| Revision as of 18:22, 11 March 2009 editVersus22 (talk | contribs)49,292 editsm Reverted edits by 169.204.229.202 to last revision by Versus22 (HG)← Previous edit | Revision as of 18:22, 11 March 2009 edit undo169.204.229.202 (talk) ←Replaced content with 'king kong is a mental lemur on steroids'Next edit → | ||
| Line 1: | Line 1: | ||
| king kong is a mental lemur on steroids | |||
| {{otheruses}} | |||
| ] animated King Kong from the 1933 movie, battling an airplane on top of the ].]] | |||
| '''King Kong''' is the name of a fictional giant gorilla from the fictional ], who has appeared in several works since 1933. These include the groundbreaking ], the film ] of ] and ], and numerous ]s. His role in the different narratives varies from source to source, ranging from mindless ] to tragic ]. The rights to the character are currently held by ], with limited rights held by the estate of ] (]). | |||
| ==Overview== | |||
| In the original film, the character's name is Kong -- a name given to him by the inhabitants of "Skull Island" in the ], where Kong lived along with other over-sized animals such as a plesiosaur, pterosaurs, and dinosaurs ("Kong" is actually the Danish word for "King", the cognate of the English word; there is no clear evidence on whether or not this was known to the filmmakers or influenced them). "King" is an appellation added by an American film crew led by Carl Denham, who captures Kong and takes him to New York City to be exhibited as the "Eighth Wonder of the World". Kong escapes and climbs the Empire State Building (the World Trade Center in the 1976 remake) where he is shot and killed by aircraft. Nevertheless, as Denham comments, "it was beauty killed the beast", for he climbed the building in the first place only in an attempt to protect Ann Darrow, an actress originally offered up to Kong as a sacrifice. (In the 1976 remake the equivalent character is named Dwan.) | |||
| A mockumentary about Skull Island on the DVD for the 2005 remake (but originally seen on the ] at the time of its theatrical release) gives Kong's scientific name as Megaprimatus kong, and states that his species may have evolved from ]. | |||
| The King Kong character was conceived and created by US filmmaker Merian C. Cooper. | |||
| == Filmography == | |||
| * '']''. The original, classic film, is remembered for its pioneering ] using ] models, ] (the term is applied in retrospect) and evocative story. | |||
| * '']''. A sequel released the same year, it concerns a return expedition to ] that discovers Kong's son. The critics' response to the film was generally mixed, but it was successful. | |||
| * '']''. A film produced by ] Studios in Japan, it brought the titular characters to life (the first time for either character to be in a film in color) via the process of ]. The Toho version of Kong is at least five times the size of the one in ]. This is more than likely because of a significant difference in size between the 1933 King Kong and Godzilla (and, for that matter, all of the company's giant monsters), with Kong automatically rescaled to fit Toho's existing miniature sets. | |||
| * '']''. Another ] film (co-produced with ]) in which Kong faces both a mechanical double, dubbed ], and a giant theropod ] known as '']'' (who would appear in Toho's '']'' the next year). This movie was loosely based on the contemporaneous ], as indicated by the use of its recurring villain, Dr. Who/Dr. Huu, in the same capacity, the Mechani-Kong as an enemy, Mondo Island as Kong's home and a female character named Susan. | |||
| * '']''. An updated remake by film producer ], released by ], and director ]. ], ] and ] starred. The film received mixed reviews, but it was a commercial success, and its reputation has improved over the last few years. Co-winner of an ] for special effects (shared with '']''). | |||
| * '']''. Released by ] (DEG). Starring ], a sequel by the same producer and director as the 1976 film which involves Kong surviving his fall from the sky and requiring a coronary operation. It includes a female member of Kong's species, who, after supplying a blood transfusion that enables the life-saving surgery, escapes and mates with Kong, becoming pregnant with his offspring. Trashed by critics, this was a box-office failure. | |||
| ]]] | |||
| * '']''. A ] remake of the original (set in the ]'s 1933 contemporary setting) by Academy award-winning ] director ], best known for directing the ]. The most recent incarnation of Kong is also the longest, running three hours and eight minutes. Winner of three Academy Awards for visual effects, sound mixing, and sound editing. | |||
| == Print media == | |||
| The literary tradition of a remote and isolated jungle populated by natives and prehistoric animals was rooted in the ], specifically ] 1912 novel '']'', which was itself made into a ] of that title in 1925 that Doyle lived long enough to see. The special effects of that film were created by ], who went on to do those for the 1933 ''King Kong''. Another important book in that literary genre is ]' 1918 novel '']''. | |||
| A novelization of the original King Kong film was published in December 1932 as part of the film's advance marketing. The novel was credited to ] and ], although it was in fact written by ]. Apparently, however, Cooper was the key creative influence, saying that he got the initial idea after he had a dream that a giant gorilla was terrorizing New York City. In an interview, comic book author ] explains: | |||
| :"From what I know, Edgar Wallace, a famous writer of the time, died very early in the process. Little if anything of his ever appeared in the final story, but his name was retained for its saleability ... King Kong was Cooper's creation, a ] manifestation of his real life adventures. As many have mentioned before, Cooper was ]. His actual exploits rival anything ] ever did in the movies."<ref>http://www.scifidimensions.com/Dec04/joedevito.htm</ref> | |||
| This conclusion about Wallace's contribution agrees with ''The Making of King Kong'', by Orville Goldner and George E. Turner (1975). Wallace died of ] complicated by ] on February 10, 1932, and Cooper later said, "Actually, Edgar Wallace didn't write any of ''Kong'', not one bloody word...I'd promised him credit and so I gave it to him" (p. 59). | |||
| In the October 28, 1933 issue of Cinema Weekly, the short story "King Kong" by Edgar Wallace and ] (1888-1940) was published. The short story appears in ]'s ''Movie Monsters'' (1988) published by Severn House in the UK. Dell was a journalist and wrote books for children, such as the 1934 story and puzzle book Stand and Deliver. He was a co-worker and close friend of Edgar Wallace. | |||
| Several differences exist in the novel from the completed film, as it reflects an earlier draft of the script that became the final shooting script. The novelization includes scenes from the screenplay that were cut from the completed movie, or were never shot altogether. These include the spider pit sequence, as well as a '']'' attack, and Kong battling three '']''. It also does not feature the character of Charlie, the ship's Chinese cook, but instead a different one named Lumpy, subsequently used in both the 1991 ] version and the 2005 big-screen ]. | |||
| The original publisher was Grosset & Dunlap. ] editions by ] (U.S.) and Corgi (UK) came out in the 1960s, and it has since been republished by ] and ]. | |||
| In 1933, ''Mystery Magazine'' published a ''King Kong'' ] under the byline of Walter F. Ripperger. This is unrelated to the 1932 novel. | |||
| Over the decades, there have been numerous ] of the 1933 ''King Kong'' by various comic-book publishers, and one of the 2005 remake by ]. | |||
| '']'', an illustrated novel labeled as an authorized sequel to ''King Kong'' (1933), was published in 2004 by ], a subsidiary of ]. A large-paperback edition was released in 2005. Authorized by the family and estate of ], the book was created & illustrated by ], written by ] with ], and includes an introduction by ]. The novel's story ignores the existence of '']'' (1933) and continues the story of Skull Island with ] and ] in the late 1950s, through the novel's central character, ''Vincent Denham''. (] does not appear, but is mentioned several times.) The novel also becomes a prequel that reveals the story of the early history of Kong, of Skull Island, and of the natives of the island. The book's official website claims a motion picture version is in development.<ref></ref> | |||
| The novelization of the 2005 movie was written by ], based on the screenplay by Fran Walsh, Philippa Boyens, & ], which was, of course, in turn based on the original story by Merian C. Cooper & Edgar Wallace. (''The Island of the Skull'', a "prequel" novel to the 2005 movie, was released at nearly the same time.) | |||
| In November 2005, to coincide with the release of the 2005 movie, ] released a collection of concept art from the film entitled '']''. While similar collections of production art have been released in the past to compliment other movies, ''The World of Kong'' is unusual - if not unique - in that it is written and designed to resemble and read like an actual nature guide and historical record, not a movie book. | |||
| Also in 2005, ] published '']'' by ]. Ignoring all films except the 1933 original, it is set in the present day. Carl Denham's grandson finds some genetic material from the original Kong and attempts to clone him. | |||
| Late in 2005, the ] and ] trade papers reported that a ] ] version of the 2005 film was being created from the animation files, and live actors digitally enhanced for 3D display. This may be just an elaborate 3D short for ], or a digital 3D version for general release in the future. | |||
| ==Appearances and Abilities== | |||
| In his first appearance in '']'' (1933), Kong was a gigantic prehistoric ape, or as RKO's publicity materials described him, "''A prehistoric type of ape''"<ref name=A>{{cite web | title=1933 RKO Press Page Scan | url=http://img233.imageshack.us/img233/7711/kongpressau1.jpg|}}</ref>. While gorilla-like in appearance, he had a humanoid look and walked upright in an anthropomorphic manner. Indeed, Carl Denham describes him as being "''neither beast nor man''". Like most simians, Kong possess semi-human intelligence and great physical strength. Kong's size changes drastically throughout the course of the film. While creator ] envisioned Kong as being "''40 to 50 feet tall''"<ref> Orville Goldner and George E. Turner, ''The Making of King Kong: The Story Behind a Film Classic'', A.S Barnes and Co. Inc. 1975 Pg.37 </ref>, animator ] and his crew built the models and sets scaling Kong to be only 18 feet tall on Skull Island, and rescaled to be 24 feet tall in New York <ref> Orville Goldner and George E. Turner Pg. 159 </ref>. This did not stop Cooper from playing around with Kong's size as he directed the special effect sequences; by manipulating the sizes of the miniatures and the camera angles, he made Kong appear a lot larger than O'Brien wanted, even as large as 60 feet in some scenes<ref> James Van Hise, ''Hot Bloodied Dinosaur Movies'', Pioneer Books Inc. 1993 Pg.66 </ref>. Concurrently, the Kong bust made for the film was built in scale with a 40-foot ape,<ref> Ray Morton, ''King Kong: The History of a Movie Icon''. Applause Theater and Cinema Books, 2005 Pg.36</ref> while RKO's promotional materials listed Kong's official height as 50 feet <ref name=A>{{cite web | title=1933 RKO Press Page Scan | url=http://img233.imageshack.us/img233/7711/kongpressau1.jpg|}}</ref>. | |||
| In the 1960s, ] licensed the character from ] for a couple of films. '']'' and '']''. For more details on the Toho Kong ]. | |||
| In 1975, Producer ] paid RKO for the remake rights to ''King Kong''. This resulted in '']'' (1976). Like the original, this Kong was an upright walking anthropomorphic ape, appearing even more human-like than the original. Also like the original, this Kong had vast intelligence and strength. In the 1976 film, Kong was scaled to be 42 feet tall on Skull island and rescaled to be 55 feet tall in New York<ref> Ray Morton Pg. 205 </ref>. 10 years later, DDL received permission from Universal to do a sequel, '']''. Kong more or less had the same appearance and abilities, only he tended to walk on his knuckles more often and was enlarged, being scaled to be 60 feet <ref> Ray Morton Pg. 264</ref>. | |||
| ] had planned to do a King Kong remake all the way back to 1976. They finally followed through almost 30 years later, with a ] directed by ]. Jackson opted to make Kong a gigantic silverback gorilla without any anthropomorphic features. Kong looked and behaved more like a real gorilla: he had a large herbivore's belly, walked on his knuckles without any upright posture, and even beat his chest with his palms as opposed to clenched fists. In order to ground his Kong in realism, Jackson and the ] crew gave a name to his fictitious species, ''Megaprimatus kong'', which was said to have evolved from the ]. Kong was the last of his kind. He was portrayed in the film as being old with graying fur, and battle-worn with scars, wounds, and a broken crooked jaw. Like his predecessors, he possesses great intelligence and physical strength; he also appears far more nimble and agile. This Kong was scaled to be only 25 feet tall.<ref>Weta Workshop, ''The World of Kong: A Natural History of Skull Island''. Pocket Books. 2005</ref> | |||
| ==Character Rights== | |||
| Even though he is one of the most famous movie icons in history, King Kong's rights have always been in question featuring in numerous allegations and court battles throughout the years. The rights to the character have always been split up with no single exclusive rights holder. | |||
| When ] created King Kong, he'd always assumed that he owned his own creation, which he conceived in 1929, outright. Cooper always stated that he only licensed the character to ] for the one film and sequel but that he otherwise had outright owned the character. In 1935, Cooper began to feel something was amiss when he was trying to get a ''Tarzan vs King Kong'' project off the ground. Because of the rights situation that ensued, he began to realize he might not have full control over a figment of his own imagination<ref>Mark Cotta Vaz, ''Living Dangerously: The Adventures of Merian C Cooper'', Villiard Books, 2005. Pg.277</ref> | |||
| Years later in 1962, Cooper had found out that RKO was licensing the character through John Beck to ] studios in Japan for a film project called ]. Cooper had assumed his rights were unassailable and was bitterly opposed to the project. In 1963 he filed a lawsuit to enjoin distribution of the movie against John Beck as well as Toho and Universal (the films U.S copyright holder).<ref>Mark Cotta Vaz, Pg.361</ref> Furthermore RKO was making a fortune off of licensed products featuring the King Kong character such as model kits produced by ]. Cooper's executive assistant, Charles B FitzSimons, stated that these companies should be negotiating through him and Cooper for such licensed products and not RKO. In a letter Cooper wrote to Robert Bendick he stated: | |||
| :''My hassle is about King Kong. I created the character long before I came to RKO and have always believed I retained subsequent picture rights and other rights. I sold to RKO the right to make the one original picture '''King Kong''' and also, later, '''Son of Kong''', but that was all.''<ref name =B>Mark Cotta Vaz, Pgs.362 & 455</ref> | |||
| Cooper and his legal team offered up various documents to bolster the case that Cooper had owned King Kong and only licensed the character to RKO for two films, rather than selling him outright. Many people vouched for Cooper's claims including ] (who had written a letter to Mr. A Loewenthal of the Famous Artists Syndicate in Chicago in 1932 stating (in regards to Kong) ''The rights of this are owned by Mr. Merian C. Cooper''.<ref name=B>Mark Cotta Vaz, Pgs.362 & 455</ref> But unfortunately Cooper had lost key documents through the years (he discovered these papers missing after he returned from his WW2 military service) such as a key informal yet binding letter from Mr. Ayelsworth (then president of the RKO Studio Corp) and a formal binding letter from Mr. B. B. Kahane (the current president of RKO studio Corp) confirming that Cooper had only licensed the rights to the character for the two RKO pictures and nothing more.<ref>Mark Cotta Vaz, Pg.362</ref> | |||
| Unfortunately without these letters it seemed Cooper's rights were relegated to the Lovelace novelization that he had copyrighted (He was able to make a deal for a ] paperback reprint and a ] comic adaptation of the novel, but that was all he could do). Cooper's lawyer had received a letter from John Beck's lawyer, Gordon E Youngman, that stated: | |||
| :''For the sake of the record, I wish to state that I am not in negotiation with you or Mr.Cooper or anyone else to define Mr.Cooper's rights in respect of King Kong. His rights are well defined, and they are non-existent, except for certain limited publication rights.''<ref name = C>Mark Cotta Vaz, Pgs.363 & 456</ref> | |||
| In a letter addressed to Douglas Burden, Cooper lamented: | |||
| :''It seems my hassle over King Kong is destined to be a protracted one,...They'd make me sorry I ever invented the beast, if I weren't so fond of him! Makes me feel like Macbeth: "Bloody instructions which being taught return to plague the inventor".''<ref name = C>Mark Cotta Vaz, Pgs.363 & 456</ref> | |||
| The rights over the character didn't flare up again until 1975, when ] and ] were fighting over who would get to do a ''King Kong'' remake for 1976. De Laurentiis came up with $200,000 to buy the remake rights from RKO<ref> Ray Morton, Pg.150</ref>. When Universal got wind of this, they filed a lawsuit against RKO claiming that they had a verbal agreement from them in regards to the remake. During the legal battles that followed, which eventually included RKO counter suing Universal, as well as De Laurentiis filing a lawsuit claiming interference, Colonel Richard Cooper (Merian's son and now head of the Cooper estate) jumped into the fray.<ref name = D>Mark Cotta Vaz, Pg.386</ref> | |||
| During the battles, Universal discovered that the copyright of the Lovelace novelization had expired without renewal, thus making the King Kong story a public domain one. Universal argued that they should be able to make a movie based on the novel without infringing on anyone's copyright because the characters in the story were in the public domain within the context of the public domain story.<ref>Ray Morton, Pg.158</ref> Richard Cooper then filed a cross-claim against RKO claiming while the publishing rights to the novel had not been renewed, his estate still had control over the plot/story of King Kong.<ref name = D>Mark Cotta Vaz, Pg.386</ref> | |||
| In a four day bench trial in Los Angeles, Judge Manuel Real made the final decision and gave his verdict on November 24 1976, affirming that the King Kong novelization and serialization were indeed in the public domain, and Universal could make its movie as long as it didn't infringe on the 1933 RKO film<ref name = E>Mark Cotta Vaz, Pg.387</ref> (Universal postponed their plans to film a King Kong movie, called ''The Legend of King Kong'', for at least 18 months, after cutting a deal with Dino de Laurentiis that included a percentage of Box Office profits from his remake.)<ref>Ray Morton, Pg.166</ref> | |||
| However on December 6, 1976, Judge Real made a subsequent ruling, which held that all the rights in the name, character, and story of King Kong (outside of the original film and its sequel) belonged to Merian C Cooper's estate. This ruling, which became known as the ''Cooper Judgement'' expressly stated that it wouldn't change the previous ruling that publishing rights of the novel and serialization were in the public domain. It was a huge victory that affirmed the position Merian C Cooper had maintained for years.<ref name = E>Mark Cotta Vaz, Pg.387</ref> Shortly thereafter, Richard Cooper sold all his rights (excluding worldwide book and periodical publishing rights) to Universal in December 1976. In 1980 Judge Real dismissed the claims that were brought forth by RKO and Universal 4 years earlier and reinstated the Cooper judgement.<ref name = F>Mark Cotta Vaz, Pg.388</ref> | |||
| In 1982 Universal filed a lawsuit against ]. Nintendo had created an impish ape character called ] in 1981 and were reaping huge profits over the video game machines. Universal claimed that Nintendo was infringing on their copyright because Donkey Kong was a blatant rip-off of King Kong.<ref name = F>Mark Cotta Vaz, Pg.388</ref> During the court battle and subsequent appeal, the courts ruled that Universal did not have '''exclusive rights''' to the King Kong character. While they had a majority of the rights, they didn't outright own the King Kong name and character<ref name = G>Mark Cotta Vaz, Pg.389</ref> The courts ruling noted that the name, title, and character of Kong no longer signified a single source of origin. The courts also pointed out that Kong rights were held by three parties: | |||
| *RKO owned the rights to the original film and its sequel | |||
| *The Dino De Laurentiis company (DDL) owned the rights to the 1976 remake. | |||
| *Richard Cooper owned worldwide book and periodical publishing rights | |||
| The judge then ruled that: | |||
| :'''''Universal thus owns only those rights in the King Kong name and character that RKO, Cooper, or DDL do not own.'''''<ref>Universal City Studios, Inc. v. Nintendo Co., Ltd., 578 F. Supp. at 924.</ref><ref>Mark Cotta Vaz, Pgs.389 & 458</ref> | |||
| Because Universal didn't have exclusive ownership of the King Kong name and character (only the majority of the rights but not all of them) and because the courts ruled that there was simply no likelihood of people confusing Donkey Kong with King Kong.<ref name = G>Mark Cotta Vaz, Pg.389</ref> Universal lost the case and the subsequent appeal. | |||
| Since the court case, Universal still retains the majority of the character rights. In 1986 they opened a King Kong ride called ] at their Universal Studios Tour theme park in Hollywood (which was destroyed in 2008 by a backlot fire), and followed it up with the ] ride at their Orlando park in 1990 (which was closed down in 2002 due to maintenance issues). They also finally made a King Kong film of their own, '']''. | |||
| The Cooper estate still retains publishing rights. In 1990 they licensed a six issue comic book adaptation of the story to Monster Comics, and commissioned an illustrated novel in 1994 called ''Anthony Browne's King Kong''. In 2004 and 2005, they commissioned a new novelization to be written called ''Merian C Cooper's King Kong'' to replace the original Lovelace novel, (The original novel's publishing rights are still in the public domain.) and '' Kong: King of Skull Island'', a prequel/sequel novel that's tied into the original story. | |||
| RKO (whose rights consisted of only the original film and its sequel) had its film library acquired by ] in 1986 via his company ]. Turner merged his company into ] in 1995, which is how they own the rights to those two films today. | |||
| DDL (whose rights were limited to only their 1976 remake) did a sequel in 1986 called '']'' (but they still needed Universal's permission to do it<ref>Ray Morton, Pgs.239 & 241</ref>). Today most of DDL's film library is owned by ], which includes the rights to those two films. | |||
| == King Kong (Toho) == | |||
| {| class="infobox" style="width: 21em; font-size: 90%; text-align: left" | |||
| |- | |||
| ! colspan="2" style="text-align:center;" | '']'' character | |||
| |- | |||
| | colspan="2" style="text-align:center;" | ] | |||
| |- | |||
| ! colspan="2" style="text-align:center; font-size: larger; background-color: #001; color: #ffa;" | King Kong | |||
| |- | |||
| ! Species | |||
| | Irradiated '']'' | |||
| |- | |||
| ! Alias | |||
| | Kong<br />Gorilla | |||
| |- | |||
| ! Height | |||
| | 20-45 metres | |||
| |- | |||
| ! Weight | |||
| | 1,000-25,000 tons | |||
| |- | |||
| ! Relationships | |||
| | ] (Robot Replica)<br />] (American Counterpart) | |||
| |- | |||
| ! Major enemies | |||
| | ]<br />]<br />]<br />]<br />] | |||
| |- | |||
| ! First appearance | |||
| | '']'' | |||
| |- | |||
| ! Created by | |||
| | ] | |||
| |- | |||
| ! Portrayed by | |||
| | ]<br />] | |||
| |- | |||
| |} | |||
| This King Kong is a Toho rendition of the original Hollywood version. He appeared in Toho Studio's successful film '']'' and would later reappear in the film '']''. This ] differs greatly from the original in size and abilities. | |||
| Among Kaiju, King Kong is suggested to be among the most powerful in terms of raw physical force, possessing strength and durability that rivals that of Godzilla himself. As one of the few mammal based Kaiju, Kong's most distinctive feature is his intelligence. He's demonstrated the ability to learn and adapt to an opponent's fighting style, identify and exploit weaknesses in an enemy, and is even capable of utilizing his environment to stage ambushes and traps. | |||
| In ''King Kong vs Godzilla'', Kong was scaled to be 45 meters. Like most ], Kong was given a power weapon. He possessed the ability to become stronger by drawing power from electric energy. When fully charged, ''Kaiju Kong'' could direct this power against an opponent by means of an electric touch attack. <ref>{{cite web | title= King Kong | url=http://www.tohokingdom.com/kaiju/king_kong.htm|}}</ref> | |||
| In ''King Kong Escapes'' (a stand on its own movie loosely based on ]), Kong was scaled to be 65 feet tall (20 meters). He was based more on the original Kong, in that he doesn't have any special powers other then his great strength and intelligence.<ref>{{cite web | title=King Kong (2nd Generation) | url=http://www.tohokingdom.com/kaiju/king_kong2.htm|}}</ref> | |||
| Unlike the Hollywood version, this Kong does not reside on ]. In the first film he lives on ''Faroe Island'', while in the second film he lives on ''Mondo Island''. | |||
| == Television == | |||
| * '']''. In this cartoon series, the giant gorilla befriends the Bond family, with whom he goes on various adventures, fighting monsters, robots, mad scientists and other threats. Produced by ], the animation was provided in Japan by ], making this the very first ] series to be commissioned right out of Japan by an American company. This was also the cartoon that resulted in the production of ]'s '']'' (originally planned as a Kong film) and ''King Kong Escapes''. | |||
| * '']'' (2001). An unofficial animated production set many decades after the events of the original film. "Kong" is cloned by a female scientist. | |||
| ** A ] movie called '']'', based on the 2001 series, has been released to try and cash in on the 2005 movie. Both the series and movie were then included in ]'s "]" group for a time, also to take advantage of the 2005 movie's release. | |||
| * King Kong made an appearance in the 2nd episode of '']'' in the background of the MTV Movie Awards. | |||
| * The King Kong suit from '']'' appeared on '']'' episode 38 called ''Greenman vs Gorilla''. Due to copyright reasons King Kong's name was changed to Gorilla. | |||
| * In the '']'' episode, ''Night of the Werepuff'', the monster captures Lily (]). It then scales ] studios (]). Similar to the movies' ending, it is shot down, here by Guano. | |||
| == Related Films == | |||
| </ref>]] | |||
| * The premise of a giant gorilla brought to the United States for entertainment purposes, and subsequently wreaking havoc, was recycled in '']'', (], through the same studio and with much of the same principal talent as the 1933 original. It was ] in 1998). | |||
| * ''King Kong'' bears some similarities with an earlier effort by special effects head ], '']'' (1925), in which ]s are found living on an isolated ]. Scenes from a failed O'Brien project, '']'', were cannibalized for the 1933 ''Kong''. ''Creation'' was also about a group of people stumbling into an environment where prehistoric creatures have survived extinction. | |||
| * An obscure Japanese clone, {{nihongo|'']''|和製キングコング|Wasei Kingu Kongu}}, directed by ] featuring an all-Japanese cast and produced by the ] company, was also released in 1933. Detailed information outside of Japan about this film cannot be found.<ref>http://www.imdb.com/title/tt0440913/</ref> | |||
| * {{nihongo|'']''|江戸に現れたキングコング|Edo ni Arawareta Kingu Kongu}}. A claimed Japanese-made monster/period piece that was allegedly produced by a company called ] in which King Kong attacks medieval ] (modern Tokyo), and arguably Japan's first '']'' (giant monster) film, predating '']'' by sixteen years. | |||
| * '']'', an unofficial (this is why it was called ''Mighty'' Kong rather than ''King'' Kong) straight to video ] animated ]/remake of the 1933 film. It featured the voices of ] and ]. This film also featured a song score by the ]. | |||
| * Other similar films include the ]n '']''.<ref>http://www.imdb.com/title/tt0074148/</ref> the ] made '']'', the British '']'' and '']'', the Italian '']'' (1968) (which capitalizes on the "Kong" name, even though the gorillas in the movie are normal size), and the American '']''. | |||
| * The corpse of the 1976 King Kong makes an unauthorized appearance in the film '']''. | |||
| * King Kong appears in the 1996 ] film '']''. In this film, the classic climax of the 1933 film is recreated with modern (at the time) digital special effects. | |||
| *'']'', a direct-to-video movie produced by ], taking elements from both King Kong and Sir Arthur Conan Doyle's ''The Lost World.'' The film was released on December 13, 2005, just one day before the theatrical release of Peter Jackson's version of King Kong. | |||
| *Mighty Himalayan Man based on King Kong. | |||
| * The frame at the top of the page is briefly seen in the movie '']''. | |||
| == Electronic games == | |||
| ] released various King Kong games in the early 1980s. These include | |||
| *A Tabletop LCD game in 1981<ref>http://www.handheldmuseum.com/Tiger/KingKong.htm</ref> | |||
| *A game for the Atari 2600 home video game system in 1982<ref>http://www.gamefaqs.com/console/a2600/image/563246.html?box=28936</ref> | |||
| *A handheld game in 1982 in both a regular edition<ref>http://www.handheldmuseum.com/Tiger/KingKongLCD.htm</ref> and a large screen edition<ref>http://www.handheldmuseum.com/Tiger/KingKongLS.htm</ref> | |||
| *An "Orlitronic" game (for the international markets) in 1983<ref>http://www.handheldmuseum.com/Tiger/KingKongOrlitronic.htm</ref> | |||
| *A color "Flip-Up" game in 1984.<ref>http://www.handheldmuseum.com/Tiger/KingKongColor.htm</ref> | |||
| ] released two LCD games in 1982. One was ''King Kong: New York'',<ref>http://www.handheldmuseum.com/Grandstand/KingKong.htm</ref> and the other was ''King Kong: Jungle''<ref>http://www.handheldmuseum.com/Epoch/KKJungle.htm</ref> | |||
| ] released 2 games based on the film ] in 1986. The first game was ] for the Famicom, and the second was ''King Kong 2'',<ref>http://www.gamefaqs.com/computer/msx/image/918126.html</ref> for the MSX computer. These games were only released in Japan. | |||
| ] released a pinball game<ref>http://www.ipdb.org/search.pl?any=king+kong&searchtype=quick#3194</ref> in 1990. | |||
| ] released a Game Boy Advance game based on ] in 2002.<ref>http://www.gamefaqs.com/portable/gbadvance/image/567519.html?box=7985</ref> | |||
| ] released a Game Boy Advance game based on the straight to video animated film ''Kong: King of Atlantis'' in 2005.<ref>http://www.gamefaqs.com/portable/gbadvance/image/930471.html?box=70998</ref> | |||
| ] which is based on the 2005 remake was released on all video game platforms. It was the first game released by ] on the Xbox 360. | |||
| ] released a King Kong ] game in 2007.<ref>http://www.taiyoelec.co.jp/user/pachinko/products/kingkong/</ref> | |||
| == Pop culture references == | |||
| {{main|King Kong in popular culture}} | |||
| King Kong, as well as the series of films featuring him, have been featured many times in popular culture outside of the films themselves, in forms ranging from straight copies to parodies and joke references, and in media from comics to video games. | |||
| An animated King Kong appears in ]' 1968 movie '']'', and ] spoofed King Kong during a segment of their "]" Halloween episode. King Kong appears among the good guys in an episode of ] in "]" Episode. | |||
| A science fiction short story, Andrew Fox's "The Man Who Would be Kong", is about an old man with memories of having starred - as Kong himself - in the 1933 film. | |||
| == Theme Park Rides == | |||
| Universal Studios had two popular King Kong rides at their theme parks in Hollywood and Orlando. | |||
| The first King Kong ride was part of the ] in Hollywood. The ride opened in 1986 and was destroyed in 2008 in a major fire. Days after the fire it was announced that the Kong attraction would not be rebuilt and would be replaced by something else<ref></ref>. | |||
| A second more elaborate ride was constructed at the Orlando park in 1990. It was called ]. The ride was closed down in 2002. | |||
| == See also == | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * '']'' | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| * ] | |||
| *] | |||
| *] | |||
| == Notes == | |||
| {{reflist}} | |||
| == External links == | |||
| * King Kong (1933) | |||
| **{{filmsite|id=kingk|title=King Kong}} | |||
| ** | |||
| ** | |||
| ** | |||
| * King Kong (2005) | |||
| ** | |||
| ** {{imdb title|id=0360717|title=King Kong}} | |||
| ** | |||
| * Other | |||
| ** | |||
| ** | |||
| ** | |||
| ** | |||
| ** | |||
| <!--spacing, please do not remove--> | |||
| {{KingKong}} | |||
| {{Toho Kaijū}} | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
| ] | |||
Revision as of 18:22, 11 March 2009
king kong is a mental lemur on steroids