Misplaced Pages

File:Vasnetsov samolet.jpg: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 18:43, 31 August 2014 editYmblanter (talk | contribs)Autopatrolled, Administrators269,160 edits updated the link← Previous edit Revision as of 01:53, 11 September 2016 edit undo24.216.177.181 (talk)No edit summaryNext edit →
Line 5: Line 5:
In Russian folk tales, ] can supply ] or ] with a ] or some other magical gifts (e.g., a ball that rolls in front of the hero showing him the way or a towel that can turn into bridge). Such gifts help the hero to find his way "beyond thrice-nine lands, in the thrice-ten kingdom". In Russian folk tales, ] can supply ] or ] with a ] or some other magical gifts (e.g., a ball that rolls in front of the hero showing him the way or a towel that can turn into bridge). Such gifts help the hero to find his way "beyond thrice-nine lands, in the thrice-ten kingdom".


In 1880, the rich industrialist ] commissioned ] to illustrate a folk talk about Ivan and the ]. The painting represents Ivan returning home after capturing the Firebird, which he keeps in a cage. Ivan is riding the flying carpet in the early morning mist. This work was Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from ]. When exhibited at the 8th exhibition of the ], the painting was panned by leading critics as a commercially motivated betrayal of realism and return to the aesthetics of ]. On the other hand, it was enthusiastically received by the ] artists from the ]. In 1880, the rich industrialist ] commissioned ] to illustrate a folk tale about Ivan and the ]. The painting represents Ivan returning home after capturing the Firebird, which he keeps in a cage. Ivan is riding the flying carpet in the early morning mist. This work was Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from ]. When exhibited at the 8th exhibition of the ], the painting was panned by leading critics as a commercially motivated betrayal of realism and return to the aesthetics of ]. On the other hand, it was enthusiastically received by the ] artists from the ].

Revision as of 01:53, 11 September 2016

This picture has been featured on Misplaced Pages and is considered one of the best images Misplaced Pages has to offer. For more information, click here.
Featured picture starThis is a featured picture, which means that members of the community have identified it as one of the finest images on the English Misplaced Pages, adding significantly to its accompanying article. If you have a different image of similar quality, be sure to upload it using the proper free license tag, add it to a relevant article, and nominate it.
Misplaced Pages logoThis image was selected as picture of the day on the English Misplaced Pages for March 12, 2007.
This image has been chosen as a Selected picture at the Speculative fiction portal on English Misplaced Pages.

In Russian folk tales, Baba Yaga can supply Ivan the Fool or Ivan Tsarevich with a flying carpet or some other magical gifts (e.g., a ball that rolls in front of the hero showing him the way or a towel that can turn into bridge). Such gifts help the hero to find his way "beyond thrice-nine lands, in the thrice-ten kingdom".

In 1880, the rich industrialist Savva Mamontov commissioned Viktor Vasnetsov to illustrate a folk tale about Ivan and the Firebird. The painting represents Ivan returning home after capturing the Firebird, which he keeps in a cage. Ivan is riding the flying carpet in the early morning mist. This work was Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore. When exhibited at the 8th exhibition of the Peredvizhniki, the painting was panned by leading critics as a commercially motivated betrayal of realism and return to the aesthetics of Romanticism. On the other hand, it was enthusiastically received by the Slavophile artists from the Abramtsevo art colony.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current14:15, 16 November 2006Thumbnail for version as of 14:15, 16 November 20062,362 × 1,300 (480 KB)GhirlandajoViktor Vasnetsov. ''The Flying Carpet'' (1880). {{PD-Russia}} Category:Wiktor Michajlowitsch Wassnezow

File usage

More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.

View more links to this file.

Global file usage

The following other wikis use this file:

View more global usage of this file.

Metadata

This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.

If the file has been modified from its original state, some details may not fully reflect the modified file.

_error0
Categories: