Tanzanian hip-hop: Difference between revisions

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	''']''' has grown increasingly popular in ''']''' over the last ten years. Though the first generation of Tanzanian hip hop performers were modelled closely on American ]s, more recently some have begun to mix hip hop with native dance music, ], ], ]n ] and other styles; this fusion is sometimes called '''Bongo Flava'''. The first Tanzanian crew was ], while the first mainstream hit was ]'s (then he recorded and performed under the name ''2-Proud'') "Ni Mimi" (]). Other early groups include ] and ]. Modern groups like ] ("Bamiza", ]) have led the way for Bongo Flava by using unique styles derived from popular music and ] vocals, as well as ] lyrics. Other modern performers include ] and ].		''']''' has grown increasingly popular in ''']''' over the last ten years. Though the first generation of Tanzanian hip hop performers were modelled closely on American ]s, more recently some have begun to mix hip hop with native dance music, ], ], ]n ] and other styles; this fusion is sometimes called '''Bongo Flava'''. The first Tanzanian crew was ], while the first mainstream hit was ]'s (then he recorded and performed under the name ''2-Proud'') "Ni Mimi" (1995). Other early groups include ] and ]. Modern groups like ] ("Bamiza", 1998) have led the way for Bongo Flava by using unique styles derived from popular music and ] vocals, as well as ] lyrics. Other modern performers include ] and ].

	==External links==		==External links==
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	* (''swahili'', only large web site on this topic that is operated from out of Tanzania)		* (''swahili'', only large web site on this topic that is operated from out of Tanzania)
	* (''English'', extensive web site about the entire African Hip hop scene)		* (''English'', extensive web site about the entire African Hip hop scene)

	{{worldhiphop}}		{{worldhiphop}}

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	{{music-genre-stub}}
	{{hiphop-stub}}		{{hiphop-stub}}
	{{Tanzania-stub}}		{{Tanzania-stub}}

		⚫	]

	]		]

Revision as of 16:57, 23 May 2006

Hip hop music has grown increasingly popular in Tanzania over the last ten years. Though the first generation of Tanzanian hip hop performers were modelled closely on American rappers, more recently some have begun to mix hip hop with native dance music, muziki wa dansi, taarab, Indian filmi and other styles; this fusion is sometimes called Bongo Flava. The first Tanzanian crew was Kwanza Unit, while the first mainstream hit was Mr. II's (then he recorded and performed under the name 2-Proud) "Ni Mimi" (1995). Other early groups include Hard Blasters and Gangwe Mobb. Modern groups like X Plastaz ("Bamiza", 1998) have led the way for Bongo Flava by using unique styles derived from popular music and Masai vocals, as well as Swahili lyrics. Other modern performers include Lady Jaydee and Juma Nature.

External links

Bongo Flava (Swahili / English, Tanzanian Hip Hop Fusion Online)
mzibo.net (swahili / English)
Bongo Explosions (swahili, only large web site on this topic that is operated from out of Tanzania)
Africanhiphop.com (English, extensive web site about the entire African Hip hop scene)

Hip-hop

Culture

History

Subgenres

General	Alternative Hipster hop Boom bap Bounce British Road rap Chipmunk soul Chopped and screwed Chopper Cloud rap Comedy Crunk Crunkcore East Coast Freestyle rap Hyphy Jerkin' Instrumental Latin Chicano rap Lofi Lowend Miami bass Mumble rap Nerdcore Chap hop Political Conscious Progressive rap Religious Christian Jewish Snap music Southern Turntablism Underground
Hardcore	Dirty rap Gangsta rap Mafioso rap G-funk Horrorcore Memphis rap
Trap music	Afro trap Drill Brooklyn drill Jersey drill Sample drill UK drill Latin trap Phonk Plugg Rage Tread UK trap

Fusion genres

General	Country rap Electro Emo rap Hip-hop soul Hip house Industrial Jazz rap New jack swing Pop rap Psychedelic rap Punk rap Ragga Rap opera Rap rock Trip hop
Rap metal	Trap metal Nu metal
Regional	Afroswing Bongo Flava Boomba music Cumbia rap Genge Hip-hop galsen Hipco Hiplife Igbo rap Kwaito Low bap Motswako Nā mele paleoleo Nuyorican rap Romani hip-hop Songo-salsa Scam rap Stronda Urban Pasifika Vigilante rap Zenji flava

Derivatives

Electronic	Breakbeat Baltimore club Florida breaks Ghetto house Ghettotech Glitch hop Grime Illbient Freestyle Wonky
Other	Funk carioca Reggaeton Alternative reggaeton

Regional scenes

African	Algerian Angolan Beninese Botswana Gambian Ghanaian Ivorian Kenyan Malawian Mauritian Moroccan Namibian Nigerian Port Harcourt Nigerien Senegalese South African Tanzanian Togolese Zambian Zimbabwean
Asian	Armenian Azerbaijani Bangladeshi Burmese Chinese Indian Desi Indonesian Japanese Korean Malaysian Mongolian Nepalese Pakistani Philippine Singapore Sri Lankan Taiwanese Thai
European	Albanian Austrian Belgian Bosnian and Herzegovinian British Celtic Scottish Bulgarian Croatian Czech Dutch Finnish French German Greek Portuguese Hungarian Icelandic Irish Italian Macedonian Montenegrin Norwegian Polish Romanian Romani Russian Serbian Slovak Slovenian Spanish Swedish Swiss Ukrainian
Middle Eastern	Arabic Egyptian Iranian Israeli Lebanese Palestinian Saudi Arabian Tunisian Turkish Yemeni
North American	United States: East Coast Baltimore New Jersey New York City Philadelphia Washington, D.C. Midwestern Chicago Detroit Minneapolis/St. Paul Milwaukee Omaha Southern Atlanta Memphis Miami West Coast Northwest Alaska Asian American Latin Native American Outside the US: Canadian Cuban Dominican Haitian Mexican Salvadoran
Oceanian	Australian New Zealand Samoan
South American	Brazilian Brasília Chilean Colombian