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| Fabrice Aragno | |
|---|---|
| Born | (1970-03-31) March 31, 1970 (age 54) Neuchâtel |
| Nationality | Swiss |
| Alma mater | École cantonale d'art de Lausanne |
| Occupation | Cinematographer |
Fabrice Aragno (born (1970-03-31)March 31, 1970 in Neuchâtel) is a Swiss director, producer, and cinematographer.
He attended the École cantonale d'art de Lausanne, graduating in 1998.
Aragno has made several short films, including Dimanche (his graduation film, selected for the 1999 Cannes Film Festival), Le Jeu (2003), and Autoure de Claire (2010).
Since 2002, he has worked with Jean-Luc Godard, directing Notre musique (2004) and on picture and sound for Film Socialisme (2010), Les Trois Désastres (2013) and Goodbye to Language (Template:Lang-fr) (2014).
In 2012, Radio Télévision Suisse (RTS) employed him as director on a documentary film about Godard, one of a 10-part series on Swiss directors. The film, Quod Erat Demonstrandum, is a 26-minute montage of clips from Godard's films.
Working with the Swiss Film Archive, he edited and co-produced the films Amore carne and Sangue, directed by Pippo Delbono, and directed Freddy Buache, le cinéma. He also produced L'invisible (2013) for the Lemancolia exhibition held at the Musée Jenisch de Vevey, and Pris dans le tourbillon (2014) for general release.
Filmography
Director of photography
- 2010 : Film Socialisme by Jean-Luc Godard
- 2013 : Les Trois Désastres by Jean-Luc Godard
- 2014 : Adieu au langage by Jean-Luc Godard
Director
- 1997 : Luchando frijoles - Cuba de un día a otro
- 1998 : Dimanche
- 2002 : Le Jeu
- 2010 : Autour de Claire
- 2012 : Freddy Buache - Le Cinéma
- 2012 : Quod Erat Demonstrandum
- 2013 : L'invisible
- 2014 : Pris dans le tourbillon
Editor and producer
- 2011 : Amore Carne by Pippo Delbono
- 2013 : Sangue by Pippo Delbono
Sources
- Cook, Adam (23 October 2012). "Beauty in the Defects: An Interview with Fabrice Aragno". Notebook. Retrieved 24 October 2012.
- Nectoux, Gaspard (July – August 2014). "Le lac et le désert. Propos de Fabrice Aragno". Cahiers du cinéma (in French). No. 702. pp. 22–23.
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