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==Bibliography== ==Bibliography==


'''2018'''
*''Eric Fischl, If Art Could Talk.'' Ed. Peter Doroshenko. Milan: Mousse Publishing, 2018. {{ISBN|978-88-6749-332-6}}.
'''2016'''
*''David Salle, Debris.'' Ed. Peter Doroshenko. New York: Karma, 2016. {{ISBN|978-1-942607-02-1}}.
'''2010''' '''2010'''
*''Private Spaces for Contemporary Art.'' Ed. Peter Doroshenko. Brussels: Rispoli, 2010. {{ISBN|978-3-89955-174-7}}. *''Private Spaces for Contemporary Art.'' Ed. Peter Doroshenko. Brussels: Rispoli, 2010. {{ISBN|978-3-89955-174-7}}.

Revision as of 18:01, 1 February 2019

This article is about the Ukrainian-American museum director. For other uses, see Doroshenko.

Peter Doroshenko (born 1962 in Chicago, Illinois, USA) is the Executive Director at the Dallas Contemporary, Dallas, Texas, United States.

Life and career

Before his arrival in Dallas, Doroshenko was the President and Artistic Director of the Pinchuk Art Centre, Kiev, Ukraine. He has held director and curator positions over the past twenty years, including a controversial period at the Baltic Centre for Contemporary Art, Gateshead, England; SMAK - Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; inova (Institute of Visual Arts), Milwaukee; Contemporary Arts Museum, Houston and Everson Museum of Art, Syracuse.

In the last fifteen years, Doroshenko has organized exhibitions including: Michaël Borremans, Candice Breitz, Maurizio Cattelan, Sam Durant, Meschac Gaba, Kendell Geers, Andreas Gursky, Luisa Lambri, John McCracken, Mariko Mori, João Penalva, Bojan Sarcevic, Kimsooja, Pascal Marthine-Tayou, Juergen Teller, Barthélémy Toguo, Salla Tykka and Sam Taylor-Wood.

Doroshenko has written or contributed to several books and numerous exhibition catalogues on artists' work including: Dzine, Dora Garcia, Joseph Havel, Uri Tzaig, Adriana Varejão and Erwin Wurm. In 2010, he published a monograph on collectors who have constructed their own personal museums entitled, Private Spaces for Contemporary Art, with Rispoli Books, Brussels.

Doroshenko was a visiting lecturer at the Core Program at the Glassell School of Art, Houston, from 1998 to 2006, and at the Universität für Angewandte Kunst, Vienna, from 2004 to 2006. He has also lectured extensively at other post-graduate programs and residencies over the years including: de Ateliers, Amsterdam; Hoger Instituut voor Schone Kunsten, Antwerp; Jan van Eyck Academie, Maastricht; Pavillon/Palais de Tokyo, Paris; and the Whitney Independent Study Program, New York City.

From 1996 until 1998, Doroshenko was a board trustee at the Soros Center for Contemporary Art, Kiev. In 2002, France awarded Doroshenko with the Chevalier of the Order of Arts and Letters. In 2007 and 2009, he was the commissioner for the Ukrainian Pavilion at the Venice Biennale, and in 2010, Doroshenko was co-curator of the Busan Biennale, South Korea. In 2012, Doroshenko was a Brown Foundation research fellow at Maison de Dora Maar, Ménerbes, France.

Bibliography

2018

  • Eric Fischl, If Art Could Talk. Ed. Peter Doroshenko. Milan: Mousse Publishing, 2018. ISBN 978-88-6749-332-6.

2016

2010

  • Private Spaces for Contemporary Art. Ed. Peter Doroshenko. Brussels: Rispoli, 2010. ISBN 978-3-89955-174-7.

2007

  • Spank the Monkey. Ed. Peter Doroshenko and Pedro Alonzo. Berlin: Gestalten Verlag, 2007. ISBN 978-90-816091-0-4.

References

  1. Dallas Contemporary Press Release
  2. Peter Doroshenko Appointed as the President of PinchukArtCentre Archived 2009-01-06 at the Wayback Machine
  3. ArtDaily
  4. Ars Fennica
  5. inova - Yahoo
  6. CAMH
  7. Getchen Bender Archived 2013-06-26 at archive.today
  8. Private Spaces for Contemporary Art
  9. ^ Ukrainian Pavilion
  10. British artist flies the flag for the Ukraine - The Times
  11. Biennale - e-flux
  12. MFAH Blog

External links

Categories: