Synthesizer: Difference between revisions

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	=== The start of the analog synthesizer era ===		=== The start of the analog synthesizer era ===



	Early synthesizers used technology derived from electronic ]s and laboratory test equipment.		Early synthesizers used technology derived from electronic ]s and laboratory test equipment.



	In the ], ] produced experimental devices to synthesize both voice and music. The Mark II Music Synthesizer (1958) was only capable of producing music once it had been completely programmed; that is, the system had to be completely re-set for each new piece.		In the ], ] produced experimental devices to synthesize both voice and music. The Mark II Music Synthesizer (1958) was only capable of producing music once it had been completely programmed; that is, the system had to be completely re-set for each new piece.



	In 1958 ] at the ] produced a novel synthesizer using her "Oramics" technique, driven by drawings on a 35mm film strip. This was used for a number of years at the BBC.		In 1958 ] at the ] produced a novel synthesizer using her "Oramics" technique, driven by drawings on a 35mm film strip. This was used for a number of years at the BBC.



	In the mid-], synthesizers were developed which could be played in real time but were confined to studios because of their size. A variety of signal processors were connected to a common controller.		In the mid-], synthesizers were developed which could be played in real time but were confined to studios because of their size. A variety of signal processors were connected to a common controller.



	The first widely used electronic instrument was the ] designed by ], who set up a company to manufacture them. The first instruments were ], and Moog broke into the mass market with the ] an all-in-one instrument.		The first widely used electronic instrument was the ] designed by ], who set up a company to manufacture them. The first instruments were ], and Moog broke into the mass market with the ] an all-in-one instrument.
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	The first playable modern configurable music synthesizer was created by ] in ]. It took hours to set up the machine for a new sound. Among the first music performed on this synthesizer are the record "The well-tempered synthesizer" and "Switched-on Bach" by ] (] since a sex change operation).		The first playable modern configurable music synthesizer was created by ] in ]. It took hours to set up the machine for a new sound. Among the first music performed on this synthesizer are the record "The well-tempered synthesizer" and "Switched-on Bach" by ] (] since a sex change operation).



	Moog also established standards for control interfacing, with a logarithmic 1-volt-per-octave pitch control and a separate pulse triggering signal.		Moog also established standards for control interfacing, with a logarithmic 1-volt-per-octave pitch control and a separate pulse triggering signal.



	Other commercial synthesizer manufacturers included ], who also started with modular synthesizers before producing all-in-one instruments.		Other commercial synthesizer manufacturers included ], who also started with modular synthesizers before producing all-in-one instruments.



	Miniaturization of the components made it possible, in the 1970s, for synthesizers to become self-contained and movable. They began to be used in live performances.		Miniaturization of the components made it possible, in the 1970s, for synthesizers to become self-contained and movable. They began to be used in live performances.



	=== Electronic organs vs. synthesizers ===		=== Electronic organs vs. synthesizers ===

		⚫	Electronic organs are based on the principle of additive or ]: Several sine tones are mixed to form a more complex waveform. In the original Hammond organ, built in 1935, these sine waves were generated using revolving tone wheels which induced a current in an electromagnetic pick-up. For every ], there had to be a separate tone wheel.


⚫	Electronic organs are based on the principle of additive or ]: Several ~~sinus~~ tones are mixed to form a more complex waveform. In the original Hammond organ, built in 1935, these sine waves were generated using revolving tone wheels which induced a current in an electromagnetic pick-up. For every ], there had to be a separate tone wheel.



	In more modern electronic organs, ] serve to produce the sine waves.		In more modern electronic organs, ] serve to produce the sine waves.



	Most synthesizers produce their sound using subtractive synthesis, which means ] and ] are used to manipulate a square or saw-tooth wave produced by an oscillator.		Most synthesizers produce their sound using subtractive synthesis, which means ] and ] are used to manipulate a square or saw-tooth wave produced by an oscillator.



	=== Early polyphonic synthesizers ===		=== Early polyphonic synthesizers ===



	:''(Polymoog, Oberheim 4-voice)''		:''(Polymoog, Oberheim 4-voice)''
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	=== Microprocessor controlled analog synthesizers ===		=== Microprocessor controlled analog synthesizers ===



	:''(Sequential Circuits Prophet synth?)''		:''(Sequential Circuits Prophet synth?)''
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	Synthesizers became more usable with the invention in 1985 of ], a digital control interface, and later with the creation of all-digital synthesizers and ]s.		Synthesizers became more usable with the invention in 1985 of ], a digital control interface, and later with the creation of all-digital synthesizers and ]s.



	:''(this page is of course incomplete. please fill out)''		:''(this page is of course incomplete. please fill out)''
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	=== Early academic digital synthesis research ===		=== Early academic digital synthesis research ===



	:''(Stanford, IRCAM etc)''		:''(Stanford, IRCAM etc)''
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	=== Early commercial digital synthesizers: the FM synthesis era ===		=== Early commercial digital synthesizers: the FM synthesis era ===



	:''(Yamaha DX synthesizer... 80's FM sound)''		:''(Yamaha DX synthesizer... 80's FM sound)''
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	=== Samplers and sampling ===		=== Samplers and sampling ===



	One kind of synthesizer, which starts with a recording of an existing sound, which is then replayed at a range of pitches, is called a ].		One kind of synthesizer, which starts with a recording of an existing sound, which is then replayed at a range of pitches, is called a ].

		⚫	An early form of sampler was an instrument called the ']' which used individual pre-recorded tape loops, one under each key on the keyboard. Mellotrons required a lot of maintenance, but had a characteristic sound that was used on many ] records by groups such as Yes.


⚫	An early form of sampler was an instrument called the 'Mellotron' which used individual pre-recorded tape loops, one under each key on the keyboard. Mellotrons required a lot of maintenance, but had a characteristic sound that was used on many ] records by groups such as Yes.



	The emergence of the digital sampler made sampling far more practical, and as samplers added progressively more digital processing to their recorded sounds, they began to merge into the mainstream of modern digital synthesizers.		The emergence of the digital sampler made sampling far more practical, and as samplers added progressively more digital processing to their recorded sounds, they began to merge into the mainstream of modern digital synthesizers.
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	Most modern synthesizers are now completely ], including those which model analog synthesis using digital techniques. Digital synthesizers use ] (DSP) techniques to make musical sounds. Some digital synthesizers now exist in the form of 'softsynth' software that synthesizes sound using conventional PC hardware. Others typically use specialized DSP hardware.		Most modern synthesizers are now completely ], including those which model analog synthesis using digital techniques. Digital synthesizers use ] (DSP) techniques to make musical sounds. Some digital synthesizers now exist in the form of 'softsynth' software that synthesizes sound using conventional PC hardware. Others typically use specialized DSP hardware.



	:''(to be written)''		:''(to be written)''



	=== Software-only synthesis ===		=== Software-only synthesis ===



	:''(to be written)''		:''(to be written)''
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	=== Commercial synthesizer manufacturers ===		=== Commercial synthesizer manufacturers ===



	Notable synthesizer manufacturers past and present include:		Notable synthesizer manufacturers past and present include:
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Revision as of 12:16, 8 March 2002

The synthesizer is type of electronic musical instrument designed to produce artificially generated sound, using techniques such as additive, subtractive, FM and physical modelling synthesis to create sounds.

Synthesizers create sounds by direct manipulation of electrical currents which are then used to cause vibrations in the diaphragms of loudspeakers, headphones, etc. This synthesized sound is contrasted with recording of natural sound, where the mechanical energy of a sound wave is transformed into a signal which will then be converted back to mechanical energy on playback (though sampling significantly blurs this distinction).

The term "speech synthesizer" is also used in electronic speech processing, often in connection with vocoders.

Synthesizer basics

There two major kinds of synthesizers, analog and digital.

There are also many different kinds of synthesis methods, each applicable to both analog and digital synthesizers, but now most easily achieved with digital techniques.

The start of the analog synthesizer era

Early synthesizers used technology derived from electronic analog computers and laboratory test equipment.

In the 1950s, RCA produced experimental devices to synthesize both voice and music. The Mark II Music Synthesizer (1958) was only capable of producing music once it had been completely programmed; that is, the system had to be completely re-set for each new piece.

In 1958 Daphne Oram at the BBC Radiophonic Workshop produced a novel synthesizer using her "Oramics" technique, driven by drawings on a 35mm film strip. This was used for a number of years at the BBC.

In the mid-1960s, synthesizers were developed which could be played in real time but were confined to studios because of their size. A variety of signal processors were connected to a common controller.

The first widely used electronic instrument was the Moog synthesizer designed by Robert Moog, who set up a company to manufacture them. The first instruments were modular synthesizers, and Moog broke into the mass market with the Mini-moog an all-in-one instrument.

The first playable modern configurable music synthesizer was created by Robert Moog in 1964. It took hours to set up the machine for a new sound. Among the first music performed on this synthesizer are the record "The well-tempered synthesizer" and "Switched-on Bach" by Walter Carlos (Wendy Carlos since a sex change operation).

Moog also established standards for control interfacing, with a logarithmic 1-volt-per-octave pitch control and a separate pulse triggering signal.

Other commercial synthesizer manufacturers included ARP, who also started with modular synthesizers before producing all-in-one instruments.

Miniaturization of the components made it possible, in the 1970s, for synthesizers to become self-contained and movable. They began to be used in live performances.

Electronic organs vs. synthesizers

Electronic organs are based on the principle of additive or fourier synthesis: Several sine tones are mixed to form a more complex waveform. In the original Hammond organ, built in 1935, these sine waves were generated using revolving tone wheels which induced a current in an electromagnetic pick-up. For every harmonic, there had to be a separate tone wheel.

In more modern electronic organs, oscillators serve to produce the sine waves.

Most synthesizers produce their sound using subtractive synthesis, which means filters and amplifiers are used to manipulate a square or saw-tooth wave produced by an oscillator.

Early polyphonic synthesizers

(Polymoog, Oberheim 4-voice)

Microprocessor controlled analog synthesizers

(Sequential Circuits Prophet synth?)

MIDI control

Synthesizers became more usable with the invention in 1985 of MIDI, a digital control interface, and later with the creation of all-digital synthesizers and samplers.

(this page is of course incomplete. please fill out)

Early academic digital synthesis research

(Stanford, IRCAM etc)

Early commercial digital synthesizers: the FM synthesis era

(Yamaha DX synthesizer... 80's FM sound)

Samplers and sampling

One kind of synthesizer, which starts with a recording of an existing sound, which is then replayed at a range of pitches, is called a sampler.

An early form of sampler was an instrument called the 'Mellotron' which used individual pre-recorded tape loops, one under each key on the keyboard. Mellotrons required a lot of maintenance, but had a characteristic sound that was used on many 1970s records by groups such as Yes.

The emergence of the digital sampler made sampling far more practical, and as samplers added progressively more digital processing to their recorded sounds, they began to merge into the mainstream of modern digital synthesizers.

(the earliest samplers: examples)

(sampling and hip-hop: DJ-ing)

(techno and other dance music)

The modern digital synthesizer

Most modern synthesizers are now completely digital, including those which model analog synthesis using digital techniques. Digital synthesizers use digital signal processing (DSP) techniques to make musical sounds. Some digital synthesizers now exist in the form of 'softsynth' software that synthesizes sound using conventional PC hardware. Others typically use specialized DSP hardware.

(to be written)

Software-only synthesis

(to be written)

Commercial synthesizer manufacturers

Notable synthesizer manufacturers past and present include:

Classic synthesizer designs

This is intended to be a list of classic instruments which marked a turning point in musical sound or style, potentially worth an article of their own. They are listed with the names of performers or styles associated with them.