Revision as of 14:06, 6 April 2011 view source62.38.21.106 (talk) re-back version cause repeatedly vandalismTag: references removed← Previous edit | Revision as of 14:23, 6 April 2011 view source Cplakidas (talk | contribs)Autopatrolled, Extended confirmed users, File movers, New page reviewers, Pending changes reviewers222,015 edits Undid revision 422695913 by 62.38.21.106 (talk)Next edit → | ||
Line 1: | Line 1: | ||
'' |
'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the ] warriors of ].{{Citation needed|date=December 2010}} It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ]. | ||
It was the Greek rebels in Asia Minor, the so-called "Rembetes" or "Rebetiko,which is Greek and means the Greek strong guy ] (ο "μαγκας"). | |||
This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].], Bacchus-total dance of the Greeks ] and ] | |||
==See also== | ==See also== | ||
*] | |||
*] | *] | ||
*] | *] | ||
*] | *] | ||
**] | **] | ||
**] | **] | ||
**] | **] | ||
**] | **] | ||
**] | **] | ||
==References== | ==References== | ||
Line 19: | Line 16: | ||
] | ] | ||
] | |||
] | ] | ||
] | ] | ||
Line 26: | Line 22: | ||
] | ] | ||
] | ] | ||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
* : chronology, history, bibliography | |||
* | |||
* | |||
{{History of Europe}} | |||
{{European history by country}} | |||
{{Greece topics}} | |||
{{DEFAULTSORT:History Of Greece}} | |||
] | |||
{{Link GA|cs}} | |||
{{Link GA|zh}} | |||
{{Link GA|ja}} |
Revision as of 14:23, 6 April 2011
Zeibekiko or Zeybekiko (Template:Lang-el) is a Greek folk dance with a rhythmic pattern of 9/4 or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the Zeybek warriors of Anatolia. It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and humor.
See also
References
- Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
Categories: