| Revision as of 02:30, 7 March 2011 editHyBn51702 (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers94,883 editsNo edit summary← Previous edit | Revision as of 14:05, 28 April 2011 edit undoRjwilmsi (talk | contribs)Extended confirmed users, Pending changes reviewers, Rollbackers932,073 editsm Journal cites (JSTOR link cleanup):, using AWB (7677)Next edit → | ||
| Line 8: | Line 8: | ||
| The rough-hewn character of the music was deliberate: the aesthetic intention was not to dazzle with technique but to capture the quality of "naive," folk-based authenticity. Historical comment has noted the nationalistic character of the music.<ref>{{cite journal | url=http://mq.oxfordjournals.org/cgi/reprint/XIII/4/617 | last=Lyle | first=Watson | title=The "Nationalism" of Sibelius | journal=The Musical Quarterly | volume=13 | issue=4 | pages=617–629 | date=1927 | accessdate=2008-03-23}}</ref> | The rough-hewn character of the music was deliberate: the aesthetic intention was not to dazzle with technique but to capture the quality of "naive," folk-based authenticity. Historical comment has noted the nationalistic character of the music.<ref>{{cite journal | url=http://mq.oxfordjournals.org/cgi/reprint/XIII/4/617 | last=Lyle | first=Watson | title=The "Nationalism" of Sibelius | journal=The Musical Quarterly | volume=13 | issue=4 | pages=617–629 | date=1927 | accessdate=2008-03-23}}</ref> | ||
| The suite is scored for 3 ]s (3rd doubling ]), 3 ]s (3rd doubling ]), 2 ]s, 2 ]s, 5 ]s in F and E, 3 ]s in F and E, 3 ]s, ], ], ], ]s, ], ], ]s. Ralph Wood has commented on the role of the percussion in this composition.<ref>{{cite journal |
The suite is scored for 3 ]s (3rd doubling ]), 3 ]s (3rd doubling ]), 2 ]s, 2 ]s, 5 ]s in F and E, 3 ]s in F and E, 3 ]s, ], ], ], ]s, ], ], ]s. Ralph Wood has commented on the role of the percussion in this composition.<ref>{{cite journal | last=Wood | first=Ralph W. | title=Sibelius's Use of Percussion | journal=Music & Letters, | volume=23 | issue=1 | pages=10–23 | date=1942 | accessdate=2008-03-23 | year=1942 | jstor=728570}}</ref> | ||
| The suite is in three movements: | The suite is in three movements: | ||
Revision as of 14:05, 28 April 2011
The Karelia Suite, Op. 11, is a collection of orchestral pieces composed by the Finnish composer Jean Sibelius.
The pieces in this suite are drawn from several independent works he wrote in 1893 for a patriotic historical pageant to be presented by students of the University of Helsinki in Viipuri, Karelia, in the south-eastern corner of Finland. Sibelius subsequently compiled a "Concert Suite" of three pieces from the pageant's incidental music (an overture was published separately as Op. 10).
In 1997, composer Jouni Kaipainen reconstructed the complete Karelia Music for the first time, and it has since been recorded and released on CD. It consists of an Overture and ten pieces, and runs about 44 minutes, as opposed to the suite, which lasts about twelve minutes.
The rough-hewn character of the music was deliberate: the aesthetic intention was not to dazzle with technique but to capture the quality of "naive," folk-based authenticity. Historical comment has noted the nationalistic character of the music.
The suite is scored for 3 flutes (3rd doubling piccolo), 3 oboes (3rd doubling english horn), 2 clarinets, 2 bassoons, 5 horns in F and E, 3 trumpets in F and E, 3 trombones, tuba, timpani, bass drum, cymbals, triangle, tambourine, strings. Ralph Wood has commented on the role of the percussion in this composition.
The suite is in three movements:
- Intermezzo, a jaunty Allegro march-like theme, depicting a procession, the orchestra brilliantly portraying the atmosphere of marching contingents. The piece was used in the UK as a title theme for the long-running ITV current affairs programme This Week and was used in 1975 to begin the broadcasting day of New Zealand's Television One.
- Ballade, "sung" by a bard (on cor anglais), reflecting the mood of a fifteenth-century Swedish king, Karl Knutsson, reminiscing in his castle whilst being entertained by a minstrel.
- Alla Marcia, an exhilarating march, originally incidental to a tableau depicting a castle siege.
The suite is one of Sibelius's earlier works and remains one of his most popular.
Sibelius held the Karelia province in particular affection. In earlier years he had found stimulus in its folk music, and later he was to spend his honeymoon there.
References
- Lyle, Watson (1927). "The "Nationalism" of Sibelius". The Musical Quarterly. 13 (4): 617–629. Retrieved 2008-03-23.
- Wood, Ralph W. (1942). "Sibelius's Use of Percussion". Music & Letters,. 23 (1): 10–23. JSTOR 728570.
{{cite journal}}:|access-date=requires|url=(help)CS1 maint: date and year (link) CS1 maint: extra punctuation (link)
Links
 | This article about a classical composition is a stub. You can help Misplaced Pages by expanding it. |