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| '''Osian Ellis''' is a ] ]ist. | '''Osian Gwynn Ellis''' ] (born ], ] in ], ]) is a ] ]ist and composer. | ||
| ==Career== | |||
| Ellis was principal harpist with the ], which he joined in ]. He later formed the Osian Ellis Harp Ensemble. Concertos have been written specially for him by ], ], ], and ]. ], with whom he collaborated extensively, wrote him the ''Harp Suite'' (]). He is the Honorary President of the ]. | |||
| Ellis studied at the ] with Gwendolen Mason, who he later succeeded as Professor of Harp from 1959 to 1989. He joined the ] in 1961 and was Principal Harpist. He was a member of the Melos Ensemble and also formed the Osian Ellis Harp Ensemble. His 1959 recording of ] harp concertos (with ]) won the ]. Ellis was awarded the CBE in 1971. He is the Honorary President of the ]. | |||
| ==Influence on other musicians== | |||
| ⚫ | {{Wales-stub}} | ||
| Concertos have been written specially for him by ] (for the ] Festival in 1957), ] (for the ] Festival of 1970), ] (1972), ] (1979) and ] (1985). | |||
| Ellis is particularly known for his musical association with ], with whom he collaborated extensively. Britten wrote the harp part in several of his major pieces with Ellis in mind, particularly '']'', the '']'' and the Church Parables. Britten also wrote his ''Harp Suite'' (Op. 83) for Ellis (1969). In the last few years of Britten's life, when he could no longer accompany ] on the piano, Britten wrote pieces for Pears and Ellis, including ''The Death of St Narcissus'' and ''A Birthday Hansel''. <ref></ref> Ellis appears in many first recordings of Britten's pieces, often with Britten himself conducting. | |||
| ==Compositions and writings== | |||
| His own compositions have drawn on his Welsh heritage, including settings of Welsh folksongs for tenor and harp and settings of medieval Welsh ] poems. ''Diversions'' for two harps includes a '']'' setting of a ] poem. | |||
| His writings include ''The Story of the Harp in Wales'' (1991) ISBN 0-7083-1104-0 (a revision of an earlier publication in Welsh), which traces the harp's development and discusses some famous harpists. | |||
| ==References== | |||
| <references/> | |||
| * ''The Oxford Dictionary of Music'' (1994) | |||
| * | |||
| ⚫ | {{Wales-bio-stub}} | ||
| {{DEFAULTSORT:Ellis, Osian}} | {{DEFAULTSORT:Ellis, Osian}} | ||
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Revision as of 11:51, 17 March 2007
Osian Gwynn Ellis CBE (born February 8, 1928 in Ffynnongroyw, Flintshire) is a Welsh harpist and composer.
Career
Ellis studied at the Royal Academy of Music with Gwendolen Mason, who he later succeeded as Professor of Harp from 1959 to 1989. He joined the London Symphony Orchestra in 1961 and was Principal Harpist. He was a member of the Melos Ensemble and also formed the Osian Ellis Harp Ensemble. His 1959 recording of Handel's harp concertos (with Thurston Dart) won the Grand Prix du Disque. Ellis was awarded the CBE in 1971. He is the Honorary President of the Wales International Harp Festival.
Influence on other musicians
Concertos have been written specially for him by Alun Hoddinott (for the Cheltenham Festival in 1957), William Mathias (for the Llandaff Festival of 1970), Jorgen Jersild (1972), William Alwyn (1979) and Robin Holloway (1985).
Ellis is particularly known for his musical association with Benjamin Britten, with whom he collaborated extensively. Britten wrote the harp part in several of his major pieces with Ellis in mind, particularly A Midsummer Night's Dream, the War Requiem and the Church Parables. Britten also wrote his Harp Suite (Op. 83) for Ellis (1969). In the last few years of Britten's life, when he could no longer accompany Peter Pears on the piano, Britten wrote pieces for Pears and Ellis, including The Death of St Narcissus and A Birthday Hansel. Ellis appears in many first recordings of Britten's pieces, often with Britten himself conducting.
Compositions and writings
His own compositions have drawn on his Welsh heritage, including settings of Welsh folksongs for tenor and harp and settings of medieval Welsh strict metre poems. Diversions for two harps includes a cerdd dant setting of a Dylan Thomas poem.
His writings include The Story of the Harp in Wales (1991) ISBN 0-7083-1104-0 (a revision of an earlier publication in Welsh), which traces the harp's development and discusses some famous harpists.
References
- The Oxford Dictionary of Music (1994)
- Grove Music Online (subscription) (accessed 17 March 2007)
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