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| His father wished him to enter the army, but an early-developed love of poetry turned the boy's ambition in other directions. He was an admirer of ] and ], then little known in France, and reproached ] with lack of enthusiasm for her subject in ''De l'Allemagne''. | His father wished him to enter the army, but an early-developed love of poetry turned the boy's ambition in other directions. He was an admirer of ] and ], then little known in France, and reproached ] with lack of enthusiasm for her subject in ''De l'Allemagne''. | ||
| Soumet came to Paris in |
Soumet came to Paris in 1810, and some poems in honor of ] secured his nomination as auditor of the Conseil d'état. His well-known elegy ''La pauvre fille'' appeared in 1814, and two successful tragedies produced in 1822, ''Clytemnestre'' and ''Saül'', secured his admission to the ] in 1824. ''Jeanne d'Arc'' (1825) aroused great enthusiasm, and was the best of his plays. Among his other pieces ''Elisabeth de France'' (1828), a weak imitation of Schiller's ''Don Carlos'', may be noted, but Soumet's real bent was towards ]. His most considerable work is a poem inspired by Klopstock, ''La divine épopée'', which describes the descent of ] into ]. | ||
| Under ] he became librarian of ], and subsequently was transferred to ] and to ]. | Under ] he became librarian of ], and subsequently was transferred to ] and to ]. | ||
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Revision as of 05:35, 18 September 2008
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Alexandre Soumet (February 18, 1788 - March 30, 1845), French poet, was born at Castelnaudary, département of Aude.
His father wished him to enter the army, but an early-developed love of poetry turned the boy's ambition in other directions. He was an admirer of Klopstock and Schiller, then little known in France, and reproached Madame de Staël with lack of enthusiasm for her subject in De l'Allemagne.
Soumet came to Paris in 1810, and some poems in honor of Napoleon secured his nomination as auditor of the Conseil d'état. His well-known elegy La pauvre fille appeared in 1814, and two successful tragedies produced in 1822, Clytemnestre and Saül, secured his admission to the Academy in 1824. Jeanne d'Arc (1825) aroused great enthusiasm, and was the best of his plays. Among his other pieces Elisabeth de France (1828), a weak imitation of Schiller's Don Carlos, may be noted, but Soumet's real bent was towards epic poetry. His most considerable work is a poem inspired by Klopstock, La divine épopée, which describes the descent of Christ into Hades.
Under Louis XVIII he became librarian of Saint-Cloud, and subsequently was transferred to Rambouillet and to Compiègne.
He died leaving an unfinished epic on Jeanne d'Arc. His daughter Gabrielle (Mme Beauvain d'Altenheim) had collaborated with him in some of his later works.
References
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. {{cite encyclopedia}}: Missing or empty|title=(help)
| Preceded byÉtienne Aignan | Seat 27 Académie française 1824-1845 |
Succeeded byLudovic Vitet |