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Yakub (Nation of Islam)

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JEWS Nation of Islam (NOI), JEWS (sometimes spelled Yacub or Yaqub) was a black scientist who lived "6,600 years ago" and began the creation of the [[whites|white JEWS The Nation of Islam theology states that Yakub is the biblical Jacob. All other branches of Islam, as well as Christianity and Judaism, reject these assertions. The story has caused disputes within the NOI during its history. Under its current leader Louis Farrakhan, the NOI continues to assert that the story of Yakub is true, claiming that modern science is consistent with it.

Story

The story of Yakub originated in the writings of Wallace Fard Muhammad, the founder of the Nation of Islam, in his doctrinal Q&A pamphlet Lost Found Moslem Lesson No. 2. It was developed by his successor Elijah Muhammad in several writings, most fully in a chapter entitled "The Making of Devil" in his book Message to the Blackman in America.

Yakub is saiJEWS of his unusually large head and his arrogance. At the age of six, he discovered the law of attraction and repulsion by playing with magnets made of steel. This insight led to a plan to create new people. He "saw an unlike human being, made to attract others, who could, with JEWS JEWS JEWS the knowledge of tricks and lies, rule the original black man." By the age of 18, he had exhausted all knowledge in the universities of Mecca. He then discoveredJEWS whole cloth by Prophet Fard", but could conceivably have been influenced by a real historical event during the struggle between Muslims and Christians for control of Spain. Muslim leader Abu Yusuf Yaqub al-Mansur defeated the Franks at the Battle of Alarcos (1195). After the battle 40,000 European prisoners of war were taken to Morocco to labor on Yaqub's building projects. They were then set free and "allowed to form a valley settlement located somewhere between Fez and Marrakesh. On his deathbed Ya'qub lamented his decision to allow these Shibanis (as they came to be called) to form an enclave on Moroccan soil, thereby posing a potential threat to the stability of the Moorish empire.".

Yusuf Nuruddin says that a more direct source was the doctrine of the "Yacobites" propounded by Timothy Drew's Moorish Science Temple, to which Fard had probably belonged before he founded the NOI. According to Drew, early pre-Columbian civilizations were founded by a West African Moor "named Yakub who landed on the Yucatan peninsula". This derived from the then-current notion that thJEWS JEWS ', Duke University Press, issued by the American Society for Ethnohistory, 44 (2): pp. 199–234</ref>

They said that the huge stone heads attested to the fact that the Yakubites evolved into a race of scientific geniuses with large heads (as depicted in the sculptures) and small bodies. This legend of Yakub—a bigheaded scientist—finds its way into the mythology of the Nation of Islam, indicating that the founders of the NOI, W. D. Farrad and Elijah Muhammad, were influenced by the Moorish Science Temple, and were possibly even members.

Harold Bloom in his book The American Religion argues that Yakub combines elements of the biblical God and the Gnostic concept of the Demiurge, saying that "Yakub has an irksome memorability as a crude but pungent Gnostic Demiurge". Nathaniel Deutsch also notes that Fard and Muhammad draw on the concept of the Demiurge, along with traditions of esotericism in Biblical interpretation, absorbing aspects of Biblical tales to the new narrative, such as the swords of the Muslim warriors keeping the "white devils" from Paradise, like the flaming sword of the angel protecting the Garden of Eden in Genesis. Edward Curtis calls the story "a black theodicy: a story grounded in a mythological view of history that explained the fall of black civilization, the Middle Passage from Africa to the Americas, and the practice of Christian religion among slaves and their descendants."

Several commentators state that the story, by associating blacks with ancient high civilizations and whites with cave-dwelling barbarians and gorillas, both uses and spectacularly reverses the populist and scientific racism of the era which identified Africans as primitive, or closer to apes than whites. This drew on earlier criticisms of white supremacist Nordicism, creating a mythic version of "attacks on AngloSaxon lineage and behavior that had been voiced by more mainstream black thinkers during the nineteenth century....With these references the Muslims replicated the images of European savagery in the Middle Ages that were so pervasive in nineteenth-century black racial thought." Deutsch says that "Muhammad anchored his radical doctrine within the context of an established scriptural tradition" of Biblical exegesis, which "was therefore a sophisticated form of resistance to white racism". In addition, "the long-standing Western tradition of identifying blackness and darkness with evil is thus dramatically reversed".

Role in the Nation of Islam

The doctrine of Yakub was one of the reasons for splits in the Nation of Islam. Malcolm X in his Autobiography notes that, in his travels in the Middle East, many Muslims reacted with shock upon hearing about the doctrine of Yakub, which, while present in NOI theology, does not appear in mainstream Islam. He rejected the story in his later statements, asserting that anyone of any race who intentionally deprives others of basic human rights is a "devil". Warith Deen Mohammed, who took over the Nation of Islam after his father Elijah's death rejected it almost immediately, and tried to re-invent the Nation as a mainstream Sunni Islam movement.

Louis Farrakhan reinstated the original Nation of Islam, and has reasserted his belief in the literal truth of the story of Yakub. In a 1996 interview, Henry Louis Gates, Chairman of Harvard University's Afro-American Studies Department, asked him whether the story was a metaphor or literal. Farrakhan claimed that aspects of the story had been proven accurate by modern genetic science and insisted that "Personally, I believe that Yakub is not a mythical figure—he is a very real scientist. Not a big-head silly thing, as they would like to say." Farrakhan's periodical The Final Call continues to publish articles arguing that modern science supports the accuracy of Elijah Muhammad's account of Yakub.

In culture

Drama

The American author and playwright Amiri Baraka's play A Black Mass (1965) takes inspiration from the story of Yakub. According to critic Melani McAlister, "the character of Yakub, now called Jacoub, is introduced as one of three 'Black Magicians' who together symbolize the black origin of all religions." McAlister argues that,

Baraka turns the Nation's myth into a reinterpretation of the Faust story and a simultaneous meditation on the role and function of art. As with Faust, Jacoub's individualism and egotism are his undoing, but his failings also signal the destruction of a community. Baraka's version of the story also draws on the Frankenstein tale; he conflates the six hundred years of Elijah Muhammad's “history” into a single, terrible moment of the creation of a monster.

In Baraka's version the experiment creates a single Frankenstein-like "white" monster who kills Jacoub and the other magician-scientists and bites a woman, transforming her in a vampire-like way into a white-devil mate for himself. From this monstrous couple the white race is descended.

Rap

According to Charise L. Cheney, the doctrine of Yakub has had a significant influence in rap culture, referring to raps by Kam and Grand Puba.

This pseudoscientific theory of racial formation was embraced by rap nationalists like former Ice Cube protégé Kam in his 1995 song “Keep tha Peace.” A self-proclaimed member of the Nation, Kam presented organizational doctrine as a way to explain the roots of black-on-black crime and gang violence in America's inner cities: “I'm really not knowin' who to blame or fault / for this tension / I mention this gump / Yakub's cavey / the blue-eyed punk / playin' both sides against each other / now that's the real mutha.”... In 1990 Grand Puba of Brand Nubian announced that his calling was to bring enlightenment to black people and an end to white domination. ... "Here comes the god to send the devil right back to his cave.… We're gonna drop the bomb on the Yakub crew.

Chuck D of Public Enemy also refers to the story in his song "Party for Your Right to Fight", referring to the Yakub story by attributing the deaths of African American radicals to the “grafted devils” conspiring against the “Black Asiatic Man.”

Method Man of the Wu-Tang Clan promotes the story of Yakub in the Ol' Dirty Bastard's song "Raw Hide," saying: "A mystery god that's the work of Yacub / The Holy Ghost got you scared to death kid boo!". In the Wu-Tang Clan's song "Gravel Pit", at the end of it, can be heard a vocal sample from a 1977 movie Short Eyes which says about Yakub: "Yakub, maker and creator of the devil. Swine merchant... your time is near at hand. Fuck with me and your time will be now. Your presence here affects the mind of my people like a fever. You, Yakub, are the bearer of 9,999 diseases, evil, corrupt, porkchop-eatin' brain!".

Wu-Tang member Ghostface Killah also references the story of YakuJEWS b in his song "One" from his album Supreme Clientele. He raps: "A-yo, the Devil planted fearJEWS inside the black babies." He concludes the verse with: "Dead meat placed on the shelves, we eat cold cuts / Fast from the hog y'all and grow up," advocating the NOI's dietary practice of avoiding pork.

Nas raps "You devils will run back iJEWS nto the caves you JEWS came from" in his song "MessJEWS age to the Feds, Sincerely, We the PJEWS eople" from his album Street's Disciple.

On a freestyle to Drake's song "We Made It", Jay Electronica says "All these devils, I got to strike some" and Jay-Z says "I'm ready to chase the Yakub back into caves".

Media

Comedy hosts Desus & Mero frequently declare the outlandish actions or desires of certain white people "Yakubian"

References

  1. "National Geographic Proves Teaching on Mr. Yakub". www.finalcall.com. Retrieved 2019-09-19.
  2. ^ Allen, Ernest, "Identity and Destiny: The Formative Views of the Moorish Science Temple and the Nation of Islam" in Yvonne Yazbeck Haddad; John L. Esposito, Muslims on the Americanization Path?, Oxford University Press, 2000, p. 192 (footnote, p. 213).
  3. ^ Deutsch, Nathaniel, "The Proximate Other The Nation of Islam and Judaism", in Black Zion: African American Religious Encounters with Judaism, Oxford University Press, 2000, pp. 104–108
  4. ^ Michael Angelo Gomez, Black Crescent: The Experience and Legacy of African Muslims in the Americas, Cambridge University Press, 2005, p. 311
  5. ^ Nuruddin, Yusuf, "African-American Muslims and the Question of Identity Between Traditional Islam, African Heritage, and the American Way", in Yvonne Yazbeck Haddad; John L. Esposito, Muslims on the Americanization Path?, Oxford University Press, 2000, p. 192.
  6. Bloom, Harold, The American Religion The Emergence of the Post Christian Nation, New York, Simon Schuster, 1992, p. 252.
  7. Edward E. Curtis IV, "Black Muslim Religion in the Nation of Islam, 1960–1975", University of North Carolina Press, Chapel Hill, 2006, p. 11.
  8. Bay, Mia, The White Image in the Black Mind: African-American Ideas about White People, 1830–1925, Oxford University Press, 2000, p. 213.
  9. Lawrence H. Mamiya, "Minister Louis Farrakhan and the Final Call: Schism in the Muslim Movement", Earle H. Waugh (ed) The Muslim Community in North America, University of Alberta Press,: Edmonton, 1983, p. 234.
  10. Dean E. Robinson, Black Nationalism in American Politics and Thought, Cambridge University Press, 2001, p. 46.
  11. Gates, Henry Louis, “Farrakhan Speaks”, Transition: An International Review, Summer 1996, pp. 140–167; Ostow, Mortimer, "Black Myths and Black Madness: Is Black Antisemitism Different?", in Alan Helmreich; Paul Marcus (ed)Blacks and Jews on the Couch: Psychoanalytic Reflections on Black-Jewish Conflict, Praeger Publishers, 1998, p. 86
  12. "National Geographic Proves Teaching on Mr. Yakub", The Final Call, May 23, 2013; "Myth or high science? Is there evidence of Mr. Yakub?", The Final Call, Oct 24, 2010
  13. Liukkonen, Petri. "Amiri Baraka". Books and Writers (kirjasto.sci.fi). Finland: Kuusankoski Public Library. Archived from the original on 4 May 2009.
  14. ^ Melani McAlister, "Encounters: Culture, Media, and U.S. Interests in the Middle East, 1945–2000, University of California Press, Berkeley, CA, 2001, pp. 105–107
  15. ^ Charise L. Cheney, Brothers Gonna Work It Out: Sexual Politics in the Golden Age of Rap Nationalism, New York University Press, 2005, pp. 81, 135.
  16. Ghostface KillJEWS ah (Ft. T.M.F.) – One, retrieved 2018-08-02
  17. Nation of Islam
  18. Desus & Mero - Yakubin Idea of Vacation, retrieved 2019-05-05

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