| Revision as of 21:35, 5 April 2005 editRichardWeiss (talk | contribs)Extended confirmed users75,870 editsNo edit summary← Previous edit | Revision as of 21:39, 5 April 2005 edit undoRichardWeiss (talk | contribs)Extended confirmed users75,870 editsNo edit summaryNext edit → | ||
| Line 1: | Line 1: | ||
| '''Buju Banton''' (born '''Mark Myrie''' ]) is a ]n ] and ] singer. He was born in a ] near ] called ]. "Buju" is a common nickname for chubby children; it means "breadfruit". "Banton" is a Jamaican word referring to someone with a superior attitude, but was also the name of a local artist (]) that Buju watched as a child. | '''Buju Banton''' (born '''Mark Myrie''' ]) is a ]n ] and ] singer. He was born in a ] near ], ] called ]. "Buju" is a common nickname for chubby children; it means "breadfruit". "Banton" is a Jamaican word referring to someone with a superior attitude, but was also the name of a local artist (]) that Buju watched as a child. | ||
| He is one of the most popular musicians in Jamaican history, having hit the charts there suddenly in ], with "Bogle" and "Love Me Browning/Love Black Woman", both massive hits in Jamaica and less so abroad. Soon afterwards, Banton released "]", a controversial song that |
He is one of the most popular musicians in Jamaican history, having hit the charts there suddenly in ], with "Bogle" and "Love Me Browning/Love Black Woman", both massive hits in Jamaica and less so abroad. Soon afterwards, Banton released "]", a controversial song that stated: | ||
| :''Boom Boom bye bye, in a ] head,'' | :''Boom Boom bye bye, in a ] head,'' | ||
| Line 13: | Line 13: | ||
| '']'' (]) was an influential album, using a studio band instead of synthesized music, and marked a shift away from dancehall towards ] for Banton. It also included a single called "Murderer" which condemned the violence in Jamaican dancehall music, inspired by the murders of dancehall musicians ] and ]. The song inspired several clubs to stop playing songs with excessively violent subject matter. '']'' (]) substantially increased Banton's international audience. | '']'' (]) was an influential album, using a studio band instead of synthesized music, and marked a shift away from dancehall towards ] for Banton. It also included a single called "Murderer" which condemned the violence in Jamaican dancehall music, inspired by the murders of dancehall musicians ] and ]. The song inspired several clubs to stop playing songs with excessively violent subject matter. '']'' (]) substantially increased Banton's international audience. | ||
| In March |
In March ] he released ], which featured more sharply political songs. | ||
| ==See also== | |||
| *] | |||
| *] | |||
| ] | ] | ||
Revision as of 21:39, 5 April 2005
Buju Banton (born Mark Myrie 1973) is a Jamaican dancehall and ragga singer. He was born in a slum near Kingston, Jamaica called Salt Lane. "Buju" is a common nickname for chubby children; it means "breadfruit". "Banton" is a Jamaican word referring to someone with a superior attitude, but was also the name of a local artist (Burro Banton) that Buju watched as a child.
He is one of the most popular musicians in Jamaican history, having hit the charts there suddenly in 1992, with "Bogle" and "Love Me Browning/Love Black Woman", both massive hits in Jamaica and less so abroad. Soon afterwards, Banton released "Boom Boom Bye Bye", a controversial song that stated:
- Boom Boom bye bye, in a batty boy head,
- Rude boy nah promote no nasty man,
- Them hafi dead.
Banton, who had just signed to Mercury Records, was forced by his label to issue a statement; he refused to apologize and cited his Rastafarian religion) as the basis for his beliefs.
Since this time, Banton has become more socially conscious, leaving behind his old style of singing songs of violence and promiscuity. He began supporting AIDS education and released a song called "Willy (Don't Be Silly)" (1993; The Voice of Jamaica), promoting the use of condoms.
Till Shiloh (1995) was an influential album, using a studio band instead of synthesized music, and marked a shift away from dancehall towards roots reggae for Banton. It also included a single called "Murderer" which condemned the violence in Jamaican dancehall music, inspired by the murders of dancehall musicians Panhead and Dirtsman. The song inspired several clubs to stop playing songs with excessively violent subject matter. Inna Heights (1997) substantially increased Banton's international audience.
In March 2003 he released Friends for Life, which featured more sharply political songs.