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| | name = Barbara Astman | | name = Barbara Astman | ||
| | image = Astman_mocca.jpg | | image = Astman_mocca.jpg | ||
| | caption = Barbara Astman 2009 ] opening | | caption = Barbara Astman 2009 ] opening | ||
| | birth_date = {{Birth date and age|1950|07|12}} | | birth_date = {{Birth date and age|1950|07|12}} | ||
| | birth_name = Barbara Anne Astman | | birth_name = Barbara Anne Astman | ||
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| Astman has received grants from the ] (OAC) and the ] (CC)<ref>''Canadian Who's Who 1997'' http://www.utpress.utoronto.ca/cgi-bin/cw2w3.cgi?p=arndt&t=82805&d=2162</ref> in support of her art practice since 1974 and has also adjudicated numerous OAC and CC applications. Since 1996 she has sat on a number of ] juries. | Astman has received grants from the ] (OAC) and the ] (CC)<ref>''Canadian Who's Who 1997'' http://www.utpress.utoronto.ca/cgi-bin/cw2w3.cgi?p=arndt&t=82805&d=2162</ref> in support of her art practice since 1974 and has also adjudicated numerous OAC and CC applications. Since 1996 she has sat on a number of ] juries. | ||
| Liz Wylie curated Astman's mid-career retrospective, ''Barbara Astman: Person/Persona A 20 Year Survey Exhibition'' in 1995. It opened at the ], and then toured three other Canadian museums. | Liz Wylie curated Astman's mid-career retrospective, ''Barbara Astman: Person/Persona A 20 Year Survey Exhibition'' in 1995. It opened at the ], and then toured three other Canadian museums. | ||
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| The Art Gallery of Ontario reopened in 2008, after a year's redevelopment by architect ]. Astman and AGO Assistant Curator Georgiana Uhlyarik were chosen to co-curate an exhibit focusing on ] and early ] practice. Her continual investigation of gender perspectives in her own work meant she was well suited to this task.<ref>Murray, Joan; ''Canadian Art in the Twentieth Century'', Dundurn Press, 1999, pp168-170</ref> | The Art Gallery of Ontario reopened in 2008, after a year's redevelopment by architect ]. Astman and AGO Assistant Curator Georgiana Uhlyarik were chosen to co-curate an exhibit focusing on ] and early ] practice. Her continual investigation of gender perspectives in her own work meant she was well suited to this task.<ref>Murray, Joan; ''Canadian Art in the Twentieth Century'', Dundurn Press, 1999, pp168-170</ref> | ||
| Astman’s practice is partly composed of public art installations in Canada and abroad, including an installation at the Calgary Winter Olympics in 1987. Recently, she completed a project for the new ], ]<ref>Government of Canada http://www.canadainternational.gc.ca/germany-allemagne/offices-bureaux/embassy_art_ambassade.aspx?lang=eng</ref> consisting of a ]ted glass tower wall. |
Astman’s practice is partly composed of public art installations in Canada and abroad, including an installation at the Calgary Winter Olympics in 1987. Recently, she completed a project for the new ], ]<ref>Government of Canada http://www.canadainternational.gc.ca/germany-allemagne/offices-bureaux/embassy_art_ambassade.aspx?lang=eng</ref> consisting of a ]ted glass tower wall. | ||
| Her initial commercial venture was the creation of the ] for the first '']'' ] for ]. | Her initial commercial venture was the creation of the ] for the first '']'' ] for ]. | ||
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| ==Public collections== | ==Public collections== | ||
| *], Queen's University, Kingston, ON | * ], Queen's University, Kingston, ON | ||
| *Art Gallery of Hamilton, Hamilton, ON | * Art Gallery of Hamilton, Hamilton, ON | ||
| *], Peterborough, ON | * ], Peterborough, ON | ||
| *Art Gallery of Ontario, Toronto, ON | * Art Gallery of Ontario, Toronto, ON | ||
| *], Paris, France | * ], Paris, France | ||
| *Canada Council Art Bank, Ottawa | * Canada Council Art Bank, Ottawa | ||
| *Canadian Museum of Contemporary Photography, Ottawa | * Canadian Museum of Contemporary Photography, Ottawa | ||
| *], Charlottetown, P.E.I. | * ], Charlottetown, P.E.I. | ||
| *], Andrew White Museum, Ithaca, New York | * ], Andrew White Museum, Ithaca, New York | ||
| *], Ottawa | * ], Ottawa | ||
| *], Edmonton, AB | * ], Edmonton, AB | ||
| * Gallery Stratford, Stratford, ON | * Gallery Stratford, Stratford, ON | ||
| *The Government of Ontario Collection, Toronto | * The Government of Ontario Collection, Toronto | ||
| *The Robert McLaughlin Gallery, Oshawa, ON | * The Robert McLaughlin Gallery, Oshawa, ON | ||
| *], George Eastman House, Rochester, New York | * ], George Eastman House, Rochester, New York | ||
| *Kitchener-Waterloo Art Gallery, Kitchener, ON | * Kitchener-Waterloo Art Gallery, Kitchener, ON | ||
| *Kamloops Art Gallery, Kamloops, BC | * Kamloops Art Gallery, Kamloops, BC | ||
| *Kelowna Art Gallery, Kelowna, BC | * Kelowna Art Gallery, Kelowna, BC | ||
| *], Sudbury, ON | * ], Sudbury, ON | ||
| *], Regina, Saskatchewan | * ], Regina, Saskatchewan | ||
| *McIntosh Gallery, University of Western Ontario, London, ON | * McIntosh Gallery, University of Western Ontario, London, ON | ||
| *Nickle Arts Museum, Calgary, AB | * Nickle Arts Museum, Calgary, AB | ||
| *], London, England | * ], London, England | ||
| *], Winnipeg, MB | * ], Winnipeg, MB | ||
| ==Corporate collections== | ==Corporate collections== | ||
| *], Toronto | * ], Toronto | ||
| *Connor, Clark & Lunn, Toronto | * Connor, Clark & Lunn, Toronto | ||
| *Connor, Clark & Lunn, Vancouver | * Connor, Clark & Lunn, Vancouver | ||
| *] Canada, Toronto, ON | * ] Canada, Toronto, ON | ||
| *] Canada, Ltd., Toronto | * ] Canada, Ltd., Toronto | ||
| *] Collection, London, Toronto | * ] Collection, London, Toronto | ||
| *], Toronto | * ], Toronto | ||
| *Nova Corporation, Calgary, AB | * Nova Corporation, Calgary, AB | ||
| *], Toronto | * ], Toronto | ||
| *Polysar Limited | * Polysar Limited | ||
| *Sherman & Sterling, Toronto | * Sherman & Sterling, Toronto | ||
| *], Switzerland | * ], Switzerland | ||
| ==Critical reception== | ==Critical reception== | ||
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| == References == | == References == | ||
| <!--- See ] on how to create references using <ref></ref> tags which will then appear here automatically --> | |||
| {{Reflist}} | {{Reflist}} | ||
| Line 102: | Line 100: | ||
| * | * | ||
| {{Persondata <!-- Metadata: see ]. --> | {{Persondata <!-- Metadata: see ]. --> | ||
| | NAME =Astman, Barbara | | NAME =Astman, Barbara | ||
| | ALTERNATIVE NAMES = | | ALTERNATIVE NAMES = | ||
Revision as of 17:04, 28 May 2011
| Barbara Astman | |
|---|---|
 Barbara Astman 2009 MOCCA opening | |
| Born | Barbara Anne Astman (1950-07-12) July 12, 1950 (age 74) Rochester, NY |
| Education | RIT (School for American Craftsmen), OCA |
| Awards | Ontario Arts Council, Canada Council |
| Website | Official website |
Barbara Astman, RCA, is a Canadian artist who specializes in a hybrid of photography and new media; often using her own body as object and subject, merging art and technology.
Early life
Astman was born in Rochester, New York, the second of three children of Bertha (née Meisel, a homemaker) and George Astman (an auto mechanic and salesman.) She received her Associates Degree at the Rochester Institute of Technology’s School for American Craftsmen. In 1970, she moved to Toronto, Canada to study at the Ontario College of Art (now OCAD University,) and graduated with an Associates Degree (A.O.C.A.).
Career
In the 1970s, she began exploring Polaroid technology and Xerography as a vehicle for art making. Her first successful solo show was held in 1973, at Toronto's Baldwin Street Gallery of Photography. Two years later, the Still Photography Division of the National Film Board of Canada now called the Canadian Museum of Contemporary Photography, Ottawa hosted her first museum show.
Astman began the Colour Xerox Artist’s Program at Visual Arts Ontario in 1977. She sat on the Board of Directors at the Art Gallery at Harbourfront (now called The Power Plant) from 1983-85. Since then, other board positions have included: the City of Toronto, Public Art Commission; the Curatorial Team for the International WaterWorks Exhibition in 1988. Presently, she sits on the Board of Trustees of the Art Gallery of Ontario.
Astman has received grants from the Ontario Arts Council (OAC) and the Canada Council (CC) in support of her art practice since 1974 and has also adjudicated numerous OAC and CC applications. Since 1996 she has sat on a number of Public Art juries. Liz Wylie curated Astman's mid-career retrospective, Barbara Astman: Person/Persona A 20 Year Survey Exhibition in 1995. It opened at the Art Gallery of Hamilton, and then toured three other Canadian museums.
In 2000 she was elected to the Royal Canadian Academy.
The Art Gallery of Ontario reopened in 2008, after a year's redevelopment by architect Frank Gehry. Astman and AGO Assistant Curator Georgiana Uhlyarik were chosen to co-curate an exhibit focusing on Joyce Weiland and early feminist practice. Her continual investigation of gender perspectives in her own work meant she was well suited to this task.
Astman’s practice is partly composed of public art installations in Canada and abroad, including an installation at the Calgary Winter Olympics in 1987. Recently, she completed a project for the new Canadian Embassy in Berlin, Germany consisting of a fritted glass tower wall.
Her initial commercial venture was the creation of the album cover for the first Loverboy record for CBS Records.
She joined the faculty of OCAD in 1975 and is a Professor in the Faculty of Art.
Astman has lectured and presented workshops internationally. Her work is in both in both public and private collections; she is represented by the Corkin Gallery, Toronto.
Public collections
- Agnes Etherington Art Centre, Queen's University, Kingston, ON
- Art Gallery of Hamilton, Hamilton, ON
- Art Gallery of Peterborough, Peterborough, ON
- Art Gallery of Ontario, Toronto, ON
- Bibliothèque Nationale, Paris, France
- Canada Council Art Bank, Ottawa
- Canadian Museum of Contemporary Photography, Ottawa
- Confederation Centre of the Arts, Charlottetown, P.E.I.
- Cornell University, Andrew White Museum, Ithaca, New York
- Department of Foreign Affairs, Ottawa
- The Edmonton Art Gallery, Edmonton, AB
- Gallery Stratford, Stratford, ON
- The Government of Ontario Collection, Toronto
- The Robert McLaughlin Gallery, Oshawa, ON
- International Museum of Photography, George Eastman House, Rochester, New York
- Kitchener-Waterloo Art Gallery, Kitchener, ON
- Kamloops Art Gallery, Kamloops, BC
- Kelowna Art Gallery, Kelowna, BC
- Laurentian University Museum and Arts Centre, Sudbury, ON
- Norman MacKenzie Art Gallery, Regina, Saskatchewan
- McIntosh Gallery, University of Western Ontario, London, ON
- Nickle Arts Museum, Calgary, AB
- Victoria and Albert Museum, London, England
- Winnipeg Art Gallery, Winnipeg, MB
Corporate collections
- C.I.L. Corporation, Toronto
- Connor, Clark & Lunn, Toronto
- Connor, Clark & Lunn, Vancouver
- Epson Canada, Toronto, ON
- Hewlett-Packard Canada, Ltd., Toronto
- John Labatt Limited Collection, London, Toronto
- McMillan Binch, Toronto
- Nova Corporation, Calgary, AB
- Osler, Hoskin & Harcourt, Toronto
- Polysar Limited
- Sherman & Sterling, Toronto
- UBS, Switzerland
Critical reception
The Clementine Suite
- "...a celebration of the human spirit."
Dancing With Che
- "...echoes across more than a century of technological innnovation and evolution of the medium".
- "Audacious, humorous, improbable."
Wonderland
- "Intimate, personal, and quietly enthralling."
Personal life
Astman is married to lawyer Tony Baker. They have two daughters.
References
- Holubizky, Ihor; The Canadian Encyclopedia http://ccca.finearts.yorku.ca/c/writing/h/holubizky/hol004t.html
- Enright, Robert. Border Crossings Issue #90, Vol. 23, No.1, May 2004, pp. 43-50
- Canadian Who's Who 1997 http://www.utpress.utoronto.ca/cgi-bin/cw2w3.cgi?p=arndt&t=82805&d=2162
- The Royal Canadian Academy of Arts http://www.rca-arc.ca/en/about_members/results.asp
- Murray, Joan; Canadian Art in the Twentieth Century, Dundurn Press, 1999, pp168-170
- Government of Canada http://www.canadainternational.gc.ca/germany-allemagne/offices-bureaux/embassy_art_ambassade.aspx?lang=eng
- Dault, Julia; National Post, Jan. 12, 2006
- Liss, David and Rubenstein, Bonnie, Exhibition Curators, Still Revolution: Suspended in Time, the Museum for Contemporary Canadian Art, May, 2009
- Wylie, Liz; Canadian Art, Fall 2003, Volume 20, No. 3, p. 139
- Whyte, Murray, Toronto Star, Wonderland Nov. 16, 2009. http://thestar.blogs.com/untitled/2009/11/barbara-astmans-wonderland-at-jane-corkin.html.