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{{Donizetti operas}}'''''Gemma di Vergy''''' is an 1834 ''tragedia lirica'' (tragic ]) in two acts by ] from a ] by ]. It is based on the tragedy ''Charles VII chez ses grands vassaux'' ''(Charles VII and His Chief Vassals)'' (1831) by ],<ref name=AshHib>Ashbrook & Hibberd 2001, p. 236.</ref> which was later to become the subject of the opera '']'' by the Russian composer ]. {{Donizetti operas}}'''''Gemma di Vergy''''' is an 1834 ''tragedia lirica'' (tragic ]) in two acts by ] from a ] by ]. It is based on the tragedy ''Charles VII chez ses grands vassaux'' ''(Charles VII and His Chief Vassals)'' (1831) by ],<ref name=AshHib>Ashbrook & Hibberd 2001, p. 236.</ref> which was later to become the subject of the opera '']'' by the Russian composer ].


The heroine is the childless wife of the Count of Vergy, and the plot deals with her jealousy and grief as her husband arranges an annulment of their marriage in preparation for the arrival of his new bride, Ida, and her despair following the murder of her husband by a slave, Tamas, who is secretly in love with her. The heroine is the childless wife of the Count of Vergy, and the plot deals with her jealousy and grief as her husband arranges an annulment of their marriage in preparation for the arrival of his new bride, Ida, and her despair following the murder of her husband by a slave, Tamas, who is secretly in love with her.


''Gemma di Vergy'' was first performed on 26 December 1834 at the ], Milan. The leading role was taken by the ] ] Giuseppina Ronzi de Begnis, Donizetti's favourite prima donna at the time,<ref name=Ash1992>Ashbrook 1982, p. 373</ref> for whom he had previously composed ''Fausta'' (1832 ), and for whom he was later to compose '']'' (1837). ''Gemma di Vergy'' was first performed on 26 December 1834 at the ], Milan. The leading role was taken by the ] ] Giuseppina Ronzi de Begnis, Donizetti's favourite prima donna at the time,<ref name=Ash1992>Ashbrook 1982, p. 373</ref> for whom he had previously composed ''Fausta'' (1832 ), and for whom he was later to compose '']'' (1837).


==Performance history== ==Performance history==
The opera remained very popular in Italy until at least the 1860s.<ref name=Ash1992/> It was not performed at the ] in Naples until 4 March 1837, but it remained popular there and appeared every year until 1848.<ref>Black 1982, p. 33</ref> Productions were also staged in ] on 12 March 1842, ], ] on 2 October 1843, ], ], ] and ]. While initially popular, it had disappeared from the repertoire by about 1900,<ref name=AshHib/> although before its 20th Century revivals, it was staged in ] in 1901. The opera remained very popular in Italy until at least the 1860s.<ref name=Ash1992/> It was not performed at the ] in Naples until 4 March 1837, but it remained popular there and appeared every year until 1848.<ref>Black 1982, p. 33</ref> Productions were also staged in ] on 12 March 1842, ], ] on 2 October 1843, ], ], ] and ]. While initially popular, it had disappeared from the repertoire by about 1900,<ref name=AshHib/> although before its 20th Century revivals, it was staged in ] in 1901.


''Gemma di Vergy'' was revived for the soprano ] in a production at the ] in ] in December 1975. Subsequently the same soprano performed the work in concert in several other cities. A number of live recordings exist of the Caballé performances from Naples, Paris and New York. ''Gemma di Vergy'' was revived for the soprano ] in a production at the ] in ] in December 1975. Subsequently the same soprano performed the work in concert in several other cities. A number of live recordings exist of the Caballé performances from Naples, Paris and New York.
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!Role !Role
!Voice type !Voice type
!Premiere Cast, 26 December 1834<br>(Conductor: - ]) !Premiere Cast, 26 December 1834<br/>(Conductor: - ])
|- |-
|Earl of Vergy |Earl of Vergy
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{| class="wikitable" {| class="wikitable"
!Year !Year
!width="135"|Cast <br> (Gemma, Ida, Tamas, Conte di Vergy) !width="135"|Cast <br/> (Gemma, Ida, Tamas, Conte di Vergy)
!Conductor, <br>Opera House and Orchestra !Conductor, <br/>Opera House and Orchestra
!Label<ref>Source for recording information: </ref> !Label<ref>Source for recording information: </ref>
|- |-
|1975 |1975
|],<br>Biancamaria Casoni,<br>Giorgio Lamberti,<br>] |],<br/>Biancamaria Casoni,<br/>Giorgio Lamberti,<br/>]
|Armando Gatto<br>], Naples Orchestra and Chorus |Armando Gatto<br/>], Naples Orchestra and Chorus
|Audio CD: Opera d'Oro<br>Cat: OPD 1379 |Audio CD: Opera d'Oro<br/>Cat: OPD 1379
|- |-
|1987 |1987
|Adriana Maliponte,<br>Nucci Condò,<br>Ottavio Garaventa,<br>Luigi De Corato |Adriana Maliponte,<br/>Nucci Condò,<br/>Ottavio Garaventa,<br/>Luigi De Corato
|Gert Meditz<br>RAI Milano Orchestra and Chorus<br>(Video recording of a performance in the Civico Teatro Gaetano Donizetti, Bergamo, 7 October) |Gert Meditz<br/>RAI Milano Orchestra and Chorus<br/>(Video recording of a performance in the Civico Teatro Gaetano Donizetti, Bergamo, 7 October)
|DVD: House of Opera<br>Cat: DVDCC 601 |DVD: House of Opera<br/>Cat: DVDCC 601
|- |-
|} |}
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'''Cited sources''' '''Cited sources'''
*] (1982), ''Donizetti and His Operas'', Cambridge University Press. ISBN 052123526X ISBN 0-521-23526-X *] (1982), ''Donizetti and His Operas'', Cambridge University Press. ISBN 0-521-23526-X ISBN 0-521-23526-X
*Ashbrook, William and Sarah Hibberd (2001), in ] (Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. ISBN 0-140-29312-4. pp. 224 - 247. *Ashbrook, William and Sarah Hibberd (2001), in ] (Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. ISBN 0-14-029312-4. pp.&nbsp;224 247.
*Black, John (1982), ''Donizetti’s Operas in Naples, 1822—1848''. London: The Donizetti Society. *Black, John (1982), ''Donizetti’s Operas in Naples, 1822—1848''. London: The Donizetti Society.


'''Other sources''' '''Other sources'''
*Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA) *Allitt, John Stewart (1991), ''Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr'', Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
*Ashbrook, William (1998), "Gemma di Vergy" in ] (Ed.), '']'', Vol. Two, p. 373. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5 *Ashbrook, William (1998), "Gemma di Vergy" in ] (Ed.), '']'', Vol. Two, p.&nbsp;373. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
*Loewenberg, Alfred (1970). ''Annals of Opera, 1597-1940'', 2nd edition. Rowman and Littlefield *Loewenberg, Alfred (1970). ''Annals of Opera, 1597-1940'', 2nd edition. Rowman and Littlefield
*], (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', Portland, Oregon: Amadeus Press. ISBN 0931340713 *], (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', Portland, Oregon: Amadeus Press. ISBN 0-931340-71-3
*Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), '']''. 2nd edition. London: Macmillan. ISBN 978-0195170672 (hardcover). ISBN 0195170679 {{OCLC|419285866}} (eBook). *Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), '']''. 2nd edition. London: Macmillan. ISBN 978-0-19-517067-2 (hardcover). ISBN 0-19-517067-9{{OCLC|419285866}} (eBook).
*Weinstock, Herbert (1963), ''Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century'', New York: Pantheon Books. ISBN 63-13703 {{OCLC|601625}} *Weinstock, Herbert (1963), ''Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century'', New York: Pantheon Books. {{LCCN|63013703}} {{OCLC|601625}}


==External links== ==External links==

Revision as of 20:53, 16 May 2014

Template:Donizetti operasGemma di Vergy is an 1834 tragedia lirica (tragic opera) in two acts by Gaetano Donizetti from a libretto by Giovanni Emanuele Bidéra. It is based on the tragedy Charles VII chez ses grands vassaux (Charles VII and His Chief Vassals) (1831) by Alexandre Dumas père, which was later to become the subject of the opera The Saracen by the Russian composer César Cui.

The heroine is the childless wife of the Count of Vergy, and the plot deals with her jealousy and grief as her husband arranges an annulment of their marriage in preparation for the arrival of his new bride, Ida, and her despair following the murder of her husband by a slave, Tamas, who is secretly in love with her.

Gemma di Vergy was first performed on 26 December 1834 at the Teatro alla Scala, Milan. The leading role was taken by the Italian soprano Giuseppina Ronzi de Begnis, Donizetti's favourite prima donna at the time, for whom he had previously composed Fausta (1832 ), and for whom he was later to compose Roberto Devereux (1837).

Performance history

The opera remained very popular in Italy until at least the 1860s. It was not performed at the Teatro di San Carlo in Naples until 4 March 1837, but it remained popular there and appeared every year until 1848. Productions were also staged in London on 12 March 1842, Paris, New York on 2 October 1843, Lisbon, St. Petersburg, Vienna and Barcelona. While initially popular, it had disappeared from the repertoire by about 1900, although before its 20th Century revivals, it was staged in Empoli in 1901.

Gemma di Vergy was revived for the soprano Montserrat Caballé in a production at the Teatro San Carlo in Naples in December 1975. Subsequently the same soprano performed the work in concert in several other cities. A number of live recordings exist of the Caballé performances from Naples, Paris and New York.

Roles

Role Voice type Premiere Cast, 26 December 1834
(Conductor: - Eugenio Cavallini)
Earl of Vergy baritone Giovanni Orazio Cartagenova
Gemma soprano Giuseppina Ronzi de Begnis
Ida di Greville mezzo-soprano Felicita Baillou-Hillaret
Tamas tenor Domenico Reina
Guido bass Ignazio Marini
Rolando bass Domenico Spiaggi
Knights, archers, soldiers, bridesmaids

Recordings

Year Cast
(Gemma, Ida, Tamas, Conte di Vergy)
Conductor,
Opera House and Orchestra
Label
1975 Montserrat Caballé,
Biancamaria Casoni,
Giorgio Lamberti,
Renato Bruson
Armando Gatto
Teatro San Carlo, Naples Orchestra and Chorus
Audio CD: Opera d'Oro
Cat: OPD 1379
1987 Adriana Maliponte,
Nucci Condò,
Ottavio Garaventa,
Luigi De Corato
Gert Meditz
RAI Milano Orchestra and Chorus
(Video recording of a performance in the Civico Teatro Gaetano Donizetti, Bergamo, 7 October)
DVD: House of Opera
Cat: DVDCC 601

References

Notes

  1. ^ Ashbrook & Hibberd 2001, p. 236.
  2. ^ Ashbrook 1982, p. 373
  3. Black 1982, p. 33
  4. Source for recording information: operadis-opera-discography.org.uk

Cited sources

  • Ashbrook, William (1982), Donizetti and His Operas, Cambridge University Press. ISBN 0-521-23526-X ISBN 0-521-23526-X
  • Ashbrook, William and Sarah Hibberd (2001), in Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-14-029312-4. pp. 224 – 247.
  • Black, John (1982), Donizetti’s Operas in Naples, 1822—1848. London: The Donizetti Society.

Other sources

  • Allitt, John Stewart (1991), Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(USA)
  • Ashbrook, William (1998), "Gemma di Vergy" in Stanley Sadie (Ed.), The New Grove Dictionary of Opera, Vol. Two, p. 373. London: MacMillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
  • Loewenberg, Alfred (1970). Annals of Opera, 1597-1940, 2nd edition. Rowman and Littlefield
  • Osborne, Charles, (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press. ISBN 0-931340-71-3
  • Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004), The New Grove Dictionary of Music and Musicians. 2nd edition. London: Macmillan. ISBN 978-0-19-517067-2 (hardcover). ISBN 0-19-517067-9OCLC 419285866 (eBook).
  • Weinstock, Herbert (1963), Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books. LCCN 63-13703 OCLC 601625

External links

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