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=== Overseas === === Overseas ===
Andy Webster for ] emphasized reviewing the characters and the direction. In his review, he mentioned, "Kapoor’s character is a bore at work, but insufferably full of himself in Corsica. The big-eyed Ms. Padukone, who has co-starred with Kapoor before, dutifully, and regrettably, permits him to eclipse her own formidable charisma. But the biggest offender is the director, Imtiaz Ali, who, also again collaborating with Mr. Kapoor, actually celebrates two love affairs." The unrated review holded a title, "In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation."<ref>{{Cite news|title = Review: In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation|url = http://www.nytimes.com/2015/11/27/movies/review-in-tamasha-finding-a-path-to-love-show-business-and-adulation.html|newspaper = The New York Times|date = 2015-11-26|access-date = 2015-11-27|issn = 0362-4331|first = Andy|last = Webster}}</ref>In her review for ], Manjusha Radhakrishnan wrote, "''Tamasha'' may have its heart in the right place, but the conflict in Ved and Tara’s lives will not get your pulse racing. The lead actors and Corsica look picture-perfect, but the movie isn’t free of blemishes."<ref name=":12">{{Cite web|title = Review: ‘Tamasha’ is a juvenile drama|url = http://gulfnews.com/leisure/movies/reviews/review-tamasha-is-a-juvenile-drama-1.1626937|website = gulfnews.com|accessdate = 2015-11-27}}</ref> She praised the leads, "Kapoor does a decent job of bringing out the anguish in Ved, but it’s Padukone who’s riveting."<ref name=":12" />Sneha May Franics of '']'' opined, "Ranbir Kapoor, Deepika Padukone sizzle in 'Tamasha'. Imtiaz Ali's indulgent narrative isn’t quintessential Bollywood, and that’s not necessarily bad. ‘Tamasha’ too is anchored at the heart, but unlike the others this one has fewer pretensions. It’s possibly one where Imtiaz bravely surrenders to his craft."<ref>{{Cite web|title = Bollywood review: Ranbir Kapoor, Deepika Padukone sizzle in 'Tamasha'|url = http://www.emirates247.com/entertainment/films-music/bollywood-review-ranbir-kapoor-deepika-padukone-sizzle-in-tamasha-2015-11-26-1.612026|website = Emirates 24{{!}}7|date = 2015-11-26|accessdate = 2015-11-27|language = en-GB}}</ref> Andy Webster for ] emphasized reviewing the characters and the direction. In his review, he mentioned, "Kapoor’s character is a bore at work, but insufferably full of himself in Corsica. The big-eyed Ms. Padukone, who has co-starred with Kapoor before, dutifully, and regrettably, permits him to eclipse her own formidable charisma. But the biggest offender is the director, Imtiaz Ali, who, also again collaborating with Mr. Kapoor, actually celebrates two love affairs." The unrated review holded a title, "In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation."<ref>{{Cite news|title = Review: In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation|url = http://www.nytimes.com/2015/11/27/movies/review-in-tamasha-finding-a-path-to-love-show-business-and-adulation.html|newspaper = The New York Times|date = 2015-11-26|access-date = 2015-11-27|issn = 0362-4331|first = Andy|last = Webster}}</ref>In her review for ], Manjusha Radhakrishnan wrote, "''Tamasha'' may have its heart in the right place, but the conflict in Ved and Tara’s lives will not get your pulse racing. The lead actors and Corsica look picture-perfect, but the movie isn’t free of blemishes."<ref name=":12">{{Cite web|title = Review: ‘Tamasha’ is a juvenile drama|url = http://gulfnews.com/leisure/movies/reviews/review-tamasha-is-a-juvenile-drama-1.1626937|website = gulfnews.com|accessdate = 2015-11-27}}</ref> She praised the leads, "Kapoor does a decent job of bringing out the anguish in Ved, but it’s Padukone who’s riveting."<ref name=":12" />Sneha May Franics of '']'' opined, "Ranbir Kapoor, Deepika Padukone sizzle in 'Tamasha'. Imtiaz Ali's indulgent narrative isn’t quintessential Bollywood, and that’s not necessarily bad. ‘Tamasha’ too is anchored at the heart, but unlike the others this one has fewer pretensions. It’s possibly one where Imtiaz bravely surrenders to his craft."<ref>{{Cite web|title = Bollywood review: Ranbir Kapoor, Deepika Padukone sizzle in 'Tamasha'|url = http://www.emirates247.com/entertainment/films-music/bollywood-review-ranbir-kapoor-deepika-padukone-sizzle-in-tamasha-2015-11-26-1.612026|website = Emirates 24{{!}}7|date = 2015-11-26|accessdate = 2015-11-27|language = en-GB}}</ref>
==Box office==
Tamasha collected {{INRConvert|30.87|c}} nett on its opening day which is lower than their previous film together ].<ref>http://m.ibtimes.co.in/tamasha-first-day-box-office-collection-ranbirs-film-fails-beat-yjhd-besharam-opening-657013</ref>

==References== ==References==
{{reflist|2}} {{reflist|2}}

Revision as of 07:50, 28 November 2015

2015 Indian film
Tamasha
The backdrop on the upper part of the poster are paintings of historical romance based fictional duos as well as it has Ravana with his ten heads, a face that resembles Hanuman, and another one of Lord Shiva. A jinn, two lovers and a woman in Yogi attire also appear in the art. The digital image shows a man and a woman who are laughing and walking with intertwined arms on an art-wall street. Film title, the names of director, producer, film score composer and the release date appears at the bottom.Official film poster
Directed byImtiaz Ali
Written byImtiaz Ali
Produced bySajid Nadiadwala
Starring
CinematographyRavi Varman
Edited byAarti Bajaj
Music byA. R. Rahman
Production
company
Nadiadwala Grandson Entertainment
Distributed byUTV Motion Pictures
Release date
  • 27 November 2015 (2015-11-27)
Running time139 minutes
CountryIndia
LanguageHindi

Tamasha (English: Spectacle) is a 2015 Indian romantic drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala. It stars Ranbir Kapoor and Deepika Padukone in lead roles. Tamasha tells the story of character "Ved" (played by Ranbir Kapoor) who loses his self by living according to the social conventions expected of him. Principal photography began in Corsica, France in July 2014. Post this schedule, filming continued briefly in Indian cities—Shimla, Delhi, Gurgaon and Kolkata followed by two-day schedule in Tokyo, Japan. The filming concluded in Mumbai by August 2015.

The film score and soundtrack album are composed by A. R. Rahman, with lyrics from Irshad Kamil.

Premise

Exotic island, youthful abandon, far far away, Ved and Tara – a story begins. Ved has grown up among stories. As a kid in Simla, he would collect money, even steal money from his father's wallet, so that the old storyteller would tell him stories. Ramayan, Helen of Troy, Laila Majnu, Heer Ranjha, Aladin, Romeo Juliet. The storyteller would also say that all stories are the same. Ved wants his story with Tara to be different. So they decide to not tell each other who they are, to only lie about themselves and after returning from the island to never meet each other again. But they do meet again. The question is whether they will be able to shape their story in the way they want. Will the muse be able to make an artist of a common man, will Ved be able to break the shackles of ordinary existence, escape the corporate rat-race and become the way Tara sees him – the exuberant story-teller? Corsica, Shimla, Delhi, Calcutta, Japan – all the world is a stage – as the drama of Ved and Tara unfolds. Frolic, rage, quirk, laughter. Defeat, victory. Tamasha.

Cast

Production

Development

"What ‘Tamasha’ is trying to say is that don't be satisfied with the stories you hear around you, create your own myth, choose your own story. Sometimes in trying to belong, you lose your edge, you become blunt and you forget who you are unless someone comes to remind you, someone who has seen you at that time. It’s not that simple because it takes the undoing of entire life’s experience to get in touch with yourself and your wild energy."

 —Imtiaz Ali on his film, in an interview with Press Trust of India.

In 2013, Imtiaz Ali began working on this project after Rockstar, collaborating once again with Ranbir Kapoor and A. R. Rahman. Deepika Padukone was confirmed as the lead female in September 2013. The working title of the project was The Window Seat. In an interview with The Indian Express, Ali mentions, "It’s that thought that crosses your mind when you are sitting by the window seat of a train and watching Ratlam go by and you think, what if I get down from this train? What life awaits me there?" He justified that outside this window, there is a mythical world where one can be what he wants to. According to him, the window seat gives one a chance to drop their present life story and become a brand new person. Later, the film was titled, Tamasha. The troupe played by Kapoor and Padukone is one of the reasons for the film's title Tamasha as it refers to the Shakespearean monologue, 'All the world's a stage and all the men and women merely players'. The title of the film stems from the lines by poet Ghalib- "Hota Hai Shab-O-Roz Tamasha Mere Aagey" that translates to, "Your most personal thought is your life’s biggest Tamasha.Ali stated that the film is constantly associated with the stage. There is an artist who narrates his stories on stage. In August 2014, Padma Bhushan winner Teejan Bai was roped in to perform Pandavani and narrations of the Mahabharata for the film. In an interview with The Press Trust of India, Ali outlined the generalised storyline, "You meet a certain person and you are very enchanted by him. He is free flowing and your type and then you lose touch. Years later when you meet, he is absolutely somebody else."Ali went on to add that the film isn't autobiographical but has minor moments from his personal life portrayed onscreen. He was quoted saying, "Tamasha has that kind of love which makes a normal person extraordinary, which makes a commoner an artist. This is the kind of love through which you understand why you need a woman in life and how it takes you on a journey through which we identify ourselves.”

Characters

Ranbir Kapoor's character (as Ved Vardhan Sahni) is about a person who is enchanted by stories, who grows up hearing them and expresses himself by performing them. Kapoor plays a free spirited person who wants everybody around him to be happy. He is a nomad, going out of his way to please people.Ved is an average guy who doesn’t wish to tap into a special quality within him until someone comes along and helps him open up. The film portrays Kapoor's life in three stages–as a nine-year-old child, a 19-year-old adolescent and a 30-year-old repatriate adult. His character bears loose resemblance to that of Edward Bloom in the 2003 American fantasy drama film Big Fish.

The character played by Deepika Padukone (as Tara Maheshwari) is a quick, eloquent and emotionally agile girl with a gentle gait. In an interview with Mumbai Mirror, Padukone stated her character as a fan of the French comic series, Asterix, which takes place in Corsica, France. In the film it sets out on an adventure wherein she meets Kapoor's character. They both explore the island and, along the way, they form a troupe to stage dramatic plays and fall passionately in love. Her character identifies more with Ved's journey, helping him to get out of the monotonic life. In January 2015, Ali roped in few working officials of the tea auctioneer company J Thomas & Co. Pvt. Ltd. for the film. They were not auditioned but directly chosen to play their characters. In an explanation to the connection with company and Kolkata, Ali was quoted, "The character that Deepika plays in the movie is Tara Maheshwari and her family owns many tea gardens. We’ve borrowed the title of "Darjeeling Impex" to portray the company for the film." In the film, Tara's father hands over his tea business to Tara so that she starts a line of tea boutiques, taking the company ahead.

The film pays homage to veteran actor Dev Anand. In the film, Kapoor had imitated Anand. Imtiaz Ali wanted it because when the characters Ved and Tara meet in a place and they decide they not to disclose their identities, so he becomes "Don" and she becomes "Mona Darling". Kapoor took classes from mime artists to mimic those dialogues.

On casting Javed Sheikh, who plays Kapoor's father in the film, Ali opined, "There was no one better than Javed sahib because the character originates from Lahore. There is a certain air about him that only Javed sahib can pull off."

Tamasha the play, where Ranbir Kapoor acts as the play director, features different stories like Ramayana, Heer Ranjha, Troy, Laila Majnu, Romeo & Juliette. The Sita of Ramayana is played by a Bollywood debut actress, trained Kathak dancer of mixed Indian/Russian origin - Svetlana Tulasi who is probably the most popular ambassador of Indian Classical Dance throughout Russia, Ukraine and other CIS countries. For this role, Svetlana was challenged to learn the Hindi language as her native languages are Russian and English.

Filming

Imtiaz Ali with Ranbir Kapoor and Deepika Padukone, filming Tamasha in Corsica.

Principal photography began in Corsica, France on 9 July 2014 and was wrapped on 30 July 2014. Several images and video footage of the song "Matargashti" (previously noted as "Dil Ka Bayaan") shot at Bastia Museum Café were leaked in August 2014. Filming began in Shimla on 1 December 2014. It featured child artistes playing the young characters of Kapoor's and Padukone's in an unknown flashback sequence. Scenes with Javed Sheikh were filmed in Shimla alone. Kapoor was observed sporting a countryside look. In another scene he had donned as a graduating student from Jaypee University of Information Technology. The Kolkata schedule began on 16 January 2015, where Padukone was seen filming at the old airport and J Thomas & Co. Pvt. Ltd. The song titled, "Heer To Badi Sad Hain" was shot in Kolkata.

The Delhi schedule of filming began on 29 January 2015.Scenes featuring Kapoor were shot at the Time Tower Business Park in Gurgaon. Padukone joined the same schedule a day later, beginning the shoot in southern Delhi’s Hauz Khas village. The scheduled was wrapped up by 23 February 2015. Certain scenes were shot in Delhi from 10 March 2015, extending a week further. On 22 March 2015, filming in Shimla resumed. Three days later to the date, Kapoor was being filmed at Ridge road and Hill town. For the scene, his appearance carried a clean-shaven look and he wore grey hooded jacket, white shirt and jeans. Majority of the scenes were shot at Bishop Cotton School. A scene dating the year 2004 in the backdrop was canned where Kapoor delivered a lecture on stage. The next filming schedule began in Tokyo on 8 April 2015 and lasted for two days. Further, filming continued in Delhi for five days. In August 2015, the last schedule of filming began at Mehboob Studios in Mumbai. The filming was officially completed on 6 August 2015.

Music

Main article: Tamasha (soundtrack)

The soundtrack album and film score is composed by A. R. Rahman with song lyrics by Irshad Kamil. The music in the film has been used as a narrative to enhance the inherent drama of the situation without dialogues whereas the lyrical work presents human emotions in different flavours.

The soundtrack album's first single "Matargashti" was released on October 9, 2015. The album was released on 16 October 2015 by the record label T-Series.

Release

Ranbir Kapoor had no releases in the year 2014. After January 2015, Kapoor had Roy, Bombay Velvet and Jagga Jasoos lined up for release. In order to avoid back to back releases with less time gap between his films, he decided to postpone Tamasha to 2016. Further, the producers of the film couldn't opt for a late December 2015 release due to multi-starrer films Bajirao Mastani and Dilwale. However, in May 2015, it was announced that Tamasha will release on November 27, 2015 and Kapoor's other film Jagga Jaasoos pushed to mid-2016.

The film was censored with U/A certificate on 7 November 2015. Scenes with bawdy dialogue references and comments addressing Padukone’s character were muted. The censor board claimed it as the most lengthy kissing scene ever on screen, longer than the one picturised between Aamir Khan and Karisma Kapoor in the film Raja Hindustani.On 17 November 2015, The British Board of Film Classification passed the film uncut with PG certificate. The film had a special screening at Yash Raj Studios on November 26, 2015.

The film released on November 27, 2015 at an estimate 2100 number of screens in India and 571 screens overseas.

Critical response

India

Critic Mehul S. Thakkar of Deccan Chronicle awarded the film 4 stars (out of 5) and stated, "Imtiaz Ali, in this film, creates a different world and makes you believe in it till the last shot of the film. The movie isn’t a conventional love story, but every emotion has been layered with justification that only Imtiaz could pull off successfully."Ananya Bhattacharya of India Today gave the film 3.5 stars (out of 5), writing, "In all, Tamasha is vintage wine. There are inhibitions that keep you from falling head-over-heels in love with the film the first time you watch it. Once done away with the initial hesitation, Tamasha is an experience. Watch the film for, well, everything." For The Times of India, critic Priya Gupta applauded the direction and characters calling, "Deepika and Ranbir convey their angst and passion so convincingly that you're hooked. Except for the curiosity about them, the rest of the drama is 'oh,never-mind.'"She gave the film 3 stars (out of 5). Pallavi Patra of Zee News gave the film 3 stars (out of 5) claimed, "Overall, 'Tamasha' is a definite watch for all those who believe in love and the fact that people change, but not always for reasons of their own, but because of the world they live in. A clear picture of how twisted your life can get, under the painful currents of life. But, the clear winners in this 'drama' are the protagonists, more than the story itself."

Writing for CNN-IBN, film critic Rajeev Masand called Tamasha an uneven film that oscillates between inventive and indulgent, never quite striking a consistent tone. He criticized the script but praised the performances of Kapoor and Padukone, adding, "Affecting performances of Ranbir and Deepika that keep you invested in the film until the end, even when the script feels like it’s going around in circles. Ranbir displays incredible maturity and just the right amount of restraint in a complex part, once again giving proof of his abundant talent. Deepika practically steals the film, despite it being Ved's story essentially." He gave the film 2.5 stars (out of 5).Critic based at Bollywood Hungama gave the film 2.5 stars (out of 5) and wrote, "Tamasha comes across as a colossal disappointment in spite of towering performances and chemistry between the lead stars. Imtiaz Ali fails to live upto the expectations and falls flat with the film. The movie suffers from a plot that appears confusing and is convoluted for an avid cinegoer. The film fails to bear the trademark way of his writing and the quintessential 'Imtiaz Ali' style of film making. His direction fails to complement the screenplay and vice versa. The movie is not a regular run of the mill flick and the proceedings are clearly aimed at the classes rather than the masses." In his review for NDTV, Saibal Chatterjee gave 2.5 stars (out of 5) writes, "Tamasha is a spectacle all right, but many of the elements that constitute it strain credulity.It is at best a one-time watch because of the sparkle the leads lend to it. It could have been so much more." However the critic praises, "Every frame is picture-perfect and Ranbir Kapoor and Deepika Padukone are on top of their game."Surabhi Redkar of Koimoi who reviewed the performances, script, direction and music pointed out. "Tamasha is different but not perfect. It is certainly a one time watch! It is a typical Imtiaz Ali film and hence you cannot go with an expectation of watching a frothy romance. Dealing with the concept of love in a cryptic form, this film will not appeal to everyone." However, she awarded the film 2.5 stars (out of 5).

Sreehari Nair of Rediff gave the film 2 stars (out of 5) and stated, "Ali, very briefly tries to document darkness without trying to verbalise it. Very briefly, we see an honest film and some three-dimensional characters. The dread in Imtiaz Ali’s Tamasha feels real. The silliness, however, comes across as too orchestrated." Critic Shubhra Gupta of The Indian Express reviewed in positive stating, "Despite its flaws, this is Imtiaz Ali’s most complex story, teeming with ideas, and gives us Ranbir Kapoor back again, along with the lovely Deepika Padukone."However, she gave the film 2 stars (out of 5).Critic Subhash K. Jha for Firstpost gave a mixed opinion about the film. He added, "Tamasha is a joyless drama wallowing in the tragic grandeur of two charismatic people who are eager to find a mutual love in one another. On many occasion the narrative structure of Tamasha smacks of self-indulgence. Tamasha is a film with ambitions of being mature and experienced. It creates an alternate reality for its principal characters and lets their emotions grow naturally to a point. But then the journey gets tiring for everyone concerned.

In her review for The Hindu, critic Namrata Joshi called the film 'ponderous and protracted', expressing, "There is definitely a good thought that Imtiaz Ali invests in Tamasha and some moments do come alive and reach out very strongly. After all, a lot of us have been burning ourselves out, are caught in a rut, that too out of our own choice." Rachit Gupta of Filmfare mentioned, "There was so much potential here. So much the team could've achieved. But in the end, despite some flashes of brilliance here and there, Tamasha turns out to be no show. Ironically, it has a story that tries to ward off mediocrity in everyday life, and yet the film only manages to evoke mixed reactions."

Overseas

Andy Webster for The New York Times emphasized reviewing the characters and the direction. In his review, he mentioned, "Kapoor’s character is a bore at work, but insufferably full of himself in Corsica. The big-eyed Ms. Padukone, who has co-starred with Kapoor before, dutifully, and regrettably, permits him to eclipse her own formidable charisma. But the biggest offender is the director, Imtiaz Ali, who, also again collaborating with Mr. Kapoor, actually celebrates two love affairs." The unrated review holded a title, "In ‘Tamasha,’ Finding a Path to Love, Show Business and Adulation."In her review for Gulf News, Manjusha Radhakrishnan wrote, "Tamasha may have its heart in the right place, but the conflict in Ved and Tara’s lives will not get your pulse racing. The lead actors and Corsica look picture-perfect, but the movie isn’t free of blemishes." She praised the leads, "Kapoor does a decent job of bringing out the anguish in Ved, but it’s Padukone who’s riveting."Sneha May Franics of Emirates 24/7 opined, "Ranbir Kapoor, Deepika Padukone sizzle in 'Tamasha'. Imtiaz Ali's indulgent narrative isn’t quintessential Bollywood, and that’s not necessarily bad. ‘Tamasha’ too is anchored at the heart, but unlike the others this one has fewer pretensions. It’s possibly one where Imtiaz bravely surrenders to his craft."

References

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External links

Imtiaz Ali
Director
Writer only
Television series
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