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Cooke's interest in creating comics began after watching '']'' starring ]. Cooke's grandmother saved some of his earliest drawings, at 5 years old, of Batman and Robin in crayon on construction paper, with Cooke keeping them after her passing.<ref name="Comics Journal #285">{{Citation|last=Naso|first=Markisan|publication-date=October 2007|title=The Darwyn Cooke Interview|periodical=The Comics Journal|publisher=Fantagraphics Books Inc.|issue=285|pages=30}}</ref> He discovered comics as a child, but did not become passionate about them until he was a teenager. Cooke's interest in creating comics began after watching '']'' starring ]. Cooke's grandmother saved some of his earliest drawings, at 5 years old, of Batman and Robin in crayon on construction paper, with Cooke keeping them after her passing.<ref name="Comics Journal #285">{{Citation|last=Naso|first=Markisan|publication-date=October 2007|title=The Darwyn Cooke Interview|periodical=The Comics Journal|publisher=Fantagraphics Books Inc.|issue=285|pages=30}}</ref> He discovered comics as a child, but did not become passionate about them until he was a teenager.


Cooke's desire to be an artist crystallized at 13 years old after reading a reprint of ''Spectacular Spider-Man'' #2, with Cooke purchasing markers and boards the day after reading the comic and attempting to copy ]'s artwork. The following week, Cooke purchased '']'' #439, featuring the story "Night of the Stalker," and had found his calling. He attributed the ability to develop his own style as a byproduct of limited entertainment choices, allowing him to focus on deconstructing the comics that inspired him.<ref name="Comics Journal #285"/> His father, however, did not think that comics were a good avenue for a career. Cooke's desire to be an artist crystallized at 13 years old after reading a reprint of ''Spectacular Spider-Man'' #2, with Cooke purchasing markers and boards the day after reading the comic and attempting to copy ]'s artwork. The following week, Cooke purchased '']'' #439, featuring the story "Night of the Stalker," and had found his calling. Cooke also recalled tracing panels of ]'s '']'' as a teenager.<ref name="ComicsAllianceOutfit">{{cite web |url=http://comicsalliance.com/darwyn-cooke-outfit-interview-tucker-stone/ |title=Darwyn Cooke Takes Down 'The Outfit' |first=Tucker |last=Stone |date=October 5, 2010 |publisher='']'' |archiveurl=https://web.archive.org/web/20170722205259/http://comicsalliance.com/darwyn-cooke-outfit-interview-tucker-stone/ |archivedate=July 22, 2017|deadurl=no|df=mdy-all}}</ref> He attributed the ability to develop his own style as a byproduct of limited entertainment choices, allowing him to focus on deconstructing the comics that inspired him.<ref name="Comics Journal #285"/> His father, however, did not think that comics were a good avenue for a career.


Cooke attended ], but was expelled after a year.<ref name="NY Times"/> Cooke attended ], but was expelled after a year.<ref name="NY Times"/>
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==Career== ==Career==


In 1985, Cooke left his family on his own for the first time in order to show his samples in the ] offices in New York City. The trip resulted in his first published comic book work as a professional artist in a five-page crime story in DC Comics' '']'' #19, which was coincidentally edited by "Night of the Stalker" artist ].<ref name="Comics Journal #285"/> Economic pressure, however, made Cooke leave comics, as he was only paid $35 per page and produced one page a week. Deciding that comics was not an economically feasible job, Cooke worked in Canada as a magazine ], ] and ]er for the next 15 years.<ref name="Lambiek">{{cite web |url= http://www.lambiek.net/artists/c/cooke_darwyn.htm|title= Darwyn Cooke|date= March 3, 2013|publisher= ]|archiveurl= https://web.archive.org/web/20131205123415/http://www.lambiek.net/artists/c/cooke_darwyn.htm|archivedate= December 5, 2013|deadurl= no|df=mdy-all}}</ref> He eventually established his own design studio.<ref name="NY Times"/> In 1985, Cooke left his family on his own for the first time in order to show his samples at ]' New York City offices. The trip resulted in his first published comic book work as a professional artist in a five-page crime story in DC Comics' '']'' #19, which was coincidentally edited by "Night of the Stalker" artist ].<ref name="Comics Journal #285"/> Economic pressure, however, made Cooke leave comics, as he was only paid $35 per page and produced one page a week. Deciding that comics was not an economically feasible job, Cooke worked in Canada as a magazine ], ] and ]er for the next 15 years.<ref name="Lambiek">{{cite web |url= http://www.lambiek.net/artists/c/cooke_darwyn.htm|title= Darwyn Cooke|date= March 3, 2013|publisher= ]|archiveurl= https://web.archive.org/web/20131205123415/http://www.lambiek.net/artists/c/cooke_darwyn.htm|archivedate= December 5, 2013|deadurl= no|df=mdy-all}}</ref> He eventually established his own design studio.<ref name="NY Times"/>


===Animation=== ===Animation===
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====DC animated universe==== ====DC animated universe====


In the early 1990s Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually, he was hired by ] after replying to an ad for ]s in '']'' placed by animator ], with Cooke shocked that there were positions available. His successful pitch included 14 pages that would be published in 2000 as ''Batman: Ego''.<ref name="NY Times"/> In the early 1990s, Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually, he was hired by ] after replying to an ad for ]s in '']'' placed by animator ], with Cooke shocked that there were positions available. His successful pitch included 14 pages that eventually would be published in 2000 as ''Batman: Ego''.<ref name="NY Times"/>


Originally freelancing from Toronto, Cooke met his animation colleagues at ] and was approached about moving to Los Angeles full-time. Despite no desire to live in Los Angeles, Cooke moved there to take advantage of "an opportunity to be a part of something that was never going to come around again this way," the ability to associate with creators such as Bruce Timm, ], ], and ].<ref name="Comics Journal #285"/> Cooke worked as a storyboard artist for four episodes of '']'' as well as a handful of episodes of '']''.<ref name="Comics Journal #285"/> Originally freelancing from Toronto, Cooke met his animation colleagues at ] and was approached about moving to Los Angeles full-time. Despite no desire to live in Los Angeles, Cooke moved there to take advantage of "an opportunity to be a part of something that was never going to come around again this way," the ability to associate with creators such as Bruce Timm, ], ], and ].<ref name="Comics Journal #285"/> Cooke worked as a storyboard artist for four episodes of '']'' as well as a handful of episodes of '']''.<ref name="Comics Journal #285"/>


In 1999, he designed and animated the opening sequence for '']''. In contrast to most cartoon openings—which adapt music to a finalized group of shots -- ''Batman Beyond''<nowiki>'</nowiki>s visuals were specifically cut to suit the music, after a successful pitch of the concept by Cooke to Bruce Timm. Surprisingly, Cooke employed his personal Macintosh computer in his spare bedroom and ] for most of the animation, as opposed to Warner Bros.' resources.<ref name="Comics Journal #285"/><ref name="AWN.com">{{cite web |url=https://www.awn.com/animationworld/making-new-frontier |title=The Making of 'The New Frontier' |first=Andrew |last=Farago |date=March 7, 2008 |publisher=Animation World Network |archiveurl=https://web.archive.org/web/20160718222734/https://www.awn.com/animationworld/making-new-frontier |archivedate=July 18, 2016|deadurl=no|df=mdy-all}}</ref> According to Cooke, the Batman Beyond team created a strong show in light of what he considered "kind of a disheartening mandate from the network," which wanted a show about the Batman of the future.<ref name="Comics Journal #285"/> He believed the ] ultimately disliked the show's level of violence and prematurely ended the show as soon as it was able to be syndicated.<ref name="Comics Journal #285"/> Cooke then worked as a director for ]'s '']'' for a year.{{citation needed|date=July 2016}} In 1999, he designed and animated the opening sequence for '']''. In contrast to most cartoon openings—which adapt music to a finalized group of shots—''Batman Beyond''<nowiki>'</nowiki>s visuals were specifically cut to suit the music, after Cooke's successful pitch of the concept to Bruce Timm. Surprisingly, Cooke employed his personal Macintosh computer in his spare bedroom and ] for most of the animation, as opposed to Warner Bros.' resources.<ref name="Comics Journal #285"/><ref name="AWN.com">{{cite web |url=https://www.awn.com/animationworld/making-new-frontier |title=The Making of 'The New Frontier' |first=Andrew |last=Farago |date=March 7, 2008 |publisher=Animation World Network |archiveurl=https://web.archive.org/web/20160718222734/https://www.awn.com/animationworld/making-new-frontier |archivedate=July 18, 2016|deadurl=no|df=mdy-all}}</ref> According to Cooke, the ''Batman Beyond'' team created a strong show in light of what he considered "kind of a disheartening mandate from the network," which wanted a show about the Batman of the future.<ref name="Comics Journal #285"/> He believed the ] ultimately disliked the show's level of violence and prematurely ended the show once it could be syndicated.<ref name="Comics Journal #285"/> Cooke then worked as a director for ]'s '']'' for a year.{{citation needed|date=July 2016}}


In April 2014, Cooke released a ''Batman Beyond'' animated short celebrating the 75th anniversary of Batman.<ref>{{cite web |url=http://www.newsarama.com/20886-watch-darwyn-cooke-s-full-batman-beyond-animated-short.html |title=Watch Darwyn Cooke's Full ''Batman Beyond'' Animated Short |first=Lucas |last=Siegel |date=April 18, 2014 |publisher=Newsarama |archiveurl=https://web.archive.org/web/20141104064658/http://www.newsarama.com/20886-watch-darwyn-cooke-s-full-batman-beyond-animated-short.html |archivedate=November 4, 2014|deadurl=no|df=mdy-all|quote=DC Comics released the full, brand-new animated short by Darwyn Cooke featuring Batman Beyond. The character, who had his own animated series from 1999 to 2001, seems to be getting a push this year in conjunction with his namesake, Batman's 75th Anniversary.}}</ref> In April 2014, Cooke released a ''Batman Beyond'' animated short celebrating the 75th anniversary of Batman.<ref>{{cite web |url=http://www.newsarama.com/20886-watch-darwyn-cooke-s-full-batman-beyond-animated-short.html |title=Watch Darwyn Cooke's Full ''Batman Beyond'' Animated Short |first=Lucas |last=Siegel |date=April 18, 2014 |publisher=Newsarama |archiveurl=https://web.archive.org/web/20141104064658/http://www.newsarama.com/20886-watch-darwyn-cooke-s-full-batman-beyond-animated-short.html |archivedate=November 4, 2014|deadurl=no|df=mdy-all|quote=DC Comics released the full, brand-new animated short by Darwyn Cooke featuring Batman Beyond. The character, who had his own animated series from 1999 to 2001, seems to be getting a push this year in conjunction with his namesake, Batman's 75th Anniversary.}}</ref>
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In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD ] based on important DC comic books. Due to the adamance of DC's then-Senior Vice-President of Creative Affairs Gregory Noveck,<ref name="AWN.com"/> the second film to be adapted was Cooke's '']'', produced by Bruce Timm. In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD ] based on important DC comic books. Due to the adamance of DC's then-Senior Vice-President of Creative Affairs Gregory Noveck,<ref name="AWN.com"/> the second film to be adapted was Cooke's '']'', produced by Bruce Timm.


Due to Cooke's obligations on '']'', Stan Berkowitz wrote the film, while Cooke storyboarded ten percent of the film, rewrote and polished dialogue, as well as provided art direction and most of the character design.<ref name="AWN.com"/> Cooke praised both Berkowitz and Timm for their ability to preserve many important character moments within the necessary shortening of the story to accommodate the film's runtime.,<ref name="Comics Journal #285"/> shifting the movie's focus specifically to the ] characters.<ref name="Under the Radar">{{cite web |url=http://www.undertheradarmag.com/interviews/darwyn_cooke_creator_of_justice_league_interview_032008/ |title=Darwyn Cooke, Creator of Justice League: The New Frontier |first=Aaron |last=Passman |date=March 2, 2008 |publisher='']'' |archiveurl=https://web.archive.org/web/20161010044840/http://www.undertheradarmag.com/interviews/darwyn_cooke_creator_of_justice_league_interview_032008/ |archivedate=October 10, 2016|deadurl=no|df=mdy-all}}</ref> During the scripting process, Cooke intervened to preserve both ] and ]'s places in the film, which had originally been eliminated due to time constraints.<ref name="Comics Journal #285"/> Without them, Cooke joked that "We might as well just rename this 'White Guys in the '50s,' because everything else is gone," describing the women as "the heart of the story."<ref name="AWN.com"/> Due to Cooke's obligations on ''The Spirit'', Stan Berkowitz wrote the film, while Cooke storyboarded ten percent of the film, rewrote and polished dialogue, as well as provided art direction and most of the character design.<ref name="AWN.com"/> Cooke praised both Berkowitz and Timm for their ability to preserve many important character moments within the necessary shortening of the story to accommodate the film's runtime,<ref name="Comics Journal #285"/> shifting the movie's focus specifically to the ] characters.<ref name="Under the Radar">{{cite web |url=http://www.undertheradarmag.com/interviews/darwyn_cooke_creator_of_justice_league_interview_032008/ |title=Darwyn Cooke, Creator of Justice League: The New Frontier |first=Aaron |last=Passman |date=March 2, 2008 |publisher='']'' |archiveurl=https://web.archive.org/web/20161010044840/http://www.undertheradarmag.com/interviews/darwyn_cooke_creator_of_justice_league_interview_032008/ |archivedate=October 10, 2016|deadurl=no|df=mdy-all}}</ref> During the scripting process, Cooke intervened to preserve both ] and ]'s places in the film, which had originally been eliminated due to time constraints.<ref name="Comics Journal #285"/> Without them, Cooke joked that "We might as well just rename this 'White Guys in the '50s,' because everything else is gone," describing the women as "the heart of the story."<ref name="AWN.com"/>


Cooke also admitted fearing for the outcome of the film until he learned his former Warner colleague David Bullock would be directing it, praising Bullock as "probably the only person in the world I would have picked ahead of myself to direct it."<ref name="Comics Journal #285"/> He also credited his strong previous relationships at Warner Bros. with his comfort on the project.<ref name="AWN.com"/> Cooke also admitted fearing for the film's outcome until he learned that his former Warner colleague David Bullock would be directing it, praising Bullock as "probably the only person in the world I would have picked ahead of myself to direct it."<ref name="Comics Journal #285"/> He also credited his strong previous relationships at Warner Bros. with his comfort on the project.<ref name="AWN.com"/>


===DC Comics=== ===DC Comics===


In the late 1990s, DC Comics art director ] discovered Cooke's years-old proposal for a Batman story while throwing out old pitches, and hired Cooke for what eventually became the 2000 ] ''Batman: Ego'',<ref name="GCD">{{gcdb|type=credit|search= Darwyn+Cooke|title= Darwyn Cooke}}</ref><ref>{{cite book|last= Manning|first= Matthew K.|last2=Dougall|first2=Alastair, ed.|chapter= 2000s|title= Batman: A Visual History|publisher= ]|year= 2014|location= London, United Kingdom|page= 251|isbn= 978-1465424563|quote= In this powerful, prestige format tale by writer/artist Darwyn Cooke, criminal Buster Snibbs had ratted out his boss, the infamous Joker, to the Batman.}}</ref> marking Cooke's permanent move from animation to comics at 37 years old.<ref name="Comics Journal #285"/> The internal dialogue of ''Batman: Ego'' between Bruce Wayne and Batman was inspired by the 1981 film '']''.<ref name="Comics Journal #285"/> In the late 1990s, DC Comics art director ] discovered Cooke's years-old proposal for a Batman story while throwing out old pitches, and hired Cooke for what became the 2000 ] ''Batman: Ego'',<ref name="GCD">{{gcdb|type=credit|search= Darwyn+Cooke|title= Darwyn Cooke}}</ref><ref>{{cite book|last= Manning|first= Matthew K.|last2=Dougall|first2=Alastair, ed.|chapter= 2000s|title= Batman: A Visual History|publisher= ]|year= 2014|location= London, United Kingdom|page= 251|isbn= 978-1465424563|quote= In this powerful, prestige format tale by writer/artist Darwyn Cooke, criminal Buster Snibbs had ratted out his boss, the infamous Joker, to the Batman.}}</ref> marking Cooke's permanent move from animation to comics at 37 years old.<ref name="Comics Journal #285"/> Described by Cooke as "What if Batman and Bruce Wayne were able to sit down and talk about what it is they do?",<ref name="ComicBookDaily">{{cite web |url=http://www.comicbookdaily.com/championing_comics/cbd-interviews/darwyn-cooke-interview/ |title=Darwyn Cooke Interview |first=Pete |last=DeCourcy |date=October 23, 2009 |publisher=''Comic Book Daily'' |archiveurl=https://web.archive.org/web/20150605083623/http://www.comicbookdaily.com/championing_comics/cbd-interviews/darwyn-cooke-interview/ |archivedate=June 5, 2015|deadurl=no|df=mdy-all}}</ref> the internal dialogue of ''Batman: Ego'' between Bruce Wayne and Batman was inspired by the 1981 film '']''.<ref name="Comics Journal #285"/>


====Catwoman==== ====Catwoman====


In 2001, Cooke and writer ] revamped the ] character. They started with a four-issue serial "Trail of the Catwoman" in ''Detective Comics'' #759–762 in which private detective ] attempts to investigate the death of Selina Kyle (a.k.a. Catwoman). According to Cooke, he and Brubaker bonded over the re-introduction of Bradley,<ref name="Comics Journal #285"/> who first appeared in 1937's ''Detective Comics'' #1 and pre-dated the super-hero era of comics. The story led into a new ''Catwoman'' title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast and modus operandi were all redesigned and redeveloped.<ref>{{cite book|last=Cowsill|first= Alan|last2=Dolan|first2=Hannah, ed.|chapter= 2000s|title = DC Comics Year By Year A Visual Chronicle|publisher=]|year=2010|location= London, United Kingdom|isbn= 978-0-7566-6742-9|page= 304|quote = One of DC's longest running characters got a makeover courtesy of writer Ed Brubaker and artist Darwyn Cooke as ''Catwoman'' was relaunched...With Brubaker's tight, noir-like scripting and Darwyn Cooke's stylish artwork, ''Catwoman's'' new direction made the character more popular than ever.}}</ref> Cooke would stay on the series until issue #4. In 2002, he would write and draw a prequel, the ''Selina's Big Score'' graphic novel which detailed what had happened to the character directly before her new series.<ref>Manning "2000s" in Dougall, p. 262: "Darwyn Cooke was both writer and artistof this hardcover graphic novel...A fast-paced heist set immediately before Selina's second ongoing series, this tale explained how Selina had enough money to embark on a new life as a crime fighter."</ref> Cooke regarded ''Selina's Big Score'' as the "single thing I did that I liked the most."<ref name="Comics Journal #285"/> While developing '']'', Cooke also drew a short Catwoman back-up story within 2002's '']''.<ref name="Comics Journal #285"/> An untold story concept Cooke held onto involved the return and revenge of Catwoman's betrayed ex-lover Stark in a similar manner to the lead character of the film '']''.<ref name="Comics Journal #285"/> In 2001, Cooke and writer ] revamped the ] character. They started with a four-issue serial "Trail of the Catwoman" in ''Detective Comics'' #759–762 in which private detective ] attempts to investigate the death of Selina Kyle (a.k.a. Catwoman). According to Cooke, he and Brubaker bonded over the re-introduction of Bradley,<ref name="Comics Journal #285"/> who first appeared in 1937's ''Detective Comics'' #1 and pre-dated the super-hero era of comics. The story led into a new ''Catwoman'' title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast, and modus operandi were all redesigned and redeveloped.<ref>{{cite book|last=Cowsill|first= Alan|last2=Dolan|first2=Hannah, ed.|chapter= 2000s|title = DC Comics Year By Year A Visual Chronicle|publisher=]|year=2010|location= London, United Kingdom|isbn= 978-0-7566-6742-9|page= 304|quote = One of DC's longest running characters got a makeover courtesy of writer Ed Brubaker and artist Darwyn Cooke as ''Catwoman'' was relaunched...With Brubaker's tight, noir-like scripting and Darwyn Cooke's stylish artwork, ''Catwoman's'' new direction made the character more popular than ever.}}</ref> Cooke would stay on the series until issue #4. In 2002, he would write and draw the ''Selina's Big Score'' prequel which detailed what had happened to the character directly before her new series.<ref>Manning "2000s" in Dougall, p. 262: "Darwyn Cooke was both writer and artist of this hardcover graphic novel...A fast-paced heist set immediately before Selina's second ongoing series, this tale explained how Selina had enough money to embark on a new life as a crime fighter."</ref> Cooke regarded ''Selina's Big Score'' as the "single thing I did that I liked the most."<ref name="Comics Journal #285"/> While developing '']'', Cooke also drew a short Catwoman back-up story within 2002's '']''.<ref name="Comics Journal #285"/> An untold story concept Cooke held onto involved the return and revenge of Catwoman's betrayed ex-lover Stark in a similar manner to the lead character of the film '']''.<ref name="Comics Journal #285"/>


====''DC: The New Frontier''==== ====''DC: The New Frontier''====
]'' #6 (Nov. 2004).]] ]'' #6 (Nov. 2004).]]


Cooke's next project was 2004's ''DC: The New Frontier'', a six-issue ] which bridged the gap between the end of the ] and the start of the ] in the ]. Cooke began brainstorming ''The New Frontier'' after completing ''Batman: Ego'' and being steered by Mark Chiarello to do a Justice League story.<ref name="Comics Journal #285"/> Preferring not to write a story tied to modern continuity or with short-term consequences,<ref name="AWN.com"/> Cooke quickly realized he had little interest in writing about the Justice League unless the focus was on "who they were before they became the Justice League."<ref name="Comics Journal #285"/> Cooke's next project was 2004's ''DC: The New Frontier'', a six-issue ] which bridged the gap between the end of the ] and the start of the ] in the ]. Cooke began brainstorming ''The New Frontier'' after completing ''Batman: Ego'' and being steered by Mark Chiarello to do a Justice League story.<ref name="Comics Journal #285"/> Preferring not to write a story tied to modern continuity or with short-term consequences,<ref name="AWN.com"/> Cooke quickly realized he had little interest in writing about the Justice League unless the focus was on "who they were before they became the Justice League."<ref name="Comics Journal #285"/>


The story, which was set in the 1950s, featured dozens of ]es and drew inspiration from the comic books and movies of the period as well as from ]'s non-fiction account of the start of the U.S. space program '']'' and the novels of ] due to Ellroy's skill in weaving fictional characters into real history.<ref name="Under the Radar"/> The major DC characters are introduced in ''The New Frontier'' in the same order that DC originally published them, even down to the correct month and year in the story's timeline. For the book's visual style, Cooke was inspired by 1950s advertising alongside the works of ]' ] and ]'s ].<ref name="Under the Radar"/> The story, set in the 1950s, featured dozens of ]es and drew inspiration from the period's comic books and movies as well as ]'s non-fiction account of the start of the U.S. space program '']'' and the novels of ] due to Ellroy's skill in weaving fictional characters into real history.<ref name="Under the Radar"/> The major DC characters are introduced in ''The New Frontier'' in the same order that DC originally published them, even down to the correct month and year in the story's timeline. For the book's visual style, Cooke was inspired by 1950s advertising along with the works of ]' ] and ]'s ].<ref name="Under the Radar"/>


As Cooke formulated ''The New Frontier'', DC's editorial board pushed major changes from Cooke's original concept including accommodations for DC Comics' present-day continuity; the mandated changes were undone by ], who allowed Cooke to preserve his original intent both by setting the story out of continuity as well as offering Cooke an advance payment on his work.<ref name="Comics Journal #285"/> Cooke subsequently worked on ''Catwoman'' and ''Selina's Big Score'' before returning to work on ''The New Frontier''. As Cooke formulated ''The New Frontier'', DC's editorial board pushed major changes from Cooke's original concept including accommodations for DC Comics' present-day continuity; the mandated changes were undone by ], who allowed Cooke to preserve his original intent both by setting the story out of continuity as well as offering Cooke an advance payment on his work.<ref name="Comics Journal #285"/> Cooke subsequently worked on ''Catwoman'' and ''Selina's Big Score'' before returning to work on ''The New Frontier''.
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Cooke employed non-linear narrative that increasingly tied together toward the conclusion, likening the approach to films like '']'', '']'', and '']''.<ref name="Comics Journal #285"/> Cooke employed non-linear narrative that increasingly tied together toward the conclusion, likening the approach to films like '']'', '']'', and '']''.<ref name="Comics Journal #285"/>


Cooke placed a significant focus on ] ], intending to illustrate "why the character was cool" in light of dramatic changes to the character in the 1994 "]" story arc, which he regarded as a wholly out-of-place gimmick for Jordan to merely boost sales.<ref name="Comics Journal #285"/> To be accurate regarding Jordan's role as a ] pilot, Cooke spoke with two fighter pilots as well as fellow comic writer & artist ], who had previously been stationed in Germany while serving in the Air Force.<ref name="Comics Journal #285"/> Cooke placed a significant focus on ] ], intending to illustrate "why the character was cool" in light of the character's dramatic changes in the 1994 "]" story arc, which he regarded as a wholly out-of-place gimmick for Jordan to merely boost sales.<ref name="Comics Journal #285"/> To be accurate regarding Jordan's role as a ] pilot, Cooke spoke with two fighter pilots as well as fellow comic writer & artist ], who had previously been stationed in Germany while serving in the Air Force.<ref name="Comics Journal #285"/>


While clarifying that he did not approve of ]'s personal flaws, Cooke cited Kennedy's 1960 ]—which both inspired the title and concludes the book—as "the first time was ever properly articulated."<ref name="Comics Journal #285"/> While clarifying that he did not approve of ]'s personal flaws, Cooke cited Kennedy's 1960 ]—which both inspired the title and concluded the book—as "the first time was ever properly articulated."<ref name="Comics Journal #285"/>


For 2006's collected ] of the series, Cooke proposed including up to 48 additional pages, which was later negotiated down to 13 in order to hit a 400-page page count.<ref name="Comics Journal #285"/> The additional material provided more backstory to ] and ], as well as the ] on ].<ref name="Comics Journal #285"/> Cooke admitted surprise at this deluxe edition being released so soon after the original release due to retailer demand, citing a three-year wait for ]'s '']'' to receive an Absolute Edition.<ref name="Comics Journal #285"/> For 2006's collected ] of the series, Cooke proposed including up to 48 additional pages, later negotiated down to 13 in order to hit a 400-page page count.<ref name="Comics Journal #285"/> The additional material provided more backstory for ] and ], as well as the ] on ].<ref name="Comics Journal #285"/> Cooke admitted surprise at this deluxe edition being released so soon after the original release due to retailer demand, citing a three-year wait for an Absolute Edition of ]'s '']''.<ref name="Comics Journal #285"/>


In a 2014 interview, ''New Frontier'' co-editor Chiarello named the book as the work he was the most proud of his involvement in, calling it "as pure a comic-reading experience as any comic that's ever been published."<ref name="13th Dimension: Chiarello">{{Citation|last=Greenfield|first=Dan|date=2014-07-21|title=MIGHTY Q&A: DC's Mark Chiarello — One of the Most Popular Guys in Comics|work=13th Dimension|publisher=13thDimension.com|url=http://13thdimension.com/mighty-qa-dcs-mark-chiarello-one-of-the-most-popular-guys-in-comics/|accessdate=2016-06-05}}</ref> In a 2014 interview, ''New Frontier'' co-editor Chiarello named the book as the work he was the most proud of his involvement in, calling it "as pure a comic-reading experience as any comic that's ever been published."<ref name="13th Dimension: Chiarello">{{Citation|last=Greenfield|first=Dan|date=2014-07-21|title=MIGHTY Q&A: DC's Mark Chiarello — One of the Most Popular Guys in Comics|work=13th Dimension|publisher=13thDimension.com|url=http://13thdimension.com/mighty-qa-dcs-mark-chiarello-one-of-the-most-popular-guys-in-comics/|accessdate=2016-06-05}}</ref>
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====Other projects==== ====Other projects====
].]] ].]]

In 2004, Cooke also contributed to DC's artist-centric anthology project '']''. His issue (#5, Aug. 2005) featured several different stories in different styles with a framing sequence featuring Slam Bradley, and was originally intended by Cooke to be his final mainstream comic before other palatable DC projects pulled him back.<ref name="CBR (Bell)">{{cite web|last = Bell |first = Josh|title = WC15: Cooke Gets Honest About "Before Watchmen," Turning Down Morrison|date = 2015-04-09|work = ]|url = http://www.cbr.com/wc15-cooke-gets-honest-about-before-watchmen-turning-down-morrison/|accessdate = 2017-08-16|ref = harv}}</ref> In 2006, ''Solo'' #5 won an Eisner Award for "Best Single Issue." In 2004, Cooke also contributed to DC's artist-centric anthology project '']''. His issue (#5, Aug. 2005) featured several different stories in different styles with a framing sequence featuring Slam Bradley, and was originally intended by Cooke to be his final mainstream comic before other palatable DC projects pulled him back.<ref name="CBR (Bell)">{{cite web|last = Bell |first = Josh|title = WC15: Cooke Gets Honest About "Before Watchmen," Turning Down Morrison|date = 2015-04-09|work = ]|url = http://www.cbr.com/wc15-cooke-gets-honest-about-before-watchmen-turning-down-morrison/|accessdate = 2017-08-16|ref = harv}}</ref> In 2006, ''Solo'' #5 won an Eisner Award for "Best Single Issue."


In November 2006, Cooke and writer ] produced a '']'' ].<ref name="GCD" /> This was followed in December by an ongoing ''Spirit'' series written and drawn by Cooke. At the time, Cooke considered ''The Spirit'' "the most exciting and horrifying offer I'd been made in my career,"<ref name="Comics Journal #285"/> and later described himself as "incredibly reluctant to step into Eisner's shoes."<ref name="AWN.com"/> Cooke also expressed regret that he—while having met ] in the past—never got to consult with Eisner specifically for ''The Spirit'';<ref name="AWN.com"/> Eisner had passed away in 2005. Along with adding new characters such as Ginger Coffee and Hussein Hussein, Cooke revised Ellen Dolan and Ebony White,<ref name="Comics Journal #285"/> in particular discarding White's exaggerated ]-inspired appearance and dialect. In June 2007, Cooke and ] won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on ''Batman/The Spirit'', and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on ''The Spirit''.<ref name="Shuster Awards 2007">{{cite web |url= http://joeshusterawards.com/awards/about/2007-nominees-and-winners/|title= 2007 Nominees and Winners|year= 2007|publisher= ]s |archiveurl= https://web.archive.org/web/20131225182350/http://joeshusterawards.com/awards/about/2007-nominees-and-winners/|archivedate= December 25, 2013|deadurl= no|df=mdy-all|accessdate= December 18, 2011}}</ref> Despite intending a second year of the series, Cooke announced at the 2007 San Diego Comic-Con that ''The Spirit'' would conclude after one year, after artist J. Bone had to step down, and an editorial reshuffle at DC moved editors Scott Dunbier and Kristy Quinn from the book, believing that resulting quality would not be up to his standards.<ref name="Comics Journal #285"/> In November 2006, Cooke and writer ] produced a '']'' ].<ref name="GCD" /> This was followed in December by an ongoing ''Spirit'' series written and drawn by Cooke. At the time, Cooke considered ''The Spirit'' "the most exciting and horrifying offer I'd been made in my career,"<ref name="Comics Journal #285"/> and later described himself as "incredibly reluctant to step into Eisner's shoes,"<ref name="AWN.com"/> despite it "paining him" when he was younger that he might never professionally draw the character.<ref name="ComicsAllianceOutfit"/> Cooke also expressed regret that he—while having met Will Eisner in the past—never got to consult with Eisner specifically for ''The Spirit'';<ref name="AWN.com"/> Eisner had passed away in 2005. Along with adding new characters such as Ginger Coffee and Hussein Hussein, Cooke revised Ellen Dolan and Ebony White,<ref name="Comics Journal #285"/> in particular discarding White's exaggerated ]-inspired appearance and dialect. In June 2007, Cooke and ] won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on ''Batman/The Spirit'', and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on ''The Spirit''.<ref name="Shuster Awards 2007">{{cite web |url= http://joeshusterawards.com/awards/about/2007-nominees-and-winners/|title= 2007 Nominees and Winners|year= 2007|publisher= ]s |archiveurl= https://web.archive.org/web/20131225182350/http://joeshusterawards.com/awards/about/2007-nominees-and-winners/|archivedate= December 25, 2013|deadurl= no|df=mdy-all|accessdate= December 18, 2011}}</ref> Despite intending a second year of the series, Cooke announced at the 2007 San Diego Comic-Con that his run on ''The Spirit'' would conclude after one year, after artist J. Bone had to step down, and an editorial reshuffle at DC moved editors ] and Kristy Quinn from the book, believing that resulting quality would not be up to his standards.<ref name="Comics Journal #285"/>


Darwyn Cooke also wrote the first six-issue story arc of the Superman monthly series, '']'',<ref>Cowsill "2000s" in Dolan, p. 328: "Writer Darwyn Cooke and artist Tim Sale began with 'Kryptonite', a six-part tale of Superman's first contact with the energy-sapping green element."</ref> which debuted on November 1, 2006 and featured stories set in the early years of Superman's career. As Cooke developed the plot with artist ], he realized he had no creative hook for a Superman story until discovering that, surprisingly, none had been told regarding the character's early fear and uncertainty at the limits of his invulnerability.<ref name="Comics Journal #285"/> In June 2007, Cooke was awarded the ] for "Outstanding Canadian Comic Book Writer" for ''Superman Confidential''.<ref name="Shuster Awards 2007" /> Feeling more comfortable with human characters like Catwoman and Batman, Cooke nonetheless had pitched one other unrealized Superman graphic novel around 2002 in collaboration with artist and future ''Justice League: The New Frontier'' director David Bullock.<ref name="Comics Journal #285"/> Darwyn Cooke also wrote the first six-issue story arc of the Superman monthly series '']'',<ref>Cowsill "2000s" in Dolan, p. 328: "Writer Darwyn Cooke and artist Tim Sale began with 'Kryptonite', a six-part tale of Superman's first contact with the energy-sapping green element."</ref> which debuted on November 1, 2006 and featured stories set in Superman's early career. As Cooke developed the plot with artist ], he realized he had no creative hook for a Superman story until discovering that, surprisingly, none had been told regarding the character's early fear and uncertainty at the limits of his invulnerability.<ref name="Comics Journal #285"/> In June 2007, Cooke was awarded the ] for "Outstanding Canadian Comic Book Writer" for ''Superman Confidential''.<ref name="Shuster Awards 2007" /> Feeling more comfortable with human characters like Catwoman and Batman, Cooke nonetheless had pitched one other unrealized Superman graphic novel around 2002 in collaboration with artist and future ''Justice League: The New Frontier'' director David Bullock.<ref name="Comics Journal #285"/>


In 2008, Cooke collaborated with ] and ] on an issue of '']'' out of a desire to work with the pair, write a Western story, as well as craft a cliché-breaking tale for Hex set within Canada. Cooke playfully made fun of American ] that Canadian weather was always a blizzard, but accepted the premise as a central plot element.<ref name="Jonah Hex">{{cite web |url=https://www.newsarama.com/336-riding-with-jonah-hex-darwyn-cooke.html |title=Riding With Jonah Hex: Darwyn Cooke |first=Jimmy |last=Palmiotti |date=July 2, 2008 |publisher=Newsarama |archiveurl=https://web.archive.org/web/20160603194332/https://www.newsarama.com/336-riding-with-jonah-hex-darwyn-cooke.html |archivedate=June 3, 2016|deadurl=no|df=mdy-all}}</ref> In 2008, Cooke collaborated with ] and ] on an issue of '']'' out of a desire to work with the pair, write a Western story, as well as craft a cliché-breaking tale for Hex set within Canada. Cooke playfully made fun of American ] that Canadian weather was always a blizzard, but accepted the premise as a central plot element.<ref name="Jonah Hex">{{cite web |url=https://www.newsarama.com/336-riding-with-jonah-hex-darwyn-cooke.html |title=Riding With Jonah Hex: Darwyn Cooke |first=Jimmy |last=Palmiotti |date=July 2, 2008 |publisher=Newsarama |archiveurl=https://web.archive.org/web/20160603194332/https://www.newsarama.com/336-riding-with-jonah-hex-darwyn-cooke.html |archivedate=June 3, 2016|deadurl=no|df=mdy-all}}</ref>


Cooke was the writer/artist of '']: Minutemen'' and the writer of ''Before Watchmen: Silk Spectre'' in 2012–2013.<ref>{{cite web |url= http://www.avclub.com/article/writerartist-darwyn-cooke-talks-ibefore-watchmeni--82247|title= Writer/artist Darwyn Cooke talks ''Before Watchmen'' and creating strong heroines|first= Oliver|last= Sava|date= July 12, 2012|publisher= ]|archiveurl= https://web.archive.org/web/20140110003912/http://www.avclub.com/article/writerartist-darwyn-cooke-talks-ibefore-watchmeni--82247|archivedate=January 10, 2014 |deadurl= no|df=mdy-all|accessdate= January 9, 2014}}</ref> After originally being pitched to author the entire ''Before Watchmen'' series, Cooke was able to reduce his commitment to only two books, eventually accepting the project after successfully conceptualizing the ''Minutemen'' series.<ref name="CBR (Bell)"/> Cooke was the writer/artist of '']: Minutemen'' and the writer of ''Before Watchmen: Silk Spectre'' in 2012–2013.<ref>{{cite web |url= http://www.avclub.com/article/writerartist-darwyn-cooke-talks-ibefore-watchmeni--82247|title= Writer/artist Darwyn Cooke talks ''Before Watchmen'' and creating strong heroines|first= Oliver|last= Sava|date= July 12, 2012|publisher= ]|archiveurl= https://web.archive.org/web/20140110003912/http://www.avclub.com/article/writerartist-darwyn-cooke-talks-ibefore-watchmeni--82247|archivedate=January 10, 2014 |deadurl= no|df=mdy-all|accessdate= January 9, 2014}}</ref> After originally being pitched to author the entire ''Before Watchmen'' series, Cooke was able to reduce his commitment to only two books, eventually accepting the project after successfully conceptualizing the ''Minutemen'' series.<ref name="CBR (Bell)"/> Cooke did not view '']'' as "the Holy Grail" of comics, nor did he feel concerned about original ''Watchmen'' author Alan Moore's opinion on the ''Before Watchmen'' series, but he did initially turn down the project for two years out of concern that his work would not measure up either to the original book or its reputation within the comics industry.<ref name="CBR (Bell)"/>

Cooke did not view '']'' as "the Holy Grail" of comics, nor did he feel concerned about original ''Watchmen'' author Alan Moore's opinion on the ''Before Watchmen'' series, but he did initially turn down the project for two years out of concern that his work would not measure up either to the original book or its reputation within the comics industry.<ref name="CBR (Bell)"/>


====Vertigo==== ====Vertigo====
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===IDW Publishing=== ===IDW Publishing===
]'' (July 2009).]]

In July 2009, ] published Cooke's '']'', an adaptation of the ] novel, '']'', the first of four ] novels Cooke adapted for IDW. The second, ''The Outfit'', was released in October 2010, ''The Score'' was released in July 2012,<ref name="GCD" /><ref name=CCM>{{cite journal|title = WonderCon Special Guests|journal = Comic-Con Magazine|page = 18|publisher = ]|date = Winter 2010|url = http://issuu.com/comic-con/docs/ccmag_winter2010}}</ref> and ''Slayground'' was published in December 2013,<ref>{{cite web|url=http://comicsalliance.com/richard-stark-parker-slayground-preview-darwyn-cooke-idw/ |title=Darwyn Cooke Adapts A Masterpiece in ''Richard Stark's Parker: Slayground'' |first=Joseph |last=Hughes |date=December 9, 2013 |publisher=] |archiveurl=https://web.archive.org/web/20140110020054/http://comicsalliance.com/richard-stark-parker-slayground-preview-darwyn-cooke-idw/ |archivedate=January 10, 2014|deadurl=yes|accessdate=January 9, 2013 |df=mdy-all}}</ref> with Cooke handling the entire art direction and physical design.<ref name="ComicsAllianceOutfit"/>

After Cooke's preliminary Parker drawings struck Westlake as too hot-headed, Cooke's next approach resonated with the author as "on the right track."<ref name="ComicsReporter">{{cite web |url=http://www.comicsreporter.com/index.php/brubaker_cooke_rough/ |title=CR Sunday Interview: A Talk With Darwyn Cooke And Special Guest Ed Brubaker About The Hunter |first=Tom |last=Spurgeon |date=May 10, 2009 |publisher=''The Comics Reporter'' |archiveurl=https://web.archive.org/web/20170725065642/http://www.comicsreporter.com/index.php/brubaker_cooke_rough/ |archivedate=July 25, 2017|deadurl=no|df=mdy-all}}</ref> Cooke described Westlake as "really forthcoming" after initially contacting him,<ref name="ComicsReporter"/> and believed he gained Westlake's support after assuring him that the comic adaptation would take place in the same time period as the books and "maintain as much of the prose as possible."<ref name="ComicsAllianceOutfit"/> Though Westlake was able to discuss story and characters with Cooke during the initial development of ''The Hunter'', Cooke did not want to pester Westlake due to the author's advanced age.<ref name="ComicsReporter"/><ref name="ComicsAllianceOutfit"/> Cooke lost the ability to further work with Westlake after the author's passing in December 2008, with Westlake never seeing the finished product or contributing to new scenes exclusive to the comic adaptation.<ref name="ComicsAllianceOutfit"/> Cooke felt the loss of Westlake made the series "a little less pure" due to Cooke authoring some original dialogue, believing " would have been better with his help."<ref name="ComicsAllianceOutfit"/> According to Cooke, Westlake saw much of the development artwork and "there was no question that he was happy to have the name on the graphic novel."<ref name="ComicsReporter"/>

The art was finished via watercolor and brush, with Cooke intending a consistent look for the four titles.<ref name="ComicsAllianceOutfit"/> Cooke deliberately took time committing to the art style, referring to his approach as a "visual shorthand that best tells this type of story"<ref name="ComicsAllianceOutfit"/> and noting that the style's roots were in his stories for Slam Bradley and ''Catwoman: Selina's Big Score''.<ref name="ComicsReporter"/> Cooke kept scenes dark and reserved, a choice he viewed as more authentic compared to Parker film adaptations, which typically went for exaggerated visuals, even noting that he had to get past his Warner Bros. Animation training and knowledge of the ], which both encouraged amping up the art when interpreting a script.<ref name="ComicsReporter"/> For ''The Outfit'', Cooke spent six months on research, character design, thumbnails, and editing, while the actual process of drawing was described by Cooke as "shorter than most people would think" at around four months of work.<ref name="ComicsAllianceOutfit"/> Once ready to draw, Cooke would pencil, ink, letter, and paint without going back to undo mistakes, channeling Westlake's own practice of writing the Parker novels as he went along.<ref name="ComicsAllianceOutfit"/>

Cooke credited IDW editor Scott Dunbier for ''The Hunter''<nowiki>'</nowiki>s strong promotional response; Dunbier's ideas included presenting the title to look like a traditional hardcover book, providing media advance review copies of the proper hardcover—a practice generally not used in the comics industry—as well as holding a release day press conference.<ref name="ComicsAllianceOutfit"/> One of Cooke's proudest moments for the series was ''The Hunter''<nowiki>'</nowiki>s coverage in the '']'', something Westlake told Cooke he wanted but didn't live to see, with Westlake's widow Abby thrilled with the recognition her husband's work received.<ref name="ComicsAllianceOutfit"/>

Fellow artist ] praised ''The Hunter'' as "elegantly efficient" and a "seamless" adaptation, claiming that Cooke "was able to take Westlake's novel and make me feel as though it were always a comic," while writer and artist ] was "delighted that it finally happened in so compelling and well made a package."<ref name="ComicsAllianceOutfit"/> Cooke regarded criticisms that ''The Hunter'' was "bloodless" as likely from people who had not read the original books, explaining that the books' moments of violence were ruthless, efficient, unemotional non-events meant to punctuate a moment or set up the next set of challenges.<ref name="ComicsAllianceOutfit"/> Cooke also noted that Westlake mentioned that one of his early cover ideas was "too violent,"<ref name="ComicsReporter"/> and told him Parker committed violence not out of anger, but expedience.<ref name="ComicsAllianceOutfit"/>

After ''The Hunter'', Cooke changed some of Parker's facial design—originally derived from Westlake's visual reference of a young ]<ref name="ComicsReporter"/>—using "plastic surgery as a metaphor for his emotional regression," while retaining the jaw and eyes.<ref name="ComicsAllianceOutfit"/>


In discussing ''The Outfit'', Cooke praised Westlake's detailed process descriptions of criminal racketeering, descriptions that led Cooke to develop different art styles for the crime stories falling outside of the Parker narrative.<ref name="ComicsAllianceOutfit"/> The crime stories' art styles were inspired by his "favorite comic book of this century," ]' '']'', as well as ]' '']'' illustrations, and animation studios ] and Hanna-Barbera.<ref name="ComicsAllianceOutfit"/>
In July 2009, ] published Cooke's '']'', an adaptation of the ] novel, '']'', the first of four ] novels Cooke adapted for IDW. The second, ''The Outfit'', was released in October 2010, ''The Score'' was released in July 2012,<ref name="GCD" /><ref name=CCM>{{cite journal|title = WonderCon Special Guests|journal = Comic-Con Magazine|page = 18|publisher = ]|date = Winter 2010|url = http://issuu.com/comic-con/docs/ccmag_winter2010}}</ref> and ''Slayground'' was published in December 2013.<ref>{{cite web|url=http://comicsalliance.com/richard-stark-parker-slayground-preview-darwyn-cooke-idw/ |title=Darwyn Cooke Adapts A Masterpiece in ''Richard Stark's Parker: Slayground'' |first=Joseph |last=Hughes |date=December 9, 2013 |publisher=] |archiveurl=https://web.archive.org/web/20140110020054/http://comicsalliance.com/richard-stark-parker-slayground-preview-darwyn-cooke-idw/ |archivedate=January 10, 2014|deadurl=yes|accessdate=January 9, 2013 |df=mdy-all}}</ref>


Cooke completed the eight-year contract for the ''Parker'' series' four planned books in only four years, which led to Cooke anticipating at least one future book, ''Butcher's Moon'', that was ultimately never made due to Cooke's death.<ref name="CBR (Bell)"/> At the time of ''The Outfit''<nowiki>'</nowiki>s release, Cooke said "I can see being a part of what I do for a long time," beyond IDW's four planned books.<ref name="ComicsAllianceOutfit"/> Cooke completed the eight-year contract for the ''Parker'' series' four titles in only four years, which led to Cooke anticipating at least one future project, ''Butcher's Moon'', that was ultimately never made due to Cooke's death.<ref name="CBR (Bell)"/>


===Image Comics=== ===Image Comics===


In January 2015, ] announced a three-part fully creator-owned project by Cooke titled ''Revengeance'', originally intended to launch June 2015.<ref name="Revengeance announcement">{{cite web |url=http://imagecomics.com/content/view/darwyn-cooke-delivers-a-psychological-thriller-and-dark-comedy-in-revengean |title=Darwyn Cooke delivers a psychological thriller and dark comedy in Revengeance |last=Salazar |first=Kat |date=January 8, 2015 |work=] |publisher=Image Comics |accessdate=June 7, 2016}}</ref> Compared by Cooke to ]'s '']'',<ref name="CBR (Bell)"/> the psychological thriller and dark comedy had been tentatively titled ''Thunder Bay'',<ref name="Comics Journal #285"/> and was to be set in Toronto in 1986.<ref name="CBR (Bell)"/> In January 2015, ] announced a three-part fully creator-owned project by Cooke entitled ''Revengeance'', originally intended to launch June 2015.<ref name="Revengeance announcement">{{cite web |url=http://imagecomics.com/content/view/darwyn-cooke-delivers-a-psychological-thriller-and-dark-comedy-in-revengean |title=Darwyn Cooke delivers a psychological thriller and dark comedy in Revengeance |last=Salazar |first=Kat |date=January 8, 2015 |work=] |publisher=Image Comics |accessdate=June 7, 2016}}</ref> Compared by Cooke to ]'s '']'',<ref name="CBR (Bell)"/> the psychological thriller and dark comedy had been tentatively titled ''Thunder Bay'',<ref name="Comics Journal #285"/> and was to be set in Toronto in 1986.<ref name="CBR (Bell)"/>


Cooke initially pitched the art duties to Tim Sale, but decided to take them up himself after an unsuccessful five-year wait for Sale's availability.<ref name="CBR (Bell)"/> ''Revengeance,'' however, remained unreleased at the time of Cooke's death in 2016. Cooke initially pitched the art duties to Tim Sale, but decided to take them up himself after an unsuccessful five-year wait for Sale's availability.<ref name="CBR (Bell)"/> ''Revengeance,'' however, remained unreleased at the time of Cooke's death in 2016.
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Upon Cooke's passing, DC Comics issued a statement describing Cooke as "one of our medium's true innovators," comparing his "bold, direct style" with ], Alex Toth, and Jack Kirby.<ref name="DC Comics official press release">{{cite web|title = Darwyn Cooke|date = 2016-05-14|work = ]|url = http://www.dccomics.com/blog/2016/05/14/darwyn-cooke|accessdate = 2017-08-17|ref = harv}}</ref> Upon Cooke's passing, DC Comics issued a statement describing Cooke as "one of our medium's true innovators," comparing his "bold, direct style" with ], Alex Toth, and Jack Kirby.<ref name="DC Comics official press release">{{cite web|title = Darwyn Cooke|date = 2016-05-14|work = ]|url = http://www.dccomics.com/blog/2016/05/14/darwyn-cooke|accessdate = 2017-08-17|ref = harv}}</ref>


Cooke acknowledged himself as difficult to work with,<ref name="Jonah Hex"/> a trait that was ultimately recognized by his peers in the comic book industry as beneficiary. Artist ] noted that Cooke's uncompromising nature "opened doors for lots of us,"<ref name="CBR (McGuirk)"/> while artist ] expressed appreciation for Cooke's mentoring despite their eventual strained relationship, noting that Cooke still influenced "every page of work that I do."<ref name="Cameron Stewart">{{cite tweet |user=cameronMstewart|author=Cameron Stewart |author-link=Cameron Stewart |number=731462369721876480 |date=May 14, 2016 |title= I met Darwyn Cooke nearly 20 years ago.}}</ref> Cooke acknowledged himself as difficult to work with,<ref name="Jonah Hex"/> a trait that was ultimately recognized as beneficial by his comic book industry peers. Artist Cliff Chiang noted that Cooke's uncompromising nature "opened doors for lots of us,"<ref name="CBR (McGuirk)"/> while artist ] expressed appreciation for Cooke's mentoring despite their eventual strained relationship, noting that Cooke still influenced "every page of work that I do."<ref name="Cameron Stewart">{{cite tweet |user=cameronMstewart|author=Cameron Stewart |author-link=Cameron Stewart |number=731462369721876480 |date=May 14, 2016 |title= I met Darwyn Cooke nearly 20 years ago.}}</ref>


==Awards and honors== ==Awards and honors==
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* {{comicbookdb|type=creator|id=1488|title= Darwyn Cooke}} * {{comicbookdb|type=creator|id=1488|title= Darwyn Cooke}}
*{{IMDb name|0177404}} * {{IMDb name|0177404}}
* at Mike's Amazing World of Comics * at Mike's Amazing World of Comics
* at the Unofficial Handbook of Marvel Comics Creators * at the Unofficial Handbook of Marvel Comics Creators
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Revision as of 08:37, 20 February 2018

For the American basketball player, see Darwin Cook.
Darwyn Cooke
Cooke at the 2013 New York Comic Con
Born(1962-11-16)November 16, 1962
Toronto, Ontario, Canada
DiedMay 14, 2016(2016-05-14) (aged 53)
Florida, U.S.
NationalityCanadian
Area(s)Cartoonist, Writer, Penciller, Inker, Letterer
Notable works
Awards
Spouse(s)Marsha Stagg
(m. 2012–2016; his death)
darwyncooke.blogspot.co.uk

Darwyn Cooke (November 16, 1962 – May 14, 2016) was an Eisner Award-winning Canadian comics artist, writer, cartoonist, and animator, known for his work on the comic books Catwoman, DC: The New Frontier, The Spirit and Richard Stark's Parker: The Hunter.

Early life

Darwyn Cooke was born in Toronto on November 16, 1962. Cooke's father was a construction worker and later ran a union. Darwyn and his brother Dennis grew up in Nova Scotia.

Cooke's interest in creating comics began after watching Batman starring Adam West. Cooke's grandmother saved some of his earliest drawings, at 5 years old, of Batman and Robin in crayon on construction paper, with Cooke keeping them after her passing. He discovered comics as a child, but did not become passionate about them until he was a teenager.

Cooke's desire to be an artist crystallized at 13 years old after reading a reprint of Spectacular Spider-Man #2, with Cooke purchasing markers and boards the day after reading the comic and attempting to copy John Romita's artwork. The following week, Cooke purchased Detective Comics #439, featuring the story "Night of the Stalker," and had found his calling. Cooke also recalled tracing panels of Will Eisner's The Spirit as a teenager. He attributed the ability to develop his own style as a byproduct of limited entertainment choices, allowing him to focus on deconstructing the comics that inspired him. His father, however, did not think that comics were a good avenue for a career.

Cooke attended George Brown College, but was expelled after a year.

Career

In 1985, Cooke left his family on his own for the first time in order to show his samples at DC Comics' New York City offices. The trip resulted in his first published comic book work as a professional artist in a five-page crime story in DC Comics' New Talent Showcase #19, which was coincidentally edited by "Night of the Stalker" artist Sal Amendola. Economic pressure, however, made Cooke leave comics, as he was only paid $35 per page and produced one page a week. Deciding that comics was not an economically feasible job, Cooke worked in Canada as a magazine art director, graphic and product designer for the next 15 years. He eventually established his own design studio.

Animation

DC animated universe

In the early 1990s, Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually, he was hired by Warner Bros. Animation after replying to an ad for storyboard artists in The Comics Journal placed by animator Bruce Timm, with Cooke shocked that there were positions available. His successful pitch included 14 pages that eventually would be published in 2000 as Batman: Ego.

Originally freelancing from Toronto, Cooke met his animation colleagues at San Diego Comic-Con and was approached about moving to Los Angeles full-time. Despite no desire to live in Los Angeles, Cooke moved there to take advantage of "an opportunity to be a part of something that was never going to come around again this way," the ability to associate with creators such as Bruce Timm, Paul Dini, Alan Burnett, and Eric Radomski. Cooke worked as a storyboard artist for four episodes of The New Batman Adventures as well as a handful of episodes of Superman: The Animated Series.

In 1999, he designed and animated the opening sequence for Batman Beyond. In contrast to most cartoon openings—which adapt music to a finalized group of shots—Batman Beyond's visuals were specifically cut to suit the music, after Cooke's successful pitch of the concept to Bruce Timm. Surprisingly, Cooke employed his personal Macintosh computer in his spare bedroom and Adobe After Effects for most of the animation, as opposed to Warner Bros.' resources. According to Cooke, the Batman Beyond team created a strong show in light of what he considered "kind of a disheartening mandate from the network," which wanted a show about the Batman of the future. He believed the WB Network ultimately disliked the show's level of violence and prematurely ended the show once it could be syndicated. Cooke then worked as a director for Sony Animation's Men in Black: The Series for a year.

In April 2014, Cooke released a Batman Beyond animated short celebrating the 75th anniversary of Batman.

Justice League: The New Frontier

In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD DC Universe Animated Original Movies based on important DC comic books. Due to the adamance of DC's then-Senior Vice-President of Creative Affairs Gregory Noveck, the second film to be adapted was Cooke's DC: The New Frontier, produced by Bruce Timm.

Due to Cooke's obligations on The Spirit, Stan Berkowitz wrote the film, while Cooke storyboarded ten percent of the film, rewrote and polished dialogue, as well as provided art direction and most of the character design. Cooke praised both Berkowitz and Timm for their ability to preserve many important character moments within the necessary shortening of the story to accommodate the film's runtime, shifting the movie's focus specifically to the Justice League characters. During the scripting process, Cooke intervened to preserve both Wonder Woman and Lois Lane's places in the film, which had originally been eliminated due to time constraints. Without them, Cooke joked that "We might as well just rename this 'White Guys in the '50s,' because everything else is gone," describing the women as "the heart of the story."

Cooke also admitted fearing for the film's outcome until he learned that his former Warner colleague David Bullock would be directing it, praising Bullock as "probably the only person in the world I would have picked ahead of myself to direct it." He also credited his strong previous relationships at Warner Bros. with his comfort on the project.

DC Comics

In the late 1990s, DC Comics art director Mark Chiarello discovered Cooke's years-old proposal for a Batman story while throwing out old pitches, and hired Cooke for what became the 2000 graphic novel Batman: Ego, marking Cooke's permanent move from animation to comics at 37 years old. Described by Cooke as "What if Batman and Bruce Wayne were able to sit down and talk about what it is they do?", the internal dialogue of Batman: Ego between Bruce Wayne and Batman was inspired by the 1981 film My Dinner with Andre.

Catwoman

In 2001, Cooke and writer Ed Brubaker revamped the Catwoman character. They started with a four-issue serial "Trail of the Catwoman" in Detective Comics #759–762 in which private detective Slam Bradley attempts to investigate the death of Selina Kyle (a.k.a. Catwoman). According to Cooke, he and Brubaker bonded over the re-introduction of Bradley, who first appeared in 1937's Detective Comics #1 and pre-dated the super-hero era of comics. The story led into a new Catwoman title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast, and modus operandi were all redesigned and redeveloped. Cooke would stay on the series until issue #4. In 2002, he would write and draw the Selina's Big Score prequel which detailed what had happened to the character directly before her new series. Cooke regarded Selina's Big Score as the "single thing I did that I liked the most." While developing DC: The New Frontier, Cooke also drew a short Catwoman back-up story within 2002's Just Imagine Stan Lee with Chris Bachalo creating Catwoman. An untold story concept Cooke held onto involved the return and revenge of Catwoman's betrayed ex-lover Stark in a similar manner to the lead character of the film Point Blank.

DC: The New Frontier

Cover to DC: The New Frontier #6 (Nov. 2004).

Cooke's next project was 2004's DC: The New Frontier, a six-issue miniseries which bridged the gap between the end of the golden and the start of the silver age of comic books in the DC Universe. Cooke began brainstorming The New Frontier after completing Batman: Ego and being steered by Mark Chiarello to do a Justice League story. Preferring not to write a story tied to modern continuity or with short-term consequences, Cooke quickly realized he had little interest in writing about the Justice League unless the focus was on "who they were before they became the Justice League."

The story, set in the 1950s, featured dozens of super-heroes and drew inspiration from the period's comic books and movies as well as Tom Wolfe's non-fiction account of the start of the U.S. space program The Right Stuff and the novels of James Ellroy due to Ellroy's skill in weaving fictional characters into real history. The major DC characters are introduced in The New Frontier in the same order that DC originally published them, even down to the correct month and year in the story's timeline. For the book's visual style, Cooke was inspired by 1950s advertising along with the works of Marvel Comics' Jack Kirby and Hanna-Barbera's Alex Toth.

As Cooke formulated The New Frontier, DC's editorial board pushed major changes from Cooke's original concept including accommodations for DC Comics' present-day continuity; the mandated changes were undone by Paul Levitz, who allowed Cooke to preserve his original intent both by setting the story out of continuity as well as offering Cooke an advance payment on his work. Cooke subsequently worked on Catwoman and Selina's Big Score before returning to work on The New Frontier.

Cooke employed non-linear narrative that increasingly tied together toward the conclusion, likening the approach to films like Memento, Pulp Fiction, and The Limey.

Cooke placed a significant focus on Green Lantern Hal Jordan, intending to illustrate "why the character was cool" in light of the character's dramatic changes in the 1994 "Emerald Twilight" story arc, which he regarded as a wholly out-of-place gimmick for Jordan to merely boost sales. To be accurate regarding Jordan's role as a United States Air Force pilot, Cooke spoke with two fighter pilots as well as fellow comic writer & artist Mike Allred, who had previously been stationed in Germany while serving in the Air Force.

While clarifying that he did not approve of John F. Kennedy's personal flaws, Cooke cited Kennedy's 1960 "New Frontier" speech—which both inspired the title and concluded the book—as "the first time was ever properly articulated."

For 2006's collected Absolute Edition of the series, Cooke proposed including up to 48 additional pages, later negotiated down to 13 in order to hit a 400-page page count. The additional material provided more backstory for The Flash and J'onn J'onnz, as well as the Suicide Squad on Dinosaur Island. Cooke admitted surprise at this deluxe edition being released so soon after the original release due to retailer demand, citing a three-year wait for an Absolute Edition of Alan Moore's The League of Extraordinary Gentlemen.

In a 2014 interview, New Frontier co-editor Chiarello named the book as the work he was the most proud of his involvement in, calling it "as pure a comic-reading experience as any comic that's ever been published."

Other projects

Cover to Solo #5 (Aug. 2005), featuring Slam Bradley.

In 2004, Cooke also contributed to DC's artist-centric anthology project Solo. His issue (#5, Aug. 2005) featured several different stories in different styles with a framing sequence featuring Slam Bradley, and was originally intended by Cooke to be his final mainstream comic before other palatable DC projects pulled him back. In 2006, Solo #5 won an Eisner Award for "Best Single Issue."

In November 2006, Cooke and writer Jeph Loeb produced a Batman/The Spirit intercompany crossover. This was followed in December by an ongoing Spirit series written and drawn by Cooke. At the time, Cooke considered The Spirit "the most exciting and horrifying offer I'd been made in my career," and later described himself as "incredibly reluctant to step into Eisner's shoes," despite it "paining him" when he was younger that he might never professionally draw the character. Cooke also expressed regret that he—while having met Will Eisner in the past—never got to consult with Eisner specifically for The Spirit; Eisner had passed away in 2005. Along with adding new characters such as Ginger Coffee and Hussein Hussein, Cooke revised Ellen Dolan and Ebony White, in particular discarding White's exaggerated blackface-inspired appearance and dialect. In June 2007, Cooke and J. Bone won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on Batman/The Spirit, and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on The Spirit. Despite intending a second year of the series, Cooke announced at the 2007 San Diego Comic-Con that his run on The Spirit would conclude after one year, after artist J. Bone had to step down, and an editorial reshuffle at DC moved editors Scott Dunbier and Kristy Quinn from the book, believing that resulting quality would not be up to his standards.

Darwyn Cooke also wrote the first six-issue story arc of the Superman monthly series Superman Confidential, which debuted on November 1, 2006 and featured stories set in Superman's early career. As Cooke developed the plot with artist Tim Sale, he realized he had no creative hook for a Superman story until discovering that, surprisingly, none had been told regarding the character's early fear and uncertainty at the limits of his invulnerability. In June 2007, Cooke was awarded the Joe Shuster Award for "Outstanding Canadian Comic Book Writer" for Superman Confidential. Feeling more comfortable with human characters like Catwoman and Batman, Cooke nonetheless had pitched one other unrealized Superman graphic novel around 2002 in collaboration with artist and future Justice League: The New Frontier director David Bullock.

In 2008, Cooke collaborated with Jimmy Palmiotti and Justin Gray on an issue of Jonah Hex out of a desire to work with the pair, write a Western story, as well as craft a cliché-breaking tale for Hex set within Canada. Cooke playfully made fun of American conventional wisdom that Canadian weather was always a blizzard, but accepted the premise as a central plot element.

Cooke was the writer/artist of Before Watchmen: Minutemen and the writer of Before Watchmen: Silk Spectre in 2012–2013. After originally being pitched to author the entire Before Watchmen series, Cooke was able to reduce his commitment to only two books, eventually accepting the project after successfully conceptualizing the Minutemen series. Cooke did not view Watchmen as "the Holy Grail" of comics, nor did he feel concerned about original Watchmen author Alan Moore's opinion on the Before Watchmen series, but he did initially turn down the project for two years out of concern that his work would not measure up either to the original book or its reputation within the comics industry.

Vertigo

Vertigo editor Shelly Bond encouraged Cooke to produce a collaborative work. Cooke proposed Gilbert Hernandez as the writer, believing Hernandez wouldn't be interested. Their collaboration, The Twilight Children, takes place in a Latin American fishing village and mixes elements of science fiction and magic realism. The lives of the villagers are disrupted by a sudden increase in supernatural activity and an influx of suspicious investigators.

Marvel Comics

While preparing for DC: The New Frontier and before creating Selina's Big Score, the success of Batman: Ego led Cooke to Marvel Comics freelance work such as X-Force, Wolverine/Doop and Spider-Man's Tangled Web.

Cooke later had a falling out with Marvel and then-Senior Editor Axel Alonso after Marvel solicited and praised his business plan for the Marvel Adventures children's line, yet subsequently passed it onto other creators without the company's communication or his involvement.

IDW Publishing

Cover to Richard Stark's Parker: The Hunter (July 2009).

In July 2009, IDW Publishing published Cooke's Richard Stark's Parker: The Hunter, an adaptation of the Donald Westlake novel, The Hunter, the first of four Parker novels Cooke adapted for IDW. The second, The Outfit, was released in October 2010, The Score was released in July 2012, and Slayground was published in December 2013, with Cooke handling the entire art direction and physical design.

After Cooke's preliminary Parker drawings struck Westlake as too hot-headed, Cooke's next approach resonated with the author as "on the right track." Cooke described Westlake as "really forthcoming" after initially contacting him, and believed he gained Westlake's support after assuring him that the comic adaptation would take place in the same time period as the books and "maintain as much of the prose as possible." Though Westlake was able to discuss story and characters with Cooke during the initial development of The Hunter, Cooke did not want to pester Westlake due to the author's advanced age. Cooke lost the ability to further work with Westlake after the author's passing in December 2008, with Westlake never seeing the finished product or contributing to new scenes exclusive to the comic adaptation. Cooke felt the loss of Westlake made the series "a little less pure" due to Cooke authoring some original dialogue, believing " would have been better with his help." According to Cooke, Westlake saw much of the development artwork and "there was no question that he was happy to have the name on the graphic novel."

The art was finished via watercolor and brush, with Cooke intending a consistent look for the four titles. Cooke deliberately took time committing to the art style, referring to his approach as a "visual shorthand that best tells this type of story" and noting that the style's roots were in his stories for Slam Bradley and Catwoman: Selina's Big Score. Cooke kept scenes dark and reserved, a choice he viewed as more authentic compared to Parker film adaptations, which typically went for exaggerated visuals, even noting that he had to get past his Warner Bros. Animation training and knowledge of the Marvel method, which both encouraged amping up the art when interpreting a script. For The Outfit, Cooke spent six months on research, character design, thumbnails, and editing, while the actual process of drawing was described by Cooke as "shorter than most people would think" at around four months of work. Once ready to draw, Cooke would pencil, ink, letter, and paint without going back to undo mistakes, channeling Westlake's own practice of writing the Parker novels as he went along.

Cooke credited IDW editor Scott Dunbier for The Hunter's strong promotional response; Dunbier's ideas included presenting the title to look like a traditional hardcover book, providing media advance review copies of the proper hardcover—a practice generally not used in the comics industry—as well as holding a release day press conference. One of Cooke's proudest moments for the series was The Hunter's coverage in the New York Times, something Westlake told Cooke he wanted but didn't live to see, with Westlake's widow Abby thrilled with the recognition her husband's work received.

Fellow artist Cliff Chiang praised The Hunter as "elegantly efficient" and a "seamless" adaptation, claiming that Cooke "was able to take Westlake's novel and make me feel as though it were always a comic," while writer and artist Howard Chaykin was "delighted that it finally happened in so compelling and well made a package." Cooke regarded criticisms that The Hunter was "bloodless" as likely from people who had not read the original books, explaining that the books' moments of violence were ruthless, efficient, unemotional non-events meant to punctuate a moment or set up the next set of challenges. Cooke also noted that Westlake mentioned that one of his early cover ideas was "too violent," and told him Parker committed violence not out of anger, but expedience.

After The Hunter, Cooke changed some of Parker's facial design—originally derived from Westlake's visual reference of a young Jack Palance—using "plastic surgery as a metaphor for his emotional regression," while retaining the jaw and eyes.

In discussing The Outfit, Cooke praised Westlake's detailed process descriptions of criminal racketeering, descriptions that led Cooke to develop different art styles for the crime stories falling outside of the Parker narrative. The crime stories' art styles were inspired by his "favorite comic book of this century," Daniel Clowes' Ice Haven, as well as Noel Sickles' Reader's Digest illustrations, and animation studios UPA and Hanna-Barbera.

At the time of The Outfit's release, Cooke said "I can see being a part of what I do for a long time," beyond IDW's four planned books. Cooke completed the eight-year contract for the Parker series' four titles in only four years, which led to Cooke anticipating at least one future project, Butcher's Moon, that was ultimately never made due to Cooke's death.

Image Comics

In January 2015, Image Comics announced a three-part fully creator-owned project by Cooke entitled Revengeance, originally intended to launch June 2015. Compared by Cooke to Mickey Spillane's I, the Jury, the psychological thriller and dark comedy had been tentatively titled Thunder Bay, and was to be set in Toronto in 1986.

Cooke initially pitched the art duties to Tim Sale, but decided to take them up himself after an unsuccessful five-year wait for Sale's availability. Revengeance, however, remained unreleased at the time of Cooke's death in 2016.

Personal life

Cooke married Marsha Stagg in Las Vegas, Nevada in November 2012 and lived in western Florida.

His personal favorite movie was The Wizard of Oz, which he described as "the first movie to scare me ignite my imagination."

Death

On May 13, 2016, Cooke's wife announced on his official blog that he was battling an "aggressive" form of cancer, stating, "It is with tremendous sadness that we announce Darwyn is now receiving palliative care following a bout with aggressive cancer. His brother Dennis and I, along with our families appreciate the outpouring of support we have received. We ask for privacy as we go through this very difficult time." Cooke died the next morning on May 14, 2016.

Comic creators such as Dan DiDio, Brian Michael Bendis, Gail Simone, Jimmy Palmiotti, Ed Brubaker, and Mark Waid expressed condolences, reminisced on working with Cooke, and made recommendations of Cooke's works to fans.

Legacy

Upon Cooke's passing, DC Comics issued a statement describing Cooke as "one of our medium's true innovators," comparing his "bold, direct style" with Joe Kubert, Alex Toth, and Jack Kirby.

Cooke acknowledged himself as difficult to work with, a trait that was ultimately recognized as beneficial by his comic book industry peers. Artist Cliff Chiang noted that Cooke's uncompromising nature "opened doors for lots of us," while artist Cameron Stewart expressed appreciation for Cooke's mentoring despite their eventual strained relationship, noting that Cooke still influenced "every page of work that I do."

Awards and honors

Cooke won thirteen Eisner Awards, eight Harvey Awards, and five Joe Shuster Awards for works produced for DC Comics and IDW Publishing, primarily for DC: The New Frontier and Richard Stark's Parker. In a 2007 interview, Cooke admitted to—while appreciating them—not paying much attention to awards. However, upon winning his first Eisner Award in 2005 for DC: The New Frontier, Cooke did feel gratification for his pursuit of comics as a career and understood that he was genuinely on the right path.

Eisner Awards

Mainstream comics can be engaging without having to go down the grim 'n' gritty road. I've tried to create books that remind us that stories should entertain, not stunts or character assassination. I've done my best to remind us that superhero and adventure comics weren't always the greasy affair they've become. It is by definition a hopeful genre aimed at the young at heart, and those are the stories I've tried to tell.

— Darwyn Cooke, Comics Journal #285
  • Best Finite Series/Limited Series - 2005 DC: The New Frontier, by Darwyn Cooke (DC)
  • Best Single Issue/Single Story - 2006 Solo #5 by Darwyn Cooke (DC)
  • Best Single Issue/Single Story - 2007 Batman/The Spirit #1 by Jeph Loeb and Darwyn Cooke (DC)
  • Best Graphic Album: Reprint - 2007 Absolute DC: The New Frontier, by Darwyn Cooke (DC)
  • Best Publication Design - 2007 Absolute DC: The New Frontier, designed by Darwyn Cooke (DC)
  • Best Adaptation from Another Work - 2010 Richard Stark's Parker: The Hunter, adapted by Darwyn Cooke (IDW)
  • Best Writer/Artist - 2011 Darwyn Cooke, Richard Stark's Parker: The Outfit (IDW)
  • Best Graphic Album: Reprint - 2012 Richard Stark's Parker: The Martini Edition, by Darwyn Cooke (IDW)
  • Best Short Story - 2012 "The Seventh" by Darwyn Cooke, in Richard Stark's Parker: The Martini Edition (IDW)
  • Best Adaptation from Another Work - 2013 Richard Stark's Parker: The Score, adapted by Darwyn Cooke (IDW)
  • Best Adaptation from Another Work - 2014 Richard Stark's Parker: Slayground, by Donald Westlake, adapted by Darwyn Cooke (IDW)
  • Best Letterer/Lettering - 2014 Darwyn Cooke, Richard Stark's Parker: Slayground (IDW)
  • Best Cover Artist - 2015 Darwyn Cooke, DC Comics Darwyn Cooke Month Variant Covers (DC)

Harvey Awards

  • Best Artist or Penciller - 2005 Darwyn Cooke, for DC: The New Frontier (DC)
  • Best Continuing or Limited Series - 2005 DC: The New Frontier, by Darwyn Cooke (DC)
  • Best Graphic Album of Previously Published Work - 2007 Absolute New Frontier by Darwyn Cooke (DC)
  • Best Cartoonist (Writer/Artist) - 2008 Darwyn Cooke, for The Spirit (DC)
  • Best Cartoonist (Writer/Artist) - 2010 Darwyn Cooke, for Richard Stark's Parker: The Hunter (IDW)
  • Best Artist or Penciller - 2011 Darwyn Cooke, for Richard Stark's Parker: The Outfit (IDW)
  • Best Cartoonist (Writer/Artist) - 2011 Darwyn Cooke, for Richard Stark's Parker: The Outfit (IDW)
  • Best Graphic Album of Original Work - 2013 Richard Stark's Parker: The Score, by Darwyn Cooke (IDW)

Joe Shuster Awards

  • Outstanding Cartoonist (writer and artist) - 2005 Darwyn Cooke for DC: The New Frontier (DC)
  • Outstanding Artist - 2007 Darwyn Cooke and J. Bone for Batman/The Spirit #1 (DC)
  • Outstanding Cartoonist (writer and artist) - 2007 Darwyn Cooke for The Spirit #1 (DC)
  • Outstanding Writer - 2007 Darwyn Cooke for Superman Confidential #1-2 (DC)
  • Outstanding Cover - 2010 Darwyn Cooke for Richard Stark's Parker: The Hunter (IDW)

Bibliography

As penciller or writer/penciller

  • 9–11: The World's Finest Comic Book Writers & Artists Tell Stories to Remember, Volume Two (2002).
  • All-Star Western #34 (DC, 2014). Artist.
  • Batman: Ego (DC, 2000). A 64-page prestige format Batman story. Writer and artist.
  • Batman/The Spirit (DC, 2006). One-shot crossover issue between Batman and The Spirit, featuring some of the supporting casts of both characters (Robin, Catwoman, the Joker, Ebony, P'Gell, Commissioner Dolan and more). Co-written by Cooke and Jeph Loeb, and penciled by Cooke.
  • Before Watchmen: Minutemen #1–6 (DC, 2012). Writer and artist.
  • Catwoman vol. 3 #1–4 (DC, 2001-2002). With writer Ed Brubaker.
  • Catwoman: Selina's Big Score (DC, 2002). 96-page graphic novel featuring a Selina Kyle story that takes place before Catwoman vol. 3 #1.
  • Creator-Owned Heroes #6–8 (Image, 2012-2013). Cooke wrote and drew three short stories.
  • DC: The New Frontier #1–6 (DC, 2004). Writer and artist.
  • Green Lantern: Secret Files 2005 (DC, 2005). Cooke pencils the main story (22 pages), written by Geoff Johns.
  • Jonah Hex #33, 50 (DC, 2008-2009). Artist.
  • Justice League: The New Frontier Special (DC, 2008).
  • Revengeance (Image, unfinished).
  • Richard Stark's Parker: The Hunter (IDW, 2009) Adapted from the novel by Richard Stark, illustrated by Cooke. (ISBN 1-6001-0493-2)
  • Richard Stark's Parker: The Man With the Getaway Face – A Prelude to The Outfit (IDW, 2010) Oversized (8" x 12") one-shot adapted from the novel by Richard Stark, illustrated by Cooke. Later republished as the first chapter in Richard Stark's Parker: The Outfit.
  • Richard Stark's Parker: The Outfit (IDW, 2010) Adapted from the novel by Richard Stark, illustrated by Cooke. (ISBN 1-6001-0762-1)
  • Richard Stark's Parker: The Score (IDW, 2012) Adapted from the novel by Richard Stark, illustrated by Cooke. (ISBN 1-6137-7208-4)
  • Richard Stark's Parker: Slayground (IDW, 2013) Adapted from the novel by Richard Stark, illustrated by Cooke. (ISBN 1-6137-7812-0)
  • Solo #5 (DC, 2005).
  • Spider-Man's Tangled Web #11, 21 (Marvel, 2002-2003). Cooke wrote and drew "Open All Night!", a Spider-Man Valentine's Day story, and "T'was the Fight Before Xmas", a Spider-Man Christmas story.
  • The Spirit #1–6, 8–12 (DC, 2006-2008). Writer and artist.
  • The Twilight Children #1–4 (Vertigo, 2016). With writer Gilbert Hernandez.
  • Weird War Tales War One-Shot #1 (DC, 2010). Cooke wrote and drew "Armistice Night."
  • Wolverine/Doop #1–2 (Marvel, 2003). 2-issue miniseries written by Peter Milligan that co-stars X-Men's Wolverine and X-Force's Doop.
  • X-Force #124 (Marvel, 2002). With writer Peter Milligan.

Backup stories as penciller

As writer

  • Batman: Gotham Knights #33 (DC, 2002). Writer of the back-up story "The Monument", with artist Bill Wray.
  • Before Watchmen: Silk Spectre #1–4 (DC, 2012). With artist Amanda Conner.
  • Solo #1 (DC, 2004). 11-page story "Date Knight", featuring Batman and Catwoman, with artist Tim Sale.
  • Superman Confidential #1–5, 11 (DC, 2006-2008). "Kryptonite," written by Cooke with art by Tim Sale.

Cover work

References

  1. ^ Gustines, George Gene (May 17, 2016). "Darwyn Cooke, Artist With a Retro Approach to Comics, Dies at 53". The New York Times. Archived from the original on August 30, 2016. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ Naso, Markisan (October 2007), "The Darwyn Cooke Interview", The Comics Journal, no. 285, Fantagraphics Books Inc., p. 30
  3. ^ Stone, Tucker (October 5, 2010). "Darwyn Cooke Takes Down 'The Outfit' [Interview]". ComicsAlliance. Archived from the original on July 22, 2017. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  4. "Darwyn Cooke". Lambiek Comiclopedia. March 3, 2013. Archived from the original on December 5, 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  5. ^ Farago, Andrew (March 7, 2008). "The Making of 'The New Frontier'". Animation World Network. Archived from the original on July 18, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  6. Siegel, Lucas (April 18, 2014). "Watch Darwyn Cooke's Full Batman Beyond Animated Short". Newsarama. Archived from the original on November 4, 2014. DC Comics released the full, brand-new animated short by Darwyn Cooke featuring Batman Beyond. The character, who had his own animated series from 1999 to 2001, seems to be getting a push this year in conjunction with his namesake, Batman's 75th Anniversary. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  7. ^ Passman, Aaron (March 2, 2008). "Darwyn Cooke, Creator of Justice League: The New Frontier". Under the Radar. Archived from the original on October 10, 2016. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  8. ^ Darwyn Cooke at the Grand Comics Database
  9. Manning, Matthew K.; Dougall, Alastair, ed. (2014). "2000s". Batman: A Visual History. London, United Kingdom: Dorling Kindersley. p. 251. ISBN 978-1465424563. In this powerful, prestige format tale by writer/artist Darwyn Cooke, criminal Buster Snibbs had ratted out his boss, the infamous Joker, to the Batman. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link)
  10. DeCourcy, Pete (October 23, 2009). "Darwyn Cooke Interview". Comic Book Daily. Archived from the original on June 5, 2015. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  11. Cowsill, Alan; Dolan, Hannah, ed. (2010). "2000s". DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 304. ISBN 978-0-7566-6742-9. One of DC's longest running characters got a makeover courtesy of writer Ed Brubaker and artist Darwyn Cooke as Catwoman was relaunched...With Brubaker's tight, noir-like scripting and Darwyn Cooke's stylish artwork, Catwoman's new direction made the character more popular than ever. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link)
  12. Manning "2000s" in Dougall, p. 262: "Darwyn Cooke was both writer and artist of this hardcover graphic novel...A fast-paced heist set immediately before Selina's second ongoing series, this tale explained how Selina had enough money to embark on a new life as a crime fighter."
  13. Greenfield, Dan (2014-07-21), "MIGHTY Q&A: DC's Mark Chiarello — One of the Most Popular Guys in Comics", 13th Dimension, 13thDimension.com, retrieved 2016-06-05
  14. ^ Bell, Josh (2015-04-09). "WC15: Cooke Gets Honest About "Before Watchmen," Turning Down Morrison". Comic Book Resources. Retrieved 2017-08-16. {{cite web}}: Invalid |ref=harv (help)
  15. ^ "2007 Nominees and Winners". Joe Shuster Awards. 2007. Archived from the original on December 25, 2013. Retrieved December 18, 2011. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  16. Cowsill "2000s" in Dolan, p. 328: "Writer Darwyn Cooke and artist Tim Sale began with 'Kryptonite', a six-part tale of Superman's first contact with the energy-sapping green element."
  17. ^ Palmiotti, Jimmy (July 2, 2008). "Riding With Jonah Hex: Darwyn Cooke". Newsarama. Archived from the original on June 3, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  18. Sava, Oliver (July 12, 2012). "Writer/artist Darwyn Cooke talks Before Watchmen and creating strong heroines". The A.V. Club. Archived from the original on January 10, 2014. Retrieved January 9, 2014. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  19. ^ Betancourt, David (2015-10-14). "Darwyn Cooke & Gilbert Hernandez illuminate their striking new 'Twilight Children'". The Washington Post. Retrieved 2017-08-16. {{cite web}}: Invalid |ref=harv (help)
  20. Re, Mike (2016-01-08). "Cooke's 'Children' lead the way for Vertigo". Asbury Park Press. Retrieved 2016-01-28. {{cite web}}: Invalid |ref=harv (help)
  21. Johnston, Rich (2005-07-05). "Lying in the Gutters Vol 2, Column 7". Comic Book Resources. Retrieved 2017-08-17. {{cite web}}: Invalid |ref=harv (help)
  22. "WonderCon Special Guests". Comic-Con Magazine. San Diego Comic-Con International: 18. Winter 2010.
  23. Hughes, Joseph (December 9, 2013). "Darwyn Cooke Adapts A Masterpiece in Richard Stark's Parker: Slayground". ComicsAlliance. Archived from the original on January 10, 2014. Retrieved January 9, 2013. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  24. ^ Spurgeon, Tom (May 10, 2009). "CR Sunday Interview: A Talk With Darwyn Cooke And Special Guest Ed Brubaker About The Hunter". The Comics Reporter. Archived from the original on July 25, 2017. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  25. Salazar, Kat (January 8, 2015). "Darwyn Cooke delivers a psychological thriller and dark comedy in Revengeance". Image Comics. Image Comics. Retrieved June 7, 2016.
  26. Johnston, Calum (May 14, 2016). "We Regret to Inform You". Darwyn Cooke blog. Archived from the original on June 10, 2016. Retrieved May 14, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  27. Ching, Albert (May 14, 2016). "Darwyn Cooke, Celebrated Comics Artist and Writer, Passes Away". Comic Book Resources. Archived from the original on September 3, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  28. "Comic Book Artist Darwyn Cooke Dies at 53". NBC News. May 14, 2016. Archived from the original on August 29, 2016. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  29. ^ McGuirk, Brendan (2016-05-14). "Comics Community Remembers Darwyn Cooke". Comic Book Resources. Retrieved 2017-08-17. {{cite web}}: Invalid |ref=harv (help)
  30. "Darwyn Cooke". DC Comics. 2016-05-14. Retrieved 2017-08-17. {{cite web}}: Invalid |ref=harv (help)
  31. Cameron Stewart (May 14, 2016). "I met Darwyn Cooke nearly 20 years ago" (Tweet) – via Twitter.

Further reading

External links

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