prepared to let the play speak for itself".<ref>{{cite news|title=Letting Mother take the Load| date=6 May 1982|author=Christopher Hudson |work=The Standard}}</ref><ref> Archived Christopher Hudson Mother Courage review, , "]", 6 May 1982.</ref> | |||
| *1982 premiere of ] ('']'')" It opened with a satiety of womens` gossip. some of it not very easy to follow with the various accents of the New Internationalist Theatre. But it picked up wonderfully" noted ]." The pleasures of the performance with its occasional songs based on ballads and tarantellas , lay in the village vitality, the lusty folk element. .and the children romped about deliciously. A very good evening of an unusual kind."<ref>{{cite news |title=Deceit in an Italian Village |author=Harold Atkins |date= 28 July 1982 |work=The Daily Telegraph|publisher=Gale Group }]</ref> "Il successo e stato particolarmente vivo e le recensioni della stampa molto positivo", ].<ref>{{cite web|url=https://archive.org/details/Liola_review_corriere_della_serra_20_july_1982_Internationalist_theatre|title=piace a Londra ''Liolà'' in teatro |author=|date=20 July 1982|work=Corriere della Sera|via=Internet Archive}}</ref> | |||
| *1983 premiere of ]`s ('']''), "director Alkis Kritikos dug powerfully into the nature of these 4 characters.....]`s designs caught just the right feel of an expensive impersonal hotel".<ref>{{cite web|url=https://www.britishnewspaperarchive.co.uk/search/results?basicsearch=the%20stage%20battle%20for%20riches%201983%20ann%20nugent&retrievecountrycounts=false|title= British Newspaper Archive The Stage review of In the Bar of a TokyoHotel,The Battle for Riches |author=Ann Nugent |date=November 1983|work=The Stage|via=britishnewspaperarchive.co.uk}}</ref><ref name=":1">{{cite web|url=https://www.flickr.com/photos/internationalist_theatre_rockas/6459501423/in/album-72157627979736863/|title=In the Bar of a Tokyo Hotel|author=Lindsay Anderson|date=5 May 1983|via=flickr.com}}</ref><ref >{{cite books|url=https://www.google.com/search?tbm=bks&q=South+African+digest+Angelique+Rockas+dynamic++film+director+Lindsay+Anderson+Tennessee+Williams+I+thought+you+did+that+harsh+yet++vulnerable+woman+extremely+well| title=SA Actress praised |author=Dirk de Villers|work=The Star |publisher=South African Digest|date=July 1983 |page=66|via=google.com}}</ref> | |||
| *1984 ]`s ('']'')<ref>{{cite web|url=https://books.google.co.uk/books?id=iMC5o-iJq-YC&pg=PA933&dq=%22Angelique+Rockas%22&hl=en&sa=X&ved=0ahUKEwibzKr-mvjXAhWoI8AKHbs4DiYQ6AEIJzAA#v=onepage&q=%22Angelique%20Rockas%22&f=false|title=An International Annotated Bibliography of Strindberg Studies section 12 1378|author=Michael Robinson|date=2008|via=books.google.co.uk}}</ref> "I have not seen a better production of Strindberg`s "Miss Julie" than the Internationalist Theatre`s staging....It is wild and raw, steeped in emotion and dramatic drive,like the play itself, and reveals the aristocratic Julie and the servant Jean in all their vivid colouring and depth of corruption..."<ref>{{cite web|title=The Stage Miss Julie pg.16|website=British Newspaper Archive|date=2 February 1984|url=https://www.britishnewspaperarchive.co.uk/search/results/1950-01-01/1999-12-31?basicsearch=internationalist%20miss%20julie%20the%20stage%2022%20january%201984&somesearch=internationalist%20miss%20julie%20the%20stage%2022%20january%201984&retrievecountrycounts=false&newspapertitle=the%2bstage|access-date=2019-02-07}}</ref> | |||
| *1985 ] ('']).<ref>{{cite web|url=http://www.doollee.com/Main%20Pages/theatreRecordPlaysIndex.pdf|title=Theatre Record Play index 05/p.0261 'Enemies ' 74/1207|author=Theatre Record|date=March 1985|work=Theatre Record|via=doollee.com}}</ref>'' "this is a great revolutionary play, by a great revolutionary writer, performed with elegance and style, great passion and commitment", ].<ref>{{cite news|title=Enemies|date=26 March 1985|author=Tom Vaughan |work=Morning Star}}</ref><ref> Tom Vaughan Morning Star Enemies review 26 March 1985 accessed at Marx Memorial Library London </ref> The ] favoured the use of actors without class accents as it clarified the disastrous results of political fanaticism.<ref> Archived BBC Russia Service Enemies review 30 March 1985</ref> | |||
| Internationalist Theatre staged productions by dramatists including Pirandello, Genet, and Tennessee Williams who belong to "the continental, non-realistic, symbolically orientated drama of this century (20th) and...proved most uncongenial to the tunnel visioned repertoire builders" of British theatre of that period,], ].<ref>{{cite web|url=https://search.proquest.com/docview/186334752?accountid=17321 |title= LIOLA review pg.10 |author=Nicolas de Jongh |date=28 July 1982 |work=The Guardian from Proquest Historical library |via=proquest.com}}</ref> | |||
| Though their critical reception was generally favourable, but not universally so ; '']'' magazine disliked ''Mother Courage'', not only because "the actors are allowed to play their emotions full blast " but also ".. the casting only inspires a whole host of irreverent questions: what on earth, say, is an American sergeant doing in seventeenth century Europe? And how did a Pakistani chaplain get into the Swedish army?": an example of the resistance to inclusive multi-racial and multi-national casting in a classic<ref>{{cite web|url=https://archive.org/details/TimeOutMalcolmHay13May1982|title=Full Review of ''Mother Courage''|author=Malcolm Hay|date=13 May 1982|work=Time Out magazine|via=Internet Archive}}</ref> ] was the Asian actor who played the chaplain. The '']'' found '']''{{'}}s multi-national casting problematic : " do we really need this peculiar medley of Italian accents for the English premiere? The problem is compounded by the commitment ...to a multi-national cast ....English, German, Sicilian, and Italian actors produce widely differing versions of the Latin lilt"<ref>{{cite web|url=https://archive.org/details/LiolaFTReviewInternationalistTheatreCommittedToInternationalCastingJuly1982|title=Liola!/Bloomsbury Theatre|date=28 July 1982|work=Financial Times|via=Internet Archive}}</ref> | |||
| ] as Carmen with Okon Jones in Genet's ], Internationalist Theatre]] | ] as Carmen with Okon Jones in Genet's ], Internationalist Theatre]] | ||
Revision as of 17:17, 20 September 2019
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Internationalist Theatre is a London theatre company founded by South African Greek actress Angelique Rockas in September 1980. The company was originally named New Internationalist Theatre, with an intention to pursue an internationalist approach in its choice of plays as well as "a multi-racial drama policy, with an even mix of performers drawn from different cultural groups".
The theatre has received coverage from stage papers around the world. It received charity status in 1986.
Performances and reception
The Internationalist Theatre has put on plays by, among others, Jean Genet (The Balcony), Brecht (Mother Courage and Her Children), Luigi Pirandello (Liolà), Tennessee Williams (In the Bar of a Tokyo Hotel), Strindberg (Miss Julie) and Maxim Gorky (Enemies). Their critical reception was generally favourable, although not universally; Time Out magazine disliked Mother Courage, and the Financial Times found Liolà's multi-national casting problematic.
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See also
References
- ^ Robert Conway (1988). British Alternative Theatre Directory. J. Offord. pp. 27–28. ISBN 9780903931380.
- British Theatre Directory editor (1990). "British Theatre directory Internationalist Theatre Entry". British Theatre Directory page 336 – via books.google.co.uk.
{{cite web}}:|author=has generic name (help) - https://archiv.adk.de/objekt/2583471
- Stage Editorial (9 April 1981). "Multi-racial Genet". The Stage – via Internet Archive.
- Dimitris Gionis (August 1992). "Interview Eleutherotipia Greece Angelique Rockas" – via Internet Archive.
- Ari Papadopoulos (July 1993). "Angelique Rockas 1005". National Herald USA – via Internet Archive.
- Luis Carlos Emmerich (July 1992). "Vogue Mexico Interview Angelique Rockas Multi Faceted Actress Spanish and English". Vogue Mexico – via Internet Archive.
- "Angelique Rockas: bold theatre pioneer". The South African. 10 August 2011.
- Evangelos Kordakis. "Angelique Rockas". hellenism.net.
- Charity Commission (1986). "Internationalist Theatre granted Charity status" – via Internet Archive.
- ^ "Why An International Theatre". BBC French. 30 June 1981 – via Internet Archive.
- Harold Atkins (28 July 1982). "Deceit in a Sicilian village". The Daily Telegraph – via Internet Archive.
- Nicolas de Jongh (28 July 1982). "LIOLA". The Guardian.
- ^ Lindsay Anderson (5 May 1983). "In the Bar of a Tokyo Hotel" – via flickr.com.
- Michael Robinson (2008). "An International Annotated Bibliography of Strindberg Studies section 12 1378" – via books.google.co.uk.
- Theatre Record (March 1985). "Theatre Record Play index 05/p.0261 'Enemies ' 74/1207" (PDF). Theatre Record – via .doollee.com.
- "piace a Londra Liolà in teatro". Corriere della Serra. 20 July 1982 – via Internet Archive.
- RB Marriott (2 February 1984). "Review of Miss Julie". The Stage – via Internet Archive.
- Tom Vaughan (26 March 1985). "Review of Enemies". The Morning Star – via Internet Archive.
- Malcolm Hay (13 May 1982). "Full Review of Mother Courage". Time Out magazine – via Internet Archive.
- "Liola!/Bloomsbury Theatre". Financial Times. 28 July 1982 – via Internet Archive.
External links
- Bertolt-Brecht-Archiv Akademie der Künste Mother Courage and Her Children
- The records of Internationalist Theatre, London, 1983-1985; New Internationalist Theatre, London, 1981-1982 are held by the British Library.
- University College Dublin Index to Pirandello Studies, Vol 3 (1983), Liola p.100-102
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