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| Isolationist ambient music is perhaps the darkest, least accessible of ambient music. Inspired by ], ], and ], isolationist may be rather ]-like: more repellant than inviting. The ] label is the primary purveyor of isolationist ambient, in particular with the "drones" compilation series. Some of the artists known for this style of ambient music include ], ], ], ], and ]. | Isolationist ambient music is perhaps the darkest, least accessible of ambient music. Inspired by ], ], and ], isolationist may be rather ]-like: more repellant than inviting. The ] label is the primary purveyor of isolationist ambient, in particular with the "drones" compilation series. Some of the artists known for this style of ambient music include ], ], ], ], and ]. | ||
| ===Ambient electronic music=== | |||
| Ambient electronic music is the current most widely heard form of the ambient music and began in its modern form in the late ] and early ], with an exceptionally few earlier examples including ] in the ]s. | |||
| Artists considered to be part of the inception of the late 1980s, early 1990s ambient electronic music movement included ], ], ], ], ], and ]. Other prominent artists that make ambient electronic music include ], ] and ]. | |||
| Initially an underground movement, ambient electronic music continued to rise in popularity until its less obscure status in the early ]. | |||
| Although not strictly speaking ambient music, mainstream electronic dance music styles such as ], ] and ] draw inspiration from the soothing electronic sound of ambient music. Artists in these styles often incorporate ambient elements into their work. Examples are found in ] (aka ]) ''The End of Everything'' album and others like early PWOG (Psychick Warriors Ov Gaia) albums and COIL. Other artists have created their own retro-genre completely, such as ] | |||
| Some types of ambient electronic music: | |||
| ====Ambient dub==== | |||
| A chronology of ambient evolution would be lacking without mentioning the impact early reggae dub studio producers had on the shaping of soundscapes using reverb, echoes and delay effects. In short the sounds created by ], ], ] and ] still linger in the ambient environment. Works by ], ] and others, including a number of compilations by various artists. Includes prominent ] as does ], but without ]s, ], or ] of ], and with the usual prominent ]s ambient music is known for. | |||
| ====Ambient groove==== | |||
| Ambient groove music could be seen as a sub-genre of both ambient and ] ]. Ambient groove is a stylistic middle ground between the two, incorporating elements of both along with ] and ]. The sub genre was created accidentally by the series "A Journey Into Ambient Groove" by ], a subsidiary of ]. (Quango itself evolved out of the ambient groove project.) All four in the series are various-artists compilations, with tracks selected and compiled by ]. Guez featured similar music on his radio show in ], though the movement is ] in its origination. As with most sub genres in music, there is some overlap between them. This style is mostly limited to the mid ]'s. The ambient groove sound was created in particular by artists on the ] label. Guez collected songs exclusively from this label for the "A Taste of Pork'" compilation. | |||
| The songs themselves feature a combination of ]s and ]s as well as ] percussion and other acoustic instruments. Ambient groove does not feature much in the way of ] or ] ] beats, but the beat and the groove are featured elements, unlike ambient per se. The style has much in common with more modern dub, but generally less ]-inspired, though there are dub tracks included on the compilations. | |||
| '''Some definitive recordings''' | |||
| * ''A Journey Into Ambient Groove'' Quango/Island, 1994 | |||
| * ''A Journey Into Ambient Groove Phase 2'' Quango/Island, 1995 | |||
| * ''A Journey Into Ambient Groove 3'' Quango/Island, 1996 | |||
| * ''A Journey Into Ambient Groove 4'' Quango/Island, 1997 | |||
| * ''A Taste of Pork'' Pork/Quango/Island, 1995 | |||
| * VA - Tone Tales from Tomorrow Vol 1 & (especially) Vol 2 | |||
| * Spacetime Continuum - Sea Biscuit | |||
| * VA - Freezone Vols 1 - 7 | |||
| '''Some defining artists''' | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * Coldcut/Ninjatune | |||
| * Mixmaster Morris | |||
| ====Ambient house==== | |||
| Ambient house music takes the catchy, simple beats of ], specifically the ] sound, and combines it with warm ] ]s. Ambient house is almost always attributed to ] group ], who combined the house sounds with obscure ] and ] production. Early works by ], such as "Pacific State", and others can also be considered in this genre. | |||
| ====Beatless==== | |||
| Beatless (also known as zero-beat) ambient electronic music has no overt ] or explicit drum sound-driven ], but sometimes maintains rhythm through repetition of some sort of sound as exemplified on some tracks of ]'s '']''. Beatless is more often used to describe drone-oriented or arhythmic ambient music, where no actual tempo can be discerned. | |||
| <!-- the ] article contradicts this definition --> | |||
| ====Soundscape==== | |||
| No overt repetition of a sound or sound phrases is clear. This kind of ambient electronic music is, for some listeners, the least accessible. Some examples include ] track "Treefingers" from the '']'' album, some of the work of Japanese musician ], and ] artist ]'s album ''Playthroughs'' (recorded under his real name, Keith Fullerton Whitman). | |||
| ====Psychedelic chillout and psybient==== | |||
| Psychedelic chillout music is the ambient form of ] and ] and is considered one of the most complex form of ambient music. It dates back to the early 1990s with artists such as ] and ]. Many Goa trance artists, most notably ], used to add a chillout piece as the last track in their trance albums. This type of music gained a boost in popularity during the late 1990s and early 2000s. One of the reasons for that was the form of ], a still active cooperation between ] and ]. Their first album - "Are You Shpongled?" (1998) set the standards for psychedelic chillout music. Artists such as ] and ] began composing this music with great success. Today this type of music is considered very popular among the psychedelic scene with some dedicated chillout record labels such as Ultimae or Interchill. Groups who produce mostly uptempo tracks with the occasional downbeat tune have been replaced by groups who focus on chill out grooves, performing live in chill out rooms in clubs and on chill out stages at festivals. They often release their music via the internet and combine elements and concepts from other musical forms, taking influences from areas such as experimental electro-acoustic music (Stockhausen, Wishart), Jazz (Miles Davis cool era) or progressive rock groups (Tangerine Dream, Pink Floyd), as well as from other dance music forms. Recent examples include Youth's Kuma Mela Project, the Starsound Orchestra and ]. | |||
| '''Important releases''' | |||
| * ''The Future Sound Of Ambient'' series, especially the third and fourth part. (1995-1998) | |||
| * ] - ''Mystical Experiences'' (1995) | |||
| * ] - ''Are You Shpongled?'' (1998) | |||
| * ] - ''First Sign Of Communication'' (2001) | |||
| * ] - ''Tales Of The Inexpressible'' (2001) | |||
| * ] - ''Reflective Frequencies'' (2001) | |||
| * ] - ''In Dub (Mixed by ])'' (2002) | |||
| * ] - ''Season 5'' (2002) | |||
| * ] - ''In Search Of A Meaningful Moment'' (2003) | |||
| * ] - ''Solid Water'' (2005) | |||
| ==Notable artists and works in chronological order== | ==Notable artists and works in chronological order== | ||
Revision as of 14:15, 18 October 2005
| Ambient/ Space music | |
|---|---|
| Stylistic origins | 20th century classical music, Electronic art music |
| Cultural origins | 1970s |
| Typical instruments | Electronic musical instruments, some ambient artists use traditional instrumentation of almost any variety |
| Derivative forms | Ambient house - Ambient techno - Drum and bass |
| Subgenres | |
| Ambient house - Illbient - New Age - Dark ambient - Lowercase (complete list) | |
| Other topics | |
| Ambient music artists | |
Ambient music is a loosely defined musical genre that incorporates elements of a number of different styles - including jazz, electronic music, new age, rock and roll, modern classical music, reggae, traditional, world and even noise. It is chiefly identifiable as having an overarching atmospheric context.
History
The term was first coined by Brian Eno in the late 1970s to refer to music that would envelop the listener without drawing attention to itself, that can be either "actively listened to with attention or as easily ignored, depending on the choice of the listener". Hence, Brian Eno is considered the father of ambient music: his 1978 release Ambient 1: Music for Airports includes a manifesto describing this music. Although having coined the phrase "ambient", he is also quick to reference the works and influence of Erik Satie. Sometimes associated with elevator music and Muzak, it is more often similar to mood music or an ambient background in movie and radio sound effects. Often listeners will forget they are listening to ambient music, which is one of the biggest attractions of the genre. It can be any musical style, including jazz, electronic music and modern classical music.
Retrospectively, some of the works of the 20th century French composer Erik Satie, today best known for his Trois Gymnopédies suite, can be regarded as predecessors of modern ambient music. He referred to some of his music as 'furniture music' (or more literally, 'music for the furniture') and 'music to mingle with knives and forks', referring to something that could be played during dinner and would simply create an atmosphere for that activity rather than be the focus of attention. The invention of the theremin in the early 20th century is also considered an important influence on the later development of ambient music. Similarly some of the works of the French composer Edgar Varèse, who used the theremin extensively in his compositions as well as atonal techniques and non-standard time signatures, can also be viewed as predecessors of ambient music.
Early albums from the 1970s by Tangerine Dream, such as Phaedra (1974), have greatly influenced the genre. Also the album Sonic Seasonings (1972) by Wendy Carlos has been important. Other early artists such as Kraftwerk, Jean-Michel Jarre and Vangelis in the 1970s and Ray Buttigieg, Ray Lynch and Mannheim Steamroller in the 1980s, all of which were considered New Age or Space Age, also influenced the growth of ambient electronic music.
Purely ambient music is traditionally beatless. In the late 1980s and early 1990s ambient music underwent a resurgence with the reconciliation of rhythm with the dreamy, meandering reverb of the first (late 1970s - 1980s) wave of ambient music. Under the guise of various styles, ambient electronic music (sometimes referred to as ambient techno or ambient dub) saw the birth of a new wave of electronic music in the works of artists like The Orb, Aphex Twin and the Irresistible Force.
Styles of ambient music
Organic ambient music
Organic ambient music is characterised by integration of electronic, electric, and acoustic musical instruments. Aside from the usual electronic music influences, organic ambient tends to incorporate influences from world music, especially drone instruments and hand percussion. Organic ambient is intended to be more harmonious with nature than with the disco. Some of the artists in this sub-genre include Robert Rich, Steve Roach, Vidna Obmana, Numina, O Yuki Conjugate and Tuu.
Some works by ambient pioneers such as Brian Eno, which use a combination of traditional (such as piano) and electronic instruments would be considered organic ambient music in this sense.
Nature inspired ambient music
The music is composed from samples and recordings of naturally occurring sounds. Sometimes these samples can be treated to make them more instrument-like. The samples may be arranged in repetitive ways to form a conventional musical structure or may be random and unfocused. Sometimes the sound is mixed with urban or "found" sounds. Examples include much of Biosphere's Substrata, Mira Calix's insect music and Chris Watson's Weather Report. Some overlap occurs between organic ambient and nature inspired ambient.
Isolationist ambient music
Isolationist ambient music is perhaps the darkest, least accessible of ambient music. Inspired by industrial music, noise music, and classical music, isolationist may be rather dirge-like: more repellant than inviting. The Sombient label is the primary purveyor of isolationist ambient, in particular with the "drones" compilation series. Some of the artists known for this style of ambient music include Robert Fripp, Vidna Obmana, Jeff Greinke, Naut Humon, and Iszoloscope.
Notable artists and works in chronological order
Main article: List of ambient artists
| Artist name | Influential works | Time period |
|---|---|---|
| Erik Satie | Furniture music | 1817-1923 |
| Edgar Varèse | Ecuatorial | 1930s |
| Wendy Carlos | Sonic Seasonings | 1972 |
| Tangerine Dream | Zeit Phaedra Rubycon | 1972-1976 |
| Gong | Radio Gnome Invisible (trilogy): The Octave Doctors and the Crystal Machine (from Flying Teapot) | 1973-1974 |
| Brian Eno | Another Green World Discreet Music | 1975- |
| Deuter | Call of the Unknown. | 1970s - 1980s |
| Ray Buttigieg | Compucircuit 0.008m/s Ether | 1978-1983 |
| Constance Demby | Novus Magnificat | 1978- |
| Steve Roach | Structures from Silence The Magnificent Void | 1983- |
| Wally Badarou | Echoes. | 1980s |
| The Orb | The Orb's Adventures Beyond the Ultraworld U.F.Orb | 1989-1991 |
| KLF | Chill Out | 1990 |
| Future Sound of London | ISDN Lifeforms Dead Cities | 1992-1998 |
| Aphex Twin | Selected Ambient Works 85-92 Selected Ambient Works Vol. 2 | 1992-1994 |
| Global Communication | 76:14 | 1994 |
| Moby AKA Voodoo Child | Ambient The End of Everything | 1993-1997 |
| Björk | Homogenic Vespertine | 1997-2001 |
| Pete Namlook | Silence I Air I Air II Outland | 1992 - |
| Autechre | Amber | 1994 |
| Biosphere | Microgravity Substrata Substrata 2 | 1991 - 2004 |
| Karlheinz Essl | fLOW SEELEWASCHEN | 1998 - 2004 |
| William Basinski | The River The Disintegration Loops | 1998- |
| Telomere Music | Astral Currents Zoetosis | 1998, 2001 |
| Chillage People | Yellow Solid Water | 1998 - 2004 |
| One Umbrella | Solve | 2005 |
Sound
- Guaka's GTRSHV
- Seishinbyouin Mp3 Blog for Ambient, Post Rock, Electronica, Rock...
- Kahvi Collective - releases ambient music via creative commons (open source) licence
- Art of the States: ambient ambient works by American composers
Software
- fLOW: ambient soundscape generator by Karlheinz Essl (Apple Macintosh)
- SEELEWASCHEN: ambient sound environment by Karlheinz Essl (Apple Macintosh)
See also
External links and references
- Ambient Music Resources dreamSTATE's anotated guide to the most relevant ambient music mega-sites.
- Ambient.us Guide to positive ambient music, including cd reviews and forum.
- David Toop Ocean of Sound: aethertalk, ambient sound and imaginary worlds (1995) Serpent's Tail ISBN 1-85242-382-X ISBN 1852427434
- Junglejar.com Supporting Independent Electronic Music
- Ambient Music Guide to ambient music style, including reviews of important ambient works.
- 25 Years of Ambient Music Retrospective on ambient music.
- IDM-net.lv: electronic music community. news, reviews, forum, links.
- 25 Chilloutzone Portuguese chill out organisation.
- Calmscape, The Chillout Lounge. Portal for chillout, downbeat and ambient music.