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'''Vocal jazz''' or '''jazz singing''' is an instrumental approach to jazz using the voice. Similar to ], it utilizes vocal arrangements to create sounds forming ], rather than relying on traditional ]. | '''Vocal jazz''' or '''jazz singing''' is an instrumental approach to jazz using the voice. Similar to ], it utilizes vocal arrangements to create sounds forming ], rather than relying on traditional ]. | ||
Vocal jazz emerged in the early twentieth century, with its roots in ]. Popular blues singers such as ] and ] had a great deal of influence of jazz vocalists such as ].<ref>{{Cite web |title=Bessie Smith Biography: Controversy |url=https://www.sparknotes.com/biography/bessiesmith/section9/ |access-date=2022-04-16 |website=SparkNotes |language=en}}</ref> Other characteristics of vocal jazz such as ] came out of the ]. ]'s 1926 recording of "]" is often cited as the first modern song to employ scatting.<ref>{{Cite book |last1=Crowther |first1=Bruce |title=Singing Jazz |last2=Pinfold |first2=Mike |publisher=] Books |year=1997 |isbn=0-87930-519-3}}</ref> This later evolved into the complex vocal improvisation of the ] that was adopted by ], ], ], and ].<ref>{{Cite book |last=Robinson |first=J. Bradford |title=Scat Singing |publisher=] |year=2007}}</ref> ] were vocal jazz trio originating from ] that help popularize vocal jazz music among the general American public during the 1930s.<ref name=":0">{{Cite journal |last=Moline |first=Lara Marie |date=2019 |title=Vocal Jazz in the Choral Classroom: A Pedagogical Study |url=https://digscholarship.unco.edu/dissertations/576/ |journal=Dissertations |publisher=University of Northern Colorado |volume=576 |via=Digital UNC}}</ref> | Vocal jazz emerged in the early twentieth century, with its roots in ]. Popular blues singers such as ] and ] had a great deal of influence of jazz vocalists such as ].<ref>{{Cite web |title=Bessie Smith Biography: Controversy |url=https://www.sparknotes.com/biography/bessiesmith/section9/ |access-date=2022-04-16 |website=SparkNotes |language=en}}</ref> Other characteristics of vocal jazz such as ] came out of the ]. ]'s 1926 recording of "]" is often cited as the first modern song to employ scatting.<ref>{{Cite book |last1=Crowther |first1=Bruce |title=Singing Jazz |last2=Pinfold |first2=Mike |publisher=] Books |year=1997 |isbn=0-87930-519-3}}</ref> This later evolved into the complex vocal improvisation of the ] that was adopted by ], ], ], and ].<ref>{{Cite book |last=Robinson |first=J. Bradford |title=Scat Singing |publisher=] |year=2007}}</ref> ] were a vocal jazz trio originating from ] that help popularize vocal jazz music among the general American public during the 1930s.<ref name=":0">{{Cite journal |last=Moline |first=Lara Marie |date=2019 |title=Vocal Jazz in the Choral Classroom: A Pedagogical Study |url=https://digscholarship.unco.edu/dissertations/576/ |journal=Dissertations |publisher=University of Northern Colorado |volume=576 |via=Digital UNC}}</ref> | ||
Repertoire of vocal jazz typically includes the music of the ], however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the ], ], and rhythms derived from the syncretized music of ], ], and ] traditions. This includes ], as well as ], ], and ].<ref>{{Cite journal |last=Amerind |first=Gregory |date=November 2013 |title=The Collegiate Vocal Jazz Ensemble: An Historical and Current Perspective on the Development, Current State, And Future Direction of the Genre |url=https://keep.lib.asu.edu/_flysystem/fedora/c7/104416/Amerind_asu_0010E_13541.pdf |journal= |publisher=]}}</ref> | Repertoire of vocal jazz typically includes the music of the ], however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the ], ], and rhythms derived from the syncretized music of ], ], and ] traditions. This includes ], as well as ], ], and ].<ref>{{Cite journal |last=Amerind |first=Gregory |date=November 2013 |title=The Collegiate Vocal Jazz Ensemble: An Historical and Current Perspective on the Development, Current State, And Future Direction of the Genre |url=https://keep.lib.asu.edu/_flysystem/fedora/c7/104416/Amerind_asu_0010E_13541.pdf |journal= |publisher=]}}</ref> | ||
Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. ] and ] are also not constants in the articulation of vocal jazz.<ref>{{Cite journal |last1=Spradling |first1=Diana |last2=Binek |first2=Justin |date=June 2015 |title=PEDAGOGY FOR THE JAZZ SINGER |url=https://acda.org/cj.asp |journal=The Choral Journal |publisher=] |volume=55 |issue=11 |pages=6–17 |via=JSTOR}}</ref> Vocal jazz often uses microphone amplification and singers are accompanied by a ] (piano, bass, drums, and guitar), and sometimes vocal percussion.<ref name=":0" /> |
Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. ] and ] are also not constants in the articulation of vocal jazz.<ref>{{Cite journal |last1=Spradling |first1=Diana |last2=Binek |first2=Justin |date=June 2015 |title=PEDAGOGY FOR THE JAZZ SINGER |url=https://acda.org/cj.asp |journal=The Choral Journal |publisher=] |volume=55 |issue=11 |pages=6–17 |via=JSTOR}}</ref> Vocal jazz often uses microphone amplification and singers are accompanied by a ] (piano, bass, drums, and guitar), and sometimes vocal percussion.<ref name=":0" /> | ||
== History == | |||
==See also== | ==See also== |
Revision as of 21:56, 8 July 2022
Instrumental approach to jazz using the voiceVocal jazz or jazz singing is an instrumental approach to jazz using the voice. Similar to a cappella, it utilizes vocal arrangements to create sounds forming music, rather than relying on traditional musical instruments.
Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first modern song to employ scatting. This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s.
Repertoire of vocal jazz typically includes the music of the Great American Songbook, however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the harmonic language of jazz, improvisation, and rhythms derived from the syncretized music of West Africa, African-Americans, and European Art Music traditions. This includes swing music, as well as Latin jazz, jazz fusion, and rhythm and blues.
Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. Legato and vibrato are also not constants in the articulation of vocal jazz. Vocal jazz often uses microphone amplification and singers are accompanied by a rhythm section (piano, bass, drums, and guitar), and sometimes vocal percussion.
History
See also
References
- "Bessie Smith Biography: Controversy". SparkNotes. Retrieved 2022-04-16.
- Crowther, Bruce; Pinfold, Mike (1997). Singing Jazz. Miller Freeman Books. ISBN 0-87930-519-3.
- Robinson, J. Bradford (2007). Scat Singing. The New Grove Dictionary of Music and Musicians.
- ^ Moline, Lara Marie (2019). "Vocal Jazz in the Choral Classroom: A Pedagogical Study". Dissertations. 576. University of Northern Colorado – via Digital UNC.
- Amerind, Gregory (November 2013). "The Collegiate Vocal Jazz Ensemble: An Historical and Current Perspective on the Development, Current State, And Future Direction of the Genre" (PDF). Arizona State University.
{{cite journal}}
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(help) - Spradling, Diana; Binek, Justin (June 2015). "PEDAGOGY FOR THE JAZZ SINGER". The Choral Journal. 55 (11). American Choral Directors Association: 6–17 – via JSTOR.
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