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| Zeibekiko (ζεϊμπέκικο) is a ] improvisational ]. Its name comes from the Zeybek people of Asia Minor. Zeibekiko is also a name of the style of music danced to, played in a 9/8 rhythm. | Zeibekiko (ζεϊμπέκικο) is a ] improvisational ]. Its name comes from the Zeybek people of Asia Minor. Zeibekiko is also a name of the style of music danced to, played in a 9/8 rhythm. This rhythm is also common in turkish music and is called Zeybeği. | ||
| Zeibekiko is a personal dance. Only one man can dance it. If another gets up, that is a cause of conflict and possible violence. Women were traditionally not allowed to dance zeibekiko (except prostitutes). The dancer is surrounded by other people, who crouch on their knees while clapping for the dancer. Throwing plates down at the dancer's feet remains a Greek custom. However, throwing flowers or whatever else the crowd can find that won't injure anyone (e.g. plastic plates) is becoming more common. It is the one of the most renowned Greek dances, and was traditionally only performed by men. It is commonly referred to as the dance of dances, requiring incredible athleticism, balance, and creativity. This creativity serves to add to the mood of the zeibekiko, one of self expression and kinship with the traditionally somber lyrics to which they are dancing. Hence in the old days, applause was not sought after, nor commonly given, out of respect. This did not, however, shadow creativity to a point of sullenness, with feats such as standing on a glass of wine or a chair, or picking up a table, to add a sense of braggadaccio and humor. | Zeibekiko is a personal dance. Only one man can dance it. If another gets up, that is a cause of conflict and possible violence. Women were traditionally not allowed to dance zeibekiko (except prostitutes). The dancer is surrounded by other people, who crouch on their knees while clapping for the dancer. Throwing plates down at the dancer's feet remains a Greek custom. However, throwing flowers or whatever else the crowd can find that won't injure anyone (e.g. plastic plates) is becoming more common. It is the one of the most renowned Greek dances, and was traditionally only performed by men. It is commonly referred to as the dance of dances, requiring incredible athleticism, balance, and creativity. This creativity serves to add to the mood of the zeibekiko, one of self expression and kinship with the traditionally somber lyrics to which they are dancing. Hence in the old days, applause was not sought after, nor commonly given, out of respect. This did not, however, shadow creativity to a point of sullenness, with feats such as standing on a glass of wine or a chair, or picking up a table, to add a sense of braggadaccio and humor. | ||
Revision as of 02:26, 24 November 2005
Zeibekiko (ζεϊμπέκικο) is a Greek improvisational solo dance. Its name comes from the Zeybek people of Asia Minor. Zeibekiko is also a name of the style of music danced to, played in a 9/8 rhythm. This rhythm is also common in turkish music and is called Zeybeği.
Zeibekiko is a personal dance. Only one man can dance it. If another gets up, that is a cause of conflict and possible violence. Women were traditionally not allowed to dance zeibekiko (except prostitutes). The dancer is surrounded by other people, who crouch on their knees while clapping for the dancer. Throwing plates down at the dancer's feet remains a Greek custom. However, throwing flowers or whatever else the crowd can find that won't injure anyone (e.g. plastic plates) is becoming more common. It is the one of the most renowned Greek dances, and was traditionally only performed by men. It is commonly referred to as the dance of dances, requiring incredible athleticism, balance, and creativity. This creativity serves to add to the mood of the zeibekiko, one of self expression and kinship with the traditionally somber lyrics to which they are dancing. Hence in the old days, applause was not sought after, nor commonly given, out of respect. This did not, however, shadow creativity to a point of sullenness, with feats such as standing on a glass of wine or a chair, or picking up a table, to add a sense of braggadaccio and humor.
- See also
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