Misplaced Pages

Point-of-view shot: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 13:53, 16 December 2004 edit194.66.229.8 (talk) link← Previous edit Revision as of 19:04, 25 May 2005 edit undoBrighterorange (talk | contribs)Administrators13,261 editsm missing period (you can help!)Next edit →
Line 1: Line 1:
] ]


A '''point of view shot''' (also known as '''POV shot''') is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see ]). The technique of POV is one of the foundations of ] A '''point of view shot''' (also known as '''POV shot''') is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see ]). The technique of POV is one of the foundations of ].


A POV ] need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's ]. A POV ] need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's ].

Revision as of 19:04, 25 May 2005


A point of view shot (also known as POV shot) is a short scene in a film that shows what a character is looking at. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing.

A POV shot need not be the strict point of view of an actual single character in a film. Sometimes the point of view shot is taken over the shoulder of the character, who remains visible on the screen. Sometimes a POV shot is "shared" ("dual" or "triple"), i.e. it represents the joint POV of two (or more) characters. There is also the "nobody POV", where a shot is taken from the POV of a non-existent character. This often occurs when an actual POV shot is implied, but the character is removed. Sometimes the character is never present at all, despite a clear POV shot, such as the famous "God-POV" of birds descending from the sky in Hitchcock's The Birds.

A POV shot need not be established by strictly visual means. The manipulation of diagetic (natural) sounds can be used to emphasize a particular character's POV.

It makes little sense to say that a shot is "inherently" POV; it is the editing of the POV shot within a sequence of shots that determines POV. Nor can the establishment of a POV shot be isolated from other elements of filmmaking — mise en scene, acting, camera placement, editing, and special effects can all contribute to the establishment of POV.

Category: