| Revision as of 05:07, 30 December 2024 editSuntooooth (talk | contribs)Extended confirmed users, IP block exemptions, Pending changes reviewers, Rollbackers9,753 edits Writing the article← Previous edit | Revision as of 05:12, 30 December 2024 edit undoSuntooooth (talk | contribs)Extended confirmed users, IP block exemptions, Pending changes reviewers, Rollbackers9,753 editsm Minor fixesNext edit → | ||
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| {{Short description|2024 indie rock album}} | {{Short description|2024 indie rock album}} | ||
| {{Use list-defined references|date=December 2024}} | {{Use list-defined references|date=December 2024}} | ||
| {{Use dmy dates|date=December 2024}} | |||
| {{Use British English|date=December 2024}} | |||
| {{Infobox album | {{Infobox album | ||
| | name = So Medieval | | name = So Medieval | ||
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| ''So Medieval'' follows a loose narrative about the narrator becoming dedicated to his band after a break-up.<ref name="pitchforkreview" /> According to '']'', the album's lyrical style is "ironic" and "tackles the existential dread of our daily lives."<ref name="nmereview" /> There are pop culture references throughout, including a reference to ] in the track "I'm Sorry I Left Him To Bleed".<ref name="diyreview" /> '']'' praised the "deadpan absurdity" of lyrics discussing "raw halloumi, a Formula One audiobook, and '] sagas'".<ref name="pitchforkreview" /> The album as a whole discusses themes such as wealth and morality.<ref name="independentinterview" /> | ''So Medieval'' follows a loose narrative about the narrator becoming dedicated to his band after a break-up.<ref name="pitchforkreview" /> According to '']'', the album's lyrical style is "ironic" and "tackles the existential dread of our daily lives."<ref name="nmereview" /> There are pop culture references throughout, including a reference to ] in the track "I'm Sorry I Left Him To Bleed".<ref name="diyreview" /> '']'' praised the "deadpan absurdity" of lyrics discussing "raw halloumi, a Formula One audiobook, and '] sagas'".<ref name="pitchforkreview" /> The album as a whole discusses themes such as wealth and morality.<ref name="independentinterview" /> | ||
| Critics disagree on the genre of ''So Medieval''. ''Pitchfork'' describes the album as ] and ]<ref name="pitchforkreview" /> while ''NME'' describes it as ],<ref name="nmereview" />. The title track opens with "delicate ] indie",<ref name="lobfreview" /> and "Cloudy" has been described as ].<ref name="diyinterview" /> Nolan himself stated that "genre is dead as far as |
Critics disagree on the genre of ''So Medieval''. ''Pitchfork'' describes the album as ] and ]<ref name="pitchforkreview" /> while ''NME'' describes it as ],<ref name="nmereview" />. The title track opens with "delicate ] indie",<ref name="lobfreview" /> and "Cloudy" has been described as ].<ref name="diyinterview" /> Nolan himself stated that "genre is dead as far as we're concerned. This album is all about the death of purity, embracing contrasts and everything being a big melting pot."<ref name=lobfreview" /> Many instruments are used throughout,<ref name="independentinterview" /> including keys, synths,<ref name="diyreview" /> and guitars.<ref name="overblownreview" /> | ||
| ==Critical reception== | ==Critical reception== | ||
| {{Music ratings | {{Music ratings | ||
| | title = | | title = | ||
| | subtitle = |
| subtitle = | ||
| <!-- No aggregate scores as of 2024-12-30 --> | <!-- No aggregate scores as of 2024-12-30 --> | ||
| <!-- Reviewers --> | <!-- Reviewers --> | ||
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| | all_writing = | | all_writing = | ||
| | all_lyrics = Arthur Nolan.<ref name="bandcamp" /> | | all_lyrics = Arthur Nolan.<ref name="bandcamp" /> | ||
| | all_music = |
| all_music = | ||
| | title1 = So Medieval | | title1 = So Medieval | ||
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| <ref name="overblownreview">{{cite web |last1=Cross |first1=Reuben |title=Blue Bendy - So Medieval review: a labyrinthine debut which doesn't forego the fun |url=https://overblown.co.uk/reviews/album/blue-bendy-so-medieval-review/ |website=Overblown |access-date=30 December 2024 |date=12 April 2024}}</ref> | <ref name="overblownreview">{{cite web |last1=Cross |first1=Reuben |title=Blue Bendy - So Medieval review: a labyrinthine debut which doesn't forego the fun |url=https://overblown.co.uk/reviews/album/blue-bendy-so-medieval-review/ |website=Overblown |access-date=30 December 2024 |date=12 April 2024}}</ref> | ||
| <ref name="pitchforkcloudyreview">{{cite web |last1=Greene |first1=Jayson |title=Blue Bendy: |
<ref name="pitchforkcloudyreview">{{cite web |last1=Greene |first1=Jayson |title=Blue Bendy: "Cloudy" |url=https://pitchfork.com/reviews/tracks/blue-bendy-cloudy/ |website=Pitchfork |access-date=30 December 2024 |date=5 April 2023}}</ref> | ||
| <!-- INTERVIEWS --> | <!-- INTERVIEWS --> | ||
| <ref name="guardianinterview">{{cite news |last1=Wray |first1=Daniel Dylan |title=Blue Bendy: the south London post-punk pop band who fried |
<ref name="guardianinterview">{{cite news |last1=Wray |first1=Daniel Dylan |title=Blue Bendy: the south London post-punk pop band who fried Wire's brains |url=https://www.theguardian.com/music/2023/jan/02/blue-bendy-the-south-london-post-punk-pop-band-who-fried-wires-brains |access-date=30 December 2024 |work=The Guardian |date=2 January 2023}}</ref> | ||
| <ref name="independentinterview">{{cite web |last1=O'Connor |first1=Roisin |title=Blue Bendy frontman Arthur Nolan: |
<ref name="independentinterview">{{cite web |last1=O'Connor |first1=Roisin |title=Blue Bendy frontman Arthur Nolan: 'I see a lot of myself in Kendall Roy' |url=https://www.independent.co.uk/arts-entertainment/music/features/blue-bendy-interview-so-medieval-arthur-nolan-b2527773.html |website=The Independent |access-date=30 December 2024 |language=en |date=14 April 2024}}</ref> | ||
| <ref name="stilllistening">{{cite web |last1=Aimee |first1=Rachel |title=Start Listening To: Blue Bendy |url=https://www.stilllisteningmagazine.com/start-listening-to/start-listening-to-blue-bendy |website=Still Listening |access-date=30 December 2024 |date=8 March 2024}}</ref> | <ref name="stilllistening">{{cite web |last1=Aimee |first1=Rachel |title=Start Listening To: Blue Bendy |url=https://www.stilllisteningmagazine.com/start-listening-to/start-listening-to-blue-bendy |website=Still Listening |access-date=30 December 2024 |date=8 March 2024}}</ref> | ||
Revision as of 05:12, 30 December 2024
2024 indie rock album
| So Medieval | ||||
|---|---|---|---|---|
| Studio album by Blue Bendy | ||||
| Released | April 12, 2024 (2024-04-12) | |||
| Recorded | 2023 | |||
| Studio | Hermitage Works Studios | |||
| Genre | Indie rock, post-punk | |||
| Length | 36:13 | |||
| Label | The State51 Conspiracy | |||
| Producer | Nathan Ridley | |||
| Blue Bendy chronology | ||||
| ||||
So Medieval is the debut album by British indie rock band Blue Bendy, released on 12 April 2024 through the The State51 Conspiracy record label. The album makes use of ironic lyrics to tackle themes such as morality and existential dread. Its genre is unclear, being variously described as art rock and post-punk. It received generally positive reviews from critics.
Background and release
Further information: Blue BendyBlue Bendy began in 2017 after vocalist Arthur Nolan and guitarist Joe Nash moved to London from Scunthorpe. They originally made post-punk music, but they soon turned more towards pop music. Their first EP, Motorbike, was released in 2022. Pitchfork described it as "monologue-rock" and "handclap indie-pop".
So Medieval was released on 12 April 2024. It was preceded by the singles "Cloudy", "Mr. Bubblegum", "Come On Baby, Dig!", and "The Day I Said You'd Died (He Lives)".
Style and composition
So Medieval follows a loose narrative about the narrator becoming dedicated to his band after a break-up. According to NME, the album's lyrical style is "ironic" and "tackles the existential dread of our daily lives." There are pop culture references throughout, including a reference to Kendall Roy in the track "I'm Sorry I Left Him To Bleed". Pitchfork praised the "deadpan absurdity" of lyrics discussing "raw halloumi, a Formula One audiobook, and 'shitpost sagas'". The album as a whole discusses themes such as wealth and morality.
Critics disagree on the genre of So Medieval. Pitchfork describes the album as indie rock and art rock while NME describes it as post-punk,. The title track opens with "delicate baroque indie", and "Cloudy" has been described as post-rock. Nolan himself stated that "genre is dead as far as we're concerned. This album is all about the death of purity, embracing contrasts and everything being a big melting pot." Many instruments are used throughout, including keys, synths, and guitars.
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| Clash | 8/10 |
| Pitchfork | 8.0/10 |
| NME |   |
| The Line of Best Fit | 8/10 |
| DIY | |
So Medieval has received generally positive reviews from critics. In a review for NME, Max Pilley described the album as "powered by longing, melodic riffs, but the sense of an impending cataclysm is never far away", while Roisin O'Connor from The Independent said that it "never feels cluttered, despite its profound cacophony of instruments." In a review for DIY, Daisy Carter stated that So Medieval "revels in its scope", describing the track "Darp" as an "undulating, guitar-led number that progresses with the steady power of a swelling wave" and its follow-up "Darp 2 / Exorcism" as "an exponential expansion that sees said wave eventually break into a moving and cathartic crescendo". The Line of Best Fit's review by Marshall Grace summarises the lyrics as "like an audiobook during a car crash" and gave the album an 8/10, which was also the score given by Clash and Pitchfork. NME and DIY both gave the album four stars out of five.
Track listing
All lyrics are written by Arthur Nolan.
| No. | Title | Length |
|---|---|---|
| 1. | "So Medieval" | 3:54 |
| 2. | "Mr. Bubblegum" | 4:29 |
| 3. | "Darp" | 2:47 |
| 4. | "Darp 2 / Exorcism" | 3:20 |
| 5. | "I'm Sorry I Left Him To Bleed" | 2:47 |
| 6. | "The Day I Said You'd Died (He Lives)" | 3:53 |
| 7. | "Come On Baby, Dig!" | 2:49 |
| 8. | "Sunny" | 1:46 |
| 9. | "Cloudy" | 6:20 |
| 10. | "Goodnight Bobby" | 4:08 |
| Total length: | 36:13 | |
Charts
References
- ^ "So Medieval, by Blue Bendy". Bandcamp. 12 April 2024. Retrieved 30 December 2024.
- ^ Monroe, Jazz (16 April 2024). "Blue Bendy: So Medieval". Pitchfork. Retrieved 30 December 2024.
- ^ Pilley, Max (11 April 2024). "Blue Bendy – 'So Medieval' review: this arch, athletic album surprises at every turn". NME. Retrieved 30 December 2024.
- ^ Wray, Daniel Dylan (2 January 2023). "Blue Bendy: the south London post-punk pop band who fried Wire's brains". The Guardian. Retrieved 30 December 2024.
- ^ Cross, Reuben (12 April 2024). "Blue Bendy - So Medieval review: a labyrinthine debut which doesn't forego the fun". Overblown. Retrieved 30 December 2024.
- Greene, Jayson (5 April 2023). "Blue Bendy: "Cloudy"". Pitchfork. Retrieved 30 December 2024.
- Monroe, Jazz (25 January 2024). "Blue Bendy Announce Debut Album So Medieval, Share Spooky New Video". Pitchfork. Retrieved 30 December 2024.
- Aimee, Rachel (8 March 2024). "Start Listening To: Blue Bendy". Still Listening. Retrieved 30 December 2024.
- ^ Carter, Daisy (10 April 2024). "Blue Bendy - So Medieval". DIY. Retrieved 30 December 2024.
- ^ O'Connor, Roisin (14 April 2024). "Blue Bendy frontman Arthur Nolan: 'I see a lot of myself in Kendall Roy'". The Independent. Retrieved 30 December 2024.
- ^ Marshall, Grace (10 April 2024). "Blue Bendy: So Medieval Review". The Line of Best Fit. Retrieved 30 December 2024.
- Cite error: The named reference
diyinterviewwas invoked but never defined (see the help page). - Cite error: The named reference
lobfreview"was invoked but never defined (see the help page). - ^ "Blue Bendy - So Medieval". Clash. 9 April 2024. Retrieved 30 December 2024.