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Cacaxtla is an archaeological site located near the southern border of the Mexican state of Tlaxcala. It was a sprawling palace containing vibrantly colored murals painted in unmistakable Maya style. The nearby site of Xochitecatl was a more public ceremonial complex associated with Cacaxtla. Cacaxtla and Xochitecatl prospered 650-900 CE, probably controlling important trade routes through the region with an enclave population of no more than 10,000 people.

History

Cacaxtla was the capital of region inhabited by the Olmeca-Xicalanca people. The origins of the Olmeca-Xicalanca are not known with certainty, but they are assumed to come from the Gulf coast region, and were perhaps Maya settlers who arrived in this part of central Mexico around 400 CE.

The term "Olmeca-Xicalanca" was first mentioned by Tlaxcalan historian Diego Muñoz Camargo at the end of the 16th century. This historian described Cacaxtla as the principal settlement of the “Olmeca”, although what we today refer to as the Olmec culture ended ~400 BCE, that is, almost 800 years earlier.

After the fall of the nearby city Cholula (ca. 650 - 750) -- in which the Cacaxtlecas might have been involved—Cacaxtla became the hegemonic power in this part of the Tlaxcala–Puebla valley. Warriors from Cacaxtla appear to have taken over Cholula for a time, but they were ultimately expelled by the Toltecs. Its ascendancy came to an end around 900 CE and, by 1000, the city had been abandoned.

Modern history of the site

The site was rediscovered in 1974 by looters, but quickly came to the attention of archaeologists that same year.

Battle Mural (Mural de la Batalla)

This large mural is divided in two parts by a staircase. The paintings have been interpreted as a possible confrontation between the local group and another one that comes from what is now Southeastern Mexico. They may also represents ritual in which the conquering warriors display their arms and the conquered are sacrificed, as you can see by their wounds and mutilations. Both mineral and organic pigments have been used to paint this mural.

The city

The centre of the city of Cacaxtla was the 200-metre-long, 25-metre-high Gran Basamento – a natural platform offering a fine defensive position and commanding views over the surrounding terrain. The city's main religious and civil buildings were located on this platform, as were the residences of the priest class. Several other smaller pyramids and temple bases stand in the vicinity of the main platform.

Because Cacaxtla's main basamento was not excavated until the 1980s, many of the original coloured wall decorations have been preserved and can be appreciated in situ(In position not moved from original spot) by visitors to the site. Of particular interest is the fact that most of the murals seem to combine the symbology of Altiplano cultures with influences from the Maya, making Cacaxtla unique in this regard.

The most famous of Cacaxtla's preserved paintings is the "Battle Mural", or Mural de la batalla, located in the northern plaza of the basamento. Dating from prior to 700, it is placed on the sloping limestone wall of a temple base and is split in two by a central staircase. It depicts two groups of warriors locked in battle: on the one side are jaguar warriors, armed with spears, obsidian knives, and round shields, who are locked in battle with an army of bird warriors (some of whom are shown naked and in various stages of dismemberment).

Visiting the site

The archaeological site is maintained by the government's National Institute of Anthropology and History (INAH) and is open Tuesday to Sunday, from 8:00 to 17:30. The admission is $46 MXN on weekdays, and free in the weekend. Permission to make pictures costs another $50 MXN. In addition to the ruins, there is a small but well presented museum containing models of how the city appeared in its heyday and a collection of artifacts found on the site. If you ever find yourself at the archaeological site of Cacaxtla, take a walk around the Great Platform. This partially artificial summit contains layers upon layers of prehistoric occupations. There is more to Cacaxtla than just the beautiful murals. Here archaeologists have found rabbit pens, proof of the diet which was available to the elite who lived at the hill's summit.

Another nearby site associated with Cacaxtla is Xochitecatl which was a more public ceremonial complex.

See also

• Xochitecatl, a neighbouring archaeological site, approximately 1 km to the west.

Notes

1. Further information: www.dti.inah.gob.mx

References

Nichols, Deborah L. (2001). "Central Mexico Postclassic". In Peregrine, Peter Neal; Ember, Melvin (eds.). Encyclopedia of Prehistory. Vol. 5 : Middle America. New York: Kluwer Academic/Plenum Publishers, in conjunction with the Human Relations Area Files at Yale University. pp. 22–53. ISBN 0-306-46259-1. OCLC 84088734. {{cite encyclopedia}}: Unknown parameter |coauthors= ignored (|author= suggested) (help); templatestyles stripmarker in |author= at position 1 (help); templatestyles stripmarker in |coauthors= at position 5 (help)CS1 maint: numeric names: authors list (link)

External links

• Cacaxtla at INAH Template:Es icon
• Proyecto La pintura mural prehispánica en México, UNAM
• Tour by Mexico
• INAOEP

19°14′35″N 98°20′24″W / 19.24313°N 98.34000°W / 19.24313; -98.34000

• Archaeological sites in Tlaxcala
• Mesoamerican sites
• Former populated places in Mexico
• Classic period in Mesoamerica
• Visitor attractions in Tlaxcala
• Museums in Tlaxcala