Misplaced Pages

Zeibekiko

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by Mel Etitis (talk | contribs) at 15:49, 20 January 2006 ({{wikify}}{{copyedit}}). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 15:49, 20 January 2006 by Mel Etitis (talk | contribs) ({{wikify}}{{copyedit}})(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
Template:Wikify is deprecated. Please use a more specific cleanup template as listed in the documentation.
This article may require copy editing for grammar, style, cohesion, tone, or spelling. You can assist by editing it. (Learn how and when to remove this message)

Zeibekiko (ζεϊμπέκικο) is a Greek improvisational solo dance. Its name comes from the Zeybek people of Asia Minor. Zeibekiko is also a name of the style of music danced to, played in a 9/8 rhythm. This rhythm is also common in turkish music and is called Zeybeği.

Zeibekiko is a personal dance. Only one man can dance it. If another gets up, that is a cause of conflict and possible violence. Women were traditionally not allowed to dance zeibekiko (except prostitutes). The dancer is surrounded by other people, who crouch on their knees while clapping for the dancer. Throwing plates down at the dancer's feet is usually thought of by foreigners as being a widespread greek custom, while it rarely does happen and is not in any way part of the tradition. Throwing flowers or whatever the crowd can find that won't injure anyone (e.g. plastic plates) is more common. It is the one of the most renowned Greek dances, and was traditionally only performed by men. It is commonly referred to as the dance of dances, requiring incredible athleticism, balance, and creativity. This creativity serves to add to the mood of the zeibekiko, one of self expression and kinship with the traditionally somber lyrics to which they are dancing. Hence in the old days, applause was not sought after, nor commonly given, out of respect. This did not, however, shadow creativity to a point of sullenness, with feats such as standing on a glass of wine or a chair, or picking up a table, to add a sense of braggadaccio and humor.

See also


Stub icon

This dance-related article is a stub. You can help Misplaced Pages by expanding it.

Categories: