| Revision as of 14:36, 24 January 2019 editTeflon Peter Christ (talk | contribs)Extended confirmed users, Pending changes reviewers140,333 edits →Track listing← Previous edit | Revision as of 01:42, 8 May 2019 edit undoTeflon Peter Christ (talk | contribs)Extended confirmed users, Pending changes reviewers140,333 editsNo edit summaryNext edit → | ||
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| {{Album ratings | {{Album ratings | ||
| | rev1 = |
| rev1 = ] | ||
| | rev1Score = {{Rating|4.5|5}}<ref |
| rev1Score = {{Rating|4.5|5}}<ref name="Nastos"/> | ||
| |rev2 |
| rev2 = '']'' | ||
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| rev2Score = {{Rating|4.5|5}}<ref>]: October 11, 1962 vol. 29, no. 26</ref> | ||
| |rev3 = '']'' | |||
| |rev3score = {{Rating|3.5|4}}<ref name="Penguin">{{cite book|last1=Cook|first1=Richard|authorlink1=Richard Cook (journalist)|last2=Morton|first2=Brian|authorlink2=Brian Morton (Scottish writer)|year=2008|title=The Penguin Guide to Jazz Recordings|edition=9th|publisher=]|page=288|isbn=978-0-141-03401-0}}</ref> | |||
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|rev4 = '']'' | ||
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| rev4Score = {{rating|4|5}}<ref name=RSJRG>{{Cite book | ||
| |editor-last=Swenson | |editor-last=Swenson | ||
| |editor-first=J. | |editor-first=J. | ||
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| == Critical reception == | == Critical reception == | ||
| ]'s Michael G. Nastos |
]'s Michael G. Nastos called the album "a most focused effort, a relatively popular session to both fans or latecomers, with five selections that are brilliantly conceived and rendered."<ref name="Nastos">Nastoes, Michael G. . ]. Retrieved on 2010-10-05.</ref> He found Coltrane "simply masterful" on tenor saxophone with a "fully formed instrumental voice" that "shine through in the most illuminating manner", and wrote of the album's standing in his catalog: | ||
| {{quote|Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums '']'' and '']'' — completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.<ref name="Nastos"/>}} | {{quote|Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums '']'' and '']'' — completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.<ref name="Nastos"/>}} | ||
Revision as of 01:42, 8 May 2019
For the 1957 album of the same name by John Coltrane, see Coltrane (1957 album). 1962 studio album by John Coltrane| Coltrane | ||||
|---|---|---|---|---|
 | ||||
| Studio album by John Coltrane | ||||
| Released | August 1962 | |||
| Recorded | April 11, June 19, 20, and 29, 1962 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Modal jazz | |||
| Length | 39:55 | |||
| Label | Impulse! | |||
| Producer | Bob Thiele | |||
| John Coltrane chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   |
| Down Beat | |
| The Penguin Guide to Jazz | |
| The Rolling Stone Jazz Record Guide |  |
Coltrane is a 1962 studio album by jazz saxophonist John Coltrane. When reissued on CD, it featured a Coltrane composition dedicated to his hero "Big Nick" Nicholas which Coltrane would record later the same year with his Ellington collaboration Duke Ellington & John Coltrane. The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer, Babatunde Olatunji.
Critical reception
Allmusic's Michael G. Nastos called the album "a most focused effort, a relatively popular session to both fans or latecomers, with five selections that are brilliantly conceived and rendered." He found Coltrane "simply masterful" on tenor saxophone with a "fully formed instrumental voice" that "shine through in the most illuminating manner", and wrote of the album's standing in his catalog:
Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums Olé Coltrane and Impressions — completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.
Francis Davis of The Village Voice felt that, apart from the "modal, three-quarter time novelty hit" "The Inch Worm", consumers should buy the album for "the gorgeous 'Soul Eyes' and a shattering 'Out of This World'".
Track listing
Side one
- "Out of This World" (Harold Arlen) — 14:06
- "Soul Eyes" (Mal Waldron) — 5:26
Side two
- "The Inch Worm" (Frank Loesser) — 6:19
- "Tunji" (Coltrane) — 6:33
- "Miles' Mode" (Coltrane) — 7:31
- Sides one and two were combined as tracks 1–5 on CD reissue.
1997 CD bonus tracks
- "Big Nick" (Coltrane) — 4:04
- "Up 'Gainst The Wall" (Coltrane) — 3:13
2002 deluxe edition
Disc One
- "Out of This World" — 14:04
- "Soul Eyes" — 5:25
- "The Inch Worm" — 6:14
- "Tunji" — 6:32
- "Miles' Mode" — 7:31
Disc Two
- "Not Yet" (Tyner) — 6:13
- "Miles' Mode" — 7:08
- "Tunji" — 10:41
- "Tunji" — 7:55
- "Tunji" — 7:16
- "Tunji" — 7:48
- "Impressions" (Coltrane) — 6:32
- "Impressions" — 4:33
- "Big Nick" — 4:28
- "Up 'Gainst the Wall" — 3:15
Personnel
- John Coltrane — tenor saxophone, soprano saxophone
- McCoy Tyner — piano
- Jimmy Garrison — bass
- Elvin Jones — drums
- Pete Turner - photography
References
- Billboard Aug 18, 1962
- ^ Nastoes, Michael G. Review: Coltrane. Allmusic. Retrieved on 2010-10-05.
- Down Beat: October 11, 1962 vol. 29, no. 26
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 288. ISBN 978-0-141-03401-0.
- Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 46. ISBN 0-394-72643-X.
- Frances Davis (2006-05-30). "The John Coltrane Guide". The Village Voice. Retrieved 2009-10-18.