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| '''''Notes on 'Camp{{'}}''''' is an essay and a book by ].<ref>Sontag, Susan. ''Notes on "Camp".'' Penguin Random House (2018). {{ISBN|978-0241339701}}</ref> It was first published as an essay in 1964, and was her first contribution to the '']''.<ref>{{cite journal |last1=Sontag |first1=Susan |title=Notes on 'Camp' |journal=Partisan Review |date=Fall 1964 |volume=31 |issue=4 |pages=515–530}}</ref> The essay attracted interest in Sontag. It was republished in 1966 in Sontag's debut collection of essays, '']''.<ref>{{cite web |last=DeMott |first=Benjamin |authorlink=Benjamin DeMott |title=Lady on the Scene |work=] |date=January 23, 1966 |url=https://www.nytimes.com/1966/01/23/archives/lady-on-the-scene-lady-on-the-scene.html |url-access=subscription |accessdate=April 14, 2016|archive-url=https://web.archive.org/web/20170714133425/https://www.nytimes.com/1966/01/23/books/booksspecial/sontag-interpretation.html|archive-date=July 14, 2017 |department=The New York Times Book Review |pages=5, 32 |volume=115 | issue = 39,446 }}</ref> The essay considers meanings and connotations of the word "]".<ref>Sontag, Susan. ''Notes on "Camp".'' Penguin Random House (2018). {{ISBN|978-0241339701}}</ref> | |||
| The essay codified and mainstreamed the cultural connotations of the word "]" and identified camp's evolution as a distinct aesthetic phenomenon.{{Citation needed|date=August 2015}} | |||
| ==An earlier description== | ==An earlier description== | ||
Revision as of 23:13, 16 May 2019
Notes on 'Camp' is an essay and a book by Susan Sontag. It was first published as an essay in 1964, and was her first contribution to the Partisan Review. The essay attracted interest in Sontag. It was republished in 1966 in Sontag's debut collection of essays, Against Interpretation. The essay considers meanings and connotations of the word "camp".
An earlier description
Christopher Isherwood is mentioned in Sontag’s essay: "Apart from a lazy two-page sketch in Christopher Isherwood's novel The World in the Evening (1954), has hardly broken into print." In Isherwood’s novel two characters are discussing the meaning of camp, both High and Low. Stephen Monk, the protagonist, says:
- You thought it meant a swishy little boy with peroxided hair, dressed in a picture hat and a feather boa, pretending to be Marlene Dietrich? Yes, in queer circles they call that camping. … You can call Low Camp…High Camp is the whole emotional basis for ballet, for example, and of course of baroque art…High Camp always has an underlying seriousness. You can’t camp about something you don’t take seriously. You’re not making fun of it, you’re making fun out of it. You’re expressing what’s basically serious to you in terms of fun and artifice and elegance. Baroque art is basically camp about religion. The ballet is camp about love…
Then examples are given: Mozart, El Greco and Dostoevsky are camp; Beethoven, Flaubert and Rembrandt are not.
References
- Sontag, Susan. Notes on "Camp". Penguin Random House (2018). ISBN 978-0241339701
- Sontag, Susan (Fall 1964). "Notes on 'Camp'". Partisan Review. 31 (4): 515–530.
- DeMott, Benjamin (January 23, 1966). "Lady on the Scene". The New York Times Book Review. The New York Times. pp. 5, 32. Archived from the original on July 14, 2017. Retrieved April 14, 2016.
- Sontag, Susan. Notes on "Camp". Penguin Random House (2018). ISBN 978-0241339701
- Sontag, Susan. Notes on "Camp". Penguin Random House (2018). ISBN 978-0241339701
- Isherwood, Christopher. The World in the Evening’’. University of Minnesota Press. 2012 p. 10 ISBN 9780099561149
- Isherwood, Christopher. The World in the Evening’’. University of Minnesota Press. 2012 ISBN 9780099561149 p. 10-11