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To those fair isles where crimson sunsets burn, To those fair isles where crimson sunsets burn,

We send a backward glance to gaze on thee, We send a backward glance to gaze on thee,

Brave Toussaint! thou was surely born to be Brave Toussaint! thou was surely born to be

A hero; thy proud spirit could but spurn A hero; thy proud spirit could but spurn

Each outrage on the race. Couldst thou unlearn Each outrage on the race. Couldst thou unlearn

The lessons taught by instinct? Nay! and we The lessons taught by instinct? Nay! and we

Who share the zeal that would make all men free, Who share the zeal that would make all men free,

Must e’en with pride unto thy life-work turn. Must e’en with pride unto thy life-work turn.

Soul-dignity was thine and purest aim; Soul-dignity was thine and purest aim;

And ah! how sad that thou wast left to mourn And ah! how sad that thou wast left to mourn

In chains ’neath alien skies. On him, shame! shame! In chains ’neath alien skies. On him, shame! shame!

That mighty conqueror who dared to claim That mighty conqueror who dared to claim

The right to bind thee. Him we heap with scorn, The right to bind thee. Him we heap with scorn,

And noble patriot! guard with love thy name. And noble patriot! guard with love thy name.



Revision as of 23:17, 19 September 2015

Henrietta Cordelia Ray (August 30, 1852 - 1916) was an African-American poet and teacher. She was the sister of Charlotte E. Ray. She was born in New York City to Charlotte Augusta Burrough and clergyman, abolitionist, and newspaper publisher Charles B. Ray, and named for his first wife, Henrietta Ray.

In 1891 Cordelia graduated from the University of the City of New York with a master's in pedagogy. She also studied French, German, Greek and Latin at the Saveneur School of Languages. She became a schoolteacher, but stopped teaching in order to write.

Freedmen's Memorial in Washington, D.C.

Ray's ode "Lincoln" was read at the unveiling of the Emancipation Memorial in Washington, D.C in April 1876. A memoir of her father, written with her sister Florence, was published by J.J. Little & Co. in 1887. Her Sonnets were printed, also by Little, in 1893, and her Poems were published in 1910.

Ray died in 1916.

Work

Ray published a volume of poetry entitled Sonnets in 1893 including sonnets on Milton, Shakespeare, Raphael, and Beethoven. Ray's reputation rests on her 1912 volume, from which poems were republished widely in anthologies in the early twentieth century. Ray's work has re-emerged in scholarship of the twenty-first century. Her poem on the Haitian revolutionary Toussaint L'Overture is notable:

To those fair isles where crimson sunsets burn,

We send a backward glance to gaze on thee,

Brave Toussaint! thou was surely born to be

A hero; thy proud spirit could but spurn

Each outrage on the race. Couldst thou unlearn

The lessons taught by instinct? Nay! and we

Who share the zeal that would make all men free,

Must e’en with pride unto thy life-work turn.

Soul-dignity was thine and purest aim;

And ah! how sad that thou wast left to mourn

In chains ’neath alien skies. On him, shame! shame!

That mighty conqueror who dared to claim

The right to bind thee. Him we heap with scorn,

And noble patriot! guard with love thy name.

Publications

  • Sketch of the life of Rev. Charles B. Ray. New York: Press of J.J. Little & Co., 1887
  • Sonnets. New York: Press of J.J. Little & Co., 1893
  • Poems. New York: Grafton Press, 1910
Library resources about
Cordelia Ray
By Cordelia Ray

References

  1. Brown, Hallie Q. “Homespun Heroines and Other Women of Distinction.” Aldine Publishing Company, Xenia Ohio, 1926
  2. Osborne, Tonya Michelle. "Charlotte E. Ray: A Black Woman Lawyer" (PDF). Stanford Law School. Retrieved 30 April 2014.
  3. "Henrietta Ray". African American Registry. Retrieved April 26, 2014.
  4. Ray, Florence; Ray, Henrietta Cordelia (1887). Sketch of the Life of the Rev. Charles B. Ray. J.J. Little. Retrieved April 26, 2014.
  5. Sonnets. New York: Press of J.J. Little & Co., 1893
  6. Jesse Fauset, “What to Read,” The Crisis 4:4 (August 1912): 183.
  7. Looney, Dennis, Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy. University of Notre Dame Press, 2011.
  8. Antonella Francini, “Sonnet vs. Sonnet: The Fourteen Lines in African American Poetry” RSA Journal 14/2003. 45.
  9. http://www.poetryfoundation.org/poem/182743

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