| Revision as of 20:22, 17 July 2013 editPrmb75 (talk | contribs)13 editsNo edit summary← Previous edit |
Revision as of 21:30, 22 June 2014 edit undoHarmelodix (talk | contribs)1,064 edits c/eNext edit → |
| Line 18: |
Line 18: |
|
'''''Blue Moods''''' is 1955 album by Miles Davis. It brings Miles Davis together with Charles Mingus, accompanied by Elvin Jones on drums. The arrangement of "Alone Together" was by Charles Mingus, while the other tracks were arranged by Teddy Charles. |
|
'''''Blue Moods''''' is 1955 album by Miles Davis. It brings Miles Davis together with Charles Mingus, accompanied by Elvin Jones on drums. The arrangement of "Alone Together" was by Charles Mingus, while the other tracks were arranged by Teddy Charles. |
|
|
|
|
|
It was released on Mingus's own Debut Records label. According to the original sleeve notes, the relatively short playing time of the album was because "the recording was cut at 160 lines per inch (instead of the usual 210 to 260 lines per square inch) making the grooves wider and deeper and allowing for more area between the grooves for bass frequencies and was deemed necessary to reproduce the extended bass range and give the listener more quality to that of high fidelity tape recording." |
|
The album was released on Mingus's own Debut Records label. According to the original sleeve notes, the relatively short playing time of the album was because "the recording was cut at 160 lines per inch (instead of the usual 210 to 260 lines per square inch) making the grooves wider and deeper and allowing for more area between the grooves for bass frequencies and was deemed necessary to reproduce the extended bass range and give the listener more quality to that of high fidelity tape recording." |
|
|
|
|
|
==Track listing== |
|
==Track listing== |
The album was released on Mingus's own Debut Records label. According to the original sleeve notes, the relatively short playing time of the album was because "the recording was cut at 160 lines per inch (instead of the usual 210 to 260 lines per square inch) making the grooves wider and deeper and allowing for more area between the grooves for bass frequencies and was deemed necessary to reproduce the extended bass range and give the listener more quality to that of high fidelity tape recording."
