Misplaced Pages

Mingxing: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 21:43, 8 April 2007 editTryptofeng (talk | contribs)Autopatrolled, Pending changes reviewers11,425 editsmNo edit summary← Previous edit Revision as of 21:44, 8 April 2007 edit undoTryptofeng (talk | contribs)Autopatrolled, Pending changes reviewers11,425 editsm Disambig repairNext edit →
Line 7: Line 7:
==See also== ==See also==
*] *]
*] *]
*] *]



Revision as of 21:44, 8 April 2007

Mingxing Film Company (Chinese: 明星影片公司; pinyin: Míngxīng yǐngpiàn gōngsī; lit. 'Star Films') was one of the largest Chinese production companies during the 1920s, 1930s, and 1940s in Shanghai and Hong Kong.

Founded in 1922, Mingxing emerged along with Dazhonghua Baihe, and Tianyi Film Company as one of the three dominant film studios of the 1920s. During this period, all three studios were known for producing "light" entertainment. By the early 1930s, Mingxing had became the leading film studio in China, and dominated the market with the new Lianhua Film Company (which had co-opted Dazhonghua Baihe) as a close second. Tianyi also continued to produce films throughout the 1930s, though its output did not match the two leaders. In contrast both Mingxing and Lianhua became major production houses for leftist films in Shanghai.

Films made under Mingxing's banner include famous leftist films like Kuang Liu (dir. Cheng Bugao, 1933), The Boatman's Daughter (Dir. Shen Xiling, 1935), and Street Angel (dir. Yuan Muzhi, 1937). Like Lianhua, Mingxing's production capabilities suffered significantly after the Japanese invasion and occupation of Shanghai.

See also

External links


Stub icon

This article about a film studio is a stub. You can help Misplaced Pages by expanding it.

Categories: