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== Vocal Jazz == | |||
{{Short description|Instrumental approach to jazz using the voice}} | {{Short description|Instrumental approach to jazz using the voice}} | ||
'''Vocal jazz''' or '''jazz singing''' is |
'''Vocal jazz''' or '''jazz singing''' is a genre within jazz music where the voice is used as an instrument. | ||
Vocal jazz began in the early twentieth century. Jazz music has its roots in ] and ragtime and can also traced back to the ].<ref name=":2">{{Cite web |date=2024-03-20 |title=Jazz {{!}} Definition, History, Musicians, & Facts {{!}} Britannica |url=https://www.britannica.com/art/jazz |access-date=2024-04-16 |website=www.britannica.com |language=en}}</ref> Jazz music is characterized by ], ], and unique ] and pitch deviation.<ref name=":2" /> In vocal jazz, this includes vocal improvisations called ] where vocalists imitate the instrumentalist's tone and rhythm. | |||
Vocal jazz emerged in the early twentieth century, with its roots in ]. Popular blues singers such as ] and ] had a great deal of influence of jazz vocalists such as ].<ref>{{Cite web |title=Bessie Smith Biography: Controversy |url=https://www.sparknotes.com/biography/bessiesmith/section9/ |access-date=2022-04-16 |website=SparkNotes |language=en}}</ref> Other characteristics of vocal jazz such as ] came out of the ]. ]'s 1926 recording of "]" is often cited as the first modern song to employ scatting.<ref>{{Cite book |last1=Crowther |first1=Bruce |title=Singing Jazz |last2=Pinfold |first2=Mike |publisher=] Books |year=1997 |isbn=0-87930-519-3}}</ref> This later evolved into the complex vocal improvisation of the ] that was adopted by ], ], ], and ].<ref>{{Cite book |last=Robinson |first=J. Bradford |title=Scat Singing |publisher=] |year=2007}}</ref> ] were a vocal jazz trio originating from ] that help popularize vocal jazz music among the general American public during the 1930s.<ref name=":0">{{Cite thesis |last=Moline |first=Lara Marie |date=2019 |title=Vocal Jazz in the Choral Classroom: A Pedagogical Study |url=https://digscholarship.unco.edu/dissertations/576/ |type=DMA dissertation |publisher=University of Northern Colorado |id=Paper 576 |via=Digital UNC}}</ref> | Vocal jazz emerged in the early twentieth century, with its roots in ]. Popular blues singers such as ] and ] had a great deal of influence of jazz vocalists such as ].<ref>{{Cite web |title=Bessie Smith Biography: Controversy |url=https://www.sparknotes.com/biography/bessiesmith/section9/ |access-date=2022-04-16 |website=SparkNotes |language=en}}</ref> Other characteristics of vocal jazz such as ] came out of the ]. ]'s 1926 recording of "]" is often cited as the first modern song to employ scatting.<ref>{{Cite book |last1=Crowther |first1=Bruce |title=Singing Jazz |last2=Pinfold |first2=Mike |publisher=] Books |year=1997 |isbn=0-87930-519-3}}</ref> This later evolved into the complex vocal improvisation of the ] that was adopted by ], ], ], and ].<ref>{{Cite book |last=Robinson |first=J. Bradford |title=Scat Singing |publisher=] |year=2007}}</ref> ] were a vocal jazz trio originating from ] that help popularize vocal jazz music among the general American public during the 1930s.<ref name=":0">{{Cite thesis |last=Moline |first=Lara Marie |date=2019 |title=Vocal Jazz in the Choral Classroom: A Pedagogical Study |url=https://digscholarship.unco.edu/dissertations/576/ |type=DMA dissertation |publisher=University of Northern Colorado |id=Paper 576 |via=Digital UNC}}</ref> | ||
⚫ | == History == | ||
Repertoire of vocal jazz typically includes the music of the ], however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the ], ], and rhythms derived from the syncretized music of ], ], and ] traditions. This includes ], as well as ], ], and ].<ref>{{Cite journal |last=Amerind |first=Gregory |date=November 2013 |title=The Collegiate Vocal Jazz Ensemble: An Historical and Current Perspective on the Development, Current State, And Future Direction of the Genre |url=https://keep.lib.asu.edu/_flysystem/fedora/c7/104416/Amerind_asu_0010E_13541.pdf |journal= |publisher=]}}</ref> | |||
Jazz singing originates from African-American enslaved people who sang ] and ].<ref name=":1" /> Work songs and field hollers provided a mode of expression for enslaved people to challenge the oppressive structures of white power.<ref name=":4">{{Cite web |title=Work Song, Field Call & More |url=https://timeline.carnegiehall.org/genres/work-songs-field-street-calls-satirical-protest-songs |access-date=2024-04-26 |website=Timeline of African American Music |language=en}}</ref> They allowed emotional expression, helped pass the time, and coordinated labor movements.<ref name=":4" /> The musical elements of these songs involved a ] structure and included repetitive phrasing and ] which are foundational elements of jazz music.<ref name=":4" /> | |||
Spirituals in churches, ], and ] also were the basis for jazz music.<ref name=":1">{{Cite book |last=Yanow |first=Scott |title=The Jazz Singers: The Ultimate Guide |date=2008 |publisher=Backbeat Books |year=2008 |location=New York, NY |pages=x-xi}}</ref> Jazz grew into popularity in the early twentieth century, with its roots in ].<ref name=":1" /> | |||
Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. ] and ] are also not constants in the articulation of vocal jazz.<ref>{{Cite journal |last1=Spradling |first1=Diana |last2=Binek |first2=Justin |date=June 2015 |title=Pedagogy for the Jazz Singer |url=https://acda.org/cj.asp |journal=The Choral Journal |publisher=] |volume=55 |issue=11 |pages=6–17 |via=JSTOR}}</ref> Vocal jazz often uses microphone amplification and singers are accompanied by a ] (piano, bass, drums, and guitar) and sometimes vocal percussion.<ref name=":0" /> | |||
] is often cited as being a large contributor to the rise in popularity of vocal jazz music, beginning in the late 1920s.<ref name=":1" /> His 1926 recording of “]” is often cited as the first modern song to employ ], a vocal improvisation technique.<ref>{{Cite book |last1=Crowther |first1=Bruce |title=Singing Jazz |last2=Pinfold |first2=Mike |publisher=] Books |year=1997 |isbn=0-87930-519-3}}</ref> | |||
⚫ | == History == | ||
Early in the twentieth century, jazz began developing as a musical movement.<ref name=":1" /> Jazz singing, or vocal jazz, was the last of four innately American musical conceptions to develop, along with instrumental jazz, the blues, and ] songwriting.<ref name=":1" /> | |||
In the 1940s, jazz evolved into the ]. Notable singers of this period were ], ], ], and ] who had all previously sung with big bands and developed their solo career. <ref name=":1" /> | |||
Alongside the rise of cool jazz in the 1950s singers followed the same laid-back approach of laid-back. This period gave rise to ], ], ], ], ], ], ], and ].<ref name=":1" /> | |||
While vocal jazz emerged during the early twentieth century, it was the turn of the 21st century where jazz fans began to accept the broader definition of vocal jazz.<ref name=":1">{{Cite web |last=Jazz |first=All About |date=2015-04-21 |title=Vocal Jazz: 1917-1950 article @ All About Jazz |url=https://www.allaboutjazz.com/vocal-jazz-1917-1950-by-mathew-bahl |access-date=2022-07-08 |website=All About Jazz |language=en}}</ref> | |||
==See also== | ==See also== |
Revision as of 21:05, 1 May 2024
Vocal Jazz
Instrumental approach to jazz using the voiceVocal jazz or jazz singing is a genre within jazz music where the voice is used as an instrument.
Vocal jazz began in the early twentieth century. Jazz music has its roots in blues and ragtime and can also traced back to the New Orleans jazz tradition. Jazz music is characterized by syncopated rhythms, improvisation, and unique tonality and pitch deviation. In vocal jazz, this includes vocal improvisations called scat singing where vocalists imitate the instrumentalist's tone and rhythm.
Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first modern song to employ scatting. This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s.
History
Jazz singing originates from African-American enslaved people who sang field hollers and work songs. Work songs and field hollers provided a mode of expression for enslaved people to challenge the oppressive structures of white power. They allowed emotional expression, helped pass the time, and coordinated labor movements. The musical elements of these songs involved a call-and-response structure and included repetitive phrasing and improvisation which are foundational elements of jazz music.
Spirituals in churches, minstrels, and vaudeville also were the basis for jazz music. Jazz grew into popularity in the early twentieth century, with its roots in blues.
Louis Armstrong is often cited as being a large contributor to the rise in popularity of vocal jazz music, beginning in the late 1920s. His 1926 recording of “Heebie Jeebies” is often cited as the first modern song to employ scatting, a vocal improvisation technique.
In the 1940s, jazz evolved into the bop era. Notable singers of this period were Ella Fitzgerald, Sarah Vaughan, Billie Holiday, and Dinah Washington who had all previously sung with big bands and developed their solo career.
Alongside the rise of cool jazz in the 1950s singers followed the same laid-back approach of laid-back. This period gave rise to Peggy Lee, June Christy, Chris Connor, Helen Merrill, Chet Baker, Carmen McRae, Joe Williams, and Ray Charles.
See also
References
- ^ "Jazz | Definition, History, Musicians, & Facts | Britannica". www.britannica.com. 2024-03-20. Retrieved 2024-04-16.
- "Bessie Smith Biography: Controversy". SparkNotes. Retrieved 2022-04-16.
- Crowther, Bruce; Pinfold, Mike (1997). Singing Jazz. Miller Freeman Books. ISBN 0-87930-519-3.
- Robinson, J. Bradford (2007). Scat Singing. The New Grove Dictionary of Music and Musicians.
- Moline, Lara Marie (2019). Vocal Jazz in the Choral Classroom: A Pedagogical Study (DMA dissertation). University of Northern Colorado. Paper 576 – via Digital UNC.
- ^ Yanow, Scott (2008). The Jazz Singers: The Ultimate Guide. New York, NY: Backbeat Books. pp. x–xi.
{{cite book}}
: CS1 maint: date and year (link) - ^ "Work Song, Field Call & More". Timeline of African American Music. Retrieved 2024-04-26.
- Crowther, Bruce; Pinfold, Mike (1997). Singing Jazz. Miller Freeman Books. ISBN 0-87930-519-3.
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