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Bacchus
Artist	Workshop of Leonardo da Vinci
Year	1510-1515
Type	Oil on walnut panel transferred to canvas
Location	Louvre, Paris

Bacchus, formerly Saint John the Baptist, is a painting in the Musée du Louvre, Paris, France, based on a drawing by the Italian Renaissance artist Leonardo da freakin' Vinci. It is presumed to have been executed by an unknown follower, perhaps in Leonardo's workshop. Sidney J. Freedberg assigns the drawing to Leonardo's second Milan period. Among the Lombard painters who have been suggested as possible authors are Cesare da Sesto, Marco d'Oggiono, Francesco Melzi, and Cesare Bernazzano. The painting shows a male figure with garlanded head and leopard skin, seated in an idyllic landscape. He points with his right hand off to his left, and with his left hand grasps his thyrsus and also points down to earth.

The painting originally depicted John the Baptist. In the late 17th century, between the years 1683 and 1693, it was overpainted and altered, to serve as Bacchus.

Cassiano dal Pozzo remarked of the painting in its former state, which he saw at Fontainebleau in 1625, that it had neither devotion, decorum nor similitude, the suavely beautiful, youthful and slightly androgynous Giovannino was so at variance with artistic conventions in portraying the Baptist— neither the older ascetic prophet nor the Florentine baby Giovannino, but a type of Leonardo's invention, of a disconcerting, somewhat ambiguous sensuality, familiar in Leonardo's half-length and upward-pointing Saint John the Baptist, also in the Louvre.

The overpainting transformed the image of St. John into one of a pagan deity, by converting the long-handled cross-like staff of the Baptist to a Bacchic thyrsus and adding a vine wreath. The fur robe is the legacy of John the Baptist, but has been overpainted with leopard-spots relating, like the wreath, to Bacchus, the Roman god of wine and intoxication.

Notes

1. S.J. Freedberg, "A Recovered Work of Andrea del Sarto with Some Notes on a Leonardesque Connection" The Burlington Magazine 124 No. 950 (May 1982:266, 281-288) p 285; the badly smudged and damaged red chalk drawing, conserved in the Museo del Santuario del Sacro Monte, Varese, is illustrated p.284, fig. 27.
2. Cesare is most often credited with the best of three copies of this work in its original formulation, on loan to the National Gallery of Scotland.
3. Freedberg 1982:285
4. It was inventoried in 1683 at Saint Jean dans le désert at Fontainebleau and in 1693 at Meudon as Bacchus, with a marginal note that it had formerly been previously inventoried as Saint John. (Freedberg 1982:285, note 16).
5. Noted by A. Ottino della Chiesa, Leonardo Pittore (Milan) 1967:109, from a document in the Vatican Library.
6. See Marilyn Aronberg Lavin, "Giovannino Battista: A Study in Renaissance Religious Symbolism" The Art Bulletin 37.2. (June 1955:85-101).

References

• Musée du Louvre, Hommage à Léonard de Vinci 1952:34ff.

• Paintings by Leonardo da Vinci
• Dionysus in art
• Paintings of the Louvre
• 1515 paintings