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==Work== ==Work==


] was impressed by the treatment of animals in Weenix pictures which he saw in Munich. He devoted a poem to Weenix's technique, in which he stated that Weenix equaled and even surpassed nature in his treatment of animal textures such as hair, feathers and claws.<ref>{{cite web |url=http://www.bijlvanurk.com/C/Gallery |title=Archived copy |access-date=2011-11-19 |url-status=dead |archive-url=https://web.archive.org/web/20090301010842/http://www.bijlvanurk.com/C/Gallery |archive-date=1 March 2009 |df=dmy-all }}</ref> ] was impressed by the treatment of animals in Weenix pictures which he saw in Munich. He devoted a poem to Weenix's technique, in which he stated that Weenix equaled and even surpassed nature in his treatment of animal textures such as hair, feathers and claws.<ref>{{cite web |url=http://www.bijlvanurk.com/C/Gallery |title=Archived copy |access-date=2011-11-19 |url-status=dead |archive-url=https://web.archive.org/web/20090301010842/http://www.bijlvanurk.com/C/Gallery |archive-date=1 March 2009 |df=dmy-all }}</ref>

Many of his best works are to be found in English private collections. Though the ] has only a single example, a painting of dead game and a dog,{{sfn|Chisholm|1911|p=467}} the ], also in London, has thirteen paintings, including the intriguing (and arguably disturbing) "Flowers on a Fountain with a Peacock." Many of his best works are to be found in English private collections. Though the ] has only a single example, a painting of dead game and a dog,{{sfn|Chisholm|1911|p=467}} the ], also in London, has thirteen paintings, including the intriguing (and arguably disturbing) "Flowers on a Fountain with a Peacock."


Revision as of 16:43, 10 July 2022

Dutch painter

Jan Weenix, lithograph by Antoine Maurin (1783-1860), printed by Chabert.

Jan Weenix or Joannis Wenix (between 1641/1649 – 19 September 1719 (buried)) was a Dutch painter. He was trained by his father, Jan Baptist Weenix, together with his cousin Melchior d'Hondecoeter. Like his father, he devoted himself to a variety of subjects, but his fame is chiefly due to his paintings of dead game and of hunting scenes. Many pictures in this genre formerly ascribed to the elder Weenix are now generally considered to be the work of the son.

Life

The "Binnen Amstel", Weenix lived at the waterfront behind the house in the middle.

Jan Weenix was born in Amsterdam according to his notice of marriage in 1679 but his date of birth is not exactly known as the baptismal record of this catholic church did not survive. Between 1643 and 1647 his father worked in Italy. Around 1649 the family moved to Utrecht. At some time Jan Baptist Weenix moved into a castle near Vleuten, but died rather young in 1659. By the age of twenty Jan Weenix rivalled and then subsequently surpassed his father in breadth of treatment and richness of colour. Jan Weenix was a member of the Utrecht guild of painters in 1664 and 1668. In 1679 when Jan Weenix married the 20-year-old Pieternella Backers he told the schepen he was "around thirty"! Between 1680 and 1700 they had 13 children baptized in a hidden church; at least four sons: Jan Baptista (1680-), Willem Ignatius (1690-1764), Jacobus (1693-), Nicolaes Andreas (1699-1757) and two daughters Sara and Maria.

Hunting Still Life (ca. 1708) oil on canvas, 79.2 x 69.5 cm., Mauritshuis
Game and Hunting Weapons (ca. 1675-1700), oil on canvas, Musée Fabre

In 1697 he painted a portrait of Peter the Great, visiting the Republic to study shipbuilding, science, and the art of fortification building. In Amsterdam, Weenix was frequently employed to decorate private houses with wall-paintings on canvas. The five fixed paintings or wallpaper on canvas for Jacob de Granada became very popular in the second half of the 18th century when nature and Rousseau were fashionable and copied. The paintings survived in the house until 1922. Then the enormous "paintings" were sold before an auction to William Randolph Hearst in a private arrangement. After Hearst went bankrupt, the paintings were dispersed; one is in the National Galleries of Scotland in Edinburgh, two are in the Hotel Carlyle in New York, one has been in the Allen Memorial Art Museum since 1953 and one is lost.

Between 1702 and 1712 Weenix was occupied with an important series of twelve large hunting pictures for the Elector Palatine Johann Wilhelm's castle of Bensberg, near Cologne. (According to Goethe Weenix surpassed nature.) Also Eglon van der Neer, Rachel Ruysch, Adriaen van der Werff had a very good relationship with the court, being paid well or knighted as ridder and probably meeting an international crowd of artists and musicians. The treasury was empty when Jan Wellem, as he was called in Düsseldorf, died. Most of this collection is now at the Munich Gallery, but the paintings of Van der Werff moved to the cellar. Weenix' pupils were his daughter Maria Weenix and Dirk Valkenburg. Jan Weenix lived most of his life in a house across the Mint Tower and was buried in Nieuwezijds Kapel a nearby catholic church on the Rokin. His widow and daughters stayed in the masonry business selling stones and tiles.

Work

Johann Wolfgang von Goethe was impressed by the treatment of animals in Weenix pictures which he saw in Munich. He devoted a poem to Weenix's technique, in which he stated that Weenix equaled and even surpassed nature in his treatment of animal textures such as hair, feathers and claws.

Many of his best works are to be found in English private collections. Though the National Gallery, London has only a single example, a painting of dead game and a dog, the Wallace Collection, also in London, has thirteen paintings, including the intriguing (and arguably disturbing) "Flowers on a Fountain with a Peacock."

Jan Weenix is well represented in the galleries of Amsterdam, The Hague, Haarlem, Rotterdam, Berlin, Lisbon and Paris. A medium-sized Weenix, "Still Life with Dead Game" hangs in the dining room of the Filoli estate in California. A certain "Still Life with Hunting Trophies" hangs in the Ackland Art Museum, Chapel Hill, NC, and a large "Peacock with Hunting Trophies" hangs in the Museu Calouste Gulbenkian. "Boy with Toys, Pet Monkey and a Turkey" is in the Kresge Art Museum. "Still Life with Dead Hare" in the Museum of Western and Oriental Art in Kyiv.

Gallery

Notes

  1. RKD
  2. Lawrence Gowing, ed., Biographical Encyclopedia of Artists, v.4 (Facts on File, 2005): 721.
  3. Rembrandt's bankruptcy: the artist, his patrons, and the art market in ... By Paul Crenshaw
  4. ^ Chisholm 1911, p. 467.
  5. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 20
  6. RKD Archived 4 December 2011 at the Wayback Machine
  7. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 21
  8. "Portrait of Peter I - Jan Weenix". 7 June 2021.
  9. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 42-43
  10. Jan Weenix in the RKD
  11. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 22
  12. Anke A. Van Wagenberg-Ter Hoeven (2018) Jan Baptist Weenix & Jan Weenix: The Paintings, p. 24
  13. "Archived copy". Archived from the original on 1 March 2009. Retrieved 19 November 2011.{{cite web}}: CS1 maint: archived copy as title (link)
  14. Anke A. Van Wagenberg-Ter Hoeven, "Jan Weenix. Boy with Toys, Pet Monkey and a Turkey by Jan Weenix," Kresge Art Museum Bulletin, Susan J. Bandes and April Kingsley (eds.). Michigan State University, East Lansing, vol. IX (2009)
  15. Helena Roslavets (Ed.): Museum of Western and Oriental Art Kyiv, Aurora Art Publishers, Leningrad 1985

Sources

Attribution:

External links

Media related to Jan Weenix at Wikimedia Commons

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