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| type = studio |
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| type = studio |
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| artist = ] |
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| artist = ] |
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| cover = File:Julie London Yummy Yummy Yummy.jpg |
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| cover = JulieLondon YummyYummyYummy.jpg |
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| released = 1969 |
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| released = 1969 |
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'''''Yummy, Yummy, Yummy''''' is a ] album by ]. It was London's final album for ], her label since 1955. It was produced by Tommy Oliver, who was also the arranger and conductor.<ref></ref> The album was released under catalog number LST 7609. |
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'''''Yummy, Yummy, Yummy''''' is a ] album by ]. It was London's final album for ], her label since 1955. It was produced by Tommy Oliver, who was also the arranger and conductor.<ref></ref> The album was released under catalog number LST 7609. |
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Yummy, Yummy, Yummy features London tackling ] — a genre not typically associated with her style. This genre shift, while perhaps jarring to some, offers an interesting exploration of how a seasoned pop vocalist might reinterpret contemporary hits of the late 1960s. The album's title, Yummy, Yummy, Yummy, has garnered its share of criticism due to its association with the bubblegum pop genre epitomized by the ] hit of the same name. Despite this, the album's commercial performance, including a modest chart appearance, indicates that with more contemporary material, London might have continued to achieve chart success. |
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The track list reveals that only a handful of songs diverge significantly from London's typical repertoire. Tracks like "]" and "]" are compared to softer covers by artists like ] and ]. These interpretations are less about radical reinvention and more about aligning with existing softer versions of the hits. Similarly, "]," while laid-back, mirrors the style of the ]'s cover rather than Nyro's original. |
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==Production and Presentation== |
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Produced by ], known for his work with Frankie Avalon and The Osmonds, the arrangements on Yummy, Yummy, Yummy are quintessentially pop orchestral. While Oliver’s arrangements are generally straightforward, they occasionally venture into more elaborate territory on tracks like "Yummy Yummy" and "Louie Louie." The album’s cover art, though noted to be not remarkable, complements the musical content, with the back cover photograph of London being notably more striking than the front. |
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The album was re-released on CD on June 21, 2005, by ]. |
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The album was re-released on CD on June 21, 2005, by ]. |
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==Critical Reception== |
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The album’s attempt to blend London’s classic vocal style with contemporary rock and pop music of the late 1960s has been met with a range of responses. Critics have noted the inherent incongruity of pairing London’s sultry, intimate voice with the more upbeat and often irreverent rock hits of the era. This juxtaposition is evident in her covers of tracks like ]’ "]," ]’s "]," and Ohio Express’s "Yummy Yummy Yummy." While these choices demonstrate a bold departure from her usual repertoire, they also highlight the challenges of adapting her signature style to a genre with which she had little prior association. |
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Some reviewers have labeled the album as a “bizarre” and “somewhat embarrassing” collection of pop songs that do not fully align with London’s established image. There is a sense that both London and her producer, Tommy Oliver, may have struggled to find a cohesive direction for the project. The arrangements, though lush and full, often seem at odds with the material, resulting in versions of these popular songs that fail to fully resonate or capture their original spirit. For instance, London's takes on "]" and "]" have been described as lacking the urgency and impact of the original versions, with some critics finding them to be bland or uninspired. |
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On the other hand, Yummy, Yummy, Yummy is not without its merits. The album’s attempts at reinvention reflect an artist exploring new creative territories, even if the results are uneven. Tracks such as her renditions of ]’s "]" and "]" from ] are often highlighted as successful adaptations that showcase London’s ability to bring her own touch to diverse material. |
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Despite its initial reception and subsequent obscurity, the album offers a fascinating glimpse into the risks and challenges of artistic reinvention. The album’s kitschy appeal, combined with London’s established prowess as a vocalist, adds an intriguing layer to its legacy. It provides modern listeners with a snapshot of an artist navigating the shifting musical landscape of the late 1960s and attempting to bridge the gap between her traditional style and the evolving tastes of the era. |
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==Track listing== |
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==Track listing== |
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*{{Album citation|Album name=Yummy, Yummy, Yummy|Album code=julie_london/yummy__yummy__yummy/|site=RYM}} |
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*{{Album citation|Album name=Yummy, Yummy, Yummy|Album code=julie_london/yummy__yummy__yummy/|site=RYM}} |
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{{Julie London}} |
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{{Julie London}} |
