This is an old revision of this page, as edited by Stile4aly (talk | contribs) at 18:50, 29 August 2012 (→Cultural impact). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 18:50, 29 August 2012 by Stile4aly (talk | contribs) (→Cultural impact)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)This redirect is about the room mentioned in the book Nineteen Eighty-Four. For the TV series of the same name, see Room 101 (TV series). For the radio series, see Room 101 (radio series).
Room 101 is a place introduced in the novel Nineteen Eighty-Four by George Orwell. It is a torture chamber in the Ministry of Love in which the Party attempts to subject a prisoner to his or her own worst nightmare, fear or phobia.
You asked me once, what was in Room 101. I told you that you knew the answer already. Everyone knows it. The thing that is in Room 101 is the worst thing in the world.
— O'Brien
Such is the purported omniscience of the state in the society of Nineteen Eighty-Four that even a citizen's nightmares are known to the Party. The nightmare, and therefore the threatened punishment, of the protagonist Winston Smith is to be attacked by rats. Smith saves himself by begging the authorities to let his lover, Julia, have her face gnawed by the ferocious rodents instead. The torture, and what Winston does to escape it, breaks his last promise to himself and to Julia: never to betray her emotionally. The book suggests that Julia is likewise subjected to her own worst fear, and when she and Winston later meet in a park, he notices a scar on her forehead. The original intent of threatening Winston with the rats was not necessarily to go through with the act, but to force him into betraying the only person he loved and therefore break his spirit.
Orwell named Room 101 after a conference room at BBC Broadcasting House where he used to sit through tedious meetings.
Cultural impact
The novel's popularity has resulted in the term "Room 101" being referred to in many fictional works. For example, in the tabletop role-playing game Mage: The Ascension, many members of the Technocratic Union are mages who have been kidnapped and "processed" (indoctrinated) in the infamous "Room 101", and "deviants" are otherwise sent there for a torturous re-conditioning process.
Room 101 has also become a popular place where unpleasant things are done. On the BBC TV show Room 101, celebrities are interviewed and asked to list their pet peeves, which are then condemned to the unseen room, or not, at the discretion of the host. Since 2012 the show is hosted by Frank Skinner and guests compete to have their pet hates and peeves consigned to Room 101.
In the 2005 series of Big Brother (UK), a housemate was required to enter a Room 101 to complete tedious and unpleasant tasks, including sorting different colours of maggots.
There is a song by Carcass named "Room 101" on their album Swansong.
In The League of Extraordinary Gentlemen: Black Dossier, the physical location of Room 101 (and the Ministry of Love) is given as the MI6 headquarters at Vauxhall Cross.
According to Anna Funder's book Stasiland, Erich Mielke, the last Minister of State Security (Stasi) of the former GDR, had the floors of the Stasi headquarters renumbered so that his second floor office would be number 101.
When one of the possible original room 101s at the BBC was due to be demolished, a plaster cast was made by artist Rachel Whiteread. The cast was displayed in the cast courts of the Victoria and Albert Museum from November 2003 until June 2004.
In the 1997 Babylon 5 episode "Intersections in Real Time, Captain Sheridan is captured by the Earth Alliance and tortured. When he refuses to submit, his interrogator sends him to "Room 17" where he believes he will be executed. It turns out that Room 17 is simply another interrogation chamber and that his ordeal may never end.
In the 2011 Doctor Who episode, "The God Complex", the Doctor and his companions find themselves in a hotel full of their own personal Room 101's, each with their greatest fear in it.
The Swedish progressive death metal band Terminal Function have a song named "Room 101" on their 2008 album named Measuring the Abstract.
References
- "The Real Room 101". BBC. Archived from the original on 5 January 2007.
Meyers, Jeffery. Orwell: Wintry Conscience of a Generation. W.W.Norton. 2000. ISBN 0-393-32263-7, p. 214. - Byrnes, Sholto; Tonkin, Boyd (18 June 2004). "Anna Funder: Inside the real Room 101". The Independent. London. Retrieved 2 February 2008. (Profile of Funder and her book, Stasiland)
- "BBC Broadcasting House – Public Art Programme 2002–2008". Retrieved 18 May 2009.
- Brooks, Richard (23 March 2003). "Orwell's room 101 to be work of art". The Sunday Times. London. Retrieved 18 May 2009.
- Risely, Matt (18 September 2011). "Doctor Who: "The God Complex" Review". IGN. Retrieved 31 March 2012.
George Orwell's Nineteen Eighty-Four | |||||||
---|---|---|---|---|---|---|---|
Characters | |||||||
Places | |||||||
Groups | |||||||
Concepts | |||||||
Adaptations |
| ||||||
Related | |||||||