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{{short description|Australian stage and film director|bot=PearBOT 5}} {{short description|Australian stage and film director|bot=PearBOT 5}}
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{{BLP sources|date=December 2015}}
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{{notability|Bio|date=February 2018}}
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{{Infobox person {{Infobox person
| name = Leticia Caceres | name = Leticia Cáceres
| image = Leticia Caceres profile.jpg | image = Leticia Caceres profile.jpg
| birth_date = {{birth date and age|1978|02|17}} | birth_date = {{birth date and age|1978|02|17}}
| birth_place = ] | birth_place = ]
| citizenship = {{plainlist| | citizenship = {{plainlist|
* ] * ]
* ] * ]
* ] * ]
}} }}
| agent = Cameron's Management | agent = Cameron's Management
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| occupation = Theatre and Film Director, Dramaturge | occupation = Theatre and Film Director, Dramaturge
}} }}
'''Leticia Cáceres''' (born February 17, 1978) is an ] theatre, TV and film director. She has won many awards for her achievements in directing, at the ], ], ], ], ], and the Tasmanian Theatre Awards.
'''Leticia Caceres''' (1978) is an ]n stage and film director.<ref name="yellowAgency">{{Cite web|url=https://www.cameronsmanagement.com.au/leticia-caeres-stage-director/|title=Leticia Cáceres {{!}} Cameron's Management|website=cameronsmanagement.com.au|access-date=2016-09-23}}</ref>


== Career == == Early life ==
Cáceres was born in ]. Her parents, physicist Carlos Cáceres and computer programmer Maria Cáceres, fled Argentina in 1981 during the ], seeking refuge in ]. The family returned to Argentina in 1983 before leaving again in 1989. They initially moved back to Canada, before finally settling in ], ] in 1991. Cáceres studied drama at Indooroopilly state school.<ref name="g1">{{cite web |url=https://www.theguardian.com/stage/2015/jul/20/leticia-caceres-on-death-and-the-maiden-this-play-has-lasted-the-test-of-time |title=Leticia Cáceres on Death and the Maiden: How many versions of truth do we tell? |publisher=] |author=Steve Dow |date=July 20, 2015 |access-date=February 5, 2021}}</ref><ref>{{cite web |url=https://www.theaustralian.com.au/arts/review/flying-high/news-story/6fae5e82d7fd11679f44b8bf9b89b0ca&usg=AOvVaw2a-kkULLRUAsFzUZeJhH-g |title=Flying High |publisher=The Australian |date=July 21, 2012 |access-date=February 9, 2021}}</ref>
Cáceres was Associate Director for ] from 2013 to 2015,<ref>{{Cite web|url=http://www.mtc.com.au/about/media/media-releases/2015/12/mtc-farewells-associate-director-leticia-caceres/|title=MTC Farewells Associate Director Leticia Cáceres - Melbourne Theatre Company|website=Melbourne Theatre Company|access-date=2016-09-23|url-status=live|archiveurl=https://web.archive.org/web/20160923160307/http://www.mtc.com.au/about/media/media-releases/2015/12/mtc-farewells-associate-director-leticia-caceres/|archivedate=2016-09-23}}</ref> and Artistic Director of Tantrum Youth Arts between 2006 and 2007.<ref>{{Cite news|url=http://newcastlelive.com.au/tantrum-youth-arts-receives-catalyst-funding-grant-from-federal-government/|title=Tantrum Youth Arts receives Catalyst funding grant from Federal Government {{!}} Newcastle Live|date=2016-06-15|work=Newcastle Live|access-date=2018-02-06|language=en-US|url-status=live|archiveurl=https://web.archive.org/web/20180207005323/http://newcastlelive.com.au/tantrum-youth-arts-receives-catalyst-funding-grant-from-federal-government/|archivedate=2018-02-07}}</ref>


In 2000, she graduated from the ] with a bachelor's degree in Drama.<ref name="smh1">{{cite news |url=https://www.smh.com.au/entertainment/theatre/playhouse-pair-put-politics-centre-stage-20120727-22zoj.html |title=Playhouse pair put politics centre stage |publisher=The Sydney Morning Herald |author=Robin Usher |date=July 28, 2012 |access-date=February 8, 2021}}</ref>
Cáceres is co-founder<ref name="theaustralian">{{Cite web|url=https://www.theaustralian.com.au/arts/review/flying-high/news-story/6fae5e82d7fd11679f44b8bf9b89b0ca?sv=ba24969312d8556d93e971871d809c93|title= Flying High|website=www.theaustralian.com.au|language=en|access-date=2018-02-06}}</ref> of independent theatre company, RealTV <ref name="theaustralian"/> with playwright Angela Betzien. Their work for young audiences include: ''Hoods'', which won the 2008<ref>{{Cite web|url=https://www.matildaawards.com.au/archives/#m09|title=Archives|website=Matilda Awards|language=en-AU|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20180207005226/https://www.matildaawards.com.au/archives/#m09|archivedate=2018-02-07}}</ref> ] for Best Independent Production, the 2007 ] for Theatre for Young Audiences<ref>{{Cite web|url=http://www.australiantelevision.net/awards/awgie2007.html|title=Australian Television: 2007 AWGIE Awards|website=www.australiantelevision.net|language=en|access-date=2018-02-06}}</ref> and received a 2008 ] nomination;<ref>{{Cite web|url=http://www.helpmannawards.com.au/2008/past-nominees-and-winners/presentation-for-children|title=Past nominees and winners {{!}} Helpmann Awards|website=www.helpmannawards.com.au|language=en|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20180206190257/http://www.helpmannawards.com.au/2008/past-nominees-and-winners/presentation-for-children|archivedate=2018-02-06}}</ref> ''War Crimes''; and ''Children of the Black Skirt''.


== Theatre career ==
⚫ Cáceres's screen credits include ''Wild'', which won Best First Time Director at the 2017 London Film Awards,<ref>{{Cite web|url=https://londonfilmawards.com/winners-main|title=Winners|last=User|first=Super|website=londonfilmawards.com|language=en-gb|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20170704073848/https://londonfilmawards.com/winners-main|archivedate=2017-07-04}}</ref> and ''The True History of Billie The Kid''.<ref name="yellowAgency"/>
Cáceres co-founded theatre company RealTV with playwright Angela Betzien in 2000.<ref>{{cite web |url=https://www.smh.com.au/entertainment/theatre/paint-it-black-20111027-1mklr.html |title=Paint it black |publisher=] |date=October 28, 2011 |access-date=February 5, 2021}}</ref> She was the associate director for ] between 2003 and 2005,<ref>{{cite web |url=https://www.nida.edu.au/productions/in-conversation/videos/leticia-caceres |title=Leticia Cáceres – Thursday 9 July 2020 |website=] |date=July 9, 2020 |access-date=February 5, 2021}}</ref> artistic director of Tantrum Youth Arts between 2006 and 2007,<ref>{{Cite news|url=http://newcastlelive.com.au/tantrum-youth-arts-receives-catalyst-funding-grant-from-federal-government/|title=Tantrum Youth Arts receives Catalyst funding grant from Federal Government {{!}} Newcastle Live|date=June 6, 2015 |work=Newcastle Live |access-date=February 5, 2021 |language=en-US |url-status=live |archiveurl=https://web.archive.org/web/20180207005323/http://newcastlelive.com.au/tantrum-youth-arts-receives-catalyst-funding-grant-from-federal-government/|archivedate=2018-02-07}}</ref> and associate director for the ] from 2013 to 2015.<ref>{{Cite web|url=http://www.mtc.com.au/about/media/media-releases/2015/12/mtc-farewells-associate-director-leticia-caceres/|title=MTC Farewells Associate Director Leticia Cáceres - Melbourne Theatre Company|website=aussietheatre.com |access-date=February 5, 2021 |url-status=live|archiveurl=https://web.archive.org/web/20160923160307/http://www.mtc.com.au/about/media/media-releases/2015/12/mtc-farewells-associate-director-leticia-caceres/|archivedate=2016-09-23}}</ref>

She graduated with a Master's of Dramatic Art (Directing) from the ], ] in 2014.<ref>{{cite magazine |url=https://mag.alumni.unimelb.edu.au/files/2017/10/3010_SEPTEMBER_2017_COMPLETE_2-1zi9x3p.pdf |format=pdf |issue=2 |year=2017 |title=2017 Helpmann awards |magazine=3010 melbourne university magazine |publisher=Mediaxpress |page=37}}</ref>

== TV and film career ==
Cáceres second film, ''The True History of Billie the Kid'', was shown at the ] in 2018,<ref>{{cite web |url=https://mubi.com/films/the-true-history-of-billie-the-kid |title=THE TRUE HISTORY OF BILLIE THE KID |website=mubi.com |access-date=February 9, 2021}}</ref> for which she was selected to participate in the festival's 2018 emerging director program.<ref>{{cite web |url=https://miffindustry.com/assets/PressReleases/MR_Accelerator2018A.pdf |format=pdf |title=ACCELERATOR LAB WELCOMES MOST DIVERSE INTAKE EVER |publisher=Melbourne International Film Festival |website=miff.com.au |access-date=February 9, 2021}}</ref>

In 2019, Cáceres became an artist-in-residence at Start VR.<ref>{{cite web |url=https://www.if.com.au/leticia-caceres-to-take-up-artist-residency-with-start-vr/ |title=Leticia Caceres to take up artist residency with Start VR |website=if.com.au |date=June 25, 2019 |access-date=February 5, 2021}}</ref>

She is a recipient of a Screen Australia’s Gender Matters – Brilliant Careers grant.<ref name="fi1">{{cite web |url=https://www.filmink.com.au/screen-australia-2018-developing-developer-recipients-announced/ |title=Screen Australia 2018 Developing the Developer Recipients Announced |author=Travis Johnson |date=March 23, 2018 |website=filmink.com.au |access-date=February 8, 2021}}</ref>

Cáceres is one of the directors of the Australian TV series ].<ref name="g3">{{cite web |url=https://www.theguardian.com/tv-and-radio/2021/jan/01/bump-review-sharp-sweet-and-surreal-story-of-unexpected-teen-parenthood |title=Bump review – sharp, sweet and surreal story of unexpected teen parenthood |publisher=] |author=Meg Watson |date=December 31, 2020 |access-date=February 5, 2021}}</ref>

== Personal life ==
Cáceres is married with one child, and has a brother, Marcos.<ref name="g1" /> She identifies herself as a feminist and a political artist.<ref>{{cite web |url=http://audiostage.guerrillasemiotics.com/laetitia-caceres-lena-caminha/ |title=LETICIA CÁCERES & LENA CAMINHA / BEING UNDERSTOOD |website=Audio Stage |access-date=February 5, 2021}}</ref><ref name="smh1" />


== Awards == == Awards ==
⚫ In 2008, Cáceres won the award for Best Direction at the Matilda Awards, for ''Hoods''.<ref>{{Cite web|url=https://www.matildaawards.com.au/archives/#m09|title=Archives|website=Matilda Awards|language=en-AU|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20180207005226/https://www.matildaawards.com.au/archives/#m09|archivedate=2018-02-07}}</ref>
Her production of Leah Purcell's '']'' (]) won four ] including Best Direction and Best Production<ref>{{Cite news|url=http://www.smh.com.au/entertainment/stage/helpmann-awards-2017-winners-koskys-saul-and-belvoirs-the-drovers-wife-dominate-20170724-gxhlus.html|title=Helpmann Awards 2017 winners: Kosky's Saul and Belvoir's The Drover's Wife dominate|last=Francis|first=Hannah|date=2017-07-25|work=The Sydney Morning Herald|access-date=2018-02-06|language=en-US|url-status=live|archiveurl=https://web.archive.org/web/20170803144146/http://www.smh.com.au/entertainment/stage/helpmann-awards-2017-winners-koskys-saul-and-belvoirs-the-drovers-wife-dominate-20170724-gxhlus.html|archivedate=2017-08-03}}</ref> and four Sydney Theatre Awards including Best Direction and Best Production.<ref>{{Cite web|url=http://www.sydneytheatreawards.com/history/2016|title=2016 {{!}} Sydney Theatre Awards|website=www.sydneytheatreawards.com|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20180213092400/http://www.sydneytheatreawards.com/history/2016|archivedate=2018-02-13}}</ref> She also won the 2015 Best Director ] Award for her production of ]' ''Birdland'',<ref>{{Cite news|url=http://artsreview.com.au/33rd-annual-green-room-awards-announced/|title=33rd Annual Green Room Awards announced|date=2016-03-21|work=Australian Arts Review|access-date=2018-02-06|language=en-AU|url-status=live|archiveurl=https://web.archive.org/web/20180116193411/http://artsreview.com.au/33rd-annual-green-room-awards-announced/|archivedate=2018-01-16}}</ref> presented by Melbourne Theatre Company.<ref>{{Cite web|url=http://www.mtc.com.au/about/the-company/archive/mainstage-2015/birdland/|title=Birdland - Melbourne Theatre Company|website=Melbourne Theatre Company|language=en|access-date=2018-02-06|url-status=live|archiveurl=https://web.archive.org/web/20171018182004/http://www.mtc.com.au/about/the-company/archive/mainstage-2015/birdland/|archivedate=2017-10-18}}</ref>

In 2016, she won the Direction award in the Theatre (companies) category at the 33rd Annual Green Room Awards for ''Birdland''.<ref>{{cite web |url=http://artsreview.com.au/33rd-annual-green-room-awards-announced/ |title=33rd Annual Green Room Awards announced |author=Cassie Tongue |website=artsreview.com.au |date=March 21, 2016 |access-date=February 5, 2021}}</ref>

She won the award for Best Direction of a Mainstage Production at the 2016 Sydney Theatre Awards, and Best Direction of a Play at the 2017, ], for '']''.<ref>{{cite web |url=https://aussietheatre.com.au/news/winners-2016-sydney-theatre-awards |title=All the winners at the 2016 Sydney Theatre Awards |author=Cassie Tongue |website=aussietheatre.com |date=January 23, 2017 |access-date=February 5, 2021}}</ref><ref>{{cite web |url=https://www.smh.com.au/entertainment/helpmann-awards-2017-winners-koskys-saul-and-belvoirs-the-drovers-wife-dominate-20170724-gxhlus.html |title=Helpmann Awards 2017 winners: Kosky's Saul and Belvoir's The Drover's Wife dominate |author=Hannah Francis |publisher=] |date=July 25, 2017 |access-date=February 5, 2021}}</ref>

In 2017, she won the Gold Lion Award for Best First-Time Director at the London Film Awards,<ref>{{cite web |url=https://londonfilmawards.com/2017-winners/ |title=2017 London Film Award Winners |website=] |access-date=February 5, 2021}}</ref> and the Next Gen Student Film Award at the Melbourne Women in Film Festival, for the short film, ''Wild''.<ref name="fi1" />

In 2020, Cáceres won the award for Outstanding Direction in the Professional Theatre category at the Tasmanian Theatre Awards, for ''The Mares''.<ref>{{cite news |url=
https://www.theadvocate.com.au/story/6644178/little-voice-wins-big-at-theatre-awards/ |title=Little Voice wins big at 2020 Tasmanian Theatre Awards |author=Lachlan Bennett |publisher=The Advocate |date=February 23, 2020 |access-date=February 5, 2021}}</ref>

== Theatre productions ==
=== Director ===
* ''The Orphanage Project'' (2003)
* ''Far Away'' (2004)
* ''Memory of Water'' (2005)
* ''Hoods'' (2008)
* ''Children of the Black Skirt'' (2010)
* ''The Dark Room'' (2011)<ref name="smh1" />
* ''Random'' (2011)<ref name="smh1" />
* ''Helicopter'' (2012)<ref name="smh1" />
* '']'' (2013)<ref>{{cite web |url=
https://aussietheatre.com.au/news/leticia-caceres-to-direct-constellations-for-the-melbourne-theatre-company |title=Leticia Caceres to direct ‘Constellations’ for the Melbourne Theatre Company |author=Jan Chandler |website=aussietheatre.com |date=February 6, 2013 |access-date=February 5, 2021}}</ref>
* ''Miss Julie'' (2013)
* ''Tall Man'' (2013) <ref>{{cite web |url=
https://www.greenleft.org.au/content/tall-man-richly-compelling-drama |title=Tall Man a richly compelling drama |website=greenleft.org.au |date=May 5, 2013 |access-date=February 5, 2021}}</ref>
* ''The Effect'' (2014)
* ''Yellow Moon'' (2014)
* '']'' (2014)<ref>{{cite web |url=
https://aussietheatre.com.au/reviews/mtc-cock |title=MTC: Cock |author=Anne-Marie Peard |website=aussietheatre.com |date=February 14, 2014 |access-date=February 5, 2021}}</ref>
* '']'' (2015)<ref name="g1" />
* ''Birdland'' (2015)
* ''Mortido'' (2015)<ref>{{cite web |url=https://www.theguardian.com/stage/2015/nov/12/mortido-review-coke-cockerels-and-self-destruction-sydney-style |title=Mortido review – coke, cockerels and self-destruction, Sydney-style |publisher=] |author=Emma Froggatt |date=November 12, 2015 |access-date=February 5, 2021}}</ref><ref>{{cite web |url=https://theclothesline.com.au/mortido-stc-sa-review/ |title=Mortido: A Brilliantly Gripping Look At The Human Face Of Drug Trafficking, Presented by Belvoir St Theatre and State Theatre Company of SA – Review |author=Dunstan Playhouse |date=October 20, 2015 |access-date=February 5, 2021}}</ref>
* ''Egg'' (2016)
* ''The Drover's Wife'' (2016)<ref>{{cite web |url=https://themusic.com.au/features/the-drovers-wife-leitica-careers-maxim-boon/VihJSEtKTUw/20-09-16/ |title=Director Leticia Caceres Talks Finding The Present In The Past In 'The Drover's Wife' |author=Maxim Boon |date=September 20, 2016 |access-date=February 5, 2021}}</ref>
* ''The Distance'' (2016)<ref>{{cite web |url=
https://aussietheatre.com.au/reviews/mtc-the-distance |title=MTC: The Distance |author=Kevin Turner |website=aussietheatre.com |date=March 15, 2016 |access-date=February 5, 2021}}</ref>
* ''Barbara and the Camp Dogs'' (2017)
* ''The House of Bernarda Alba'' (2018)
* ''Going Down'' (2018)
* ''The Space Between'' (2018)
* ''The Mares'' (2019)

== Films and TV ==
=== Director ===
* ''Wild'' (2017)
* ''The True History of Billie The Kid'' (2018)
* ''Bump'' (2021)<ref name="g3" />


==References== ==References==
{{Reflist}} {{Reflist}}

== External links ==
* {{Official website|https://leticiacaceres.com/}}
* {{IMDb name|id=10594300|name=Leticia Cáceres}}


{{HelpmannAward PlayDirection}} {{HelpmannAward PlayDirection}}


{{DEFAULTSORT:Caceres, Leticia}} {{DEFAULTSORT:Cáceres, Leticia}}
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Revision as of 02:38, 9 February 2021

Australian stage and film director
Leticia Cáceres
File:Leticia Caceres profile.jpg
Born (1978-02-17) February 17, 1978 (age 46)
Argentina
Citizenship
Occupation(s)Theatre and Film Director, Dramaturge
AgentCameron's Management
Websitehttps://leticiacaceres.com/

Leticia Cáceres (born February 17, 1978) is an Australian theatre, TV and film director. She has won many awards for her achievements in directing, at the Matilda Awards, Green Room Awards, Sydney Theatre Awards, 17th Annual Helpmann Awards, London Film Awards, and the Tasmanian Theatre Awards.

Early life

Cáceres was born in Córdoba, Argentina. Her parents, physicist Carlos Cáceres and computer programmer Maria Cáceres, fled Argentina in 1981 during the Dirty war, seeking refuge in Canada. The family returned to Argentina in 1983 before leaving again in 1989. They initially moved back to Canada, before finally settling in Brisbane, Australia in 1991. Cáceres studied drama at Indooroopilly state school.

In 2000, she graduated from the Queensland University of Technology with a bachelor's degree in Drama.

Theatre career

Cáceres co-founded theatre company RealTV with playwright Angela Betzien in 2000. She was the associate director for Queensland Theatre between 2003 and 2005, artistic director of Tantrum Youth Arts between 2006 and 2007, and associate director for the Melbourne Theatre Company from 2013 to 2015.

She graduated with a Master's of Dramatic Art (Directing) from the Victorian College of the Arts, Melbourne University in 2014.

TV and film career

Cáceres second film, The True History of Billie the Kid, was shown at the Melbourne International Film Festival in 2018, for which she was selected to participate in the festival's 2018 emerging director program.

In 2019, Cáceres became an artist-in-residence at Start VR.

She is a recipient of a Screen Australia’s Gender Matters – Brilliant Careers grant.

Cáceres is one of the directors of the Australian TV series Bump.

Personal life

Cáceres is married with one child, and has a brother, Marcos. She identifies herself as a feminist and a political artist.

Awards

In 2008, Cáceres won the award for Best Direction at the Matilda Awards, for Hoods.

In 2016, she won the Direction award in the Theatre (companies) category at the 33rd Annual Green Room Awards for Birdland.

She won the award for Best Direction of a Mainstage Production at the 2016 Sydney Theatre Awards, and Best Direction of a Play at the 2017, 17th Annual Helpmann Awards, for The Drover's Wife.

In 2017, she won the Gold Lion Award for Best First-Time Director at the London Film Awards, and the Next Gen Student Film Award at the Melbourne Women in Film Festival, for the short film, Wild.

In 2020, Cáceres won the award for Outstanding Direction in the Professional Theatre category at the Tasmanian Theatre Awards, for The Mares.

Theatre productions

Director

  • The Orphanage Project (2003)
  • Far Away (2004)
  • Memory of Water (2005)
  • Hoods (2008)
  • Children of the Black Skirt (2010)
  • The Dark Room (2011)
  • Random (2011)
  • Helicopter (2012)
  • Constellations (2013)
  • Miss Julie (2013)
  • Tall Man (2013)
  • The Effect (2014)
  • Yellow Moon (2014)
  • Cock (2014)
  • Death and the Maiden (2015)
  • Birdland (2015)
  • Mortido (2015)
  • Egg (2016)
  • The Drover's Wife (2016)
  • The Distance (2016)
  • Barbara and the Camp Dogs (2017)
  • The House of Bernarda Alba (2018)
  • Going Down (2018)
  • The Space Between (2018)
  • The Mares (2019)

Films and TV

Director

  • Wild (2017)
  • The True History of Billie The Kid (2018)
  • Bump (2021)

References

  1. ^ Steve Dow (July 20, 2015). "Leticia Cáceres on Death and the Maiden: How many versions of truth do we tell?". The Guardian. Retrieved February 5, 2021.
  2. "Flying High". The Australian. July 21, 2012. Retrieved February 9, 2021.
  3. ^ Robin Usher (July 28, 2012). "Playhouse pair put politics centre stage". The Sydney Morning Herald. Retrieved February 8, 2021.
  4. "Paint it black". The Sydney Morning Herald. October 28, 2011. Retrieved February 5, 2021.
  5. "Leticia Cáceres – Thursday 9 July 2020". National Institute of Dramatic Art. July 9, 2020. Retrieved February 5, 2021.
  6. "Tantrum Youth Arts receives Catalyst funding grant from Federal Government | Newcastle Live". Newcastle Live. June 6, 2015. Archived from the original on 2018-02-07. Retrieved February 5, 2021.
  7. "MTC Farewells Associate Director Leticia Cáceres - Melbourne Theatre Company". aussietheatre.com. Archived from the original on 2016-09-23. Retrieved February 5, 2021.
  8. "2017 Helpmann awards" (pdf). 3010 melbourne university magazine. No. 2. Mediaxpress. 2017. p. 37.
  9. "THE TRUE HISTORY OF BILLIE THE KID". mubi.com. Retrieved February 9, 2021.
  10. "ACCELERATOR LAB WELCOMES MOST DIVERSE INTAKE EVER" (pdf). miff.com.au. Melbourne International Film Festival. Retrieved February 9, 2021.
  11. "Leticia Caceres to take up artist residency with Start VR". if.com.au. June 25, 2019. Retrieved February 5, 2021.
  12. ^ Travis Johnson (March 23, 2018). "Screen Australia 2018 Developing the Developer Recipients Announced". filmink.com.au. Retrieved February 8, 2021.
  13. ^ Meg Watson (December 31, 2020). "Bump review – sharp, sweet and surreal story of unexpected teen parenthood". The Guardian. Retrieved February 5, 2021.
  14. "LETICIA CÁCERES & LENA CAMINHA / BEING UNDERSTOOD". Audio Stage. Retrieved February 5, 2021.
  15. "Archives". Matilda Awards. Archived from the original on 2018-02-07. Retrieved 2018-02-06.
  16. Cassie Tongue (March 21, 2016). "33rd Annual Green Room Awards announced". artsreview.com.au. Retrieved February 5, 2021.
  17. Cassie Tongue (January 23, 2017). "All the winners at the 2016 Sydney Theatre Awards". aussietheatre.com. Retrieved February 5, 2021.
  18. Hannah Francis (July 25, 2017). "Helpmann Awards 2017 winners: Kosky's Saul and Belvoir's The Drover's Wife dominate". The Sydney Morning Herald. Retrieved February 5, 2021.
  19. "2017 London Film Award Winners". London Film Awards. Retrieved February 5, 2021.
  20. Lachlan Bennett (February 23, 2020). "Little Voice wins big at 2020 Tasmanian Theatre Awards". The Advocate. Retrieved February 5, 2021.
  21. Jan Chandler (February 6, 2013). "Leticia Caceres to direct 'Constellations' for the Melbourne Theatre Company". aussietheatre.com. Retrieved February 5, 2021.
  22. "Tall Man a richly compelling drama". greenleft.org.au. May 5, 2013. Retrieved February 5, 2021.
  23. Anne-Marie Peard (February 14, 2014). "MTC: Cock". aussietheatre.com. Retrieved February 5, 2021.
  24. Emma Froggatt (November 12, 2015). "Mortido review – coke, cockerels and self-destruction, Sydney-style". The Guardian. Retrieved February 5, 2021.
  25. Dunstan Playhouse (October 20, 2015). "Mortido: A Brilliantly Gripping Look At The Human Face Of Drug Trafficking, Presented by Belvoir St Theatre and State Theatre Company of SA – Review". Retrieved February 5, 2021.
  26. Maxim Boon (September 20, 2016). "Director Leticia Caceres Talks Finding The Present In The Past In 'The Drover's Wife'". Retrieved February 5, 2021.
  27. Kevin Turner (March 15, 2016). "MTC: The Distance". aussietheatre.com. Retrieved February 5, 2021.

External links

Helpmann Award for Best Direction of a Play
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