Misplaced Pages

Divine Comedies: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 15:23, 1 September 2012 editBD2412 (talk | contribs)Autopatrolled, IP block exemptions, Administrators2,455,133 editsm minor fixes, mostly disambig links, replaced: → [[Confession (religion)| using [[Project:AWB|AWB← Previous edit Revision as of 17:46, 1 October 2013 edit undoSandover (talk | contribs)4,157 edits link to JM Digital ArchiveNext edit →
Line 9: Line 9:
== External links == == External links ==
* *
*


] ]

Revision as of 17:46, 1 October 2013

Divine Comedies is the seventh book of poetry by James Merrill (1926-1995). Published in 1976 (see 1976 in poetry), the volume includes "Lost in Translation" and all of The Book of Ephraim. The Book of Ephraim is the first of three books which make up The Changing Light at Sandover.

Although Merrill had written years before, in "Voices From Another World", of having supernatural experiences with a Ouija board, Divine Comedies was far more candid about the extent of a practice which had preoccupied Merrill for several decades. The Book of Ephraim, in taking the spiritual as its working landscape, took confessionalism to an entirely unexpected territory. Merill believed that many historical poets of eras past, including W. H. Auden, speak through the Ouija board, as well as Merrill's old friend the filmmaker Maya Deren.

Some readers dismiss Merrill's unorthodox working methods. The Ouija board, telegraphing its eerie messages in capital letters, conveys poetry through automatic writing. Merrill's partner, David Jackson, shared the teacup and transcription duties which led to The Book of Ephraim.

Divine Comedies was awarded the Pulitzer Prize for poetry in 1977.

External links

Categories: