Revision as of 19:39, 6 April 2011 view sourceExcirial (talk | contribs)211,201 edits {{pp-semi-protected|small=yes}}← Previous edit | Revision as of 20:07, 6 April 2011 view source Cplakidas (talk | contribs)Autopatrolled, Extended confirmed users, File movers, New page reviewers, Pending changes reviewers222,015 edits rv blatantly OR and POV additionsNext edit → | ||
Line 1: | Line 1: | ||
{{pp-semi-protected|small=yes}} | {{pp-semi-protected|small=yes}} | ||
'''Zeibekiko''' or '''Zeybekiko''' ({{lang-el|Ζεϊμπέκικο}}) is a Greek folk dance with a rhythmic pattern of 9/4<ref>Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, ''Canadian Issue'' (Sep., 1972), p. 577.</ref> or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the ] warriors of ].{{Citation needed|date=December 2010}} It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ]. | |||
==zeibekiko== | |||
''Zeimpekiko dance'' is a 100% Greek ] dance,(by Greek god ; ] Ελληνικη: Ζεύς; ]: Δίας, Dias is the "Father of Gods and men" who ruled the ] of Mount Olympus as a father ruled the family,gods ] and ] (Zeus + = bacchanalian Zeimpekikos).Zeus, Bacchus-total dance of the Greeks ] and ] | |||
θεούς Δία και Βάκχο (Ζευ+βάκχικος=Ζεϊμπέκικος)"χορός των Ελλήνων" (Ζευς και Βάκχος) | |||
Zeimpekikos the word comes from the first component of the God ] ] and the defterozempekides2 the injectors or "vekos" word which means "bread" by ].That a people who took the name of praising Zeus, and dancing, praying for fertility and earthly bread. | |||
steps:(1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8).The word is Greek and comes from ] God,purely ellinofrygiki "Frugia" = "Zeus" by Zeus "Nozzles " the bread "αρτος". The rhythm and dance Zeimpekikos keeps the roots from the ],from the Zeybek warriors of ].It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence.from late 17th to early 20th centuries These Greek rebels came to Asia Minor to fight the Ottoman Empire and to dismantle all over Turkey. Their action was a terrorist and anti-Turkish. Traditionally, applause was not sought nor commonly given, out of respect. Zeimpeks is a Greek race who emigrated to Phrygia in Asia Minor. | |||
The crimes made history for the years since. Thousands of Turkish families have suffered torture and terror of these Greek rebels, known as "Rembetes.It was the Greek rebels in Asia Minor, the so-called "Rembetes" or "Rebetiko,which is Greek and means the Greek strong Greek guy "mangas" (ο "μαγκας"). | |||
This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and ].], Bacchus-total dance of the Greeks ] and ] | |||
==zeibekiko in today== | |||
As a people must feel very lucky to be among our cultural heritage including the famous song, perhaps the best dance of humanity. | |||
The Turkish Dance "Zeybek"(zeybek) has nothing to do with the Greek Zeibekiko. Rate is a crude form tsiftetelia usually danced in groups.The rhythm of this Greek dance, the 9 / 8 is something inconceivable. The feelings caused by the famous song is out of logic.Not only looking at enstichto of popular ] and the scales are kept unchanged, but even a fall, the time and manner of execution. All show the source, who is none other than the austere church hymnody. Also folk songs and this has in common with the famous song elements are evident in Greek rebetiko.The zeimpekikos is cleaner, while Greek rhythm. Over the rhythms of largely built in early time. Watching the melodic line, you will discern clearly upon him the extension of ]. | |||
see also: http://www.pro-dance.gr/dances/popular-greek-dances/history-of-greek-folk-dances/history-of-zeimbekiko-dance | |||
The famous song is a wonderful folk dance, the sensational dancer and audience. | |||
==Greek zeibekiko spirit== | |||
Sometimes it was lonely and just dance for men. Today all the dancing. Of course women. The zeimpekikos today when they danced traditional (bounce), it remains solitary dance. Each dancer has his own stunts, which is expressed. Also, each dancer danced only one song, only once! It is often his own in this song and not a coincidence. | |||
Previously, sometimes even in our days, is anyone dares to interrupt a dancing zeibekiko. This gamble! Somehow so began the years of occupation, the institution of "orders". That the musicians, usually with profit in mind ..., heralding the name of "beneficiary in the next dance. | |||
The dancing is not allowed anyone else to dance with him in the same room or disturb him. | |||
In 1973 Nick Koemtzis, when people harassed and insulted his brother danced with famous song "orders" with a knife killed three people and wounded several more. It is a rare sight these days, clashes of similar misunderstandings cause a famous song. | |||
The famous song is a wonderful folk dance, the sensational dancer and audience.The ancient Greeks believed that dancing is a gift from the gods to man. | |||
has established itself as the tax value of a large price for the man who'will dance It. The term was popular and is frequently used by Greek non-listeners of forms of modern bouzouki-dominated music of high class value. | |||
==zeibekiko of Evdokia== | |||
Evdokia (Greek: Ευδοκία) is one of the most important works of Greek cinema.The inner struggle of the heroes, the conflict of desires and values, the straightforward narration, vigorous pace, immediacy and sound construction constitute one of the most important works of the Greek cinema. In Greece, the film is mostly known for the popular instrumental piece "Zeibekiko of Evdokia", written by Manos Loizos. In 1986, Evdokia was voted by the Greek movie critics as the best Greek film of all time. | |||
== External links == | |||
* {{imdb title|0067068|Evdokia}} | |||
{{CinemaofGreece}} | |||
] | |||
] | |||
] | |||
] | |||
{{Greece-film-stub}} | |||
] | |||
] | |||
==References== | |||
* | |||
*] | |||
*] | |||
*] | |||
*] | |||
*] | |||
==See also== | ==See also== | ||
*] | *] | ||
*] | *] | ||
*] | |||
*] | *] | ||
**] | **] | ||
**] |
**] | ||
**] | **] | ||
**] | **] | ||
**] | **] | ||
==References== | ==References== | ||
Line 64: | Line 17: | ||
] | ] | ||
] | |||
] | ] | ||
] | ] | ||
Line 71: | Line 23: | ||
] | ] | ||
] | ] | ||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
* : chronology, history, bibliography | |||
* | |||
* | |||
{{History of Europe}} | |||
{{European history by country}} |
Revision as of 20:07, 6 April 2011
Zeibekiko or Zeybekiko (Template:Lang-el) is a Greek folk dance with a rhythmic pattern of 9/4 or else 9/8 (broken down as 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8 + 1/16 + 1/16 + 1/8 + 1/8 + 1/8). The dance may originate from the Zeybek warriors of Anatolia. It is danced by one person only and is of free choreographic structure. In older times if another got up, it would be a cause for conflict and possible violence. However, in the 21st century a certain dance etiquette has evolved, so that other men wait to take turn after and if the dancer stops. Traditionally, applause was not sought nor commonly given, out of respect. This did not, however, lessen creativity, with dancers performing feats such as standing on a glass of wine or a chair or fireplace, or picking up a table, adding a sense of little braggadocio and humor.
See also
References
- Kilpatrick, David. "Ethnomusicology", Vol. 6, No. 3, Canadian Issue (Sep., 1972), p. 577.
Categories: