| Revision as of 17:13, 12 February 2007 edit206.54.66.128 (talk)No edit summary← Previous edit | Revision as of 17:14, 12 February 2007 edit undo206.54.66.128 (talk)No edit summaryNext edit → | ||
| Line 1: | Line 1: | ||
| {{wiktionarypar|redress}} | {{wiktionarypar|redress}} | ||
| Justin brummet is the Bomb | Justin brummet is the Bomb of a faggit fuck you justin you like cock and you jack off every day... | ||
| In ], a '''redress''' is the redecoration of an existing ], so that it can double for another set. This saves the trouble and expense of constructing a second set, though they face the difficulty of doing it so the average viewer does not notice the same set is reused. Also there could be logistical problems, such as conflicting shooting schedules, continuity if the set isn't quite the same as it was (if it should be the same) or different (if it should be). The latter problem arises because the set dresser may be unaware of changes created by the action. | In ], a '''redress''' is the redecoration of an existing ], so that it can double for another set. This saves the trouble and expense of constructing a second set, though they face the difficulty of doing it so the average viewer does not notice the same set is reused. Also there could be logistical problems, such as conflicting shooting schedules, continuity if the set isn't quite the same as it was (if it should be the same) or different (if it should be). The latter problem arises because the set dresser may be unaware of changes created by the action. | ||
Revision as of 17:14, 12 February 2007
Justin brummet is the Bomb of a faggit fuck you justin you like cock and you jack off every day... In film, a redress is the redecoration of an existing movie set, so that it can double for another set. This saves the trouble and expense of constructing a second set, though they face the difficulty of doing it so the average viewer does not notice the same set is reused. Also there could be logistical problems, such as conflicting shooting schedules, continuity if the set isn't quite the same as it was (if it should be the same) or different (if it should be). The latter problem arises because the set dresser may be unaware of changes created by the action.
 | This filmmaking article is a stub. You can help Misplaced Pages by expanding it. |