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Revision as of 01:13, 1 February 2018 edit95.148.71.56 (talk) The Betty Box who won the Golden Globe for Best Original Song in 1974 is not this Betty Box.← Previous edit Revision as of 10:22, 12 February 2018 edit undoPhilip Cross (talk | contribs)Autopatrolled, Extended confirmed users, Pending changes reviewers, Rollbackers211,472 edits merged sectionsNext edit →
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'''Betty Evelyn Box''', ] (25 September 1915 – 15 January 1999) was a prolific ] ]. Usually credited as Betty E. Box, she is considered one of the best of her generation, with a flair for making genuinely popular British films.<ref>{{cite web|url=http://www.screenonline.org.uk/people/id/479395/ |title=BFI Screenonline: Box, Betty (1915-1999) Biography |publisher=Screenonline.org.uk |date=1915-09-25 |accessdate=2014-07-04}}</ref> '''Betty Evelyn Box''', ] (25 September 1915 – 15 January 1999) was a prolific ] ]. Usually credited as Betty E. Box, she is considered one of the best of her generation, with a flair for making genuinely popular British films.<ref>{{cite web|url=http://www.screenonline.org.uk/people/id/479395/ |title=BFI Screenonline: Box, Betty (1915-1999) Biography |publisher=Screenonline.org.uk |date=1915-09-25 |accessdate=2014-07-04}}</ref>


⚫ ==Early life and career==
==Biography==


Born in ], Kent, England, she planned to be a commercial artist or journalist.<ref>{{cite news |url=http://nla.gov.au/nla.news-article50611106 |title=FEW OTHER WOMEN DO HER JOB. |newspaper=] |location=Brisbane, Qld. |date=20 September 1954 |accessdate=17 December 2015 |page=8 |publisher=National Library of Australia}}</ref> Born in ], Kent, England, she initially planned to be a commercial artist or journalist.<ref>{{cite news |url=http://nla.gov.au/nla.news-article50611106 |title=FEW OTHER WOMEN DO HER JOB. |newspaper=] |location=Brisbane, Qld. |date=20 September 1954 |accessdate=17 December 2015 |page=8 |publisher=National Library of Australia}}</ref>


⚫ ===Early career===
She entered the motion picture industry in 1942, joining her brother ] and his wife ] at ], where she helped produce more than 200 wartime ] shorts.<ref name="box">{{cite news |url=http://nla.gov.au/nla.news-article204960423 |title=She Still Governs the Stars. |newspaper=] |location=Melbourne, Vic. |date=10 February 1951 |accessdate=17 December 2015 |page=9 |publisher=National Library of Australia}}</ref> Box: She entered the motion picture industry in 1942, joining her brother ] and his wife ] at ], where she helped produce more than 200 wartime ] shorts.<ref name="box">{{cite news |url=http://nla.gov.au/nla.news-article204960423 |title=She Still Governs the Stars. |newspaper=] |location=Melbourne, Vic. |date=10 February 1951 |accessdate=17 December 2015 |page=9 |publisher=National Library of Australia}}</ref> Box:
<blockquote>Sitting around was no good for me, my brother said, and he asked me to work for him. He was running an organisation that made training and recruitment films. I went along as a general dogsbody, and as more men were called up, there were more opportunities for me. We worked from 7 a.m. until 10 or 11 at night. I learnt more in those two years than I would in ten years in peacetime.<ref>{{cite news |url=http://nla.gov.au/nla.news-article58527447 |title=A BOX OFFICE SUCCESS. |newspaper=] |location=1933 - 1982 |date=11 April 1973 |accessdate=17 December 2015 |page=55 |publisher=National Library of Australia}}</ref></blockquote> <blockquote>Sitting around was no good for me, my brother said, and he asked me to work for him. He was running an organisation that made training and recruitment films. I went along as a general dogsbody, and as more men were called up, there were more opportunities for me. We worked from 7 a.m. until 10 or 11 at night. I learnt more in those two years than I would in ten years in peacetime.<ref>{{cite news |url=http://nla.gov.au/nla.news-article58527447 |title=A BOX OFFICE SUCCESS. |newspaper=] |location=1933 - 1982 |date=11 April 1973 |accessdate=17 December 2015 |page=55 |publisher=National Library of Australia}}</ref></blockquote>
Following ], she made an easy transition to feature films, beginning with '']'' in ]. Following ], she made an easy transition to feature films, beginning with '']'' (1946).


===Gainsborough=== ==Gainsborough and Rank==
When her brother assumed control of ] that year, he named her Head of Production at the Poole Street, ] studio, where she produced ten films during the next two years.<ref>{{cite news |url=http://nla.gov.au/nla.news-article51389240 |title=Producers run in Box family. |newspaper=] |location=1933 - 1982 |date=29 March 1947 |accessdate=17 December 2015 |page=32 |publisher=National Library of Australia}}</ref> While tight budgets and shooting schedules compromised the quality of some of them, others - such as '']'' (]) - proved to be among the most politically interesting films of the period. When her brother assumed control of ] that year, he named her Head of Production at the Poole Street, ] studio, where she produced ten films during the next two years.<ref>{{cite news |url=http://nla.gov.au/nla.news-article51389240 |title=Producers run in Box family. |newspaper=] |location=1933 - 1982 |date=29 March 1947 |accessdate=17 December 2015 |page=32 |publisher=National Library of Australia}}</ref> While tight budgets and shooting schedules compromised the quality of some of them, others - such as '']'' (1947) - proved to be among the most politically interesting films of the period.


"Every story I have at the moment has a murder in it," she said in 1947. "It's no wonder I'm being called 'Bloodthirsty Box'."<ref>{{cite news |url=http://nla.gov.au/nla.news-article26395616 |title=Top-Line British Film Producer Is A Woman. |newspaper=] |location=Hobart, Tas. |date=21 January 1947 |accessdate=17 December 2015 |page=10 |publisher=National Library of Australia}}</ref> "Every story I have at the moment has a murder in it," she said in 1947. "It's no wonder I'm being called 'Bloodthirsty Box'."<ref>{{cite news |url=http://nla.gov.au/nla.news-article26395616 |title=Top-Line British Film Producer Is A Woman. |newspaper=] |location=Hobart, Tas. |date=21 January 1947 |accessdate=17 December 2015 |page=10 |publisher=National Library of Australia}}</ref>


She was also known for the trio of popular '']'' films, starting with '']'' in 1948 and followed by '']'' and '']'' in 1949.<ref name="box"/> She was also known for the trio of popular '']'' films, starting with '']'' (1948) and followed by '']'' and '']'' (1949).<ref name="box"/>


===Rank===
When Gainsborough closed in 1949, Box moved to ]'s ], where she collaborated with director ] on some 30-odd films. They started making thrillers such as '']'' but then switched to comedy. When Gainsborough closed in 1949, Box moved to ]'s ], where she collaborated with director ] on some 30-odd films. They started making thrillers such as '']'' but then switched to comedy.


Revision as of 10:22, 12 February 2018

Betty Box
Betty Box in 1959
BornBetty Evelyn Box
(1915-09-25)25 September 1915
Beckenham, Kent, England
Died15 January 1999(1999-01-15) (aged 83)
Chiltern, Buckinghamshire
NationalityBritish
OccupationFilm producer

Betty Evelyn Box, OBE (25 September 1915 – 15 January 1999) was a prolific British film producer. Usually credited as Betty E. Box, she is considered one of the best of her generation, with a flair for making genuinely popular British films.

Early life and career

Born in Beckenham, Kent, England, she initially planned to be a commercial artist or journalist.

She entered the motion picture industry in 1942, joining her brother Sydney Box and his wife Muriel at Verity Films, where she helped produce more than 200 wartime propaganda shorts. Box:

Sitting around was no good for me, my brother said, and he asked me to work for him. He was running an organisation that made training and recruitment films. I went along as a general dogsbody, and as more men were called up, there were more opportunities for me. We worked from 7 a.m. until 10 or 11 at night. I learnt more in those two years than I would in ten years in peacetime.

Following World War II, she made an easy transition to feature films, beginning with The Years Between (1946).

Gainsborough and Rank

When her brother assumed control of Gainsborough Pictures that year, he named her Head of Production at the Poole Street, Hoxton studio, where she produced ten films during the next two years. While tight budgets and shooting schedules compromised the quality of some of them, others - such as When the Bough Breaks (1947) - proved to be among the most politically interesting films of the period.

"Every story I have at the moment has a murder in it," she said in 1947. "It's no wonder I'm being called 'Bloodthirsty Box'."

She was also known for the trio of popular Huggetts films, starting with Here Come the Huggetts (1948) and followed by Vote for Huggett and The Huggetts Abroad (1949).

When Gainsborough closed in 1949, Box moved to J. Arthur Rank's Pinewood Studios, where she collaborated with director Ralph Thomas on some 30-odd films. They started making thrillers such as The Venetian Bird but then switched to comedy.

The biggest success of their career commercially was the highly successful Doctor series, beginning with Doctor in the House in 1954 and ending with Doctor in Trouble in 1970. The comedies contained a wacky irreverence which clearly struck a chord with contemporary audiences and helped to make stars of the young Dirk Bogarde and Donald Sinden.

Towards the end of her career Box said the genre she preferred was comedy:

You can assess laughter. I get pleasure out of making a movie, but to listen to people laughing at what we have made - this is great. I'm a natural pessimist. Comedies are difficult. You can make a good adventure story if you have the money, good actors, and a good story (more often than not a best-selling book), and you'll know the film will please. Comedy is more of an instinctive thing.

Personal life

Betty Box was married to Peter Rogers, producer of the Carry On film series, from 24 December 1948 until her death. It was her second marriage - her first, to a pilot during the war - ended in divorce.

Box and Rogers did not have any children, but their godson was actor and theatre producer Marc Sinden, the son of Sir Donald Sinden, who starred for Betty Box in, amongst other films, Doctor in the House, Doctor at Large and Mad About Men.

"We made the choice not to have children," said Box in 1973. "I don't think I would have made a very good mother. You know making a movie is like having a baby - it takes eight weeks to film and nine months to produce."

Box was awarded the OBE in 1958.

She died in Chiltern, Buckinghamshire aged 83 from cancer in 1999.

A posthumous autobiography Lifting the Lid: The Autobiography of Film Producer Betty Box was published in 2000.

Selected filmography

Gainsborough

Rank

Welbeck Films

Other

Unmade films

  • Requiem for a Wren (1959) - story about World War two from a woman's point of view based on script by R.C. Sheriff

References

  1. "BFI Screenonline: Box, Betty (1915-1999) Biography". Screenonline.org.uk. 1915-09-25. Retrieved 2014-07-04.
  2. "FEW OTHER WOMEN DO HER JOB". The Courier-Mail (Brisbane, Qld. : 1933 - 1954). Brisbane, Qld.: National Library of Australia. 20 September 1954. p. 8. Retrieved 17 December 2015.
  3. ^ "She Still Governs the Stars". The Age (Melbourne, Vic. : 1854 - 1954). Melbourne, Vic.: National Library of Australia. 10 February 1951. p. 9. Retrieved 17 December 2015.
  4. "A BOX OFFICE SUCCESS". The Australian Women's Weekly (1933 - 1982). 1933 - 1982: National Library of Australia. 11 April 1973. p. 55. Retrieved 17 December 2015.{{cite news}}: CS1 maint: location (link)
  5. "Producers run in Box family". The Australian Women's Weekly (1933 - 1982). 1933 - 1982: National Library of Australia. 29 March 1947. p. 32. Retrieved 17 December 2015.{{cite news}}: CS1 maint: location (link)
  6. "Top-Line British Film Producer Is A Woman". The Mercury (Hobart, Tas. : 1860 - 1954). Hobart, Tas.: National Library of Australia. 21 January 1947. p. 10. Retrieved 17 December 2015.
  7. THE LONDON FILM SCENE: Prize-Winning Movie a Problem to Its Producer -- Money-Maker -- Addenda By STEPHEN WATTS LONDON.. New York Times (1923-Current file) 16 May 1954: X5.
  8. Morley, Sheridan (1999). Dirk Bogarde: Rank Outsider. Bloomsbury (London) (second edition). ISBN 978-0-7475-4698-6.
  9. "NOW SHE IS BETTY BOX OFFICE". The Mail (Adelaide, SA : 1912 - 1954). Adelaide, SA: National Library of Australia. 24 July 1954. p. 6 Supplement: SUNDAY MAGAZINE. Retrieved 17 December 2015.
  10. ^ "American is big British movie man". The Australian Women's Weekly (1933 - 1982). 1933 - 1982: National Library of Australia. 3 December 1952. p. 57. Retrieved 31 October 2015.{{cite news}}: CS1 maint: location (link)
  11. "MOVIE MARRIAGES—1". The Mail (Adelaide, SA : 1912 - 1954). Adelaide, SA: National Library of Australia. 8 January 1949. p. 2 Supplement: SUNDAY MAGAZINE. Retrieved 17 December 2015.
  12. "Marc Sinden : Biography". IMDb.com. Retrieved 2014-07-04.
  13. Archived February 20, 2009, at the Wayback Machine
  14. Box, Betty Evelyn (October 2000). Lifting the Lid: The Autobiography of Film Producer, Betty Box, OBE. Book Guild Ltd. ISBN 978-1-85776-489-5.
  15. BY WAY OF REPORT: Fox Buyers Eye O'Hara Novel -- Other Items By A. H. WEILER. New York Times (1923-Current file) 13 July 1958: X5.

Bibliography

Lifting the Lid by Betty Box, published posthumously in 2000, ISBN 978-1-85776-489-5

External links


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