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Revision as of 23:45, 15 February 2018
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Futurepop" – news · newspapers · books · scholar · JSTOR (March 2017) (Learn how and when to remove this message) |
Futurepop | |
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Stylistic origins | |
Cultural origins | Early 2000s |
Typical instruments | |
(complete list) |
Futurepop is an electronic music genre, an outgrowth of EBM, that evolved in the late 1990s with groups like VNV Nation, Covenant, and Apoptygma Berzerk. It is characterized by the heavy use of sampling and an absence of vocal modification that is popular in many other forms of electronic music, such as aggrotech.
The term "futurepop" was allegedly coined in a discussion between VNV Nation lead singer Ronan Harris and Apoptygma Berzerk lead singer Stephan Groth to describe the sounds of their music and similar groups at the time. Other leading artists of the genre are Assemblage 23 and Neuroticfish.
Some songs in the genre have become popular in alternative dance clubs, particularly in Germany. Futurepop music is popular in the cyber youth culture and in the alternative electronic music scenes. Music festivals that feature Futurepop bands include Infest, Amphi festival, Wave Gotik Treffen and M'era Luna.
Artists
References
- ^ "Being a little bit productive". Sorted magAZine. 2002.
- ^ Axel Schmidt, Klaus Neumann-Braun: Die Welt der Gothics – Spielräume düster konnotierter Transzendenz, page 276, 2004, ISBN 3-531-14353-0
- "Assemblage 23 - I've never been fond of the 'future pop' moniker". Side-Line Magazine. 2009. Archived from the original on 2013-09-06.
{{cite web}}
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suggested) (help) - Peter Matzke, Tobias Seeliger: Das Gothic- und Dark-Wave-Lexikon. Schwarzkopf und Schwarzkopf, Berlin 2003, ISBN 3-89602-277-6, page 166.
Industrial music | |
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Post-industrial developments | |
Noise | |
Fusion genres / derivatives | |
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