| Revision as of 20:12, 19 January 2021 editBreakingMuse (talk | contribs)200 edits +quoteTag: Visual edit← Previous edit | Revision as of 19:31, 5 June 2021 edit undoSwimswamfren (talk | contribs)9 edits Added a hyperlink to another article.Tag: Visual editNext edit → | ||
| Line 19: | Line 19: | ||
| == Biography == | == Biography == | ||
| Melnyk lived in ] from 1973 to 1975, supporting himself by playing for modern dance classes, most notably in conjunction with ] at the ]. Many of his works were presented in conjunction with modern dance. Through his work with Carolyn Carlson, he began to create ''continuous music'' for piano.<ref name = "Bio">{{cite web|title=Canadian Music Centre – Composer Showcase|first=Lubomyr|last=Melnyk|url=https://www.musiccentre.ca/node/37286/biography/}}</ref> | Melnyk lived in ] from 1973 to 1975, supporting himself by playing for modern dance classes, most notably in conjunction with ] at the ]. Many of his works were presented in conjunction with ]. Through his work with Carolyn Carlson, he began to create ''continuous music'' for piano.<ref name = "Bio">{{cite web|title=Canadian Music Centre – Composer Showcase|first=Lubomyr|last=Melnyk|url=https://www.musiccentre.ca/node/37286/biography/}}</ref> | ||
| Melnyk has composed over 120 works, mostly for piano solo and double piano, and some for piano with ensemble. To explain the proper physical and mental techniques for his music, Melnyk wrote a ], ''OPEN TIME: The Art of Continuous Music'' (1981) and ''22 Etudes'', to teach the fundamental levels of his continuous technique.<ref name = "Bio"/> In 1985, Lubomyr Melnyk set two world records, documented on film and with full audio, at the Sigtuna Stiftelsen in ]. He sustained speeds of over 19.5 notes per second in each hand, and played between 13 and 14 notes per second for one full hour.<ref>{{cite news|title=The world's fastest-playing pianist|url=https://www.telegraph.co.uk/culture/music/classicalmusic/11230512/The-worlds-fastest-playing-pianist.html|accessdate=21 January 2015|date=2014-11-14|last1=Hawksley|first1=AFP Rupert}}</ref> | Melnyk has composed over 120 works, mostly for piano solo and double piano, and some for piano with ensemble. To explain the proper physical and mental techniques for his music, Melnyk wrote a ], ''OPEN TIME: The Art of Continuous Music'' (1981) and ''22 Etudes'', to teach the fundamental levels of his continuous technique.<ref name = "Bio"/> In 1985, Lubomyr Melnyk set two world records, documented on film and with full audio, at the Sigtuna Stiftelsen in ]. He sustained speeds of over 19.5 notes per second in each hand, and played between 13 and 14 notes per second for one full hour.<ref>{{cite news|title=The world's fastest-playing pianist|url=https://www.telegraph.co.uk/culture/music/classicalmusic/11230512/The-worlds-fastest-playing-pianist.html|accessdate=21 January 2015|date=2014-11-14|last1=Hawksley|first1=AFP Rupert}}</ref> | ||
Revision as of 19:31, 5 June 2021
 | This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Lubomyr Melnyk (born December 22, 1948) is a composer and pianist of Ukrainian origin.
Melnyk is noted for his continuous music, a piano technique based on extremely rapid notes and complex note-series, usually with the sustain pedal held down to generate harmonic overtones and sympathetic resonances. "This is a completely-completely different piano universe from everything that has existed before", Melnyk explains.
The virtuoso plays rapid sequences thanks to his ability to play up to 19 notes per second (with each hand). These overtones blend or clash according to harmonic changes. Most of his music is for piano, but he has also composed chamber and orchestral works.
According to the pianist, his piano music requires a special technique, closely related to the Martial Arts, and is too complex and difficult for any concert pianists to play.
"There’s an act of creation. For this act of creation to happen every day the body of the pianist, and not just the fingers, but the entire body has to be transformed. Because in order to make these very small changes and very small decisions that I make when I’m creating music, or when I playing the music, it has to happen at a faster speed of time than any other music. The mind has to control many things. So the decisions happen in another dimension than what the fingers are doing. Part of my mind controls the fingers, part of my mind controls my hand, part of my mind is controlling my entire body, part of my mind is thinking about something else, and part of my mind is combining everything. For the body to be able to reach this enormous universe, which is huge, it has to be changed. This is what continuous music is about", the pianist says.
Because of his lifelong devotion to the piano, he has been called The Prophet Of The Piano.
Biography
Melnyk lived in Paris from 1973 to 1975, supporting himself by playing for modern dance classes, most notably in conjunction with Carolyn Carlson at the Paris Opera. Many of his works were presented in conjunction with modern dance. Through his work with Carolyn Carlson, he began to create continuous music for piano.
Melnyk has composed over 120 works, mostly for piano solo and double piano, and some for piano with ensemble. To explain the proper physical and mental techniques for his music, Melnyk wrote a treatise, OPEN TIME: The Art of Continuous Music (1981) and 22 Etudes, to teach the fundamental levels of his continuous technique. In 1985, Lubomyr Melnyk set two world records, documented on film and with full audio, at the Sigtuna Stiftelsen in Sweden. He sustained speeds of over 19.5 notes per second in each hand, and played between 13 and 14 notes per second for one full hour.
National identity
Melnyk links his piano technique to his national identity.
"This music would not exist at all if I were not Ukrainian. Our distinguishing feature is that we tend to sacrifice ourselves. Ukrainians are self-sacrificing for things that are important to them".
Discography
- KMH: Piano Music in the Continuous Mode (1979)
- The Lund - St. Petri Symphony (1983)
- Concert-Requiem (1983)
- Poslaniye (1983)
- The Stone Knight (1983)
- The Song of Galadriel (1985)
- Remnants of Man / The Fountain (1985)
- Wave-Lox (1985)
- The Voice Of Trees (1985)
- NICHE / NOURISH / NICHE-XONs (1988)
- A Portrait Of Petlura On The Day He Was Killed {Lyrrest} (1989)
- It Was Revealed Unto Us That Man Is The Centre Of The Universe (1993)
- Swallows (1994)
- Vocalizes and Antiphons (1991-1994)
- Beyond Romance (2010)
- The Self-Luminous Way (2011)
- Windmills (2013)
- Corollaries (2013) (Erased Tapes Records)
- Three Solo Pieces (2013)
- Evertina (2014) (Erased Tapes Records)
- Rivers and Streams (2015) (Erased Tapes Records)
- illirion (2016) (Sony Classical Records / Sounds of Subterrania )
- The Dreamers Ever Leave You - The Lauren Harris Ballet Music (2018) (Audio Sushi)
- Fallen Trees (2018) (Erased Tapes Records)
References
- Lubomyr Melnyk - Windmills, Dense Promotions
- Songs We Love: Lubomyr Melnyk, 'sunset' - NPR, August 1, 2016
- Lubomyr Melnyk - The Voice of Trees - Hinterzimmer records, 2011
- ^ Dzuzhynska, Ljubov. "Interview: Lubomyr Melnyk". ÂUGHT Magazine.
{{cite web}}: CS1 maint: url-status (link) - "Red Bull Music Academy Daily". daily.redbullmusicacademy.com. Retrieved 2019-07-07.
- ^ Melnyk, Lubomyr. "Canadian Music Centre – Composer Showcase".
- Hawksley, AFP Rupert (2014-11-14). "The world's fastest-playing pianist". Retrieved 21 January 2015.
Sources
- Encyclopedia of Music in Canada: "Melnyk, Lubomyr"
- Schulman, Michael, 'Despite all his problems, Lubomyr Melnyk labours on,' Canadian Composer, 117, January 1977
- Prokosh, Kevin, 'Piano attacked in samurai style,' Winnipeg Free Press, 10 January 1997
- Eddins, Stephen, 'A major feat of virtuosity', AllMusic, 2007
- Powell, Mike, 'Minimalism at its most lush, ornate, and taxing', Pitchfork, 23 August 2007
- Fifteen Questions with Lubomyr Melnyk,
- Erased Tapes Records: