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Revision as of 15:13, 15 September 2016 by Flami72 (talk | contribs) (→History and productions: add Broadway theatre & dates with ref)(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff) Musical by Irene Sankoff and David Hein| Come from Away | |
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| Music | Irene Sankoff and David Hein |
| Lyrics | Irene Sankoff and David Hein |
| Book | Irene Sankoff and David Hein |
| Productions | 2015 La Jolla Playhouse 2015 Seattle Repertory Theatre |
Come from Away is a musical with book, music, and lyrics by Irene Sankoff and David Hein. It is based on the town of Gander, Newfoundland following the September 11 attacks when 38 planes had to unexpectedly land in the small town as part of Operation Yellow Ribbon. The townspeople of Gander housed and fed the stranded passengers, who nearly doubled the population of the town. Following successful runs at the La Jolla Playhouse and the Seattle Repertory Theatre in 2015, the play is scheduled to appear in 2016 at Ford's Theatre in Washington, DC and the Royal Alexandra Theatre in Toronto, then debut on Broadway in February 2017.
History and productions
The idea for the show was first conceived by Michael Rubinoff, a Toronto theatre producer and associate dean of visual and performing arts at Sheridan College. After approaching various Canadian writing teams about the project, Rubinoff attracted Irene Sankoff and David Hein, whose work he knew from their 2009 musical, My Mother's Lesbian Jewish Wiccan Wedding, which was a hit at the Toronto Fringe Festival and later picked up by Mirvish Productions.
In 2011, Sankoff and Hein visited Gander on the tenth anniversary of the attacks to interview locals and returning passengers. The couple translated some stories directly to the musical while others were merged for story purposes. Rubinoff used their initial script to produce a 45-minute workshop version for the Canadian Music Theatre Project, part of the Sheridan College Music Theatre Performance Program, in 2012. The workshop was sufficiently successful that Rubinoff invited Sankoff and Hein to finish writing it for a full production at Sheridan in 2013, as part of the college's regular theatrical season. The full production was an artistic success, but Rubinoff was unable to attract a Canadian producer for further development.
In the meantime, Goodspeed Musicals, East Haddam, Connecticut included the show in their workshop program. The National Alliance for Musical Theatre in New York selected it as a showcase presentation in fall 2013, where a performance led to the show being optioned by Junkyard Dog Productions, the production company behind Memphis, First Date and the Broadway production of Doctor Zhivago.
The professional production was a collaboration by the La Jolla Playhouse and Seattle Repertory Theatre in 2015. The play had sold-out runs in each location. The musical opened at the La Jolla Playhouse in June 2015, directed by Christopher Ashley and featuring Joel Hatch as the Mayor of Gander, Jenn Colella as Beverly, a pilot, and Chad Kimball as Kevin.
The musical is expected to premiere on Broadway on February 18, 2017 (previews) and officially on March 12 at the Gerald Schoenfeld Theatre. The show plays out-of-town engagements at Ford's Theatre in Washington, D. C. from September 2, 2016 to October 9, and then at the Royal Alexandra Theatre, Toronto, from November 15, 2016 to January 8, 2017. Direction is by Christopher Ashley with choreography by Kelly Devine.
Synopsis
On the morning of September 11, 2001 the townsfolk of Gander, including Claude the mayor, Oz the constable, Beulah at the elementary school, Bonnie of the SPCA, and others tell the story of how they learned of the terrorist attacks in New York and Washington, DC ("Welcome to the Rock"). When US airspace is closed, air traffic control coordinates the landing of 38 planes at the Gander airport ("38 Planes"). The pilots, flight attendants, and passengers also deal with confusing and conflicting information about what had happened and why they were suddenly grounded but not allowed off the planes. Meanwhile, the townspeople are busy preparing to deal with housing, feeding, and comforting over 6,000 passengers. Once transferred to various emergency shelters across the island, the strangers begin to bond with the quirky townsfolk while trying to come to terms with what has happened and trying to contact their families.
References
- Viagas, Robert "Toronto's Royal Alexandra Theatre Will Get a $2.5 Million Facelift" Playbill.com, May 6, 2016
- ^ Ouzounian, Richard (December 14, 2015). "From Sept. 11 tragedy, a theatrical triumph". Toronto Star.
- Hetrick, Adam (February 16, 2016). "Come From Away, Musical About Travelers Stranded on 9/11, Is Broadway-Bound". Playbill.
- Hebert, James. "9/11-Themed ‘Come From Away’ Takes a Seattle Layover" americantheatre.com, November 24, 2015
- McNulty, Charles. "Generosity overcomes terrorism in unpretentious 'Come From Away'" Los Angeles Times, June 15, 2015
- Viagas, Robert. 9/11 Musical 'Come From Away' Books a Broadway Theatre" Playbill, September 15, 2016
- Hetrick, Adam. "Broadway-Bound Musical 'Come From Away '" Begins DC Run" Playbill, September 2, 2016
- Marks, Pater. "‘Come From Away’ stirs powerful memories of 9/11" The Washington Post, September 8, 2016
- Hetrick, Adam. "New Musical 'Come From Away' Will Arrive On Broadway in February" Playbill, July 21, 2016
- Come From Away mirvish.com, accessed July 22, 2016