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At PWA, Hoolboom befriended a man named Joey whose partner was dying of AIDS. Upon Joey's suggestion, Hoolboom began work on a script for "a real movie" that portrayed an AIDS patient as one full of love and not one which showed the patient's friends abandoning him. Joey was unwilling to appear in the film, but Rennie{{sfn|Hoolboom, Frank's Cock}} - at that time a relative unknown{{sfn|Cole 2003/2004, From Frank's Cock}} - agreed to provide the monologue. Hoolboom was pleased with the results, writing that Rennie presented the monologue "he'd been living this story all along."{{sfn|Hoolboom, Frank's Cock}} At PWA, Hoolboom befriended a man named Joey whose partner was dying of AIDS. Upon Joey's suggestion, Hoolboom began work on a script for "a real movie" that portrayed an AIDS patient as one full of love and not one which showed the patient's friends abandoning him. Joey was unwilling to appear in the film, but Rennie{{sfn|Hoolboom, Frank's Cock}} - at that time a relative unknown{{sfn|Cole 2003/2004, From Frank's Cock}} - agreed to provide the monologue. Hoolboom was pleased with the results, writing that Rennie presented the monologue "he'd been living this story all along."{{sfn|Hoolboom, Frank's Cock}}


The film was shot on ].{{sfn|Cole 2003/2004, From Frank's Cock}} The film was shot in colour ] using ]. The majority of the technical work, including direction, cinematography, and editing, was handled by Hoolboom, while Alex Mackenzie produced.{{sfn|Cole 2003/2004, From Frank's Cock}}{{sfn|Hoolboom, Credits}}


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*{{cite news
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*{{cite web
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|title=Mike Hoolboom
|work=Canadian Film Encyclopedia
|publisher=Toronto International Film Festival
|archivedate=16 August 2012
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|ref={{sfnRef|TIFF, Mike Hoolboom}}
}} }}
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Revision as of 12:18, 17 August 2012

Frank's Cock is a 1993 short film by Mike Hoolboom.

Synopsis

(Callum Keith Rennie)

Production

The Canadian director Mike Hoolboom was diagnosed with HIV in 1989, after going to donate blood. Previously focused on films about the body, his works began dealing heavily with HIV/AIDS and situations faced by those with the virus. He eventually joined the People With AIDS (PWA) movement in Toronto.

At PWA, Hoolboom befriended a man named Joey whose partner was dying of AIDS. Upon Joey's suggestion, Hoolboom began work on a script for "a real movie" that portrayed an AIDS patient as one full of love and not one which showed the patient's friends abandoning him. Joey was unwilling to appear in the film, but Rennie - at that time a relative unknown - agreed to provide the monologue. Hoolboom was pleased with the results, writing that Rennie presented the monologue "he'd been living this story all along."

The film was shot in colour 16 mm film using optical sound. The majority of the technical work, including direction, cinematography, and editing, was handled by Hoolboom, while Alex Mackenzie produced.

Style

Frank's Cock divides the screen into quadrants, with the majority of the film focusing on the upper-right corner of the screen. In this panel, Rennie's character gives a one person monologue, which is sometimes illustrated by images in other panels: the lower-right panel flashes scenes of hardcore gay pornography, the upper-left shows scenes representing mankind's creation, while the lower-left flashes excerpts from popular art. Janis Cole, writing for POV magazine, describes the effect as supporting the text while "creating an optical treatment purposefully grounded in both dream and reality".

Reception

Cole calls Frank's Cock an "extraordinary experimental documentary" that is "as bold as the title implies" and a strong proponent for the widespread dissemination of short films.

References

Footnotes

  1. TIFF, Mike Hoolboom.
  2. Lacey 1998, Portrait of the Filmmaker.
  3. ^ Hoolboom, Frank's Cock.
  4. ^ Cole 2003/2004, From Frank's Cock.
  5. Hoolboom, Credits.

Bibliography

External links