Misplaced Pages

Raymond Elston

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

This is an old revision of this page, as edited by Egrabczewski (talk | contribs) at 07:00, 6 December 2024 (reverted A.I.A. change as it redirects to a disambiguation page instead of directly to the Association). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Revision as of 07:00, 6 December 2024 by Egrabczewski (talk | contribs) (reverted A.I.A. change as it redirects to a disambiguation page instead of directly to the Association)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) British designer and artist

Raymond Elston was a textile designer, furniture designer and abstract artist. He was influenced by abstract expressionism and modernist principles and is remembered for his early work with the fashion and furniture designer Terence Conran, and for the mobiles he exhibited in the early 1950s with the Constructionist Group.

Early life and education

Little is known of Elston's early life. He attended the Central School of Arts and Crafts between 1948-51. Victor Pasmore taught there during this period, during which Elston got to know Anthony Hill and Terence Conran.

Career and artistic style

In 1951 Elston, "a trained fashion designer", worked with Terence Conran, making denim clothes for the Lancashire-based textiles company David Whitehead Ltd, as well as making wood and metal furniture with Conran and Gill Pickles. He shared lodgings in Sloane Court West with syntactic artist Anthony Hill, after Conran had moved out.

In 1964, Elston was designing interiors and furniture for Contract Interiors Ltd at 203 Kings Road, London S.W.3. Some of his work is illustrated in Conran's books.

Elston had been a member of the Chelsea Arts Club in London since at least 1993. In 1994 he was interviewed by author Nicholas Ind whose book, entitled "Terence Conran: The Authorised Biography", recounts Elston's early experiences with Conran and Anthony Hill.

Elston's artistic style - based on his work with mobiles, stabiles and furniture design - was abstract and modernist.

Artistic output

Elston is largely remembered for his mobiles, however the main body of his work throughout his life was involved with designing and manufacturing textiles, and later furniture design and decoration - initially with his friend Terence Conran.

Examples of Elston's work can be found in exhibition photographs taken between 1951 and 1953, and later in books published by Conran and others.

Exhibitions and legacy

Elston exhibited his work with Terence Conran, Adrian Hill and other members of the Constructionist Group, between 1951 and 1953. Neither Elston nor Conran contributed to subsequent fine-art shows; Conran was dissapointed with the lack of interest in his work.

  • First Constructionist Exhibition, February 1951, The London Group
  • Abstract Paintings, Sculptures, Mobiles, 22 May - 11 June 1951, A.I.A. Gallery
  • Second Weekend Exhibition, 11 - 14 July 1952, 22 Fitzroy Street
  • Third Weekend Exhibition, 1 - 4 May 1953, 22 Fitzroy Street

Notes

  1. A stationary abstract construction, usually of wire, metal, wood, etc.

References

  1. Grieve (1990), p. 774.
  2. ^ Fowler (2006), p. 69.
  3. Ind (1995), p. 54.
  4. Conran (2016), p. 28.
  5. Ind (1995), p. 64.
  6. The Life of Terence Conran. sfnp error: no target: CITEREFThe_Life_of_Terence_Conran (help)
  7. Ind (1995), p. 82.
  8. Young (1964), p. 170. sfnp error: no target: CITEREFYoung1964 (help)
  9. Inchbald (1965), p. 284.
  10. ^ Conran (1974), p. 109.
  11. ^ Conran (1976), p. 83.
  12. Chelsea Arts Club 1993 Yearbook (1993), p. 12. sfnp error: no target: CITEREFChelsea_Arts_Club_1993_Yearbook1993 (help)
  13. Ind (1995).
  14. Ind (1995), p. 79.
  15. ^ Grieve (1990), p. 779.
  16. The Modern House (2024). sfnp error: no target: CITEREFThe_Modern_House2024 (help)
  17. Inchbald (1965), p. 184.
  18. Jobse (2005), p. 251.
  19. Grieve (2005), p. 12.
  20. Ind (1995), p. 77.
  21. Grieve (2005), p. 15.
  22. Morris & Radford (1983), p. 85.
  23. Grieve (2005), pp. 18–22.
  24. Grieve (1990), p. 780.
  25. Grieve (2005), pp. 24–25.

Sources

See also

External links


Stub icon

This article about an artist from the United Kingdom is a stub. You can help Misplaced Pages by expanding it.

Categories: