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| '''Cady Noland''' (born 1956 in ]) is a ] and an internationally exhibited ]ist, whose work deals with the failed promise of ] and the divide between fame and anonymity among other themes.<ref> Retrieved January 11, 2010</ref><ref> Retrieved January 10, 2010</ref> Her work has been exhibited in museums and expositions including the ] in 1991 and ] 9 in ], ].<ref> retrieved January 10, 2010</ref> She attended Sarah Lawrence College and is the daughter of the ] painter ]. | '''Cady Noland''' (born 1956 in ]) is a ] and an internationally exhibited ]ist, whose work deals with the failed promise of ] and the divide between fame and anonymity among other themes.<ref> Retrieved January 11, 2010</ref><ref> Retrieved January 10, 2010</ref> Her work has been exhibited in museums and expositions including the ] in 1991 and ] 9 in ], ].<ref> retrieved January 10, 2010</ref> She attended Sarah Lawrence College and is the daughter of the ] painter ]. | ||
| Noland holds the record for the highest price ever paid for an artwork by a living woman ($6.6m), for her 1989 work ''Oozewald''. As of May 2012 it had been over ten years since she had publicly exhibited her work.<ref>{{cite web|title=The price of being female: Post-war artists at auction|url=http://www.economist.com/blogs/prospero/2012/05/post-war-artists-auction|work=Prospero blog|publisher=The Economist|accessdate=May 25, 2012|date=May 25, 2012}}</ref> | |||
| ==References== | ==References== | ||
Revision as of 00:11, 26 May 2012
Cady Noland (born 1956 in Washington, DC.) is a conceptual sculptor and an internationally exhibited installation artist, whose work deals with the failed promise of the American Dream and the divide between fame and anonymity among other themes. Her work has been exhibited in museums and expositions including the Whitney Biennial in 1991 and Documenta 9 in Kassel, Germany. She attended Sarah Lawrence College and is the daughter of the Color Field painter Kenneth Noland.
Noland holds the record for the highest price ever paid for an artwork by a living woman ($6.6m), for her 1989 work Oozewald. As of May 2012 it had been over ten years since she had publicly exhibited her work.
References
- JOURNAL OF CONTEMPORARY ART, conversation, Cady Noland and Michèle Cone Retrieved January 11, 2010
- Retrieved January 10, 2010
- retrieved January 10, 2010
- "The price of being female: Post-war artists at auction". Prospero blog. The Economist. May 25, 2012. Retrieved May 25, 2012.
External links
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