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'''Pippa Garner''' (b. 1942 Evanston, Illinois and fka Philip Garner)<ref name="redling">{{cite web |title=Pippa Garner |url=http://www.redlingfineart.com/artists/pippa-garner |website=Redling Fine Art website |accessdate=10 March 2020}}</ref> is an artist and |
'''Pippa Garner''' (b. 1942 Evanston, Illinois and fka Philip Garner)<ref name="redling">{{cite web |title=Pippa Garner |url=http://www.redlingfineart.com/artists/pippa-garner |website=Redling Fine Art website |accessdate=10 March 2020}}</ref> is an artist, illustrator, industrial designer, and writer known for making parody forms of consumer products and custom bicycles and automobiles.<ref>{{Cite web |last=Nast |first=Condé |date=2022-10-05 |title=The Boldly Queer, Proudly Off-Kilter World of Pippa Garner |url=https://www.vogue.com/article/pippa-garner-kunstverein-munich-exhibition-essay |access-date=2023-02-21 |website=Vogue |language=en-US}}</ref> Garner authored ''The Better Living Catalog''<ref>Garner, Philip. ''Philip Garner's Better Living Catalog''. New York, NY: Delilah, 1982. Print.</ref> and ''Utopia—or Bust! Products for the Perfect World'' and worked as an illustrator for the ] magazine and '']'' for many years.<ref>Garner, Philip. Utopia-- or Bust!: Products for the Perfect World. New York: Delilah Communications, 1984. Print.</ref> Garner has exhibited internationally at STARS gallery in Los Angeles, Jeffrey Stark gallery in New York, the ] in Switzerland, and the ] in Munich, amongst other institutions.<ref>{{Cite web |title=Pippa Garner - Exhibitions - Kunsthalle Zürich |url=https://www.kunsthallezurich.ch/en/ausstellungen/7874-pippa-garner |access-date=2023-02-21 |website=www.kunsthallezurich.ch |language=en}}</ref><ref>{{Cite news |date=2022-10 |title=PORTFOLIO: PIPPA GARNER |language=en-US |volume=61 |work=Artforum |issue=2 |url=https://www.artforum.com/print/202208/portfolio-pippa-garner-89268 |access-date=2023-02-21 |issn=0004-3532}}</ref> | ||
==Work== | ==Work== | ||
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Garner began her career in the 1970s in Los Angeles as a performance artist after serving in Vietnam as a combat artist.<ref name="duncan">{{cite journal |last1=Duncan |first1=Fiona |title=Interview Pippa Garner |journal=Spike |date=Autumn 2018 |issue=57 |url=http://www.spikeartmagazine.com/articles/interview-pippa-garner-fiona-duncan |accessdate=11 March 2020}}</ref> The artist was a U.S. Army Combat Artist in the Vietnam War and was drafted while working at an assembly line at a car plant. Garner was assigned to the 25th Infantry, the only division with a Combat Art Team (CAT). CAT tasked soldier and civilian artists with documenting the Vietnam War in the forms of sketches, illustrations, and paintings to be collected by the U.S. Army for (in their words) ‘the annals of military history –.' This is where Garner learned to draw and, eventually after a trip to Japan in which she purchased a camera, take photographs. | Garner began her career in the 1970s in Los Angeles as a performance artist after serving in Vietnam as a combat artist.<ref name="duncan">{{cite journal |last1=Duncan |first1=Fiona |title=Interview Pippa Garner |journal=Spike |date=Autumn 2018 |issue=57 |url=http://www.spikeartmagazine.com/articles/interview-pippa-garner-fiona-duncan |accessdate=11 March 2020}}</ref> The artist was a U.S. Army Combat Artist in the Vietnam War and was drafted while working at an assembly line at a car plant. Garner was assigned to the 25th Infantry, the only division with a Combat Art Team (CAT).<ref>{{Cite web |date=2018-09-25 |title=Interview Pippa Garner |url=https://spikeartmagazine.com/?q=articles/interview-pippa-garner-fiona-duncan |access-date=2023-02-21 |website=Spike Art Magazine |language=en}}</ref> CAT tasked soldier and civilian artists with documenting the Vietnam War in the forms of sketches, illustrations, and paintings to be collected by the U.S. Army for (in their words) ‘the annals of military history –.' This is where Garner learned to draw and, eventually after a trip to Japan in which she purchased a camera, take photographs. | ||
Garner went to the Automotive Design department at ArtCenter College of Design in Los Angeles when she was discharged.<ref>{{Cite web |date=2018-09-25 |title=Interview Pippa Garner |url=https://spikeartmagazine.com/?q=articles/interview-pippa-garner-fiona-duncan |access-date=2023-02-21 |website=Spike Art Magazine |language=en}}</ref> The artist was expelled after their first year. For a year-end project, she submitted, ''Un(tit)led (Man with Kar-Mann)'', circa 1969–72, it was a sculpture of a classic 1960s-style silver and white sedan accentuated by a male body from the waist down in the car's back. One human leg is lifted like a dog urinating. The work was last seen in the 1970s and only photographs of the work exist.<ref>{{Cite web |title=AUTO EROTICS Brit Barton on Pippa Garner at the Kunstverein München |url=https://www.textezurkunst.de/en/articles/brit-barton-pippa-garner-auto-erotics/ |access-date=2023-02-21 |website=www.textezurkunst.de}}</ref> | |||
The artist modified a ] automobile to appear to be driving backwards while it moved forwards and vice-versa. Titled, ''Backwards Car'', 1974, the artwork-like-invention was featured in ] in 1975. Garner's work has often been described as a "critique of car culture", reflecting on the US fascination with overbuilt, supersized machines.<ref name="FT">{{cite news |last1=Diehl |first1=Travis |date=11 February 2022 |title=Pippa Garner's gender-bending satire on America's consumer culture |publisher=Financial Times |url=https://www.ft.com/content/5c007614-eb8d-445b-b922-0da38c8628d8 |access-date=11 July 2022}}</ref> The work was noticed by San Francisco artists such as ], ], Nancy Reese, and the collective ]. Following the promotional feature of the artwork in ''Esquire'', she began a long-term collaboration with some of these artists, especially ] of Ant Farm.<ref>{{cite news |last1=Bush |first1=Bill |title=Paradise Notwithstanding: This Artweek.LA (December 5-11, 2011) |url=https://www.huffpost.com/entry/artweek-la_b_1129762 |work=HuffPost |date=5 December 2011 |language=en}}</ref> | The artist modified a ] automobile to appear to be driving backwards while it moved forwards and vice-versa. Titled, ''Backwards Car'', 1974, the artwork-like-invention was featured in ] in 1975. Garner's work has often been described as a "critique of car culture", reflecting on the US fascination with overbuilt, supersized machines.<ref name="FT">{{cite news |last1=Diehl |first1=Travis |date=11 February 2022 |title=Pippa Garner's gender-bending satire on America's consumer culture |publisher=Financial Times |url=https://www.ft.com/content/5c007614-eb8d-445b-b922-0da38c8628d8 |access-date=11 July 2022}}</ref> The work was noticed by San Francisco artists such as ], ], Nancy Reese, and the collective ]. Following the promotional feature of the artwork in ''Esquire'', she began a long-term collaboration with some of these artists, especially ] of Ant Farm.<ref>{{cite news |last1=Bush |first1=Bill |title=Paradise Notwithstanding: This Artweek.LA (December 5-11, 2011) |url=https://www.huffpost.com/entry/artweek-la_b_1129762 |work=HuffPost |date=5 December 2011 |language=en}}</ref> | ||
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In the 1980s, Pippa transitioned to a different gender as part of what she considered an "art project to create disorientation in my position in society, and sort of balk any possibility of ever falling into a stereotype again."<ref>Ludwig, Tiffany, and Renee Piechocki. "Misc. Pippa Garner." ''Trappings: Stories of Women, Power and Clothing''. New Brunswick, NJ: Rutgers UP, 2007. 71–78. Print.</ref> In a recent interview musician and visual artist ], Pippa has expressed these sentiments around gender and transition: "There was something that always seemed odd about being saddled with a gender, or being isolated by your gender. Because the advertising, consumerism, in the background in my life, was very much gender-oriented. There were things for women and things for men. It was all-out masculinity or all-out femininity, macho or made up. And if you didn’t feel that yourself, you felt uncomfortable."<ref>{{Cite web |last=Barna |first=Ben |date=2021-05-19 |title=Pippa Garner and Hayden Dunham on the Struggle of Being Inside Bodies |url=https://www.interviewmagazine.com/art/pippa-garner-and-hayden-dunham-on-the-struggle-of-being-inside-bodies |access-date=2023-02-21 |website=Interview Magazine |language=en-US}}</ref> | In the 1980s, Pippa transitioned to a different gender as part of what she considered an "art project to create disorientation in my position in society, and sort of balk any possibility of ever falling into a stereotype again."<ref>Ludwig, Tiffany, and Renee Piechocki. "Misc. Pippa Garner." ''Trappings: Stories of Women, Power and Clothing''. New Brunswick, NJ: Rutgers UP, 2007. 71–78. Print.</ref> In a recent interview musician and visual artist ], Pippa has expressed these sentiments around gender and transition: "There was something that always seemed odd about being saddled with a gender, or being isolated by your gender. Because the advertising, consumerism, in the background in my life, was very much gender-oriented. There were things for women and things for men. It was all-out masculinity or all-out femininity, macho or made up. And if you didn’t feel that yourself, you felt uncomfortable."<ref>{{Cite web |last=Barna |first=Ben |date=2021-05-19 |title=Pippa Garner and Hayden Dunham on the Struggle of Being Inside Bodies |url=https://www.interviewmagazine.com/art/pippa-garner-and-hayden-dunham-on-the-struggle-of-being-inside-bodies |access-date=2023-02-21 |website=Interview Magazine |language=en-US}}</ref> | ||
In conversation with writer and artist Fiona Alison Duncan, Garner has been received as a predecessor to the ] beauty industrial complex as well as ]’s '']'', having navigated the psych medical system, purchasing surgeries abroad on her MTF transition, which jump started with ] ] in the 1980s. Garner says: “The concept of sex-change as a form of consumer technology began to intrigue me.”<ref>{{Cite web |last=marc |date=2021-05-14 |title=In Words |url=https://various-artists.com/in-words/ |access-date=2023-02-21 |website=Various Artists |language=en-US}}</ref> | |||
Garner participated in ''Trappings,'' an artwork by Two Girls Working: Tiffany Ludwig and Renee Piechocki. During her interview for the project, she described her transition as a kind of artistic expression.<ref></ref><ref name="miller">{{cite journal |last1=Miller |first1=Nicole |title=Everything Is Objectification: An Interview with Pippa Garner |journal=X-tra |date=Fall 2019 |volume=22 |issue=1 |url=https://www.x-traonline.org/article/everything-is-objectification-an-interview-with-pippa-garner |accessdate=11 March 2020}}</ref> Pippa appeared on the show ] as a guest artist.<ref>{{Cite web |url=http://www.tv.com/shows/monster-garage/jet-boat-car-293090/ |title=Monster Garage: Jet Boat / Car |access-date=2017-04-06 |archive-date=2017-04-07 |archive-url=https://web.archive.org/web/20170407145839/http://www.tv.com/shows/monster-garage/jet-boat-car-293090/ |url-status=dead }}</ref> | Garner participated in ''Trappings,'' an artwork by Two Girls Working: Tiffany Ludwig and Renee Piechocki. During her interview for the project, she described her transition as a kind of artistic expression.<ref></ref><ref name="miller">{{cite journal |last1=Miller |first1=Nicole |title=Everything Is Objectification: An Interview with Pippa Garner |journal=X-tra |date=Fall 2019 |volume=22 |issue=1 |url=https://www.x-traonline.org/article/everything-is-objectification-an-interview-with-pippa-garner |accessdate=11 March 2020}}</ref> Pippa appeared on the show ] as a guest artist.<ref>{{Cite web |url=http://www.tv.com/shows/monster-garage/jet-boat-car-293090/ |title=Monster Garage: Jet Boat / Car |access-date=2017-04-06 |archive-date=2017-04-07 |archive-url=https://web.archive.org/web/20170407145839/http://www.tv.com/shows/monster-garage/jet-boat-car-293090/ |url-status=dead }}</ref> | ||
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In 2017, Garner had a solo show at Redling Fine Art, Los Angeles where she presented sculptures, drawings, and videos.<ref>{{cite web |last1=Knight |first1=Christopher |title=Pippa Garner at Redling Fine Art: Vehicles for clever satire - Los Angeles Times |url=https://www.latimes.com/entertainment/arts/la-et-cm-pippa-garner-redling-review-20170506-htmlstory.html |website=]|date=6 May 2017 }}</ref> | In 2017, Garner had a solo show at Redling Fine Art, Los Angeles where she presented sculptures, drawings, and videos.<ref>{{cite web |last1=Knight |first1=Christopher |title=Pippa Garner at Redling Fine Art: Vehicles for clever satire - Los Angeles Times |url=https://www.latimes.com/entertainment/arts/la-et-cm-pippa-garner-redling-review-20170506-htmlstory.html |website=]|date=6 May 2017 }}</ref> | ||
A selected retrospective was on view at JOAN gallery in Los Angeles in November and December of 2021.<ref>{{Cite web |title=Fiona Alison Duncan - Grantees - Arts Writers Grant |url=https://www.artswriters.org/grant/grantees/grantee/fiona_alison_duncan |access-date=2023-02-21 |website=www.artswriters.org}}</ref> | |||
===Immaculate Misconceptions=== | ===Immaculate Misconceptions=== | ||
Garner is known for her ''Immaculate Misconceptions'' projects that she has been creating throughout her artistic practice. The series consists of hundreds of inventions, most of them involving repurposing household consumer products into gadgets or absurd devices. For example the ironic ''"Hurl-A-Burger"'' machine is a type of catapult designed to "promote cultural exchange" by launching fast food over international border walls.<ref name="Hyper">{{cite web |last1=Reizman |first1=Renée |title=Pippa Garner's Household Inventions Reimagine the World |url=https://hyperallergic.com/692737/pippa-garners-household-inventions-reimagine-the-world/?utm_campaign=D070122&utm_medium=email&utm_content=D070122+CID_a3bdda647c851e6ff1c63874c900824d&utm_source=hn |website=Hyperallergic |date=15 November 2021 |access-date=30 July 2022}}</ref><ref name="Artforum">{{cite journal |last1=Martinez |first1=Christina Catherine |title=Pippa Garner |journal=Artforum |date=January 2022 |url=https://www.artforum.com/print/reviews/202201/pippa-garner-87459 |access-date=30 July 2022}}</ref> | Garner is known for her ''Immaculate Misconceptions'' projects that she has been creating throughout her artistic practice. The series consists of hundreds of inventions, most of them involving repurposing household consumer products into gadgets or absurd devices. For example the ironic ''"Hurl-A-Burger"'' machine is a type of catapult designed to "promote cultural exchange" by launching fast food over international border walls.<ref name="Hyper">{{cite web |last1=Reizman |first1=Renée |title=Pippa Garner's Household Inventions Reimagine the World |url=https://hyperallergic.com/692737/pippa-garners-household-inventions-reimagine-the-world/?utm_campaign=D070122&utm_medium=email&utm_content=D070122+CID_a3bdda647c851e6ff1c63874c900824d&utm_source=hn |website=Hyperallergic |date=15 November 2021 |access-date=30 July 2022}}</ref><ref name="Artforum">{{cite journal |last1=Martinez |first1=Christina Catherine |title=Pippa Garner |journal=Artforum |date=January 2022 |url=https://www.artforum.com/print/reviews/202201/pippa-garner-87459 |access-date=30 July 2022}}</ref> |
Revision as of 16:49, 21 February 2023
Pippa Garner | |
---|---|
Born | Philip Garner 1942 Chicago, Illinois |
Nationality | American |
Known for | Drawing, Performance, Sculpture |
Movement | Funk art, Nut art |
Pippa Garner (b. 1942 Evanston, Illinois and fka Philip Garner) is an artist, illustrator, industrial designer, and writer known for making parody forms of consumer products and custom bicycles and automobiles. Garner authored The Better Living Catalog and Utopia—or Bust! Products for the Perfect World and worked as an illustrator for the Los Angeles magazine and Car & Driver for many years. Garner has exhibited internationally at STARS gallery in Los Angeles, Jeffrey Stark gallery in New York, the Kunsthalle Zürich in Switzerland, and the Kunstverein Munich in Munich, amongst other institutions.
Work
Garner began her career in the 1970s in Los Angeles as a performance artist after serving in Vietnam as a combat artist. The artist was a U.S. Army Combat Artist in the Vietnam War and was drafted while working at an assembly line at a car plant. Garner was assigned to the 25th Infantry, the only division with a Combat Art Team (CAT). CAT tasked soldier and civilian artists with documenting the Vietnam War in the forms of sketches, illustrations, and paintings to be collected by the U.S. Army for (in their words) ‘the annals of military history –.' This is where Garner learned to draw and, eventually after a trip to Japan in which she purchased a camera, take photographs.
Garner went to the Automotive Design department at ArtCenter College of Design in Los Angeles when she was discharged. The artist was expelled after their first year. For a year-end project, she submitted, Un(tit)led (Man with Kar-Mann), circa 1969–72, it was a sculpture of a classic 1960s-style silver and white sedan accentuated by a male body from the waist down in the car's back. One human leg is lifted like a dog urinating. The work was last seen in the 1970s and only photographs of the work exist.
The artist modified a Chevrolet automobile to appear to be driving backwards while it moved forwards and vice-versa. Titled, Backwards Car, 1974, the artwork-like-invention was featured in Esquire in 1975. Garner's work has often been described as a "critique of car culture", reflecting on the US fascination with overbuilt, supersized machines. The work was noticed by San Francisco artists such as Ed Ruscha, Chris Burden, Nancy Reese, and the collective Ant Farm. Following the promotional feature of the artwork in Esquire, she began a long-term collaboration with some of these artists, especially Chip Lord of Ant Farm.
Later, she appeared on The Tonight Show Starring Johnny Carson wearing her infamous Half-Suit, 1982. Additional appearances included the Merv Griffin Show and several other talk shows where she showcased her satirical consumer product "inventions." Similar inventions and artworks were shown in publications such as Car & Driver, Rolling Stone, Arts & Architecture and Vogue.
In the 1980s, Pippa transitioned to a different gender as part of what she considered an "art project to create disorientation in my position in society, and sort of balk any possibility of ever falling into a stereotype again." In a recent interview musician and visual artist Hayden Dunham, Pippa has expressed these sentiments around gender and transition: "There was something that always seemed odd about being saddled with a gender, or being isolated by your gender. Because the advertising, consumerism, in the background in my life, was very much gender-oriented. There were things for women and things for men. It was all-out masculinity or all-out femininity, macho or made up. And if you didn’t feel that yourself, you felt uncomfortable."
In conversation with writer and artist Fiona Alison Duncan, Garner has been received as a predecessor to the Kardashian beauty industrial complex as well as Paul Preciado’s Testo Junkie, having navigated the psych medical system, purchasing surgeries abroad on her MTF transition, which jump started with black market hormones in the 1980s. Garner says: “The concept of sex-change as a form of consumer technology began to intrigue me.”
Garner participated in Trappings, an artwork by Two Girls Working: Tiffany Ludwig and Renee Piechocki. During her interview for the project, she described her transition as a kind of artistic expression. Pippa appeared on the show Monster Garage as a guest artist.
In 1997, Garner showed in Hello Again!, a "recycled art-focused" show which opened at the Oakland Museum and travelled throughout North America. The show, curated by Susan Subtle, featured Garner alongside Mildred Howard, Leo Sewell, Clayton Bailey, Claire Graham, Jan Yager, Remi Rubel, Mark Bulwinkle, and others.
In 2017, Garner had a solo show at Redling Fine Art, Los Angeles where she presented sculptures, drawings, and videos.
A selected retrospective was on view at JOAN gallery in Los Angeles in November and December of 2021.
Immaculate Misconceptions
Garner is known for her Immaculate Misconceptions projects that she has been creating throughout her artistic practice. The series consists of hundreds of inventions, most of them involving repurposing household consumer products into gadgets or absurd devices. For example the ironic "Hurl-A-Burger" machine is a type of catapult designed to "promote cultural exchange" by launching fast food over international border walls.
Published works
- Philip Garner's Better Living Catalog: 62 Absolute Necessities for Contemporary Survival, 1982 by Putnam Publishing Group
- Utopia—or Bust! Products for the Perfect World, 1984 by Putnam Publishing Group.
- Garner's Gizmos & Gadgets, 1987 by Perigee Trade.
Exhibitions
- Pippa Garner: Act Like You Know Me, co-curated by Fiona Alison Duncan, Maurin Dietrich, Daniel Baumann, and Otto Bonnen at Kunstverein Munich (2022) and Kunsthalle Zürich (2023)
Collections
Garner's work is in the collection of the Audrain Auto Museum of Rhode Island, a selection of her photographs are held in the Contemporary Art Library archives.
See also
References
- "Pippa Garner". Redling Fine Art website. Retrieved 10 March 2020.
- Nast, Condé (2022-10-05). "The Boldly Queer, Proudly Off-Kilter World of Pippa Garner". Vogue. Retrieved 2023-02-21.
- Garner, Philip. Philip Garner's Better Living Catalog. New York, NY: Delilah, 1982. Print.
- Garner, Philip. Utopia-- or Bust!: Products for the Perfect World. New York: Delilah Communications, 1984. Print.
- "Pippa Garner - Exhibitions - Kunsthalle Zürich". www.kunsthallezurich.ch. Retrieved 2023-02-21.
- "PORTFOLIO: PIPPA GARNER". Artforum. Vol. 61, no. 2. 2022-10. ISSN 0004-3532. Retrieved 2023-02-21.
{{cite news}}
: Check date values in:|date=
(help) - Duncan, Fiona (Autumn 2018). "Interview Pippa Garner". Spike (57). Retrieved 11 March 2020.
- "Interview Pippa Garner". Spike Art Magazine. 2018-09-25. Retrieved 2023-02-21.
- "Interview Pippa Garner". Spike Art Magazine. 2018-09-25. Retrieved 2023-02-21.
- "AUTO EROTICS Brit Barton on Pippa Garner at the Kunstverein München". www.textezurkunst.de. Retrieved 2023-02-21.
- ^ Diehl, Travis (11 February 2022). "Pippa Garner's gender-bending satire on America's consumer culture". Financial Times. Retrieved 11 July 2022.
- Bush, Bill (5 December 2011). "Paradise Notwithstanding: This Artweek.LA (December 5-11, 2011)". HuffPost.
- Artist Bio/Resume at Lois Lambert Gallery, http://www.loislambertgallery.com/index.php#mi=1&pt=0&pi=41&s=0&p=0&a=0&at=0
- Ludwig, Tiffany, and Renee Piechocki. "Misc. Pippa Garner." Trappings: Stories of Women, Power and Clothing. New Brunswick, NJ: Rutgers UP, 2007. 71–78. Print.
- Barna, Ben (2021-05-19). "Pippa Garner and Hayden Dunham on the Struggle of Being Inside Bodies". Interview Magazine. Retrieved 2023-02-21.
- marc (2021-05-14). "In Words". Various Artists. Retrieved 2023-02-21.
- Her Trappings interview is available here.
- Miller, Nicole (Fall 2019). "Everything Is Objectification: An Interview with Pippa Garner". X-tra. 22 (1). Retrieved 11 March 2020.
- "Monster Garage: Jet Boat / Car". Archived from the original on 2017-04-07. Retrieved 2017-04-06.
- "Enviro-Friendly Art". Waste360. 1 December 2004.
- Knight, Christopher (6 May 2017). "Pippa Garner at Redling Fine Art: Vehicles for clever satire - Los Angeles Times". Los Angeles Times.
- "Fiona Alison Duncan - Grantees - Arts Writers Grant". www.artswriters.org. Retrieved 2023-02-21.
- Reizman, Renée (15 November 2021). "Pippa Garner's Household Inventions Reimagine the World". Hyperallergic. Retrieved 30 July 2022.
- Martinez, Christina Catherine (January 2022). "Pippa Garner". Artforum. Retrieved 30 July 2022.
- Philip Garner's Better living catalog. OCLC 607059699. Retrieved 21 October 2022.
{{cite book}}
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ignored (help) - "Utopia - or Bust! Products for the perfect world". WorldCat. Retrieved 21 October 2022.
- "Garner's Gizmos and Gadgets". WorldCat. Retrieved 21 October 2022.
- "Pippa Garner". The Contemporary Art Library. Retrieved 30 July 2022.