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Released in 1998 on ], the album was not a commercial success, but achieved some critical acclaim. ] of ] gave the album 4 out of 5 stars, declaring "''12 Bar Blues'' is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor."<ref> review, cited September 20, 2008</ref> David Fricke of '']'' awarded the album 3.5 out of 5 stars and declared that "''12 Bar Blues'' isn't really a rock album, or even a pop album. Weiland, out on his own, has simply made an honest album – honest in its confusion, ambition and indulgence. It was worth the risk." but also remarked that "Maybe it's a little early for Scott Weiland to be going the solo way."<ref> Rolling Stone Magazine review, cited September 20, 2008</ref> ] stated upon its release that "''12 Bar Blues'' is easily the most innovative album Weiland has ever produced for public consumption,"<ref>{{Cite web|url=http://pitchforkmedia.com/record-reviews/w/weiland_scott/12-bar-blues.shtml|archive-url=https://web.archive.org/web/20011126203325/http://pitchforkmedia.com/record-reviews/w/weiland_scott/12-bar-blues.shtml|url-status=dead|archive-date=November 26, 2001|title=Scott Weiland: 12 Bar Blues: Pitchfork Review|date=November 26, 2001}}</ref> while '']'' wrote that "the LP's sheer invention and hooks will make your indulgence worthwhile."<ref name="auto"/> Released in 1998 on ], the album was not a commercial success, but achieved some critical acclaim. In a retrospective review, ] of ] gave the album 4 out of 5 stars, declaring "''12 Bar Blues'' is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor."<ref> review, cited September 20, 2008</ref> David Fricke of '']'' awarded the album 3.5 out of 5 stars and declared that "''12 Bar Blues'' isn't really a rock album, or even a pop album. Weiland, out on his own, has simply made an honest album – honest in its confusion, ambition and indulgence. It was worth the risk." but also remarked that "Maybe it's a little early for Scott Weiland to be going the solo way."<ref> Rolling Stone Magazine review, cited September 20, 2008</ref> ] stated upon its release that "''12 Bar Blues'' is easily the most innovative album Weiland has ever produced for public consumption,"<ref>{{Cite web|url=http://pitchforkmedia.com/record-reviews/w/weiland_scott/12-bar-blues.shtml|archive-url=https://web.archive.org/web/20011126203325/http://pitchforkmedia.com/record-reviews/w/weiland_scott/12-bar-blues.shtml|url-status=dead|archive-date=November 26, 2001|title=Scott Weiland: 12 Bar Blues: Pitchfork Review|date=November 26, 2001}}</ref> while '']'' wrote that "the LP's sheer invention and hooks will make your indulgence worthwhile."<ref name="auto"/>


==Track listing== ==Track listing==

Revision as of 08:53, 18 April 2022

1998 studio album by Scott Weiland
12 Bar Blues
Studio album by Scott Weiland
ReleasedMarch 31, 1998 (1998-03-31)
RecordedScott's house, Foxy Dead Girl, Royaltone, Oceanway, The Village, and Master Control
GenreAlternative rock, neo-psychedelia
Length58:51
LabelAtlantic
ProducerBlair Lamb, Tracy Chisholm, Scott Weiland, Daniel Lanois
Scott Weiland chronology
12 Bar Blues
(1998) 		"Happy" in Galoshes
(2008)

12 Bar Blues is the debut solo album from Stone Temple Pilots singer Scott Weiland. Its sound and style differ greatly from STP's previous releases. The design concept of the cover is a homage to the cover design of John Coltrane's Blue Train album. The title name comes from the simple chord progression known as "twelve-bar blues".

Development

In a 1998 interview on MTV's 120 Minutes, Weiland states that his then brother-in-law introduced him to Blair Lamb, who co-produced 12 Bar Blues with Weiland.

Reception

Professional ratings
Review scores
SourceRating
AllMusic
Rolling Stone
Pitchfork Media(7.8/10)
Entertainment WeeklyB
Spin
Robert Christgau(dud)

Released in 1998 on Atlantic Records, the album was not a commercial success, but achieved some critical acclaim. In a retrospective review, Stephen Thomas Erlewine of Allmusic gave the album 4 out of 5 stars, declaring "12 Bar Blues is an unpredictable, carnivalesque record confirming that Weiland was the visionary behind STP's sound. He's fascinated by sound, piling on layers of shredded guitars, drum loops, and keyboards, making sure that each song sounds drastically different from its predecessor." David Fricke of Rolling Stone awarded the album 3.5 out of 5 stars and declared that "12 Bar Blues isn't really a rock album, or even a pop album. Weiland, out on his own, has simply made an honest album – honest in its confusion, ambition and indulgence. It was worth the risk." but also remarked that "Maybe it's a little early for Scott Weiland to be going the solo way." Pitchfork Media stated upon its release that "12 Bar Blues is easily the most innovative album Weiland has ever produced for public consumption," while Entertainment Weekly wrote that "the LP's sheer invention and hooks will make your indulgence worthwhile."

Track listing

  • All Songs Written By Scott Weiland (Foxy Dead Girl Music). Co-Writers in parenthesis.
  1. "Desperation #5" – 4:05
  2. "Barbarella" – 6:36 (Tony Castaneda)
  3. "About Nothing" – 4:48 (Castaneda)
  4. "Where's the Man" – 4:55
  5. "Divider" – 4:23 (Victor Indrizzo; Famous Music Corp.)
  6. "Cool Kiss" – 4:55
  7. "The Date" – 5:21
  8. "Son" – 5:04 (Indrizzo; Famous Music Corp.) (dedicated to "Zack")
  9. "Jimmy Was a Stimulator" – 3:58
  10. "Lady, Your Roof Brings Me Down" – 5:26 (Indrizzo; Famous Music Corp.)
  11. "Mockingbird Girl" – 5:02 (Jeff Nolan, Zander Schloss; UA Music Inc., Floated Music, EMI Virgin Music; "Its The Mega", United Lion Music, Sho Me Mo)
  12. "Opposite Octave Reaction" – 4:18

Track information

  • An additional track entitled "Lazy Divey" was recorded for the album, and was included on some early promotional copies of the album. Its chorus is identical to, and its name is taken from, the chorus of 1943's "Mairzy Doats".
  • "Mockingbird Girl" was a re-recording of a song Weiland had originally recorded with The Magnificent Bastards for the 1995 Tank Girl soundtrack three years prior.

Personnel

  • Scott Weiland – lead vocals, beatbox, guitar, keyboards, piano, bass, synthesized bass, drum loops
  • Tracy Chisolm – theremin
  • Blair Lamb – beatbox
  • Holly Reiger – guitars
  • Jeff Nolan, Zander Schloss – guitars
  • Sheryl Crow – accordion
  • Brad Mehldau – piano
  • Peter DiStefano – guitars, bass
  • Victor Indrizzo – vocals, guitar, piano, keyboards, bass, drums
  • Daniel Lanois – synthesizers
  • Tony Castaneda – guitars, bass
  • Martyn LeNoble – bass, cello
  • Michael Weiland – drums, percussion, drum loops
  • Suzie Katayama – cello
  • Novi Novog – viola
  • Joel Derouin, Robin Lorentz – violin

Production

  • Produced by Blair Lamb, Tracy Chisholm, Scott Weiland & Daniel Lanois
  • Recording and engineers: Chad Banford, Chris Goss, Tracy Chisolm
  • Additional engineers: Daniel Lanois, Jason Gladden, Tracy Chisolm, David Nottingham, Eric Greedy, Jeff Robinson, John Sorensen, Rafa Sardina, Reid Miller
  • Mixing: Mark Howard, Daniel Lanois, Tracy Chisolm
  • Mastering: Daniel Lanois, Mark Chalecki

Chart performance

Sales chart performance for 12 Bar Blues
Chart Peak
US Billboard 200 42
New Zealand Albums (RMNZ) 47

Additionally, "Barbarella" peaked at 194 on the UK Singles Chart

References

  1. "YouTube.com: Scott Weiland - interview 1998".
  2. AllMusic review
  3. "Rolling Stone review". Archived from the original on May 12, 2007.
  4. Schreiber, Ryan. "12 Bar Blues". pitchfork.com. Retrieved on April 29, 2010.
  5. ^ "12 Bar Blues". EW.com.
  6. Spin 4/98, pp.124-125
  7. Christgau, Robert. "Scott Weiland Reviews". Robertchristgau.com. Retrieved February 22, 2017.
  8. Allmusic review, cited September 20, 2008
  9. Rolling Stone Rolling Stone Magazine review, cited September 20, 2008
  10. "Scott Weiland: 12 Bar Blues: Pitchfork Review". November 26, 2001. Archived from the original on November 26, 2001.
  11. "Scott Weiland Chart History (Billboard 200)". Billboard. Retrieved April 2, 2021.
  12. "Charts.nz – Scott Weiland – {{{album}}}". Hung Medien. Retrieved April 2, 2021.
  13. "Chart Log UK: Kristine W - Tammy Wynette". zobbel.de.
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