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The Yeezus Tour

World tour by Kanye West
Associated album	Yeezus
Start date	October 19, 2013 (2013-10-19)
End date	September 15, 2014 (2014-09-15)
Legs	3
No. of shows	45
Box office	$31.8 million
Kanye West concert chronology
Watch the Throne Tour (2011–12) The Yeezus Tour (2013–14) Saint Pablo Tour (2016)

The Yeezus Tour was the fifth concert tour by American rapper Kanye West, in support of his sixth studio album, Yeezus (2013). Announced with a promotional poster in September 2013, it served as West's first solo concert tour since the Glow in the Dark Tour (2007–08). West shared the opening North American dates that same month and in January 2014, he revealed an additional stint across the continent. The rapper announced legs across Europe and Australia for 2014, although the European dates were cancelled. The tour was intended to combine staging, production, and West's aesthetic to showcase his creativity. Its stage design was handled by Es Devlin, the firm Family, Virgil Abloh, and John McGuire, with Devlin having worked on the likes of mountains and icebergs with West. For the imagery, such as the mountain, West was largely inspired by Alejandro Jodorowsky's cult film, The Holy Mountain (1973). Kendrick Lamar, A Tribe Called Quest, Travis Scott, and Pusha T served as opening acts on select dates.

The tour began in Seattle on October 19, 2013, travelling across the United States, as well as to Canada and Australia, until the last show in Brisbane on September 15, 2014. Due to West's equipment becoming damaged after an accident with his tour truck in October 2013, numerous tour dates in the US were cancelled and others re-scheduled to later dates. West performed the tracks from Yeezus alongside work from his earlier albums and accompanied some tracks with narratives, including delivering stream-of-conscious speeches after "Runaway". The concerts were separated into the five themes of "Fighting", "Rising", "Falling", "Searching", and "Finding", which were introduced with elements from the Bible. West followed different stages of his life in the themes, using masks to represent the personality shifts. The tour made usage of a light show that included a light beam, laser beams, and an LED screen. The Yeezus Tour received rave reviews from critics, who highlighted West's creativity. It had the second highest grossing leg of a tour in 2013, behind Paul McCartney's Out There! Tour. It was the highest-grossing hip-hop tour of 2013, at $31.8 million from 33 shows.

Background

In June 2013, West's sixth studio album Yeezus was released to commercial success, reaching number one in 31 countries. Co-producer Mike Dean subsequently confirmed that a tour would be held for the album with him as a backing performer. On September 6, 2013, West announced the Yeezus Tour with a promotional poster showing the album's title and him dangling backwards with his arms. West shared 23 dates and the accompaniment of an opening act from fellow rapper Kendrick Lamar, who was scheduled for all but five dates that had a "special guest" set instead. This marked Lamar's first live appearance with a full backing band. Tickets went on sale the week after West's announcement and tour dates ran from October 19–December 7, 2013, venturing across the United States and also visiting Canada; the opening city of Seattle was where he also first performed for the Glow in the Dark Tour in 2007. Later in September, West announced an additional six dates across North America.

The Yeezus Tour stood as West's first solo tour since his Glow in the Dark Tour from 2007–2008; he did not tour for his fifth album My Beautiful Dark Twisted Fantasy due to a lack of sponsorship in 2010. West had previously performed tracks from Yeezus live for television shows, including "Black Skinhead" on Saturday Night Live and "Blood on the Leaves" at the 2013 MTV Video Music Awards. For the tour's show at Las Vegas' Grand Garden Arena on October 25, 2013, rapper Pusha T served as the opening act. A Tribe Called Quest opened the concerts in New York at the Barclays Center and Madison Square Garden on November 20 and 24, respectively, marking the group's first shows since California in August. They insisted on doing these final two concerts in their home city, although later performed together again for a 2017 tour that ended at the English festival Bestival. On October 30, 2013, West's tour truck was involved in an accident on the way to a concert in Vancouver. The vehicle carried custom-made video screens and equipment, which was damaged beyond repair and this caused the show's cancelation since it was central to the staging. West also canceled tour dates in Denver, Columbus, Montreal, Minneapolis, and St. Louis, with Def Jam citing "routing logistics". Shows in Chicago, Toronto, and Detroit were rescheduled to later dates; the tour leg was set to run until December 23, 2013. The tour resumed at the Wells Fargo Center in Philadelphia on November 6, 2013. On November 30, West stormed out of a concert at the Tampa Bay Times Forum after performing three songs. This was due to technical issues such as incorrect lighting and his LED screen showing the wrong color, although the rapper resumed the concert with a performance of "Send It Up".

On January 7, 2014, West revealed nine dates for the Yeezus Tour across the US East Coast and Canada from February 13–23. Live Nation Entertainment held a credit card-sponsored presale the following day and tickets went on sale on January 10, while a press release said the leg would be the last chance for North Americans to see the rapper's "creative concept". On February 17, 2014, Live Nation announced tour dates across Australia from May 2–10. The leg featured Pusha T as an opening act and marked West's first appearance in the country since the 2012 Big Day Out festival. On March 25, 2014, West announced a European tour leg that included the likes of Germany, Norway, and the United Kingdom from June 21–July 6. A German promoter reported three days later that the European dates had been cancelled, citing "production problems". On April 1, 2014, Live Nation issued a statement that West postponed the Australian leg until September. The statement cited "unexpected timing requirements" for working on his seventh album that had been set for release in 2014, although it was eventually released as The Life of Pablo in 2016.

Stage and design

A press release said that the Yeezus Tour would combine "state-of-the-art staging, production, and lighting design with unmatched aesthetic", creative mind, and decade-long discography of singles. Set to represent the "end of the world", the tour featured a triangular main stage that resembles a catwalk. At a show in New York on November 20, 2013, West revealed that filmmaker Alejandro Jodorowsky's 1973 cult film The Holy Mountain was an inspiration for the Yeezus Tour. Imagery was influenced by the film's mountain that is shown when the thief leaves from a cross after getting attacked with stones by boys, before a spiritual guide attempts to lead him to the Holy Mountain. The tour's 50–foot mountain appears on stage prior to West performing on the top, while explosions from fire and lava occur when the mountain breaks open; it was sometimes referred to as "Mount Yeezy". Various groups of women form circle arrangements in The Holy Mountain; women appear nude or cloaked as they surround West in mostly circular movements during the tour. Faces are covered, uncovered, and attacked by insects in the film, which West references with the various masks of himself and his dancers. The thief is carried in multiple film scenes and West is carried out by a touring crew of semi-naked women, while the character and one on the Yeezus Tour both resemble Jesus. West and Jodorowsky met each other in June 2014; he was taken aback by the rapper's pureness and deep desire to craft "a work that develops the consciousness of young people".

The tour's stage design was handled by British designer Es Devlin, who had previously worked on West's Touch the Sky Tour (2005–06) and his Watch the Throne Tour (2011–12), held with fellow rapper Jay-Z. Devlin stated that West was continuously evolving creatively and the two had talked about mountains since 2005, discussing them alongside icebergs during the Watch the Throne Tour. The rapper's concert with Jay-Z in Atlantic City was supposed to feature mountains and icebergs in 2012, which West and Devlin used as a starting point for the tour's planning. Devlin noted West's dependence on reflected light like an opera and she compared pointing a light at the crowd during the concerts to pressing "the energy button". New York firm Family, Donda's since-deceased creative director Virgil Abloh, and stage designer John McGuire also contributed to the design. Abloh posted behind-the-scenes photos of the Yeezus Tour and McGuire had unsuccessfully attempted to persuade West not to use a 60–foot circular LED screen, recalling the screen having to be built. Scenography and choreography were done by Italian designer Vanessa Beecroft, who first worked with West on a listening party for his album 808s & Heartbreak when he did not initially know who the rapper was in 2008. Beecroft worked with West on other ventures, such as his 2010 short film Runaway and the music video of "Only One" in 2015.

In October 2013, it was reported by The Daily Telegraph that the French fashion house Maison Margiela provided West with his clothing for the tour that consisted of 10 specified pieces, 20 ready-to-wear pieces, and a pair of trainers. They designed four face masks that were based in black silk gauze; a spokesperson explained the transparent material needed to be in black for models to see through "because white becomes opaque". The fashion house issued a statement that they were unphased by West's public image in October 2013, focusing on working together from appreciation of his support and music. Maison Margiela were not briefed for the Yeezus Tour and only told to design in line with Beecroft's artistic direction, working closely with West since the start of the year and beginning from reinterpretations of their archives. They went through a few fittings for the garments, fabrics, textures, colours, and details, having no limits to production in their Parisian workshop. One of West's masks reinterprets Maison Margiela's signature mask from their shows; they said it was obvious for him this after he performed "in a crystal veil" for their couture collection in the fall of 2012.

Concert synopsis

The Yeezus Tour was split into five different themes; "Fighting", "Rising", "Falling", "Searching", and "Finding". Each theme's name was projected in white block letters on the LED screen in front of the mountain peak, being introduced over the arena speakers as passages and symbolism from the Bible were utilized. The screen moved between images and videos from the stage, as well as images of fire and was backed by thick fog. West went against his glass ceiling as he opened with Fighting, ordering Def Jam to give him $50 million as he performed "New Slaves" and "Mercy". Rising was based on the rapper's rise to fame, power, greatness, and destiny, relishing in his triumph. West alluded to Malcolm X and M.O.P. during "Power" and "Cold", while he shouted atop a rising mountain peak for "I Am a God". The dark moment in Kanye's life of his mother Donda West's death was marked by Falling, where a regretful snowfall fell down during "Coldest Winter". Kanye West also fought inner demons that he faced as a result of his behaviour, using his celebrity status to hide the fight. During "Hold My Liquor" and "Heartless", he was stalked by a red-eyed Yeti demon that crouched from another side of the mountain. A hell–like setting appeared for "Blood on the Leaves", depicted by bursts of fire and throbbing red projections. West engaged in self-reflection as he re-evaluated his place in the world for Searching, introduced by the narrator's promise that "If you seek him, you shall find".

West used four different face masks for the concert themes, which represented various aspects of his life. The rapper utilized a bejeweled luchador brown mask with a graffiti style for Fighting, featuring a patchwork of beading, decorative borders, and polished metals. He followed with a black mask during Rising, featuring shining studs of this color. West also rocked a black mask for Falling, covered by square white tiles. The mountain erupted with videos showing lava during the segment, as well as pyrotechnics that included sparks and red flares. The mountain cooled down before the beginning of Searching, which saw it break open for a procession of models acting as disciples carrying Frankincense and the character of Virgin Mary. West had a mirror mask for the segment, reflecting any brightness in front of him similarly to a disco ball. He delivered stream-of-conscious speeches through Auto-Tune after performing "Runaway", which were characterized as rants. West often referenced the power of corporations in the speeches, speaking against the likes of the Grammy Awards, MTV, Nike, and label executives. He self-proclaimed himself as a genius and made comparisons to figures such as inventor Nikola Tesla and Jodorowsky, as well as criticizing his media coverage and encouraging the audience to achieve their dreams. A character named White Jesus portraying Jesus appeared and removed West's mirror mask while he was kneeling during Finding, revealing the rapper's face for the first time and symbolizing him as Yeezus meeting Jesus. The character gave his blessings to West, who then performed "Jesus Walks" and declared after "All of the Lights" that "Don't nobody look stupider than me". For the closing number "Bound 2", West and a dozen robe dancers fell to their knees next to White Jesus atop the mountain as the character delivered a sermon. West and the dancers were covered in light in the ending as they looked up at White Jesus, who told the rapper that he was searching for him so he can show people "the light".

A light show was deployed for the Yeezus Tour, with West remaining in the spotlight. For the beginning, the arena lights dimmed out just before West emerged. Before the rapper appeared at certain concerts, a snippet was played of an unreleased track reportedly titled "I Am Not Here" that cut off abruptly. Rays of flashing white lights then appeared, which covered the stage throughout his performances. At points, West is illuminated by a singular light beam. Colored laser beams from the mountain shot across the venues and onto the triangular stage, depicting a pyramid. Flashes of different solos were contributed from Dean, including guitar, bass, and synths. West's dancers walked down the catwalk in single file at the beginning, appearing in white robes and nude bodysuits with matching stockings on the dancers' faces that left their hair exposed. He made a writhing throne around the dancers, who later surrounded him in a circle on the floor. Representing this scene, footage was shown on the screen of a Satanic orgy combined with a sequence from Busby Berkeley. The dancers also posed and showed appreciation for West, carrying him out in a procession and holding glowsticks atop the mountain at the ending. The mountain changed its setting during the concerts, going from being an iceberg to later splitting in half when transforming from a mountain to a volcano. For the iceberg display, it featured a zig-zagging downward path and was connected to the main stage by a crinkled walkway.

Special guests

During Lamar's opening acts, the LED screen showed footage illustrating the themes of his debut album Good Kid, M.A.A.D City (2012), combining slow motion shots of the city of Compton with Blood-walks. The shots included arms leaning out of Cadillac windows in the city's sun and smoke of blunts blowing out from the front of porches, which were covered with dandelions. Lamar was backed by a four-piece band that altered his beats, contributing licks and bass. The rapper was also supported by a guitarist, who delivered a riff for "M.A.A.D City". Lamar brought out fellow rapper E-40 for him to perform "Function" at a tour stop in San Jose on October 22, 2013, coinciding with the one year anniversary of Good Kid, M.A.A.D City.

For the concerts opened by A Tribe Called Quest, the group were backed by a body-painted lady representing "Bonita Applebum" on the screen, who appeared in black, red, and green. The lady showcased her 38-24-37 frame and during "Sucka Nigga", projections were cast of children throwing around a sign reading "n-word". Q-Tip wore matching leather sweatpants, which became a staple of his as a GOOD Music signee. The member also rocked a camouflage military jacket, a black sleeveless T-shirt with the title of their 1993 album Midnight Marauders, and a pair of Air Jordan 1s. Other group members Phife Dawg and Jarobi White leapt into the air with choreographed steps during tracks like "Excursions" from their 1991 album The Low End Theory, while the two walked across the stage for "Bonita Applebum". DJ Ali Shaheed Muhammad played his version of "Scenario", during which Busta Rhymes appeared to rap his verse. A Tribe Called Quest closed with "Award Tour", followed by Q-Tip expressing his appreciation and love for the audience.

Reception

The tour was met with rave reviews from critics. Writing for Rolling Stone, Jonathan Ringen described the tour as "totally bonkers" for its combination of entertainment, ambitions, and West's emotion delving into "places that are dark and weird and sad". He highlighted the stage props like mountains and creatures, the musicality of West's performances, his dancers' processions, his theatrical masks, and the lighting. Ernest Baker of Vice said that the tour feels like West's "personal exaltation" and resembles a horror film to a heightened degree from the Staples Center concert's closeness to Halloween, holding this atmosphere through the night and contrasting with his "stadium status" from the Glow in the Dark Tour by focusing on himself. Baker described the Yeezus Tour as a funeral of West's frustrations in a haunted house through the backing guests and stage design; he noted that "blasphemy rules with a self-aware wink" in a way which is "creepy", rock, and punk. He compared West walking the path of his mountain to the angels in the video for Bone Thugs-n-Harmony's "Tha Crossroads", concluding by calling the tour "a larger than life moment" with cultural aspects and meaningful speeches from West. Forbes staff member Zack O'Malley Greenburg noted the tour as divine art from West's flourishes of fire and ice, as well as his stage mountain and masks. Greenburg questioned if it is "the current mass cultural phenomenon" of art pop over Lady Gaga's 2013 album, offering that West takes "risks that few pop stars, if any, are willing to take in today's hyper-exposed" genre. He concluded that the tour is "overwrought and uncomfortable at times", yet was impressed with it going against "norms and provoking thought" in a manner straying from mainstream artists at the time. Jim Farber of the New York Daily News found that West's masks make him appear like a gladiator and he had a dramatic moment of moving his arms out to surrender to the arena's white light, highlighting the glacier-like structure and LED screen. Farber was thrilled with how the tour manages to either "startle or appall" and praised the appearance of the dancers, while he concluded that "unyielding beats, hellish textures and a brusque flow" were offered with an impact "as stunning as West's ego itself".

Complex's Foster Kamer was impressed with West's performances and the accompanying theatrics, noting that they serve the purpose of supplementing his "raw energy". Kamer glorified how only West would have the audacity to open a tour with "Mount Yeezy" and directed praise towards the lights, dancers, yeti, and the rapper's speeches. Colin McGuire from PopMatters was taken aback by the "ambitious and wildly theatrical" tour that proved West's superiority to his peers and was comparable to Abdellatif Kechiche's Blue Is the Warmest Colour (2013), while he praised West's "uncanny ability" at gaining or losing the respect of his listeners and his confidence. McGuire highlighted West's speeches after "Runaway" and how his inspiration is unique from other artists, seeing him as representative of "the parts of us that popular culture rarely allows us to reveal" with the provocative element of his focus on both religion and erotica. For The Hollywood Reporter, Jeff Weiss was compelled by the tour's themes and West's masks; he lauded the mountain, dancers, and Yeti demon, while observing the significance of the character White Jesus' appearance. Weiss saw it as "syncretistic extravaganza" and highlighted West's meticulous approach to his performances, noting that the proclamations in the rapper's speeches "strike a bizarre thunder in person" and concluding how him outmatching Lamar's impressive opening set leaves the question, "What's a King to a God?"

The first leg of the Yeezus Tour was the second highest grossing tour leg of 2013, gathering $25.2 million from 283,241 ticket sales and standing behind Paul McCartney's Out There! Tour. It was the highest-grossing hip-hop tour of the year, totaling $31.8 million from 33 shows. In 2019, Vivid Seats named it the 68th greatest tour of all time.

Set list

The Yeezus Tour was split into five different themes, which featured the below set lists performed by West. He also delivered "Drunk and Hot Girls", "I Wonder", "Street Lights", "Heard 'Em Say", and the instrumental of "Hey Mama" for the first concert in Seattle on October 19, 2013. At some concerts, a snippet was played of West's unreleased track "I Am Not Here".

Fighting

1. "On Sight"
2. "New Slaves"
3. "Send It Up"
4. "Mercy"

Rising

1. "Power"
2. "Cold"
3. "I Don't Like"
4. "Clique"
5. "Black Skinhead"
6. "I Am a God"
7. "Can't Tell Me Nothing"
8. "Coldest Winter"

Falling

1. "Hold My Liquor"
2. "I'm In It"
3. "Guilt Trip"
4. "Heartless"
5. "Blood on the Leaves"

Searching

1. "Lost in the World"
2. "Runaway"

Finding

1. "Stronger"
2. "Through the Wire"
3. "Jesus Walks"
4. "Diamonds From Sierra Leone"
5. "Flashing Lights"
6. "All of the Lights"
7. "Good Life"
8. "Bound 2"

Tour dates

Members

The following individuals were involved with the production:

• Mike Dean
• Noah Goldstein
• Che Pope
• Renelou Padora
• Don C
• Elon Rutberg
• Ibn Jasper
• Virgil Abloh
• Vanessa Beecroft
• Yemi A.D.
• Izvor Zivkovic
• Matthew Williams
• Alex Rosenberg
• Jerry Lorenzo
• Tracey Mills
• Dan Gieckel
• Mano (tour Dj)
• Ricky Anderson
• Sakiya Sandifer
• Justin Saunders
• Pascal Duvier

Canceled film

In February 2014, West uploaded a trailer of a film for the Yeezus Tour to his website. It featured speedy shots of the tour, showing horses running in snow and West wearing his masks. Author Bret Easton Ellis revealed around the same time of the trailer that he was working with the rapper on a project, after having re-imagined a scene from American Psycho (2000) for a promotional clip of the tour. Ellis was reluctant to write for the film until he listened to an advance copy of Yeezus in the summer of 2013; he then crafted a script in "Kanye land". The film was set to be shot by director Hype Williams, who previously directed music videos for West's singles like "Gold Digger", "Stronger", and "Heartless".

In October 2023, Williams explained to Complex how after he shot the film with West in Chicago and Toronto, the two engaged in a dress rehearsal with attention to detail so intense that they lost its original meaning. West was working on The Life of Pablo at this time, therefore him and Williams instead decided to shoot videos for the album. The director and Scooter Braun spent six months negotiating with IMAX for the film's release, although it was discarded due to West's personal issues after his then-wife Kim Kardashian was robbed in Paris. Williams revealed that nobody, not even West himself, has viewed the film and it was filmed in 2014; he compared its significance to an unreleased recording from the likes of the Rolling Stones or the Beatles.

Notes and references

Notes

1. See the following citations for Pusha T, Travis Scott, and A Tribe Called Quest's appearances on the North American leg:

Citations

1. Michaels, Sean (June 19, 2013). "Kanye West will go on tour, says Yeezus co-producer". The Guardian. Retrieved September 6, 2013.
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4. ^ Polk, Leilani (December 5, 2013). "A look back at Kanye West's 'Yeezus Tour' avant-hop extravaganza at Tampa Bay Times Forum". WTTA. Archived from the original on February 11, 2023. Retrieved August 12, 2024.
5. ^ "Kanye West announces 2013 Yeezus tour, featuring Kendrick Lamar". Consequence. September 6, 2013. Retrieved September 1, 2024.
6. Anderson, Kyle (September 6, 2013). "Kanye West and Jay Z each announce separate tours". Entertainment Weekly. Retrieved 26 November 2016.
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9. Diep, Eric (October 16, 2013). "Q-Tip Hints A Tribe Called Quest Will Play Their Last Shows On Kanye Tour". XXL. Retrieved September 1, 2024.
10. ^ Battan, Carrie (October 16, 2013). "A Tribe Called Quest Join Kanye West Tour, Q-Tip Says It's Their Last Shows Ever". Pitchfork. Retrieved September 1, 2024.
11. "'A Tribe Called Quest' Plays Their Final Show at Bestival 2017". Philadelphia: CBS News. September 11, 2017. Retrieved September 1, 2024.
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14. ^ Sieczkowski, Cavan (December 3, 2013). "Kanye West Storms Off Stage At Tampa 'Yeezus' Show Because Of Lighting Issues". HuffPost. Retrieved September 12, 2024.
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23. ^ Scarano, Ross; Pasori, Cedar (November 22, 2013). "Kanye's Holy Mountain: The Influence of Alejandro Jodorowsky on the Yeezus Tour". Complex. Retrieved September 1, 2024.
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26. Pasori, Cedar (June 18, 2014). "Kanye West Meets One of His Greatest Influences, Filmmaker Alejandro Jodorowsky". Complex. Retrieved September 1, 2024.
27. ^ Harris, Christopher. "'Yeezus' Tour Architects Share Set Designs". HipHopDX. Archived from the original on July 6, 2015. Retrieved September 8, 2024.
28. ^ Sokol, Zach (January 21, 2014). "Meet The Woman Behind Kanye's Yeezus Tour (It's Not Kim)". Vice. Retrieved September 8, 2024.
29. Hass, Nancy (October 1, 2015). "Meet Kanye West's Stage Designer". The Hollywood Reporter. Retrieved September 5, 2024.
30. Giles, Matthew (November 17, 2013). "How Kanye Fixed His Broken 60-Foot Screen and Saved the Yeezus Tour". Vulture. Retrieved September 8, 2024.
31. Mandel, Leah (February 11, 2016). "A Brief History Of Kanye West's Work With Vanessa Beecroft". The Fader. Retrieved September 8, 2024.
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39. ^ Ringen, Jonathan (November 22, 2013). "11 Reasons Kanye West's 'Yeezus' Tour Is Actually Incredible". Rolling Stone. Retrieved August 8, 2016.
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• Kanye West concert tours
• 2013 concert tours
• 2014 concert tours
• Concert tours of the United States
• Concert tours of Canada
• Concert tours of Australia