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'''Güçlü''', in ] theory, is the dominant, central ] used as a temporary ] in the middle of a piece in a makam. As such, it is the first note of the second ] or ].<ref>{{Cite web |title=MAKAM |url=https://islamansiklopedisi.org.tr/makam--musiki |access-date=2024-10-15 |website=TDV İslâm Ansiklopedisi |language=tr}}</ref><ref>{{Cite web |title=Türk Sanat Müziğinde Makam Olgusu {{!}} Prof. Dr. Hazım GÖKÇEN |url=https://www.hazimgokcen.net/turk-sanat-muzigi/turk-sanat-muziginde-makam-olgusu/ |access-date=2024-10-16 |language=tr}}</ref><ref>{{Cite journal |last=KAÇAR |first=Dr. Gülçin YAHYA |date=2008 |title=TÜRK MÛSİKÎSİNDE MAKAM |url=https://dergipark.org.tr/en/download/article-file/260761 |journal=DergiPark |issue=11 |pages=153}}</ref> '''Güçlü''', in ] theory, is the dominant, central ] used as a temporary ] in the middle of a piece in a makam. As such, it is the common note of the lower and uper ]<nowiki/>s - last note of the first ] or ] and first note of the second tetrachord or pentachord.<ref>{{Cite web |title=MAKAM |url=https://islamansiklopedisi.org.tr/makam--musiki |access-date=2024-10-15 |website=TDV İslâm Ansiklopedisi |language=tr}}</ref><ref>{{Cite web |title=Türk Sanat Müziğinde Makam Olgusu {{!}} Prof. Dr. Hazım GÖKÇEN |url=https://www.hazimgokcen.net/turk-sanat-muzigi/turk-sanat-muziginde-makam-olgusu/ |access-date=2024-10-16 |language=tr}}</ref><ref>{{Cite journal |last=KAÇAR |first=Dr. Gülçin YAHYA |date=2008 |title=TÜRK MÛSİKÎSİNDE MAKAM |url=https://dergipark.org.tr/en/download/article-file/260761 |journal=DergiPark |issue=11 |pages=153}}</ref>


==See also== ==See also==

Revision as of 07:21, 17 October 2024

Güçlü, in Turkish makam theory, is the dominant, central note used as a temporary tonic in the middle of a piece in a makam. As such, it is the common note of the lower and uper Çeşnis - last note of the first tetrachord or pentachord and first note of the second tetrachord or pentachord.

See also

References

  1. "MAKAM". TDV İslâm Ansiklopedisi (in Turkish). Retrieved 2024-10-15.
  2. "Türk Sanat Müziğinde Makam Olgusu | Prof. Dr. Hazım GÖKÇEN" (in Turkish). Retrieved 2024-10-16.
  3. KAÇAR, Dr. Gülçin YAHYA (2008). "TÜRK MÛSİKÎSİNDE MAKAM". DergiPark (11): 153.
Turkish makam theory
Lists about
Turkish makam theory
Concepts in
Turkish makam theory
Basic Makams
based on their
lower çeşni
Çârgâh pentachord
Buselik pentachord
Kürdî pentachord
Rast pentachord
Hüseynî pentachord
Hicaz pentachord
Uşşak tetrachord
Hicaz tetrachord
Segah tetrachord
Hüzzam tetrachord
Nikriz pentachord
Ferahnak tetrachord
Complex Makams
based on their
lower çeşni
Saba tetrachord
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